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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CDB5B it is the complementary color #E324A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CDB5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CDB5B shade: #21DB56, #32ED69, #43FF7C, #54FF8F and #65FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CDB5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CDB5B shade: #1CDB5B, #0BC948, #00B735, #00A522 and #00930F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CDB5B shade: #1CD95A, #1CD927, #44D91C, #76D91C and #A9D91C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CDB5B shade: #1CD95A, #1CD98D, #1CD9C0, #1CBED9 and #1C8CD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CDB5B shade matches the following richer shades: #1CD95A and #08EC54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CDB5B shade: #1CD95A, #30C561, #44B168, #589D6F and #6B8975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CDB5B shade: #45D91C, #1CD926, #1CD958, #1CD98A and #1CD9BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CDB5B shade: #13903C, #17B44B, #1CD95A, #39E572 and #5DEA8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CDB5B shade: #1CDB5B, #1C77D9 and #D91C2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CDB5B shade: #1CDB5B, #581CD9 and #D9581C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CDB5B shade: #1CDB5B, #1C77D9, #D91C9D and #D97E1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CDB5B shade: #1CDB5B, #1C3FD9, #D91C9D and #D9B61C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 58 / 14

HEX #1CDB5B

RGB 28 219 91

HSL 139.79, 0.77%, 0.48%

LAB 77.08, -69.71, 49.89

 

Complementary color

CMYK 0 / 84 / 28 / 11

HEX #E324A4

RGB 227 36 164

HSL 319.79, 0.77%, 0.52%

LAB 52.14, 77.85, -22.05

 

CMYK 85 / 0 / 61 / 14

HEX #21DB56

RGB 33 219 86

HSL 137.1, 0.74%, 0.49%

LAB 77.08, -69.94, 52.11

 

CMYK 79 / 0 / 56 / 7

HEX #32ED69

RGB 50 237 105

HSL 137.65, 0.84%, 0.56%

LAB 83.05, -71.51, 50.67

 

CMYK 74 / 0 / 51 / 0

HEX #43FF7C

RGB 67 255 124

HSL 138.19, 1%, 0.63%

LAB 89, -72.63, 49.2

 

CMYK 67 / 0 / 44 / 0

HEX #54FF8F

RGB 84 255 143

HSL 140.7, 1%, 0.66%

LAB 89.57, -67.18, 40.97

 

CMYK 60 / 0 / 36 / 0

HEX #65FFA2

RGB 101 255 162

HSL 143.77, 1%, 0.7%

LAB 90.27, -60.88, 32.6

 

CMYK 87 / 0 / 58 / 14

HEX #1CDB5B

RGB 28 219 91

HSL 139.79, 0.77%, 0.48%

LAB 77.08, -69.71, 49.89

 

CMYK 95 / 0 / 64 / 21

HEX #0BC948

RGB 11 201 72

HSL 139.26, 0.9%, 0.42%

LAB 71.09, -67.47, 51.34

 

CMYK 100 / 0 / 71 / 28

HEX #00B735

RGB 0 183 53

HSL 137.38, 1%, 0.36%

LAB 65.06, -64.54, 52.55

 

CMYK 100 / 0 / 79 / 35

HEX #00A522

RGB 0 165 34

HSL 132.36, 1%, 0.32%

LAB 59, -60.83, 53.18

 

CMYK 100 / 0 / 90 / 42

HEX #00930F

RGB 0 147 15

HSL 126.12, 1%, 0.29%

LAB 52.84, -56.67, 52.59

 

CMYK 87 / 0 / 59 / 15

HEX #1CD95A

RGB 28 217 90

HSL 139.68, 0.77%, 0.48%

LAB 76.44, -69.22, 49.59

 

CMYK 87 / 0 / 82 / 15

HEX #1CD927

RGB 28 217 39

HSL 123.49, 0.77%, 0.48%

LAB 76.08, -73.76, 67.86

 

