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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CBA31 it is the complementary color #E345CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CBA31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CBA31 shade: #21BA2C, #32CC3F, #43DE52, #54F065 and #65FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CBA31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CBA31 shade: #1CBA31, #0BA81E, #00960B, #008400 and #007200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CBA31 shade: #1CBA31, #32BA1C, #5CBA1C, #87BA1C and #B2BA1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CBA31 shade: #1CBA31, #1CBA5C, #1CBA86, #1CBAB1 and #1C99BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CBA31 shade matches the following richer shades: #1CBA31 and #0BCC24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CBA31 shade: #1CBA31, #2DA93E, #3F984A, #508657 and #617564

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CBA31 shade: #5EBA1C, #34BA1C, #1CBA2E, #1CBA59 and #1CBA83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CBA31 shade: #11731E, #169627, #1CBA31, #22DE3B and #45E35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CBA31 shade: #1CBA31, #1C88BA and #BA1C49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CBA31 shade: #1CBA31, #2E1CBA and #BA2E1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CBA31 shade: #1CBA31, #1C88BA, #BA1CA8 and #BA4E1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CBA31 shade: #1CBA31, #1C59BA, #BA1CA8 and #BA7E1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 74 / 27

HEX #1CBA31

RGB 28 186 49

HSL 127.97, 0.74%, 0.42%

LAB 66.2, -64.08, 55.28

 

Complementary color

CMYK 0 / 70 / 9 / 11

HEX #E345CE

RGB 227 69 206

HSL 307.97, 0.74%, 0.58%

LAB 57.12, 74.38, -38.68

 

CMYK 82 / 0 / 76 / 27

HEX #21BA2C

RGB 33 186 44

HSL 124.31, 0.7%, 0.43%

LAB 66.23, -63.94, 57.06

 

CMYK 75 / 0 / 69 / 20

HEX #32CC3F

RGB 50 204 63

HSL 125.06, 0.61%, 0.5%

LAB 72.38, -65.76, 56.53

 

CMYK 70 / 0 / 63 / 13

HEX #43DE52

RGB 67 222 82

HSL 125.81, 0.7%, 0.57%

LAB 78.49, -67, 55.56

 

CMYK 65 / 0 / 58 / 6

HEX #54F065

RGB 84 240 101

HSL 126.54, 0.84%, 0.64%

LAB 84.56, -67.82, 54.39

 

CMYK 60 / 0 / 53 / 0

HEX #65FF78

RGB 101 255 120

HSL 127.4, 1%, 0.7%

LAB 89.69, -67.28, 52.05

 

CMYK 85 / 0 / 74 / 27

HEX #1CBA31

RGB 28 186 49

HSL 127.97, 0.74%, 0.42%

LAB 66.2, -64.08, 55.28

 

CMYK 93 / 0 / 82 / 34

HEX #0BA81E

RGB 11 168 30

HSL 127.26, 0.88%, 0.35%

LAB 60.04, -61.37, 55.39

 

CMYK 100 / 0 / 93 / 41

HEX #00960B

RGB 0 150 11

HSL 124.4, 1%, 0.29%

LAB 53.85, -57.68, 54.21

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 85 / 0 / 74 / 27

HEX #1CBA31

RGB 28 186 49

HSL 127.97, 0.74%, 0.42%

LAB 66.2, -64.08, 55.28

 

CMYK 73 / 0 / 85 / 27

HEX #32BA1C

RGB 50 186 28

HSL 111.65, 0.74%, 0.42%

LAB 66.43, -62.51, 61.93

 

CMYK 51 / 0 / 85 / 27

HEX #5CBA1C

RGB 92 186 28

HSL 95.7, 0.74%, 0.42%

LAB 67.63, -52.65, 63.46

 

CMYK 27 / 0 / 85 / 27

HEX #87BA1C

RGB 135 186 28

HSL 79.37, 0.74%, 0.42%

LAB 69.72, -37.74, 66.09

 

CMYK 4 / 0 / 85 / 27

HEX #B2BA1C

RGB 178 186 28

HSL 63.04, 0.74%, 0.42%

LAB 72.67, -20.01, 69.76

 

CMYK 85 / 0 / 74 / 27

HEX #1CBA31

RGB 28 186 49

HSL 127.97, 0.74%, 0.42%

LAB 66.2, -64.08, 55.28

 

CMYK 85 / 0 / 51 / 27

HEX #1CBA5C

RGB 28 186 92

HSL 144.3, 0.74%, 0.42%

LAB 66.62, -58.9, 36.81

 

CMYK 85 / 0 / 28 / 27

HEX #1CBA86

RGB 28 186 134

HSL 160.25, 0.74%, 0.42%

LAB 67.34, -50.66, 15.7

 

CMYK 85 / 0 / 5 / 27

HEX #1CBAB1

RGB 28 186 177

HSL 176.58, 0.74%, 0.42%

LAB 68.42, -39.4, -6.31

 

CMYK 85 / 18 / 0 / 27

HEX #1C99BA

RGB 28 153 186

HSL 192.53, 0.74%, 0.42%

LAB 58.58, -20.47, -26.22

 

CMYK 85 / 0 / 74 / 27

HEX #1CBA31

RGB 28 186 49

HSL 127.97, 0.74%, 0.42%

LAB 66.2, -64.08, 55.28

 

CMYK 95 / 0 / 82 / 20

HEX #0BCC24

RGB 11 204 36

HSL 127.77, 0.9%, 0.42%

LAB 71.81, -71.29, 64.67

 

CMYK 85 / 0 / 74 / 27

HEX #1CBA31

RGB 28 186 49

HSL 127.97, 0.74%, 0.42%

LAB 66.2, -64.08, 55.28

 

