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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CC242 it is the complementary color #E33DBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CC242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CC242 shade: #21C23D, #32D450, #43E663, #54F876 and #65FF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CC242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CC242 shade: #1CC242, #0BB02F, #009E1C, #008C09 and #007A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CC242 shade: #1CC443, #23C41C, #50C41C, #7EC41C and #ABC41C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CC242 shade: #1CC443, #1CC470, #1CC49D, #1CBEC4 and #1C91C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CC242 shade matches the following richer shades: #1CC443 and #0AD739

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CC242 shade: #1CC443, #2EB24C, #40A056, #538E60 and #657C6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CC242 shade: #51C41C, #24C41C, #1CC441, #1CC46D and #1CC49A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CC242 shade: #127C2A, #17A036, #1CC443, #29E053 and #4DE670

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CC242 shade: #1CC242, #1C7EC4 and #C41C3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CC242 shade: #1CC242, #411CC4 and #C4411C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CC242 shade: #1CC242, #1C7EC4, #C41CA0 and #C4621C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CC242 shade: #1CC242, #1C4CC4, #C41CA0 and #C4951C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 66 / 24

HEX #1CC242

RGB 28 194 66

HSL 133.73, 0.75%, 0.44%

LAB 68.91, -64.92, 51.5

 

Complementary color

CMYK 0 / 73 / 17 / 11

HEX #E33DBD

RGB 227 61 189

HSL 313.73, 0.75%, 0.56%

LAB 55.42, 74.58, -31.57

 

CMYK 83 / 0 / 69 / 24

HEX #21C23D

RGB 33 194 61

HSL 130.43, 0.71%, 0.45%

LAB 68.93, -64.95, 53.57

 

CMYK 76 / 0 / 62 / 17

HEX #32D450

RGB 50 212 80

HSL 131.11, 0.65%, 0.51%

LAB 75.04, -66.57, 52.46

 

CMYK 71 / 0 / 57 / 10

HEX #43E663

RGB 67 230 99

HSL 131.78, 0.77%, 0.58%

LAB 81.12, -67.68, 51.16

 

CMYK 66 / 0 / 52 / 3

HEX #54F876

RGB 84 248 118

HSL 132.44, 0.92%, 0.65%

LAB 87.16, -68.41, 49.8

 

CMYK 60 / 0 / 46 / 0

HEX #65FF89

RGB 101 255 137

HSL 134.03, 1%, 0.7%

LAB 89.9, -64.93, 44.36

 

CMYK 86 / 0 / 66 / 24

HEX #1CC242

RGB 28 194 66

HSL 133.73, 0.75%, 0.44%

LAB 68.91, -64.92, 51.5

 

CMYK 94 / 0 / 73 / 31

HEX #0BB02F

RGB 11 176 47

HSL 133.09, 0.88%, 0.37%

LAB 62.78, -62.49, 52.47

 

CMYK 100 / 0 / 82 / 38

HEX #009E1C

RGB 0 158 28

HSL 130.63, 1%, 0.31%

LAB 56.62, -59.19, 52.74

 

CMYK 100 / 0 / 94 / 45

HEX #008C09

RGB 0 140 9

HSL 123.86, 1%, 0.27%

LAB 50.42, -54.86, 51.63

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 86 / 0 / 66 / 23

HEX #1CC443

RGB 28 196 67

HSL 133.93, 0.75%, 0.44%

LAB 69.56, -65.43, 51.8

 

CMYK 82 / 0 / 86 / 23

HEX #23C41C

RGB 35 196 28

HSL 117.5, 0.75%, 0.44%

LAB 69.41, -67.61, 64.5

 

CMYK 59 / 0 / 86 / 23

HEX #50C41C

RGB 80 196 28

HSL 101.43, 0.75%, 0.44%

LAB 70.36, -59.52, 65.7

 

CMYK 36 / 0 / 86 / 23

HEX #7EC41C

RGB 126 196 28

HSL 85, 0.75%, 0.44%

LAB 72.23, -45.42, 68.05

 

CMYK 13 / 0 / 86 / 23

HEX #ABC41C

RGB 171 196 28

HSL 68.93, 0.75%, 0.44%

LAB 74.96, -27.85, 71.46

 

CMYK 86 / 0 / 66 / 23

HEX #1CC443

RGB 28 196 67

HSL 133.93, 0.75%, 0.44%

LAB 69.56, -65.43, 51.8

 

CMYK 86 / 0 / 43 / 23

HEX #1CC470

RGB 28 196 112

HSL 150, 0.75%, 0.44%

LAB 70.1, -58.91, 31.09

 

CMYK 86 / 0 / 20 / 23

HEX #1CC49D

RGB 28 196 157

HSL 166.07, 0.75%, 0.44%

LAB 70.98, -49.08, 8.36

 

CMYK 86 / 3 / 0 / 23

HEX #1CBEC4

RGB 28 190 196

HSL 182.14, 0.75%, 0.44%

LAB 70.22, -35.58, -14.06

 

CMYK 86 / 26 / 0 / 23

HEX #1C91C4

RGB 28 145 196

HSL 198.21, 0.75%, 0.44%

LAB 56.57, -12.61, -35

 

CMYK 86 / 0 / 66 / 23

HEX #1CC443

RGB 28 196 67

HSL 133.93, 0.75%, 0.44%

LAB 69.56, -65.43, 51.8

 

CMYK 95 / 0 / 73 / 16

HEX #0AD739

RGB 10 215 57

HSL 133.76, 0.91%, 0.44%

LAB 75.43, -73.02, 61.76

 

CMYK 86 / 0 / 66 / 23

HEX #1CC443

RGB 28 196 67

HSL 133.93, 0.75%, 0.44%

LAB 69.56, -65.43, 51.8

 

