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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CC751 it is the complementary color #E338AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CC751. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CC751 shade: #21C74C, #32D95F, #43EB72, #54FD85 and #65FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CC751. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CC751 shade: #1CC751, #0BB53E, #00A32B, #009118 and #007F05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CC751 shade: #1DC952, #1DC924, #44C91D, #73C91D and #A1C91D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CC751 shade: #1DC952, #1DC980, #1DC9AF, #1DB4C9 and #1D86C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CC751 shade matches the following richer shades: #1DC952 and #0ADB4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CC751 shade: #1DC952, #2FB659, #42A460, #549167 and #677F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CC751 shade: #45C91D, #1DC922, #1DC950, #1DC97E and #1DC9AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CC751 shade: #128135, #18A543, #1DC952, #2EE165 and #52E680

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CC751 shade: #1CC751, #1D73C9 and #C91D2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CC751 shade: #1CC751, #501DC9 and #C9501D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CC751 shade: #1CC751, #1D73C9, #C91D95 and #C9731D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CC751 shade: #1CC751, #1D3FC9, #C91D95 and #C9A61D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 59 / 22

HEX #1CC751

RGB 28 199 81

HSL 138.6, 0.75%, 0.45%

LAB 70.66, -64.73, 46.92

 

Complementary color

CMYK 0 / 75 / 23 / 11

HEX #E338AE

RGB 227 56 174

HSL 318.6, 0.75%, 0.55%

LAB 54.25, 74.15, -24.67

 

CMYK 83 / 0 / 62 / 22

HEX #21C74C

RGB 33 199 76

HSL 135.54, 0.72%, 0.45%

LAB 70.66, -64.89, 49.18

 

CMYK 77 / 0 / 56 / 15

HEX #32D95F

RGB 50 217 95

HSL 136.17, 0.69%, 0.52%

LAB 76.76, -66.36, 47.76

 

CMYK 71 / 0 / 51 / 8

HEX #43EB72

RGB 67 235 114

HSL 136.79, 0.81%, 0.59%

LAB 82.82, -67.36, 46.29

 

CMYK 67 / 0 / 47 / 1

HEX #54FD85

RGB 84 253 133

HSL 137.4, 0.98%, 0.66%

LAB 88.84, -68.02, 44.84

 

CMYK 60 / 0 / 40 / 0

HEX #65FF98

RGB 101 255 152

HSL 139.87, 1%, 0.7%

LAB 90.12, -62.59, 37.35

 

CMYK 86 / 0 / 59 / 22

HEX #1CC751

RGB 28 199 81

HSL 138.6, 0.75%, 0.45%

LAB 70.66, -64.73, 46.92

 

CMYK 94 / 0 / 66 / 29

HEX #0BB53E

RGB 11 181 62

HSL 138, 0.89%, 0.38%

LAB 64.54, -62.52, 48.34

 

CMYK 100 / 0 / 74 / 36

HEX #00A32B

RGB 0 163 43

HSL 135.83, 1%, 0.32%

LAB 58.39, -59.54, 49.44

 

CMYK 100 / 0 / 83 / 43

HEX #009118

RGB 0 145 24

HSL 129.93, 1%, 0.28%

LAB 52.19, -55.63, 49.77

 

CMYK 100 / 0 / 96 / 50

HEX #007F05

RGB 0 127 5

HSL 122.36, 1%, 0.25%

LAB 45.89, -51.21, 48.58

 

CMYK 86 / 0 / 59 / 21

HEX #1DC952

RGB 29 201 82

HSL 138.49, 0.75%, 0.45%

LAB 71.31, -65.15, 47.23

 

CMYK 86 / 0 / 82 / 21

HEX #1DC924

RGB 29 201 36

HSL 122.44, 0.75%, 0.45%

LAB 70.98, -69.28, 63.95

 

CMYK 66 / 0 / 86 / 21

HEX #44C91D

RGB 68 201 29

HSL 106.4, 0.75%, 0.45%

LAB 71.62, -63.87, 66.46

 

CMYK 43 / 0 / 86 / 21

HEX #73C91D

RGB 115 201 29

HSL 90, 0.75%, 0.45%

LAB 73.22, -51.19, 68.49

 

CMYK 20 / 0 / 86 / 21

HEX #A1C91D

RGB 161 201 29

HSL 73.95, 0.75%, 0.45%

LAB 75.72, -34.25, 71.61

 

CMYK 86 / 0 / 59 / 21

HEX #1DC952

RGB 29 201 82

HSL 138.49, 0.75%, 0.45%

LAB 71.31, -65.15, 47.23

 

CMYK 86 / 0 / 36 / 21

HEX #1DC980

RGB 29 201 128

HSL 154.53, 0.75%, 0.45%

LAB 71.96, -57.53, 25.22

 

CMYK 86 / 0 / 13 / 21

HEX #1DC9AF

RGB 29 201 175

HSL 170.93, 0.75%, 0.45%

LAB 72.98, -46.41, 1.48

 

CMYK 86 / 10 / 0 / 21

HEX #1DB4C9

RGB 29 180 201

HSL 187.33, 0.75%, 0.45%

LAB 67.37, -29.16, -21.12

 

CMYK 86 / 33 / 0 / 21

HEX #1D86C9

RGB 29 134 201

HSL 203.37, 0.75%, 0.45%

LAB 53.52, -4.4, -42.61

 

CMYK 86 / 0 / 59 / 21

HEX #1DC952

RGB 29 201 82

HSL 138.49, 0.75%, 0.45%

LAB 71.31, -65.15, 47.23

 

CMYK 95 / 0 / 66 / 14

HEX #0ADB4B

RGB 10 219 75

HSL 138.66, 0.91%, 0.45%

LAB 76.82, -72.52, 56.43

 

