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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CD7B0 it is the complementary color #E3284F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CD7B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CD7B0 shade: #21D7AB, #32E9BE, #43FBD1, #54FFE4 and #65FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CD7B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CD7B0 shade: #1CD7B0, #0BC59D, #00B38A, #00A177 and #008F64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CD7B0 shade: #1CD9B1, #1CD97F, #1CD94C, #1FD91C and #52D91C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CD7B0 shade: #1CD9B1, #1CCDD9, #1C9AD9, #1C67D9 and #1C35D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CD7B0 shade matches the following richer shades: #1CD9B1 and #08ECBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CD7B0 shade: #1CD9B1, #30C5A6, #44B19A, #589D8F and #6B8983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CD7B0 shade: #1CD94B, #1CD97E, #1CD9B0, #1CCFD9 and #1C9DD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CD7B0 shade: #139076, #17B493, #1CD9B1, #39E5C1 and #5DEACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CD7B0 shade: #1CD7B0, #1C1FD9 and #D9641C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CD7B0 shade: #1CD7B0, #B01CD9 and #D9B01C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CD7B0 shade: #1CD7B0, #1C1FD9, #D91C45 and #D9D61C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CD7B0 shade: #1CD7B0, #521CD9, #D91C45 and #A3D91C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 18 / 16

HEX #1CD7B0

RGB 28 215 176

HSL 167.49, 0.77%, 0.48%

LAB 77.27, -51.97, 7.14

 

Complementary color

CMYK 0 / 82 / 65 / 11

HEX #E3284F

RGB 227 40 79

HSL 347.49, 0.77%, 0.52%

LAB 49.99, 69.95, 26.12

 

CMYK 85 / 0 / 20 / 16

HEX #21D7AB

RGB 33 215 171

HSL 165.49, 0.73%, 0.49%

LAB 77.2, -52.88, 9.71

 

CMYK 79 / 0 / 18 / 9

HEX #32E9BE

RGB 50 233 190

HSL 165.9, 0.81%, 0.55%

LAB 83.27, -53.98, 8.36

 

CMYK 73 / 0 / 17 / 2

HEX #43FBD1

RGB 67 251 209

HSL 166.3, 0.96%, 0.62%

LAB 89.3, -54.8, 7.13

 

CMYK 67 / 0 / 11 / 0

HEX #54FFE4

RGB 84 255 228

HSL 170.53, 1%, 0.66%

LAB 91.24, -49.6, 0.14

 

CMYK 60 / 0 / 3 / 0

HEX #65FFF7

RGB 101 255 247

HSL 176.88, 1%, 0.7%

LAB 92.13, -42.2, -8.34

 

CMYK 87 / 0 / 18 / 16

HEX #1CD7B0

RGB 28 215 176

HSL 167.49, 0.77%, 0.48%

LAB 77.27, -51.97, 7.14

 

CMYK 94 / 0 / 20 / 23

HEX #0BC59D

RGB 11 197 157

HSL 167.1, 0.89%, 0.41%

LAB 71.17, -50.38, 8.61

 

CMYK 100 / 0 / 23 / 30

HEX #00B38A

RGB 0 179 138

HSL 166.26, 1%, 0.35%

LAB 65.02, -48.37, 10.23

 

CMYK 100 / 0 / 26 / 37

HEX #00A177

RGB 0 161 119

HSL 164.35, 1%, 0.32%

LAB 58.81, -45.95, 12.01

 

CMYK 100 / 0 / 30 / 44

HEX #008F64

RGB 0 143 100

HSL 161.96, 1%, 0.28%

LAB 52.47, -43.44, 13.88

 

CMYK 87 / 0 / 18 / 15

HEX #1CD9B1

RGB 28 217 177

HSL 167.3, 0.77%, 0.48%

LAB 77.9, -52.53, 7.52

 

CMYK 87 / 0 / 41 / 15

HEX #1CD97F

RGB 28 217 127

HSL 151.43, 0.77%, 0.48%

LAB 76.92, -63.45, 32.33

 