CMYK 73 / 0 / 63 / 34

HEX #2DA93E

RGB 45 169 62

HSL 128.23, 0.58%, 0.42%

LAB 61.03, -55.15, 44.55

 

CMYK 59 / 0 / 51 / 40

HEX #3F984A

RGB 63 152 74

HSL 127.42, 0.41%, 0.42%

LAB 56.1, -43.5, 33.03

 

CMYK 40 / 0 / 35 / 47

HEX #508657

RGB 80 134 87

HSL 127.78, 0.25%, 0.42%

LAB 51.2, -28.44, 19.83

 

CMYK 17 / 0 / 15 / 54

HEX #617564

RGB 97 117 100

HSL 129, 0.09%, 0.42%

LAB 47.22, -11.02, 6.94

 

CMYK 49 / 0 / 85 / 27

HEX #5EBA1C

RGB 94 186 28

HSL 94.94, 0.74%, 0.42%

LAB 67.71, -52.05, 63.56

 

CMYK 72 / 0 / 85 / 27

HEX #34BA1C

RGB 52 186 28

HSL 110.89, 0.74%, 0.42%

LAB 66.47, -62.17, 61.98

 

CMYK 85 / 0 / 75 / 27

HEX #1CBA2E

RGB 28 186 46

HSL 126.84, 0.74%, 0.42%

LAB 66.18, -64.31, 56.31

 

CMYK 85 / 0 / 52 / 27

HEX #1CBA59

RGB 28 186 89

HSL 143.16, 0.74%, 0.42%

LAB 66.59, -59.37, 38.25

 

CMYK 85 / 0 / 30 / 27

HEX #1CBA83

RGB 28 186 131

HSL 159.11, 0.74%, 0.42%

LAB 67.28, -51.34, 17.24

 

CMYK 85 / 0 / 74 / 55

HEX #11731E

RGB 17 115 30

HSL 127.96, 0.74%, 0.26%

LAB 41.96, -44.36, 37.65

 

CMYK 85 / 0 / 74 / 41

HEX #169627

RGB 22 150 39

HSL 127.97, 0.74%, 0.34%

LAB 54.16, -54.39, 46.69

 

CMYK 85 / 0 / 74 / 27

HEX #1CBA31

RGB 28 186 49

HSL 127.97, 0.74%, 0.42%

LAB 66.2, -64.08, 55.28

 

CMYK 85 / 0 / 73 / 13

HEX #22DE3B

RGB 34 222 59

HSL 127.98, 0.74%, 0.5%

LAB 77.81, -73.39, 63.53

 

CMYK 70 / 0 / 60 / 11

HEX #45E35A

RGB 69 227 90

HSL 127.97, 0.74%, 0.58%

LAB 80.15, -67.43, 54.03

 

CMYK 85 / 0 / 74 / 27

HEX #1CBA31

RGB 28 186 49

HSL 127.97, 0.74%, 0.42%

LAB 66.2, -64.08, 55.28

 

CMYK 85 / 27 / 0 / 27

HEX #1C88BA

RGB 28 136 186

HSL 198.99, 0.74%, 0.42%

LAB 53.38, -11.17, -34.29

 

CMYK 0 / 85 / 61 / 27

HEX #BA1C49

RGB 186 28 73

HSL 342.91, 0.74%, 0.42%

LAB 40.82, 61.48, 16.27

 

CMYK 85 / 0 / 74 / 27

HEX #1CBA31

RGB 28 186 49

HSL 127.97, 0.74%, 0.42%

LAB 66.2, -64.08, 55.28

 

CMYK 75 / 85 / 0 / 27

HEX #2E1CBA

RGB 46 28 186

HSL 246.84, 0.74%, 0.42%

LAB 26.61, 55.52, -77.54

 

CMYK 0 / 75 / 85 / 27

HEX #BA2E1C

RGB 186 46 28

HSL 6.84, 0.74%, 0.42%

LAB 41.96, 54.5, 44.04

 

CMYK 85 / 0 / 74 / 27

HEX #1CBA31

RGB 28 186 49

HSL 127.97, 0.74%, 0.42%

LAB 66.2, -64.08, 55.28

 

CMYK 85 / 27 / 0 / 27

HEX #1C88BA

RGB 28 136 186

HSL 198.99, 0.74%, 0.42%

LAB 53.38, -11.17, -34.29

 

CMYK 0 / 85 / 10 / 27

HEX #BA1CA8

RGB 186 28 168

HSL 306.84, 0.74%, 0.42%

LAB 44.37, 71.41, -37.1

 

CMYK 0 / 58 / 85 / 27

HEX #BA4E1C

RGB 186 78 28

HSL 18.99, 0.74%, 0.42%

LAB 46.94, 41.12, 48.38

 

CMYK 85 / 0 / 74 / 27

HEX #1CBA31

RGB 28 186 49

HSL 127.97, 0.74%, 0.42%

LAB 66.2, -64.08, 55.28

 

CMYK 85 / 52 / 0 / 27

HEX #1C59BA

RGB 28 89 186

HSL 216.84, 0.74%, 0.42%

LAB 39.47, 17.94, -56.45

 

CMYK 0 / 85 / 10 / 27

HEX #BA1CA8

RGB 186 28 168

HSL 306.84, 0.74%, 0.42%

LAB 44.37, 71.41, -37.1

 

CMYK 0 / 32 / 85 / 27

HEX #BA7E1C

RGB 186 126 28

HSL 37.22, 0.74%, 0.42%

LAB 57.51, 15.54, 57.39

 

Description

Color code: HEX #1CBA31 | qconv.com Color code: HEX #1CBA31 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 186 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 186 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 74 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 74% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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