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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CD9A6 it is the complementary color #E32659. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CD9A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CD9A6 shade: #21D9A1, #32EBB4, #43FDC7, #54FFDA and #65FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CD9A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CD9A6 shade: #1CD9A6, #0BC793, #00B580, #00A36D and #00915A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CD9A6 shade: #1CD9A6, #1CD973, #1CD940, #2BD91C and #5ED91C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CD9A6 shade: #1CD9A6, #1CD9D9, #1CA6D9, #1C73D9 and #1C40D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CD9A6 shade matches the following richer shades: #1CD9A6 and #08ECAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CD9A6 shade: #1CD9A6, #30C59D, #44B194, #589D8A and #6B8981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CD9A6 shade: #1CD93F, #1CD971, #1CD9A3, #1CD9D6 and #1CAAD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CD9A6 shade: #13906E, #17B48A, #1CD9A6, #39E5B7 and #5DEAC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CD9A6 shade: #1CD9A6, #1C2CD9 and #D9581C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CD9A6 shade: #1CD9A6, #A31CD9 and #D9A31C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CD9A6 shade: #1CD9A6, #1C2CD9, #D91C52 and #D9C91C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CD9A6 shade: #1CD9A6, #451CD9, #D91C52 and #B0D91C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 24 / 15

HEX #1CD9A6

RGB 28 217 166

HSL 163.81, 0.77%, 0.48%

LAB 77.65, -55.21, 13.01

 

Complementary color

CMYK 0 / 83 / 61 / 11

HEX #E32659

RGB 227 38 89

HSL 343.81, 0.77%, 0.52%

LAB 50.02, 70.96, 20.1

 

CMYK 85 / 0 / 26 / 15

HEX #21D9A1

RGB 33 217 161

HSL 161.74, 0.74%, 0.49%

LAB 77.59, -56.04, 15.57

 

CMYK 79 / 0 / 23 / 8

HEX #32EBB4

RGB 50 235 180

HSL 162.16, 0.82%, 0.56%

LAB 83.65, -57.14, 14.14

 

CMYK 74 / 0 / 21 / 1

HEX #43FDC7

RGB 67 253 199

HSL 162.58, 0.98%, 0.63%

LAB 89.66, -57.95, 12.82

 

CMYK 67 / 0 / 15 / 0

HEX #54FFDA

RGB 84 255 218

HSL 167.02, 1%, 0.66%

LAB 90.99, -52.05, 4.96

 

CMYK 60 / 0 / 7 / 0

HEX #65FFED

RGB 101 255 237

HSL 172.99, 1%, 0.7%

LAB 91.86, -44.74, -3.56

 

CMYK 87 / 0 / 24 / 15

HEX #1CD9A6

RGB 28 217 166

HSL 163.81, 0.77%, 0.48%

LAB 77.65, -55.21, 13.01

 

CMYK 94 / 0 / 26 / 22

HEX #0BC793

RGB 11 199 147

HSL 163.4, 0.9%, 0.41%

LAB 71.57, -53.61, 14.58

 

CMYK 100 / 0 / 29 / 29

HEX #00B580

RGB 0 181 128

HSL 162.43, 1%, 0.35%

LAB 65.44, -51.58, 16.3

 

CMYK 100 / 0 / 33 / 36

HEX #00A36D

RGB 0 163 109

HSL 160.12, 1%, 0.32%

LAB 59.25, -49.1, 18.17

 

CMYK 100 / 0 / 38 / 43

HEX #00915A

RGB 0 145 90

HSL 157.24, 1%, 0.28%

LAB 52.94, -46.51, 20.14

 

CMYK 87 / 0 / 24 / 15

HEX #1CD9A6

RGB 28 217 166

HSL 163.81, 0.77%, 0.48%

LAB 77.65, -55.21, 13.01

 

CMYK 87 / 0 / 47 / 15

HEX #1CD973

RGB 28 217 115

HSL 147.62, 0.77%, 0.48%

LAB 76.75, -65.55, 38.11

 

