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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CD4A8 it is the complementary color #E32B57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CD4A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CD4A8 shade: #21D4A3, #32E6B6, #43F8C9, #54FFDC and #65FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CD4A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CD4A8 shade: #1CD4A8, #0BC295, #00B082, #009E6F and #008C5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CD4A8 shade: #1CD4A8, #1CD476, #1CD444, #24D41C and #56D41C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CD4A8 shade: #1CD4A8, #1CCFD4, #1C9DD4, #1C6BD4 and #1C39D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CD4A8 shade matches the following richer shades: #1CD4A8 and #08E8B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CD4A8 shade: #1CD4A8, #2FC19E, #42AD94, #569A8A and #698780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CD4A8 shade: #1CD444, #1CD475, #1CD4A6, #1CD1D4 and #1CA0D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CD4A8 shade: #128B6E, #17B08B, #1CD4A8, #34E5BA and #59E9C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CD4A8 shade: #1CD4A8, #1C25D4 and #D45C1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CD4A8 shade: #1CD4A8, #A61CD4 and #D4A61C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CD4A8 shade: #1CD4A8, #1C25D4, #D41C4A and #D4CB1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CD4A8 shade: #1CD4A8, #4A1CD4, #D41C4A and #A6D41C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 21 / 17

HEX #1CD4A8

RGB 28 212 168

HSL 165.65, 0.77%, 0.47%

LAB 76.17, -52.77, 9.84

 

Complementary color

CMYK 0 / 81 / 62 / 11

HEX #E32B57

RGB 227 43 87

HSL 345.65, 0.77%, 0.53%

LAB 50.39, 69.69, 21.8

 

CMYK 84 / 0 / 23 / 17

HEX #21D4A3

RGB 33 212 163

HSL 163.58, 0.73%, 0.48%

LAB 76.1, -53.63, 12.42

 

CMYK 78 / 0 / 21 / 10

HEX #32E6B6

RGB 50 230 182

HSL 164, 0.78%, 0.55%

LAB 82.19, -54.71, 11.03

 

CMYK 73 / 0 / 19 / 3

HEX #43F8C9

RGB 67 248 201

HSL 164.42, 0.93%, 0.62%

LAB 88.23, -55.5, 9.75

 

CMYK 67 / 0 / 14 / 0

HEX #54FFDC

RGB 84 255 220

HSL 167.72, 1%, 0.66%

LAB 91.04, -51.57, 3.99

 

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

CMYK 87 / 0 / 21 / 17

HEX #1CD4A8

RGB 28 212 168

HSL 165.65, 0.77%, 0.47%

LAB 76.17, -52.77, 9.84

 

CMYK 94 / 0 / 23 / 24

HEX #0BC295

RGB 11 194 149

HSL 165.25, 0.89%, 0.4%

LAB 70.05, -51.18, 11.36

 

CMYK 100 / 0 / 26 / 31

HEX #00B082

RGB 0 176 130

HSL 164.32, 1%, 0.35%

LAB 63.89, -49.17, 13.03

 

CMYK 100 / 0 / 30 / 38

HEX #009E6F

RGB 0 158 111

HSL 162.15, 1%, 0.31%

LAB 57.66, -46.71, 14.87

 

CMYK 100 / 0 / 34 / 45

HEX #008C5C

RGB 0 140 92

HSL 159.43, 1%, 0.27%

LAB 51.3, -44.16, 16.8

 

CMYK 87 / 0 / 21 / 17

HEX #1CD4A8

RGB 28 212 168

HSL 165.65, 0.77%, 0.47%

LAB 76.17, -52.77, 9.84

 

CMYK 87 / 0 / 44 / 17

HEX #1CD476

RGB 28 212 118

HSL 149.35, 0.77%, 0.47%

LAB 75.23, -63.36, 34.67

 