CMYK 87 / 0 / 65 / 15

HEX #1CD94C

RGB 28 217 76

HSL 135.24, 0.77%, 0.48%

LAB 76.31, -70.85, 55.49

 

CMYK 86 / 0 / 87 / 15

HEX #1FD91C

RGB 31 217 28

HSL 119.05, 0.77%, 0.48%

LAB 76.07, -74, 70.34

 

CMYK 62 / 0 / 87 / 15

HEX #52D91C

RGB 82 217 28

HSL 102.86, 0.77%, 0.48%

LAB 76.98, -66.12, 71.49

 

CMYK 87 / 0 / 18 / 15

HEX #1CD9B1

RGB 28 217 177

HSL 167.3, 0.77%, 0.48%

LAB 77.9, -52.53, 7.52

 

CMYK 87 / 6 / 0 / 15

HEX #1CCDD9

RGB 28 205 217

HSL 183.81, 0.77%, 0.48%

LAB 75.4, -36.15, -17.66

 

CMYK 87 / 29 / 0 / 15

HEX #1C9AD9

RGB 28 154 217

HSL 200, 0.77%, 0.48%

LAB 60.22, -10.07, -41.06

 

CMYK 87 / 53 / 0 / 15

HEX #1C67D9

RGB 28 103 217

HSL 216.19, 0.77%, 0.48%

LAB 45.58, 20.94, -64.45

 

CMYK 87 / 76 / 0 / 15

HEX #1C35D9

RGB 28 53 217

HSL 232.06, 0.77%, 0.48%

LAB 33.57, 52.13, -84.14

 

CMYK 87 / 0 / 18 / 15

HEX #1CD9B1

RGB 28 217 177

HSL 167.3, 0.77%, 0.48%

LAB 77.9, -52.53, 7.52

 

CMYK 97 / 0 / 20 / 7

HEX #08ECBD

RGB 8 236 189

HSL 167.63, 0.93%, 0.48%

LAB 83.82, -57.81, 9.63

 

CMYK 87 / 0 / 18 / 15

HEX #1CD9B1

RGB 28 217 177

HSL 167.3, 0.77%, 0.48%

LAB 77.9, -52.53, 7.52

 

CMYK 76 / 0 / 16 / 23

HEX #30C5A6

RGB 48 197 166

HSL 167.52, 0.61%, 0.48%

LAB 71.77, -45.35, 4.64

 

CMYK 62 / 0 / 13 / 31

HEX #44B19A

RGB 68 177 154

HSL 167.34, 0.44%, 0.48%

LAB 65.75, -36.63, 2.57

 

CMYK 44 / 0 / 9 / 38

HEX #589D8F

RGB 88 157 143

HSL 167.83, 0.28%, 0.48%

LAB 60.04, -25.31, 0.51

 

CMYK 22 / 0 / 4 / 46

HEX #6B8983

RGB 107 137 131

HSL 168, 0.12%, 0.48%

LAB 54.72, -11.92, -0.28

 

CMYK 87 / 0 / 65 / 15

HEX #1CD94B

RGB 28 217 75

HSL 134.92, 0.77%, 0.48%

LAB 76.3, -70.96, 55.89

 

CMYK 87 / 0 / 42 / 15

HEX #1CD97E

RGB 28 217 126

HSL 151.11, 0.77%, 0.48%

LAB 76.91, -63.64, 32.82

 

CMYK 87 / 0 / 19 / 15

HEX #1CD9B0

RGB 28 217 176

HSL 166.98, 0.77%, 0.48%

LAB 77.88, -52.78, 8.01

 

CMYK 87 / 5 / 0 / 15

HEX #1CCFD9

RGB 28 207 217

HSL 183.17, 0.77%, 0.48%

LAB 76, -37.08, -16.76

 

CMYK 87 / 28 / 0 / 15

HEX #1C9DD9

RGB 28 157 217

HSL 199.05, 0.77%, 0.48%

LAB 61.11, -11.74, -39.67

 

