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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CD43F it is the complementary color #E32BC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CD43F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CD43F shade: #21D43A, #32E64D, #43F860, #54FF73 and #65FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CD43F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CD43F shade: #1CD43F, #0BC22C, #00B019, #009E06 and #008C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CD43F shade: #1BD43E, #2AD41B, #5CD41B, #8DD41B and #BFD41B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CD43F shade: #1BD43E, #1BD470, #1BD4A2, #1BD4D3 and #1BA2D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CD43F shade matches the following richer shades: #1BD43E and #08E732

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CD43F shade: #1BD43E, #2EC04A, #42AD56, #559962 and #69866E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CD43F shade: #5CD41B, #2AD41B, #1BD43D, #1BD46E and #1BD49F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CD43F shade: #128B29, #16AF33, #1BD43E, #34E455 and #58E974

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CD43F shade: #1CD43F, #1B8DD4 and #D41B43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CD43F shade: #1CD43F, #3D1BD4 and #D43D1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CD43F shade: #1CD43F, #1B8DD4, #D41BB2 and #D4621B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CD43F shade: #1CD43F, #1B56D4, #D41BB2 and #D4991B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 70 / 17

HEX #1CD43F

RGB 28 212 63

HSL 131.41, 0.77%, 0.47%

LAB 74.63, -70.63, 58.81

 

Complementary color

CMYK 0 / 81 / 15 / 11

HEX #E32BC0

RGB 227 43 192

HSL 311.41, 0.77%, 0.53%

LAB 53.88, 79.79, -35.72

 

CMYK 84 / 0 / 73 / 17

HEX #21D43A

RGB 33 212 58

HSL 128.38, 0.73%, 0.48%

LAB 74.65, -70.63, 60.67

 

CMYK 78 / 0 / 67 / 10

HEX #32E64D

RGB 50 230 77

HSL 129, 0.78%, 0.55%

LAB 80.63, -72.52, 59.88

 

CMYK 73 / 0 / 61 / 3

HEX #43F860

RGB 67 248 96

HSL 129.61, 0.93%, 0.62%

LAB 86.59, -73.87, 58.78

 

CMYK 67 / 0 / 55 / 0

HEX #54FF73

RGB 84 255 115

HSL 130.88, 1%, 0.66%

LAB 89.23, -71.18, 53.66

 

CMYK 60 / 0 / 47 / 0

HEX #65FF86

RGB 101 255 134

HSL 132.86, 1%, 0.7%

LAB 89.86, -65.37, 45.74

 

CMYK 87 / 0 / 70 / 17

HEX #1CD43F

RGB 28 212 63

HSL 131.41, 0.77%, 0.47%

LAB 74.63, -70.63, 58.81

 

CMYK 94 / 0 / 77 / 24

HEX #0BC22C

RGB 11 194 44

HSL 130.82, 0.89%, 0.4%

LAB 68.63, -67.98, 59.35

 

CMYK 100 / 0 / 86 / 31

HEX #00B019

RGB 0 176 25

HSL 128.52, 1%, 0.35%

LAB 62.61, -64.49, 59.01

 

CMYK 100 / 0 / 96 / 38

HEX #009E06

RGB 0 158 6

HSL 122.28, 1%, 0.31%

LAB 56.55, -60.1, 57.25

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 87 / 0 / 71 / 17

HEX #1BD43E

RGB 27 212 62

HSL 131.35, 0.77%, 0.47%

LAB 74.61, -70.8, 59.17

 

CMYK 80 / 0 / 87 / 17

HEX #2AD41B

RGB 42 212 27

HSL 115.14, 0.77%, 0.47%

LAB 74.61, -71.5, 69.31

 

CMYK 57 / 0 / 87 / 17

HEX #5CD41B

RGB 92 212 27

HSL 98.92, 0.77%, 0.47%

LAB 75.73, -62.06, 70.72

 

CMYK 33 / 0 / 87 / 17

HEX #8DD41B

RGB 141 212 27

HSL 83.03, 0.77%, 0.47%

LAB 77.77, -46.75, 73.27

 

CMYK 10 / 0 / 87 / 17

HEX #BFD41B

RGB 191 212 27

HSL 66.81, 0.77%, 0.47%

LAB 80.87, -27.21, 77.1

 

CMYK 87 / 0 / 71 / 17

HEX #1BD43E

RGB 27 212 62

HSL 131.35, 0.77%, 0.47%

LAB 74.61, -70.8, 59.17

 

CMYK 87 / 0 / 47 / 17

HEX #1BD470

RGB 27 212 112

HSL 147.57, 0.77%, 0.47%

LAB 75.13, -64.45, 37.55

 

CMYK 87 / 0 / 24 / 17

HEX #1BD4A2

RGB 27 212 162

HSL 163.78, 0.77%, 0.47%

LAB 76.03, -54.28, 12.83

 

CMYK 87 / 0 / 0 / 17

HEX #1BD4D3

RGB 27 212 211

HSL 179.68, 0.77%, 0.47%

LAB 77.29, -41.2, -11.58

 

CMYK 87 / 24 / 0 / 17

HEX #1BA2D4

RGB 27 162 212

HSL 196.22, 0.77%, 0.47%

LAB 62.36, -16.32, -34.93

 

CMYK 87 / 0 / 71 / 17

HEX #1BD43E

RGB 27 212 62

HSL 131.35, 0.77%, 0.47%

LAB 74.61, -70.8, 59.17

 

CMYK 97 / 0 / 78 / 9

HEX #08E732

RGB 8 231 50

HSL 131.3, 0.93%, 0.47%

LAB 80.42, -78.04, 68.88

 

CMYK 87 / 0 / 71 / 17

HEX #1BD43E

RGB 27 212 62

HSL 131.35, 0.77%, 0.47%

LAB 74.61, -70.8, 59.17

 

