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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CD838 it is the complementary color #E327C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CD838. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CD838 shade: #21D833, #32EA46, #43FC59, #54FF6C and #65FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CD838. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CD838 shade: #1CD838, #0BC625, #00B412, #00A200 and #009000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CD838 shade: #1CD938, #33D91C, #66D91C, #99D91C and #CBD91C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CD838 shade: #1CD938, #1CD96B, #1CD99E, #1CD9D1 and #1CAED9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CD838 shade matches the following richer shades: #1CD938 and #08EC2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CD838 shade: #1CD938, #30C546, #44B154, #589D62 and #6B8970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CD838 shade: #68D91C, #35D91C, #1CD935, #1CD968 and #1CD99A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CD838 shade: #139025, #17B42F, #1CD938, #39E553 and #5DEA72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CD838 shade: #1CD838, #1C9AD9 and #D91C4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CD838 shade: #1CD838, #351CD9 and #D9351C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CD838 shade: #1CD838, #1C9AD9, #D91CC0 and #D95B1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CD838 shade: #1CD838, #1C61D9, #D91CC0 and #D9941C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 74 / 15

HEX #1CD838

RGB 28 216 56

HSL 128.94, 0.77%, 0.48%

LAB 75.85, -72.38, 62.56

 

Complementary color

CMYK 0 / 83 / 12 / 11

HEX #E327C7

RGB 227 39 199

HSL 308.94, 0.77%, 0.52%

LAB 53.93, 81.57, -39.69

 

CMYK 85 / 0 / 76 / 15

HEX #21D833

RGB 33 216 51

HSL 125.9, 0.73%, 0.49%

LAB 75.87, -72.33, 64.24

 

CMYK 79 / 0 / 70 / 8

HEX #32EA46

RGB 50 234 70

HSL 126.52, 0.81%, 0.56%

LAB 81.82, -74.37, 63.8

 

CMYK 73 / 0 / 65 / 1

HEX #43FC59

RGB 67 252 89

HSL 127.14, 0.97%, 0.63%

LAB 87.74, -75.86, 62.94

 

CMYK 67 / 0 / 58 / 0

HEX #54FF6C

RGB 84 255 108

HSL 128.42, 1%, 0.66%

LAB 89.15, -72.03, 56.67

 

CMYK 60 / 0 / 50 / 0

HEX #65FF7F

RGB 101 255 127

HSL 130.13, 1%, 0.7%

LAB 89.78, -66.35, 48.92

 

CMYK 87 / 0 / 74 / 15

HEX #1CD838

RGB 28 216 56

HSL 128.94, 0.77%, 0.48%

LAB 75.85, -72.38, 62.56

 

CMYK 94 / 0 / 81 / 22

HEX #0BC625

RGB 11 198 37

HSL 128.34, 0.89%, 0.41%

LAB 69.89, -69.55, 62.62

 

CMYK 100 / 0 / 90 / 29

HEX #00B412

RGB 0 180 18

HSL 126, 1%, 0.35%

LAB 63.91, -65.89, 61.6

 

CMYK 100 / 0 / 100 / 36

HEX #00A200

RGB 0 162 0

HSL 120, 1%, 0.32%

LAB 57.89, -61.38, 59.24

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 87 / 0 / 74 / 15

HEX #1CD938

RGB 28 217 56

HSL 128.89, 0.77%, 0.48%

LAB 76.17, -72.67, 62.88

 

CMYK 76 / 0 / 87 / 15

HEX #33D91C

RGB 51 217 28

HSL 112.7, 0.77%, 0.48%

LAB 76.32, -71.76, 70.66

 

CMYK 53 / 0 / 87 / 15

HEX #66D91C

RGB 102 217 28

HSL 96.51, 0.77%, 0.48%

LAB 77.6, -61.12, 72.27

 

CMYK 29 / 0 / 87 / 15

HEX #99D91C

RGB 153 217 28

HSL 80.32, 0.77%, 0.48%

LAB 79.89, -44.45, 75.12

 

CMYK 6 / 0 / 87 / 15

HEX #CBD91C

RGB 203 217 28

HSL 64.44, 0.77%, 0.48%

LAB 83.13, -24.59, 79.12

 

CMYK 87 / 0 / 74 / 15

HEX #1CD938

RGB 28 217 56

HSL 128.89, 0.77%, 0.48%

LAB 76.17, -72.67, 62.88

 

CMYK 87 / 0 / 51 / 15

HEX #1CD96B

RGB 28 217 107

HSL 145.08, 0.77%, 0.48%

LAB 76.64, -66.83, 41.89

 

CMYK 87 / 0 / 27 / 15

HEX #1CD99E

RGB 28 217 158

HSL 161.27, 0.77%, 0.48%

LAB 77.48, -57.07, 17

 

CMYK 87 / 0 / 4 / 15

HEX #1CD9D1

RGB 28 217 209

HSL 177.46, 0.77%, 0.48%

LAB 78.74, -43.93, -8.36

 

CMYK 87 / 20 / 0 / 15

HEX #1CAED9

RGB 28 174 217

HSL 193.65, 0.77%, 0.48%

LAB 66.16, -20.89, -31.8

 

CMYK 87 / 0 / 74 / 15

HEX #1CD938

RGB 28 217 56

HSL 128.89, 0.77%, 0.48%

LAB 76.17, -72.67, 62.88

 

CMYK 97 / 0 / 82 / 7

HEX #08EC2A

RGB 8 236 42

HSL 128.95, 0.93%, 0.48%

LAB 81.95, -79.84, 72.45

 

CMYK 87 / 0 / 74 / 15

HEX #1CD938

RGB 28 217 56

HSL 128.89, 0.77%, 0.48%

LAB 76.17, -72.67, 62.88

 