CMYK 86 / 0 / 59 / 21

HEX #1DC952

RGB 29 201 82

HSL 138.49, 0.75%, 0.45%

LAB 71.31, -65.15, 47.23

 

CMYK 74 / 0 / 51 / 29

HEX #2FB659

RGB 47 182 89

HSL 138.67, 0.59%, 0.45%

LAB 65.58, -55.71, 37.07

 

CMYK 60 / 0 / 41 / 36

HEX #42A460

RGB 66 164 96

HSL 138.37, 0.43%, 0.45%

LAB 60.39, -44.08, 26.94

 

CMYK 42 / 0 / 29 / 43

HEX #549167

RGB 84 145 103

HSL 138.69, 0.27%, 0.45%

LAB 55.19, -29.46, 16.25

 

CMYK 19 / 0 / 13 / 50

HEX #677F6E

RGB 103 127 110

HSL 137.5, 0.1%, 0.45%

LAB 50.91, -12.33, 6.38

 

CMYK 66 / 0 / 86 / 21

HEX #45C91D

RGB 69 201 29

HSL 106.05, 0.75%, 0.45%

LAB 71.64, -63.67, 66.49

 

CMYK 86 / 0 / 83 / 21

HEX #1DC922

RGB 29 201 34

HSL 121.74, 0.75%, 0.45%

LAB 70.97, -69.38, 64.46

 

CMYK 86 / 0 / 60 / 21

HEX #1DC950

RGB 29 201 80

HSL 137.79, 0.75%, 0.45%

LAB 71.29, -65.4, 48.11

 

CMYK 86 / 0 / 37 / 21

HEX #1DC97E

RGB 29 201 126

HSL 153.84, 0.75%, 0.45%

LAB 71.92, -57.93, 26.22

 

CMYK 86 / 0 / 14 / 21

HEX #1DC9AC

RGB 29 201 172

HSL 169.88, 0.75%, 0.45%

LAB 72.9, -47.21, 2.99

 

CMYK 86 / 0 / 59 / 49

HEX #128135

RGB 18 129 53

HSL 138.92, 0.76%, 0.29%

LAB 47.09, -46.23, 32.61

 

CMYK 85 / 0 / 59 / 35

HEX #18A543

RGB 24 165 67

HSL 138.3, 0.75%, 0.37%

LAB 59.44, -55.92, 40.33

 

CMYK 86 / 0 / 59 / 21

HEX #1DC952

RGB 29 201 82

HSL 138.49, 0.75%, 0.45%

LAB 71.31, -65.15, 47.23

 

CMYK 80 / 0 / 55 / 12

HEX #2EE165

RGB 46 225 101

HSL 138.44, 0.75%, 0.53%

LAB 79.25, -68.64, 47.95

 

CMYK 64 / 0 / 44 / 10

HEX #52E680

RGB 82 230 128

HSL 138.65, 0.75%, 0.61%

LAB 81.81, -60.93, 38.33

 

CMYK 86 / 0 / 59 / 22

HEX #1CC751

RGB 28 199 81

HSL 138.6, 0.75%, 0.45%

LAB 70.66, -64.73, 46.92

 

CMYK 86 / 43 / 0 / 21

HEX #1D73C9

RGB 29 115 201

HSL 210, 0.75%, 0.45%

LAB 47.93, 7.14, -51.51

 

CMYK 0 / 86 / 77 / 21

HEX #C91D2E

RGB 201 29 46

HSL 354.07, 0.75%, 0.45%

LAB 43.5, 63.99, 36.82

 

CMYK 86 / 0 / 59 / 22

HEX #1CC751

RGB 28 199 81

HSL 138.6, 0.75%, 0.45%

LAB 70.66, -64.73, 46.92

 

CMYK 60 / 86 / 0 / 21

HEX #501DC9

RGB 80 29 201

HSL 257.79, 0.75%, 0.45%

LAB 31.35, 61.78, -78.43

 

CMYK 0 / 60 / 86 / 21

HEX #C9501D

RGB 201 80 29

HSL 17.79, 0.75%, 0.45%

LAB 49.79, 45.83, 51.38

 

CMYK 86 / 0 / 59 / 22

HEX #1CC751

RGB 28 199 81

HSL 138.6, 0.75%, 0.45%

LAB 70.66, -64.73, 46.92

 

CMYK 86 / 43 / 0 / 21

HEX #1D73C9

RGB 29 115 201

HSL 210, 0.75%, 0.45%

LAB 47.93, 7.14, -51.51

 

CMYK 0 / 86 / 26 / 21

HEX #C91D95

RGB 201 29 149

HSL 318.14, 0.75%, 0.45%

LAB 46.27, 71.86, -22.56

 

CMYK 0 / 43 / 86 / 21

HEX #C9731D

RGB 201 115 29

HSL 30, 0.75%, 0.45%

LAB 56.85, 28.09, 57.29

 

CMYK 86 / 0 / 59 / 22

HEX #1CC751

RGB 28 199 81

HSL 138.6, 0.75%, 0.45%

LAB 70.66, -64.73, 46.92

 

CMYK 86 / 69 / 0 / 21

HEX #1D3FC9

RGB 29 63 201

HSL 228.14, 0.75%, 0.45%

LAB 34.05, 40.72, -74.07

 

CMYK 0 / 86 / 26 / 21

HEX #C91D95

RGB 201 29 149

HSL 318.14, 0.75%, 0.45%

LAB 46.27, 71.86, -22.56

 

CMYK 0 / 17 / 86 / 21

HEX #C9A61D

RGB 201 166 29

HSL 47.79, 0.75%, 0.45%

LAB 69.31, 0.44, 67.58

 

Description

Color code: HEX #1CC751 | qconv.com Color code: HEX #1CC751 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 199 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 199 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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