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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CD22D it is the complementary color #E32DD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CD22D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CD22D shade: #21D228, #32E43B, #43F64E, #54FF61 and #65FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CD22D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CD22D shade: #1CD22D, #0BC01A, #00AE07, #009C00 and #008A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CD22D shade: #1CD22D, #3CD21C, #6ED21C, #9FD21C and #D0D21C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CD22D shade: #1CD22D, #1CD25E, #1CD290, #1CD2C1 and #1CB3D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CD22D shade matches the following richer shades: #1CD22D and #09E61D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CD22D shade: #1CD22D, #30BF3D, #43AC4D, #56985D and #6A856C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CD22D shade: #6ED21C, #3ED21C, #1CD22B, #1CD25C and #1CD28D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CD22D shade: #128A1E, #17AE25, #1CD22D, #35E345 and #59E867

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CD22D shade: #1CD22D, #1C9FD2 and #D21C56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CD22D shade: #1CD22D, #2B1CD2 and #D22B1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CD22D shade: #1CD22D, #1C9FD2, #D21CC3 and #D2501C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CD22D shade: #1CD22D, #1C68D2, #D21CC3 and #D2871C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 79 / 18

HEX #1CD22D

RGB 28 210 45

HSL 125.6, 0.76%, 0.47%

LAB 73.89, -71.42, 64.15

 

Complementary color

CMYK 0 / 80 / 7 / 11

HEX #E32DD2

RGB 227 45 210

HSL 305.6, 0.76%, 0.53%

LAB 54.93, 81.79, -44.41

 

CMYK 84 / 0 / 81 / 18

HEX #21D228

RGB 33 210 40

HSL 122.37, 0.73%, 0.48%

LAB 73.91, -71.28, 65.61

 

CMYK 78 / 0 / 74 / 11

HEX #32E43B

RGB 50 228 59

HSL 123.03, 0.77%, 0.55%

LAB 79.89, -73.45, 65.68

 

CMYK 73 / 0 / 68 / 4

HEX #43F64E

RGB 67 246 78

HSL 123.69, 0.91%, 0.61%

LAB 85.83, -75.02, 65.13

 

CMYK 67 / 0 / 62 / 0

HEX #54FF61

RGB 84 255 97

HSL 124.56, 1%, 0.66%

LAB 89.05, -73.25, 61.23

 

CMYK 60 / 0 / 55 / 0

HEX #65FF74

RGB 101 255 116

HSL 125.84, 1%, 0.7%

LAB 89.65, -67.78, 53.81

 

CMYK 87 / 0 / 79 / 18

HEX #1CD22D

RGB 28 210 45

HSL 125.6, 0.76%, 0.47%

LAB 73.89, -71.42, 64.15

 

CMYK 94 / 0 / 86 / 25

HEX #0BC01A

RGB 11 192 26

HSL 124.97, 0.89%, 0.4%

LAB 67.91, -68.42, 63.52

 

CMYK 100 / 0 / 96 / 32

HEX #00AE07

RGB 0 174 7

HSL 122.41, 1%, 0.34%

LAB 61.9, -64.54, 61.53

 

CMYK 100 / 0 / 100 / 39

HEX #009C00

RGB 0 156 0

HSL 120, 1%, 0.31%

LAB 55.86, -59.7, 57.62

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 87 / 0 / 79 / 18

HEX #1CD22D

RGB 28 210 45

HSL 125.6, 0.76%, 0.47%

LAB 73.89, -71.42, 64.15

 

CMYK 71 / 0 / 87 / 18

HEX #3CD21C

RGB 60 210 28

HSL 109.45, 0.76%, 0.47%

LAB 74.28, -68.26, 68.94

 

CMYK 48 / 0 / 87 / 18

HEX #6ED21C

RGB 110 210 28

HSL 92.97, 0.76%, 0.47%

LAB 75.76, -56.26, 70.8

 

CMYK 24 / 0 / 87 / 18

HEX #9FD21C

RGB 159 210 28

HSL 76.81, 0.76%, 0.47%

LAB 78.2, -39.13, 73.84

 

CMYK 1 / 0 / 87 / 18

HEX #D0D21C

RGB 208 210 28

HSL 60.66, 0.76%, 0.47%

LAB 81.61, -19.1, 78.05

 

CMYK 87 / 0 / 79 / 18

HEX #1CD22D

RGB 28 210 45

HSL 125.6, 0.76%, 0.47%

LAB 73.89, -71.42, 64.15

 

CMYK 87 / 0 / 55 / 18

HEX #1CD25E

RGB 28 210 94

HSL 141.76, 0.76%, 0.47%

LAB 74.28, -66.48, 45.2

 

CMYK 87 / 0 / 31 / 18

HEX #1CD290

RGB 28 210 144

HSL 158.24, 0.76%, 0.47%

LAB 75.05, -57.55, 21.01

 

CMYK 87 / 0 / 8 / 18

HEX #1CD2C1

RGB 28 210 193

HSL 174.4, 0.76%, 0.47%

LAB 76.19, -45.4, -3.55

 

CMYK 87 / 15 / 0 / 18

HEX #1CB3D2

RGB 28 179 210

HSL 190.22, 0.76%, 0.47%

LAB 67.38, -25.8, -26.06

 

CMYK 87 / 0 / 79 / 18

HEX #1CD22D

RGB 28 210 45

HSL 125.6, 0.76%, 0.47%

LAB 73.89, -71.42, 64.15

 

CMYK 96 / 0 / 87 / 10

HEX #09E61D

RGB 9 230 29

HSL 125.43, 0.92%, 0.47%

LAB 80.03, -78.76, 73.55

 

CMYK 87 / 0 / 79 / 18

HEX #1CD22D

RGB 28 210 45

HSL 125.6, 0.76%, 0.47%

LAB 73.89, -71.42, 64.15

 