CMYK 76 / 0 / 61 / 25

HEX #2EC04A

RGB 46 192 74

HSL 131.51, 0.61%, 0.47%

LAB 68.59, -61.31, 47.75

 

CMYK 62 / 0 / 50 / 32

HEX #42AD56

RGB 66 173 86

HSL 131.21, 0.45%, 0.47%

LAB 63.11, -49.3, 35.61

 

CMYK 44 / 0 / 36 / 40

HEX #559962

RGB 85 153 98

HSL 131.47, 0.29%, 0.47%

LAB 57.65, -33.87, 22.37

 

CMYK 22 / 0 / 18 / 47

HEX #69866E

RGB 105 134 110

HSL 130.34, 0.12%, 0.47%

LAB 53.15, -15.42, 9.58

 

CMYK 57 / 0 / 87 / 17

HEX #5CD41B

RGB 92 212 27

HSL 98.92, 0.77%, 0.47%

LAB 75.73, -62.06, 70.72

 

CMYK 80 / 0 / 87 / 17

HEX #2AD41B

RGB 42 212 27

HSL 115.14, 0.77%, 0.47%

LAB 74.61, -71.5, 69.31

 

CMYK 87 / 0 / 71 / 17

HEX #1BD43D

RGB 27 212 61

HSL 131.03, 0.77%, 0.47%

LAB 74.61, -70.89, 59.53

 

CMYK 87 / 0 / 48 / 17

HEX #1BD46E

RGB 27 212 110

HSL 146.92, 0.77%, 0.47%

LAB 75.11, -64.78, 38.5

 

CMYK 87 / 0 / 25 / 17

HEX #1BD49F

RGB 27 212 159

HSL 162.81, 0.77%, 0.47%

LAB 75.96, -54.99, 14.34

 

CMYK 87 / 0 / 71 / 45

HEX #128B29

RGB 18 139 41

HSL 131.4, 0.77%, 0.31%

LAB 50.4, -51.09, 41.93

 

CMYK 87 / 0 / 71 / 31

HEX #16AF33

RGB 22 175 51

HSL 131.37, 0.78%, 0.39%

LAB 62.57, -61.09, 50.75

 

CMYK 87 / 0 / 71 / 17

HEX #1BD43E

RGB 27 212 62

HSL 131.35, 0.77%, 0.47%

LAB 74.61, -70.8, 59.17

 

CMYK 77 / 0 / 63 / 11

HEX #34E455

RGB 52 228 85

HSL 131.25, 0.77%, 0.55%

LAB 80.11, -70.83, 56.04

 

CMYK 62 / 0 / 50 / 9

HEX #58E974

RGB 88 233 116

HSL 131.59, 0.77%, 0.63%

LAB 82.71, -62.64, 45.31

 

CMYK 87 / 0 / 70 / 17

HEX #1CD43F

RGB 28 212 63

HSL 131.41, 0.77%, 0.47%

LAB 74.63, -70.63, 58.81

 

CMYK 87 / 33 / 0 / 17

HEX #1B8DD4

RGB 27 141 212

HSL 203.03, 0.77%, 0.47%

LAB 56.12, -4.53, -44.72

 

CMYK 0 / 87 / 68 / 17

HEX #D41B43

RGB 212 27 67

HSL 347.03, 0.77%, 0.47%

LAB 45.89, 68.12, 27.6

 

CMYK 87 / 0 / 70 / 17

HEX #1CD43F

RGB 28 212 63

HSL 131.41, 0.77%, 0.47%

LAB 74.63, -70.63, 58.81

 

CMYK 71 / 87 / 0 / 17

HEX #3D1BD4

RGB 61 27 212

HSL 251.03, 0.77%, 0.47%

LAB 30.71, 63.97, -85.94

 

CMYK 0 / 71 / 87 / 17

HEX #D43D1B

RGB 212 61 27

HSL 11.03, 0.77%, 0.47%

LAB 48.78, 57.46, 52.17

 

CMYK 87 / 0 / 70 / 17

HEX #1CD43F

RGB 28 212 63

HSL 131.41, 0.77%, 0.47%

LAB 74.63, -70.63, 58.81

 

CMYK 87 / 33 / 0 / 17

HEX #1B8DD4

RGB 27 141 212

HSL 203.03, 0.77%, 0.47%

LAB 56.12, -4.53, -44.72

 

CMYK 0 / 87 / 16 / 17

HEX #D41BB2

RGB 212 27 178

HSL 311.03, 0.77%, 0.47%

LAB 49.49, 78.06, -34.63

 

CMYK 0 / 54 / 87 / 17

HEX #D4621B

RGB 212 98 27

HSL 23.03, 0.77%, 0.47%

LAB 54.88, 41.3, 57.03

 

CMYK 87 / 0 / 70 / 17

HEX #1CD43F

RGB 28 212 63

HSL 131.41, 0.77%, 0.47%

LAB 74.63, -70.63, 58.81

 

CMYK 87 / 59 / 0 / 17

HEX #1B56D4

RGB 27 86 212

HSL 220.86, 0.77%, 0.47%

LAB 40.64, 29.98, -69.62

 

CMYK 0 / 87 / 16 / 17

HEX #D41BB2

RGB 212 27 178

HSL 311.03, 0.77%, 0.47%

LAB 49.49, 78.06, -34.63

 

CMYK 0 / 28 / 87 / 17

HEX #D4991B

RGB 212 153 27

HSL 40.86, 0.77%, 0.47%

LAB 67.17, 12.22, 66.83

 

Description

Color code: HEX #1CD43F | qconv.com Color code: HEX #1CD43F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 212 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 212 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 70 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 70% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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