CMYK 87 / 0 / 71 / 15

HEX #1CD940

RGB 28 217 64

HSL 131.43, 0.77%, 0.48%

LAB 76.22, -72.02, 60.1

 

CMYK 80 / 0 / 87 / 15

HEX #2BD91C

RGB 43 217 28

HSL 115.24, 0.77%, 0.48%

LAB 76.21, -72.79, 70.52

 

CMYK 57 / 0 / 87 / 15

HEX #5ED91C

RGB 94 217 28

HSL 99.05, 0.77%, 0.48%

LAB 77.33, -63.24, 71.93

 

CMYK 87 / 0 / 24 / 15

HEX #1CD9A6

RGB 28 217 166

HSL 163.81, 0.77%, 0.48%

LAB 77.65, -55.21, 13.01

 

CMYK 87 / 0 / 0 / 15

HEX #1CD9D9

RGB 28 217 217

HSL 180, 0.77%, 0.48%

LAB 78.97, -41.62, -12.29

 

CMYK 87 / 24 / 0 / 15

HEX #1CA6D9

RGB 28 166 217

HSL 196.19, 0.77%, 0.48%

LAB 63.78, -16.66, -35.49

 

CMYK 87 / 47 / 0 / 15

HEX #1C73D9

RGB 28 115 217

HSL 212.38, 0.77%, 0.48%

LAB 48.91, 13.27, -59.06

 

CMYK 87 / 71 / 0 / 15

HEX #1C40D9

RGB 28 64 217

HSL 228.57, 0.77%, 0.48%

LAB 35.84, 45.78, -80.39

 

CMYK 87 / 0 / 24 / 15

HEX #1CD9A6

RGB 28 217 166

HSL 163.81, 0.77%, 0.48%

LAB 77.65, -55.21, 13.01

 

CMYK 97 / 0 / 26 / 7

HEX #08ECAF

RGB 8 236 175

HSL 163.95, 0.93%, 0.48%

LAB 83.51, -61.14, 16.51

 

CMYK 87 / 0 / 24 / 15

HEX #1CD9A6

RGB 28 217 166

HSL 163.81, 0.77%, 0.48%

LAB 77.65, -55.21, 13.01

 

CMYK 76 / 0 / 20 / 23

HEX #30C59D

RGB 48 197 157

HSL 163.89, 0.61%, 0.48%

LAB 71.55, -47.6, 9.21

 

CMYK 62 / 0 / 16 / 31

HEX #44B194

RGB 68 177 148

HSL 164.04, 0.44%, 0.48%

LAB 65.6, -38.13, 5.67

 

CMYK 44 / 0 / 12 / 38

HEX #589D8A

RGB 88 157 138

HSL 163.48, 0.28%, 0.48%

LAB 59.91, -26.52, 3.15

 

CMYK 22 / 0 / 6 / 46

HEX #6B8981

RGB 107 137 129

HSL 164, 0.12%, 0.48%

LAB 54.66, -12.36, 0.79

 

CMYK 87 / 0 / 71 / 15

HEX #1CD93F

RGB 28 217 63

HSL 131.11, 0.77%, 0.48%

LAB 76.21, -72.1, 60.46

 

CMYK 87 / 0 / 48 / 15

HEX #1CD971

RGB 28 217 113

HSL 146.98, 0.77%, 0.48%

LAB 76.72, -65.88, 39.06

 

CMYK 87 / 0 / 25 / 15

HEX #1CD9A3

RGB 28 217 163

HSL 162.86, 0.77%, 0.48%

LAB 77.59, -55.92, 14.51

 

CMYK 87 / 0 / 1 / 15

HEX #1CD9D6

RGB 28 217 214

HSL 179.05, 0.77%, 0.48%

LAB 78.88, -42.49, -10.82

 

CMYK 87 / 22 / 0 / 15

HEX #1CAAD9

RGB 28 170 217

HSL 194.92, 0.77%, 0.48%

LAB 64.97, -18.79, -33.64

 