CMYK 69 / 0 / 87 / 15

HEX #44D91C

RGB 68 217 28

HSL 107.3, 0.77%, 0.48%

LAB 76.64, -68.99, 71.06

 

CMYK 46 / 0 / 87 / 15

HEX #76D91C

RGB 118 217 28

HSL 91.43, 0.77%, 0.48%

LAB 78.21, -56.44, 73.02

 

CMYK 22 / 0 / 87 / 15

HEX #A9D91C

RGB 169 217 28

HSL 75.24, 0.77%, 0.48%

LAB 80.82, -38.35, 76.27

 

CMYK 87 / 0 / 59 / 15

HEX #1CD95A

RGB 28 217 90

HSL 139.68, 0.77%, 0.48%

LAB 76.44, -69.22, 49.59

 

CMYK 87 / 0 / 35 / 15

HEX #1CD98D

RGB 28 217 141

HSL 155.87, 0.77%, 0.48%

LAB 77.16, -60.74, 25.45

 

CMYK 87 / 0 / 12 / 15

HEX #1CD9C0

RGB 28 217 192

HSL 172.06, 0.77%, 0.48%

LAB 78.27, -48.63, 0.05

 

CMYK 87 / 12 / 0 / 15

HEX #1CBED9

RGB 28 190 217

HSL 188.57, 0.77%, 0.48%

LAB 70.93, -28.98, -24.46

 

CMYK 87 / 35 / 0 / 15

HEX #1C8CD9

RGB 28 140 217

HSL 204.44, 0.77%, 0.48%

LAB 56.1, -2.02, -47.56

 

CMYK 87 / 0 / 59 / 15

HEX #1CD95A

RGB 28 217 90

HSL 139.68, 0.77%, 0.48%

LAB 76.44, -69.22, 49.59

 

CMYK 97 / 0 / 64 / 7

HEX #08EC54

RGB 8 236 84

HSL 140, 0.93%, 0.48%

LAB 82.21, -76.58, 58.69

 

CMYK 87 / 0 / 59 / 15

HEX #1CD95A

RGB 28 217 90

HSL 139.68, 0.77%, 0.48%

LAB 76.44, -69.22, 49.59

 

CMYK 76 / 0 / 51 / 23

HEX #30C561

RGB 48 197 97

HSL 139.73, 0.61%, 0.48%

LAB 70.47, -59.61, 39.17

 

CMYK 62 / 0 / 41 / 31

HEX #44B168

RGB 68 177 104

HSL 139.82, 0.44%, 0.48%

LAB 64.7, -47.49, 28.35

 

CMYK 44 / 0 / 29 / 38

HEX #589D6F

RGB 88 157 111

HSL 140, 0.28%, 0.48%

LAB 59.28, -32.4, 17.42

 

CMYK 22 / 0 / 15 / 46

HEX #6B8975

RGB 107 137 117

HSL 140, 0.12%, 0.48%

LAB 54.35, -14.92, 7.27

 

CMYK 68 / 0 / 87 / 15

HEX #45D91C

RGB 69 217 28

HSL 106.98, 0.77%, 0.48%

LAB 76.66, -68.81, 71.09

 

CMYK 87 / 0 / 82 / 15

HEX #1CD926

RGB 28 217 38

HSL 123.17, 0.77%, 0.48%

LAB 76.08, -73.81, 68.11

 

CMYK 87 / 0 / 59 / 15

HEX #1CD958

RGB 28 217 88

HSL 139.05, 0.77%, 0.48%

LAB 76.42, -69.47, 50.47

 

CMYK 87 / 0 / 36 / 15

HEX #1CD98A

RGB 28 217 138

HSL 154.92, 0.77%, 0.48%

LAB 77.11, -61.34, 26.93

 

CMYK 87 / 0 / 13 / 15

HEX #1CD9BC

RGB 28 217 188

HSL 170.79, 0.77%, 0.48%

LAB 78.17, -49.7, 2.04

 