CMYK 75 / 0 / 68 / 25

HEX #30BF3D

RGB 48 191 61

HSL 125.45, 0.6%, 0.47%

LAB 68.19, -62.09, 52.85

 

CMYK 61 / 0 / 55 / 33

HEX #43AC4D

RGB 67 172 77

HSL 125.71, 0.44%, 0.47%

LAB 62.7, -49.97, 39.6

 

CMYK 43 / 0 / 39 / 40

HEX #56985D

RGB 86 152 93

HSL 126.36, 0.28%, 0.47%

LAB 57.29, -33.98, 24.64

 

CMYK 20 / 0 / 19 / 48

HEX #6A856C

RGB 106 133 108

HSL 124.44, 0.11%, 0.47%

LAB 52.86, -14.9, 10.35

 

CMYK 48 / 0 / 87 / 18

HEX #6ED21C

RGB 110 210 28

HSL 92.97, 0.76%, 0.47%

LAB 75.76, -56.26, 70.8

 

CMYK 70 / 0 / 87 / 18

HEX #3ED21C

RGB 62 210 28

HSL 108.79, 0.76%, 0.47%

LAB 74.32, -67.91, 68.99

 

CMYK 87 / 0 / 80 / 18

HEX #1CD22B

RGB 28 210 43

HSL 124.95, 0.76%, 0.47%

LAB 73.88, -71.55, 64.72

 

CMYK 87 / 0 / 56 / 18

HEX #1CD25C

RGB 28 210 92

HSL 141.1, 0.76%, 0.47%

LAB 74.26, -66.76, 46.11

 

CMYK 87 / 0 / 33 / 18

HEX #1CD28D

RGB 28 210 141

HSL 157.25, 0.76%, 0.47%

LAB 74.99, -58.19, 22.51

 

CMYK 87 / 0 / 78 / 46

HEX #128A1E

RGB 18 138 30

HSL 126, 0.77%, 0.31%

LAB 49.98, -51.75, 45.78

 

CMYK 87 / 0 / 79 / 32

HEX #17AE25

RGB 23 174 37

HSL 125.56, 0.77%, 0.39%

LAB 62.16, -61.83, 55.33

 

CMYK 87 / 0 / 79 / 18

HEX #1CD22D

RGB 28 210 45

HSL 125.6, 0.76%, 0.47%

LAB 73.89, -71.42, 64.15

 

CMYK 77 / 0 / 70 / 11

HEX #35E345

RGB 53 227 69

HSL 125.52, 0.76%, 0.55%

LAB 79.68, -71.96, 61.95

 

CMYK 62 / 0 / 56 / 9

HEX #59E867

RGB 89 232 103

HSL 125.87, 0.76%, 0.63%

LAB 82.28, -63.79, 50.85

 

CMYK 87 / 0 / 79 / 18

HEX #1CD22D

RGB 28 210 45

HSL 125.6, 0.76%, 0.47%

LAB 73.89, -71.42, 64.15

 

CMYK 87 / 24 / 0 / 18

HEX #1C9FD2

RGB 28 159 210

HSL 196.81, 0.76%, 0.47%

LAB 61.39, -15.33, -35.32

 

CMYK 0 / 87 / 59 / 18

HEX #D21C56

RGB 210 28 86

HSL 340.88, 0.76%, 0.47%

LAB 45.91, 68.47, 15.83

 

CMYK 87 / 0 / 79 / 18

HEX #1CD22D

RGB 28 210 45

HSL 125.6, 0.76%, 0.47%

LAB 73.89, -71.42, 64.15

 

CMYK 80 / 87 / 0 / 18

HEX #2B1CD2

RGB 43 28 210

HSL 244.95, 0.76%, 0.47%

LAB 29.41, 62.19, -86.99

 

CMYK 0 / 80 / 87 / 18

HEX #D22B1C

RGB 210 43 28

HSL 4.95, 0.76%, 0.47%

LAB 46.33, 62.65, 49.61

 

CMYK 87 / 0 / 79 / 18

HEX #1CD22D

RGB 28 210 45

HSL 125.6, 0.76%, 0.47%

LAB 73.89, -71.42, 64.15

 

CMYK 87 / 24 / 0 / 18

HEX #1C9FD2

RGB 28 159 210

HSL 196.81, 0.76%, 0.47%

LAB 61.39, -15.33, -35.32

 

CMYK 0 / 87 / 7 / 18

HEX #D21CC3

RGB 210 28 195

HSL 304.95, 0.76%, 0.47%

LAB 50.06, 79.81, -43.67

 

CMYK 0 / 62 / 87 / 18

HEX #D2501C

RGB 210 80 28

HSL 17.14, 0.76%, 0.47%

LAB 51.29, 49.07, 53.64

 

CMYK 87 / 0 / 79 / 18

HEX #1CD22D

RGB 28 210 45

HSL 125.6, 0.76%, 0.47%

LAB 73.89, -71.42, 64.15

 

CMYK 87 / 50 / 0 / 18

HEX #1C68D2

RGB 28 104 210

HSL 214.95, 0.76%, 0.47%

LAB 45.36, 17.57, -60.8

 

CMYK 0 / 87 / 7 / 18

HEX #D21CC3

RGB 210 28 195

HSL 304.95, 0.76%, 0.47%

LAB 50.06, 79.81, -43.67

 

CMYK 0 / 36 / 87 / 18

HEX #D2871C

RGB 210 135 28

HSL 35.27, 0.76%, 0.47%

LAB 62.6, 21.11, 62.8

 

Description

Color code: HEX #1CD22D | qconv.com Color code: HEX #1CD22D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 210 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 210 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 79 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 79% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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