CMYK 87 / 0 / 24 / 44

HEX #13906E

RGB 19 144 110

HSL 163.68, 0.77%, 0.32%

LAB 53.18, -40.2, 9.19

 

CMYK 87 / 0 / 23 / 29

HEX #17B48A

RGB 23 180 138

HSL 163.95, 0.77%, 0.4%

LAB 65.48, -47.7, 10.91

 

CMYK 87 / 0 / 24 / 15

HEX #1CD9A6

RGB 28 217 166

HSL 163.81, 0.77%, 0.48%

LAB 77.65, -55.21, 13.01

 

CMYK 75 / 0 / 20 / 10

HEX #39E5B7

RGB 57 229 183

HSL 163.95, 0.77%, 0.56%

LAB 82.02, -53.32, 10.27

 

CMYK 60 / 0 / 16 / 8

HEX #5DEAC4

RGB 93 234 196

HSL 163.83, 0.77%, 0.64%

LAB 84.57, -46.97, 7.18

 

CMYK 87 / 0 / 24 / 15

HEX #1CD9A6

RGB 28 217 166

HSL 163.81, 0.77%, 0.48%

LAB 77.65, -55.21, 13.01

 

CMYK 87 / 80 / 0 / 15

HEX #1C2CD9

RGB 28 44 217

HSL 234.92, 0.77%, 0.48%

LAB 31.94, 56.82, -86.84

 

CMYK 0 / 59 / 87 / 15

HEX #D9581C

RGB 217 88 28

HSL 19.05, 0.77%, 0.48%

LAB 53.83, 47.98, 56.17

 

CMYK 87 / 0 / 24 / 15

HEX #1CD9A6

RGB 28 217 166

HSL 163.81, 0.77%, 0.48%

LAB 77.65, -55.21, 13.01

 

CMYK 25 / 87 / 0 / 15

HEX #A31CD9

RGB 163 28 217

HSL 282.86, 0.77%, 0.48%

LAB 43.69, 75.57, -67.02

 

CMYK 0 / 25 / 87 / 15

HEX #D9A31C

RGB 217 163 28

HSL 42.86, 0.77%, 0.48%

LAB 70.2, 9.06, 69.23

 

CMYK 87 / 0 / 24 / 15

HEX #1CD9A6

RGB 28 217 166

HSL 163.81, 0.77%, 0.48%

LAB 77.65, -55.21, 13.01

 

CMYK 87 / 80 / 0 / 15

HEX #1C2CD9

RGB 28 44 217

HSL 234.92, 0.77%, 0.48%

LAB 31.94, 56.82, -86.84

 

CMYK 0 / 87 / 62 / 15

HEX #D91C52

RGB 217 28 82

HSL 342.86, 0.77%, 0.48%

LAB 47.22, 69.99, 20.31

 

CMYK 0 / 7 / 87 / 15

HEX #D9C91C

RGB 217 201 28

HSL 54.92, 0.77%, 0.48%

LAB 79.96, -10.77, 77.04

 

CMYK 87 / 0 / 24 / 15

HEX #1CD9A6

RGB 28 217 166

HSL 163.81, 0.77%, 0.48%

LAB 77.65, -55.21, 13.01

 

CMYK 68 / 87 / 0 / 15

HEX #451CD9

RGB 69 28 217

HSL 253.02, 0.77%, 0.48%

LAB 32.05, 65.45, -86.6

 

CMYK 0 / 87 / 62 / 15

HEX #D91C52

RGB 217 28 82

HSL 342.86, 0.77%, 0.48%

LAB 47.22, 69.99, 20.31

 

CMYK 19 / 0 / 87 / 15

HEX #B0D91C

RGB 176 217 28

HSL 73.02, 0.77%, 0.48%

LAB 81.26, -35.6, 76.82

 

Description

Color code: HEX #1CD9A6 | qconv.com Color code: HEX #1CD9A6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 217 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 217 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 24 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 24% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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