CMYK 87 / 0 / 58 / 44

HEX #13903C

RGB 19 144 60

HSL 139.68, 0.77%, 0.32%

LAB 52.3, -50.31, 35.29

 

CMYK 87 / 0 / 58 / 29

HEX #17B44B

RGB 23 180 75

HSL 139.87, 0.77%, 0.4%

LAB 64.43, -59.84, 42.4

 

CMYK 87 / 0 / 59 / 15

HEX #1CD95A

RGB 28 217 90

HSL 139.68, 0.77%, 0.48%

LAB 76.44, -69.22, 49.59

 

CMYK 75 / 0 / 50 / 10

HEX #39E572

RGB 57 229 114

HSL 139.88, 0.77%, 0.56%

LAB 80.81, -66.76, 43.77

 

CMYK 60 / 0 / 40 / 8

HEX #5DEA8C

RGB 93 234 140

HSL 140, 0.77%, 0.64%

LAB 83.48, -58.28, 34.58

 

CMYK 87 / 0 / 58 / 14

HEX #1CDB5B

RGB 28 219 91

HSL 139.79, 0.77%, 0.48%

LAB 77.08, -69.71, 49.89

 

CMYK 87 / 45 / 0 / 15

HEX #1C77D9

RGB 28 119 217

HSL 211.11, 0.77%, 0.48%

LAB 50.04, 10.75, -57.24

 

CMYK 0 / 87 / 80 / 15

HEX #D91C2C

RGB 217 28 44

HSL 354.92, 0.77%, 0.48%

LAB 46.66, 68.37, 42.27

 

CMYK 87 / 0 / 58 / 14

HEX #1CDB5B

RGB 28 219 91

HSL 139.79, 0.77%, 0.48%

LAB 77.08, -69.71, 49.89

 

CMYK 59 / 87 / 0 / 15

HEX #581CD9

RGB 88 28 217

HSL 259.05, 0.77%, 0.48%

LAB 33.81, 66.84, -83.63

 

CMYK 0 / 59 / 87 / 15

HEX #D9581C

RGB 217 88 28

HSL 19.05, 0.77%, 0.48%

LAB 53.83, 47.98, 56.17

 

CMYK 87 / 0 / 58 / 14

HEX #1CDB5B

RGB 28 219 91

HSL 139.79, 0.77%, 0.48%

LAB 77.08, -69.71, 49.89

 

CMYK 87 / 45 / 0 / 15

HEX #1C77D9

RGB 28 119 217

HSL 211.11, 0.77%, 0.48%

LAB 50.04, 10.75, -57.24

 

CMYK 0 / 87 / 28 / 15

HEX #D91C9D

RGB 217 28 157

HSL 319.05, 0.77%, 0.48%

LAB 49.52, 76.38, -22.09

 

CMYK 0 / 42 / 87 / 15

HEX #D97E1C

RGB 217 126 28

HSL 31.11, 0.77%, 0.48%

LAB 61.44, 28.91, 62.24

 

CMYK 87 / 0 / 58 / 14

HEX #1CDB5B

RGB 28 219 91

HSL 139.79, 0.77%, 0.48%

LAB 77.08, -69.71, 49.89

 

CMYK 87 / 71 / 0 / 15

HEX #1C3FD9

RGB 28 63 217

HSL 228.89, 0.77%, 0.48%

LAB 35.62, 46.38, -80.75

 

CMYK 0 / 87 / 28 / 15

HEX #D91C9D

RGB 217 28 157

HSL 319.05, 0.77%, 0.48%

LAB 49.52, 76.38, -22.09

 

CMYK 0 / 16 / 87 / 15

HEX #D9B61C

RGB 217 182 28

HSL 48.89, 0.77%, 0.48%

LAB 75.01, -0.99, 73.08

 

Description

Color code: HEX #1CDB5B | qconv.com Color code: HEX #1CDB5B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 219 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 219 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 58 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 58% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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