CMYK 87 / 0 / 68 / 17

HEX #1CD444

RGB 28 212 68

HSL 133.04, 0.77%, 0.47%

LAB 74.67, -70.17, 56.93

 

CMYK 83 / 0 / 87 / 17

HEX #24D41C

RGB 36 212 28

HSL 117.39, 0.77%, 0.47%

LAB 74.54, -72.12, 69.02

 

CMYK 59 / 0 / 87 / 17

HEX #56D41C

RGB 86 212 28

HSL 101.09, 0.77%, 0.47%

LAB 75.54, -63.52, 70.29

 

CMYK 87 / 0 / 21 / 17

HEX #1CD4A8

RGB 28 212 168

HSL 165.65, 0.77%, 0.47%

LAB 76.17, -52.77, 9.84

 

CMYK 87 / 2 / 0 / 17

HEX #1CCFD4

RGB 28 207 212

HSL 181.63, 0.77%, 0.47%

LAB 75.84, -38.59, -14.3

 

CMYK 87 / 26 / 0 / 17

HEX #1C9DD4

RGB 28 157 212

HSL 197.93, 0.77%, 0.47%

LAB 60.88, -13.53, -37.23

 

CMYK 87 / 50 / 0 / 17

HEX #1C6BD4

RGB 28 107 212

HSL 214.24, 0.77%, 0.47%

LAB 46.33, 16.42, -60.37

 

CMYK 87 / 73 / 0 / 17

HEX #1C39D4

RGB 28 57 212

HSL 230.54, 0.77%, 0.47%

LAB 33.83, 48.18, -80.82

 

CMYK 87 / 0 / 21 / 17

HEX #1CD4A8

RGB 28 212 168

HSL 165.65, 0.77%, 0.47%

LAB 76.17, -52.77, 9.84

 

CMYK 97 / 0 / 23 / 9

HEX #08E8B2

RGB 8 232 178

HSL 165.54, 0.93%, 0.47%

LAB 82.37, -58.94, 13.33

 

CMYK 87 / 0 / 21 / 17

HEX #1CD4A8

RGB 28 212 168

HSL 165.65, 0.77%, 0.47%

LAB 76.17, -52.77, 9.84

 

CMYK 76 / 0 / 18 / 24

HEX #2FC19E

RGB 47 193 158

HSL 165.62, 0.61%, 0.47%

LAB 70.32, -45.8, 6.91

 

CMYK 62 / 0 / 14 / 32

HEX #42AD94

RGB 66 173 148

HSL 165.98, 0.45%, 0.47%

LAB 64.31, -36.69, 3.8

 

CMYK 44 / 0 / 10 / 40

HEX #569A8A

RGB 86 154 138

HSL 165.88, 0.28%, 0.47%

LAB 58.9, -25.56, 1.68

 

CMYK 22 / 0 / 5 / 47

HEX #698780

RGB 105 135 128

HSL 166, 0.13%, 0.47%

LAB 53.91, -12.17, 0.26

 

CMYK 87 / 0 / 68 / 17

HEX #1CD444

RGB 28 212 68

HSL 133.04, 0.77%, 0.47%

LAB 74.67, -70.17, 56.93

 

CMYK 87 / 0 / 45 / 17

HEX #1CD475

RGB 28 212 117

HSL 149.02, 0.77%, 0.47%

LAB 75.21, -63.53, 35.16

 

CMYK 87 / 0 / 22 / 17

HEX #1CD4A6

RGB 28 212 166

HSL 165, 0.77%, 0.47%

LAB 76.12, -53.26, 10.84

 

CMYK 87 / 1 / 0 / 17

HEX #1CD1D4

RGB 28 209 212

HSL 180.98, 0.77%, 0.47%

LAB 76.44, -39.5, -13.41

 

CMYK 87 / 25 / 0 / 17

HEX #1CA0D4

RGB 28 160 212

HSL 196.96, 0.77%, 0.47%

LAB 61.78, -15.17, -35.84

 