CMYK 76 / 0 / 64 / 23

HEX #30C546

RGB 48 197 70

HSL 128.86, 0.61%, 0.48%

LAB 70.18, -63.12, 51.29

 

CMYK 62 / 0 / 53 / 31

HEX #44B154

RGB 68 177 84

HSL 128.81, 0.44%, 0.48%

LAB 64.41, -50.68, 38.23

 

CMYK 44 / 0 / 38 / 38

HEX #589D62

RGB 88 157 98

HSL 128.7, 0.28%, 0.48%

LAB 59.04, -34.8, 24.24

 

CMYK 22 / 0 / 18 / 46

HEX #6B8970

RGB 107 137 112

HSL 130, 0.12%, 0.48%

LAB 54.22, -15.91, 9.97

 

CMYK 52 / 0 / 87 / 15

HEX #68D91C

RGB 104 217 28

HSL 95.87, 0.77%, 0.48%

LAB 77.67, -60.57, 72.35

 

CMYK 76 / 0 / 87 / 15

HEX #35D91C

RGB 53 217 28

HSL 112.06, 0.77%, 0.48%

LAB 76.35, -71.48, 70.7

 

CMYK 87 / 0 / 76 / 15

HEX #1CD935

RGB 28 217 53

HSL 127.94, 0.77%, 0.48%

LAB 76.15, -72.89, 63.86

 

CMYK 87 / 0 / 52 / 15

HEX #1CD968

RGB 28 217 104

HSL 144.13, 0.77%, 0.48%

LAB 76.6, -67.28, 43.28

 

CMYK 87 / 0 / 29 / 15

HEX #1CD99A

RGB 28 217 154

HSL 160, 0.77%, 0.48%

LAB 77.4, -57.97, 19

 

CMYK 87 / 0 / 74 / 44

HEX #139025

RGB 19 144 37

HSL 128.64, 0.77%, 0.32%

LAB 52.08, -52.97, 45.31

 

CMYK 87 / 0 / 74 / 29

HEX #17B42F

RGB 23 180 47

HSL 129.17, 0.77%, 0.4%

LAB 64.19, -62.88, 53.93

 

CMYK 87 / 0 / 74 / 15

HEX #1CD938

RGB 28 217 56

HSL 128.89, 0.77%, 0.48%

LAB 76.17, -72.67, 62.88

 

CMYK 75 / 0 / 64 / 10

HEX #39E553

RGB 57 229 83

HSL 129.07, 0.77%, 0.56%

LAB 80.48, -70.69, 57.31

 

CMYK 60 / 0 / 51 / 8

HEX #5DEA72

RGB 93 234 114

HSL 128.94, 0.77%, 0.64%

LAB 83.12, -62.24, 46.79

 

CMYK 87 / 0 / 74 / 15

HEX #1CD838

RGB 28 216 56

HSL 128.94, 0.77%, 0.48%

LAB 75.85, -72.38, 62.56

 

CMYK 87 / 29 / 0 / 15

HEX #1C9AD9

RGB 28 154 217

HSL 200, 0.77%, 0.48%

LAB 60.22, -10.07, -41.06

 

CMYK 0 / 87 / 64 / 15

HEX #D91C4E

RGB 217 28 78

HSL 344.13, 0.77%, 0.48%

LAB 47.15, 69.77, 22.67

 

CMYK 87 / 0 / 74 / 15

HEX #1CD838

RGB 28 216 56

HSL 128.94, 0.77%, 0.48%

LAB 75.85, -72.38, 62.56

 

CMYK 76 / 87 / 0 / 15

HEX #351CD9

RGB 53 28 217

HSL 247.94, 0.77%, 0.48%

LAB 30.87, 64.57, -88.58

 

CMYK 0 / 76 / 87 / 15

HEX #D9351C

RGB 217 53 28

HSL 7.94, 0.77%, 0.48%

LAB 48.74, 61.76, 52.11

 

CMYK 87 / 0 / 74 / 15

HEX #1CD838

RGB 28 216 56

HSL 128.94, 0.77%, 0.48%

LAB 75.85, -72.38, 62.56

 

CMYK 87 / 29 / 0 / 15

HEX #1C9AD9

RGB 28 154 217

HSL 200, 0.77%, 0.48%

LAB 60.22, -10.07, -41.06

 

CMYK 0 / 87 / 12 / 15

HEX #D91CC0

RGB 217 28 192

HSL 307.94, 0.77%, 0.48%

LAB 51.14, 80.71, -40.15

 

CMYK 0 / 58 / 87 / 15

HEX #D95B1C

RGB 217 91 28

HSL 20, 0.77%, 0.48%

LAB 54.36, 46.59, 56.59

 

CMYK 87 / 0 / 74 / 15

HEX #1CD838

RGB 28 216 56

HSL 128.94, 0.77%, 0.48%

LAB 75.85, -72.38, 62.56

 

CMYK 87 / 55 / 0 / 15

HEX #1C61D9

RGB 28 97 217

HSL 218.1, 0.77%, 0.48%

LAB 43.95, 24.82, -67.08

 

CMYK 0 / 87 / 12 / 15

HEX #D91CC0

RGB 217 28 192

HSL 307.94, 0.77%, 0.48%

LAB 51.14, 80.71, -40.15

 

CMYK 0 / 32 / 87 / 15

HEX #D9941C

RGB 217 148 28

HSL 38.1, 0.77%, 0.48%

LAB 66.53, 17.12, 66.3

 

Description

Color code: HEX #1CD838 | qconv.com Color code: HEX #1CD838 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 216 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 216 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 74 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 74% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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