CMYK 74 / 0 / 57 / 30

HEX #2EB24C

RGB 46 178 76

HSL 133.64, 0.59%, 0.44%

LAB 64.12, -56.33, 41.63

 

CMYK 60 / 0 / 46 / 37

HEX #40A056

RGB 64 160 86

HSL 133.75, 0.43%, 0.44%

LAB 58.88, -44.62, 30.29

 

CMYK 42 / 0 / 32 / 44

HEX #538E60

RGB 83 142 96

HSL 133.22, 0.26%, 0.44%

LAB 54.06, -29.68, 18.64

 

CMYK 19 / 0 / 15 / 51

HEX #657C6A

RGB 101 124 106

HSL 133.04, 0.1%, 0.44%

LAB 49.77, -12.22, 7.08

 

CMYK 59 / 0 / 86 / 23

HEX #51C41C

RGB 81 196 28

HSL 101.07, 0.75%, 0.44%

LAB 70.39, -59.27, 65.74

 

CMYK 82 / 0 / 86 / 23

HEX #24C41C

RGB 36 196 28

HSL 117.14, 0.75%, 0.44%

LAB 69.43, -67.5, 64.52

 

CMYK 86 / 0 / 67 / 23

HEX #1CC441

RGB 28 196 65

HSL 133.21, 0.75%, 0.44%

LAB 69.55, -65.64, 52.61

 

CMYK 86 / 0 / 44 / 23

HEX #1CC46D

RGB 28 196 109

HSL 148.93, 0.75%, 0.44%

LAB 70.06, -59.45, 32.57

 

CMYK 86 / 0 / 21 / 23

HEX #1CC49A

RGB 28 196 154

HSL 165, 0.75%, 0.44%

LAB 70.91, -49.83, 9.89

 

CMYK 85 / 0 / 66 / 51

HEX #127C2A

RGB 18 124 42

HSL 133.58, 0.75%, 0.28%

LAB 45.24, -45.97, 35.85

 

CMYK 86 / 0 / 66 / 37

HEX #17A036

RGB 23 160 54

HSL 133.58, 0.75%, 0.36%

LAB 57.65, -55.98, 44.22

 

CMYK 86 / 0 / 66 / 23

HEX #1CC443

RGB 28 196 67

HSL 133.93, 0.75%, 0.44%

LAB 69.56, -65.43, 51.8

 

CMYK 82 / 0 / 63 / 12

HEX #29E053

RGB 41 224 83

HSL 133.77, 0.75%, 0.52%

LAB 78.7, -71.07, 55.26

 

CMYK 67 / 0 / 51 / 10

HEX #4DE670

RGB 77 230 112

HSL 133.73, 0.75%, 0.6%

LAB 81.48, -64.25, 45.64

 

CMYK 86 / 0 / 66 / 24

HEX #1CC242

RGB 28 194 66

HSL 133.73, 0.75%, 0.44%

LAB 68.91, -64.92, 51.5

 

CMYK 86 / 36 / 0 / 23

HEX #1C7EC4

RGB 28 126 196

HSL 205, 0.75%, 0.44%

LAB 50.87, -1.6, -43.97

 

CMYK 0 / 86 / 70 / 23

HEX #C41C3B

RGB 196 28 59

HSL 348.93, 0.75%, 0.44%

LAB 42.58, 63.37, 27.71

 

CMYK 86 / 0 / 66 / 24

HEX #1CC242

RGB 28 194 66

HSL 133.73, 0.75%, 0.44%

LAB 68.91, -64.92, 51.5

 

CMYK 67 / 86 / 0 / 23

HEX #411CC4

RGB 65 28 196

HSL 253.21, 0.75%, 0.44%

LAB 29.26, 59.58, -79

 

CMYK 0 / 67 / 86 / 23

HEX #C4411C

RGB 196 65 28

HSL 13.21, 0.75%, 0.44%

LAB 46.45, 50.62, 48.64

 

CMYK 86 / 0 / 66 / 24

HEX #1CC242

RGB 28 194 66

HSL 133.73, 0.75%, 0.44%

LAB 68.91, -64.92, 51.5

 

CMYK 86 / 36 / 0 / 23

HEX #1C7EC4

RGB 28 126 196

HSL 205, 0.75%, 0.44%

LAB 50.87, -1.6, -43.97

 

CMYK 0 / 86 / 18 / 23

HEX #C41CA0

RGB 196 28 160

HSL 312.86, 0.75%, 0.44%

LAB 45.78, 72.35, -29.99

 

CMYK 0 / 50 / 86 / 23

HEX #C4621C

RGB 196 98 28

HSL 25, 0.75%, 0.44%

LAB 52.46, 34.99, 53.69

 

CMYK 86 / 0 / 66 / 24

HEX #1CC242

RGB 28 194 66

HSL 133.73, 0.75%, 0.44%

LAB 68.91, -64.92, 51.5

 

CMYK 86 / 61 / 0 / 23

HEX #1C4CC4

RGB 28 76 196

HSL 222.86, 0.75%, 0.44%

LAB 36.75, 30.44, -66.73

 

CMYK 0 / 86 / 18 / 23

HEX #C41CA0

RGB 196 28 160

HSL 312.86, 0.75%, 0.44%

LAB 45.78, 72.35, -29.99

 

CMYK 0 / 24 / 86 / 23

HEX #C4951C

RGB 196 149 28

HSL 43.21, 0.75%, 0.44%

LAB 64.41, 7.35, 63.6

 

Description

Color code: HEX #1CC242 | qconv.com Color code: HEX #1CC242 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 194 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 194 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 66 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 66% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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