CMYK 87 / 0 / 21 / 45

HEX #128B6E

RGB 18 139 110

HSL 165.62, 0.77%, 0.31%

LAB 51.52, -38.15, 6.83

 

CMYK 87 / 0 / 21 / 31

HEX #17B08B

RGB 23 176 139

HSL 165.49, 0.77%, 0.39%

LAB 64.24, -45.82, 8.59

 

CMYK 87 / 0 / 21 / 17

HEX #1CD4A8

RGB 28 212 168

HSL 165.65, 0.77%, 0.47%

LAB 76.17, -52.77, 9.84

 

CMYK 77 / 0 / 19 / 10

HEX #34E5BA

RGB 52 229 186

HSL 165.42, 0.77%, 0.55%

LAB 82.01, -53.15, 8.67

 

CMYK 62 / 0 / 15 / 9

HEX #59E9C7

RGB 89 233 199

HSL 165.83, 0.77%, 0.63%

LAB 84.24, -46.54, 5.12

 

CMYK 87 / 0 / 21 / 17

HEX #1CD4A8

RGB 28 212 168

HSL 165.65, 0.77%, 0.47%

LAB 76.17, -52.77, 9.84

 

CMYK 87 / 83 / 0 / 17

HEX #1C25D4

RGB 28 37 212

HSL 237.07, 0.77%, 0.47%

LAB 30.21, 58.57, -86.82

 

CMYK 0 / 57 / 87 / 17

HEX #D45C1C

RGB 212 92 28

HSL 20.87, 0.77%, 0.47%

LAB 53.74, 44.24, 55.76

 

CMYK 87 / 0 / 21 / 17

HEX #1CD4A8

RGB 28 212 168

HSL 165.65, 0.77%, 0.47%

LAB 76.17, -52.77, 9.84

 

CMYK 22 / 87 / 0 / 17

HEX #A61CD4

RGB 166 28 212

HSL 285, 0.77%, 0.47%

LAB 43.79, 75.09, -63.98

 

CMYK 0 / 22 / 87 / 17

HEX #D4A61C

RGB 212 166 28

HSL 45, 0.77%, 0.47%

LAB 70.42, 5.27, 69.19

 

CMYK 87 / 0 / 21 / 17

HEX #1CD4A8

RGB 28 212 168

HSL 165.65, 0.77%, 0.47%

LAB 76.17, -52.77, 9.84

 

CMYK 87 / 83 / 0 / 17

HEX #1C25D4

RGB 28 37 212

HSL 237.07, 0.77%, 0.47%

LAB 30.21, 58.57, -86.82

 

CMYK 0 / 87 / 65 / 17

HEX #D41C4A

RGB 212 28 74

HSL 345, 0.77%, 0.47%

LAB 46.07, 68.29, 23.54

 

CMYK 0 / 4 / 87 / 17

HEX #D4CB1C

RGB 212 203 28

HSL 57.07, 0.77%, 0.47%

LAB 80.06, -13.92, 76.94

 

CMYK 87 / 0 / 21 / 17

HEX #1CD4A8

RGB 28 212 168

HSL 165.65, 0.77%, 0.47%

LAB 76.17, -52.77, 9.84

 

CMYK 65 / 87 / 0 / 17

HEX #4A1CD4

RGB 74 28 212

HSL 255, 0.77%, 0.47%

LAB 31.9, 64.48, -83.94

 

CMYK 0 / 87 / 65 / 17

HEX #D41C4A

RGB 212 28 74

HSL 345, 0.77%, 0.47%

LAB 46.07, 68.29, 23.54

 

CMYK 22 / 0 / 87 / 17

HEX #A6D41C

RGB 166 212 28

HSL 75, 0.77%, 0.47%

LAB 79.2, -37.29, 74.85

 

Description

Color code: HEX #1CD4A8 | qconv.com Color code: HEX #1CD4A8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 212 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 212 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 21 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 21% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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