CMYK 87 / 0 / 18 / 44

HEX #139076

RGB 19 144 118

HSL 167.52, 0.77%, 0.32%

LAB 53.38, -38.09, 4.88

 

CMYK 87 / 0 / 18 / 29

HEX #17B493

RGB 23 180 147

HSL 167.39, 0.77%, 0.4%

LAB 65.7, -45.41, 6.25

 

CMYK 87 / 0 / 18 / 15

HEX #1CD9B1

RGB 28 217 177

HSL 167.3, 0.77%, 0.48%

LAB 77.9, -52.53, 7.52

 

CMYK 75 / 0 / 16 / 10

HEX #39E5C1

RGB 57 229 193

HSL 167.44, 0.77%, 0.56%

LAB 82.25, -50.89, 5.33

 

CMYK 60 / 0 / 12 / 8

HEX #5DEACD

RGB 93 234 205

HSL 167.66, 0.77%, 0.64%

LAB 84.78, -44.83, 2.77

 

CMYK 87 / 0 / 18 / 16

HEX #1CD7B0

RGB 28 215 176

HSL 167.49, 0.77%, 0.48%

LAB 77.27, -51.97, 7.14

 

CMYK 87 / 86 / 0 / 15

HEX #1C1FD9

RGB 28 31 217

HSL 239.05, 0.77%, 0.48%

LAB 30, 62.55, -90.07

 

CMYK 0 / 54 / 87 / 15

HEX #D9641C

RGB 217 100 28

HSL 22.86, 0.77%, 0.48%

LAB 56.04, 42.27, 57.93

 

CMYK 87 / 0 / 18 / 16

HEX #1CD7B0

RGB 28 215 176

HSL 167.49, 0.77%, 0.48%

LAB 77.27, -51.97, 7.14

 

CMYK 19 / 87 / 0 / 15

HEX #B01CD9

RGB 176 28 217

HSL 286.98, 0.77%, 0.48%

LAB 45.73, 77.52, -63.62

 

CMYK 0 / 19 / 87 / 15

HEX #D9B01C

RGB 217 176 28

HSL 46.98, 0.77%, 0.48%

LAB 73.47, 2.16, 71.85

 

CMYK 87 / 0 / 18 / 16

HEX #1CD7B0

RGB 28 215 176

HSL 167.49, 0.77%, 0.48%

LAB 77.27, -51.97, 7.14

 

CMYK 87 / 86 / 0 / 15

HEX #1C1FD9

RGB 28 31 217

HSL 239.05, 0.77%, 0.48%

LAB 30, 62.55, -90.07

 

CMYK 0 / 87 / 68 / 15

HEX #D91C45

RGB 217 28 69

HSL 346.98, 0.77%, 0.48%

LAB 46.99, 69.32, 27.97

 

CMYK 0 / 1 / 87 / 15

HEX #D9D61C

RGB 217 214 28

HSL 59.05, 0.77%, 0.48%

LAB 83.4, -17.26, 79.79

 

CMYK 87 / 0 / 18 / 16

HEX #1CD7B0

RGB 28 215 176

HSL 167.49, 0.77%, 0.48%

LAB 77.27, -51.97, 7.14

 

CMYK 62 / 87 / 0 / 15

HEX #521CD9

RGB 82 28 217

HSL 257.14, 0.77%, 0.48%

LAB 33.21, 66.36, -84.64

 

CMYK 0 / 87 / 68 / 15

HEX #D91C45

RGB 217 28 69

HSL 346.98, 0.77%, 0.48%

LAB 46.99, 69.32, 27.97

 

CMYK 25 / 0 / 87 / 15

HEX #A3D91C

RGB 163 217 28

HSL 77.14, 0.77%, 0.48%

LAB 80.46, -40.68, 75.83

 

Description

Color code: HEX #1CD7B0 | qconv.com Color code: HEX #1CD7B0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 215 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 215 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 18 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 18% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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