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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CB9A8 it is the complementary color #E34657. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CB9A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CB9A8 shade: #21B9A3, #32CBB6, #43DDC9, #54EFDC and #65FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CB9A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CB9A8 shade: #1CB9A8, #0BA795, #009582, #00836F and #00715C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CB9A8 shade: #1BBAA9, #1BBA7E, #1BBA53, #1BBA28 and #39BA1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CB9A8 shade: #1BBAA9, #1BA0BA, #1B76BA, #1B4BBA and #1B20BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CB9A8 shade matches the following richer shades: #1BBAA9 and #0ACBB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CB9A8 shade: #1BBAA9, #2DA99B, #3E978E, #4F8680 and #617572

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CB9A8 shade: #1BBA53, #1BBA7D, #1BBAA7, #1BA2BA and #1B78BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CB9A8 shade: #117268, #169688, #1BBAA9, #21DDC9 and #45E3D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CB9A8 shade: #1CB9A8, #291BBA and #BA681B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CB9A8 shade: #1CB9A8, #A71BBA and #BAA71B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CB9A8 shade: #1CB9A8, #291BBA, #BA1B2E and #ADBA1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CB9A8 shade: #1CB9A8, #581BBA, #BA1B2E and #7DBA1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 9 / 27

HEX #1CB9A8

RGB 28 185 168

HSL 173.5, 0.74%, 0.42%

LAB 67.85, -41.52, -2.19

 

Complementary color

CMYK 0 / 69 / 62 / 11

HEX #E34657

RGB 227 70 87

HSL 353.5, 0.74%, 0.58%

LAB 53.38, 61.31, 25.72

 

CMYK 82 / 0 / 12 / 27

HEX #21B9A3

RGB 33 185 163

HSL 171.32, 0.7%, 0.43%

LAB 67.77, -42.51, 0.46

 

CMYK 75 / 0 / 10 / 20

HEX #32CBB6

RGB 50 203 182

HSL 171.76, 0.6%, 0.5%

LAB 74.04, -43.51, -0.73

 

CMYK 70 / 0 / 9 / 13

HEX #43DDC9

RGB 67 221 201

HSL 172.21, 0.69%, 0.56%

LAB 80.25, -44.23, -1.8

 

CMYK 65 / 0 / 8 / 6

HEX #54EFDC

RGB 84 239 220

HSL 172.65, 0.83%, 0.63%

LAB 86.4, -44.75, -2.78

 

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

CMYK 85 / 0 / 9 / 27

HEX #1CB9A8

RGB 28 185 168

HSL 173.5, 0.74%, 0.42%

LAB 67.85, -41.52, -2.19

 

CMYK 93 / 0 / 11 / 35

HEX #0BA795

RGB 11 167 149

HSL 173.08, 0.88%, 0.35%

LAB 61.55, -39.97, -0.88

 

CMYK 100 / 0 / 13 / 42

HEX #009582

RGB 0 149 130

HSL 172.35, 1%, 0.29%

LAB 55.18, -37.96, 0.59

 

CMYK 100 / 0 / 15 / 49

HEX #00836F

RGB 0 131 111

HSL 170.84, 1%, 0.26%

LAB 48.74, -35.48, 2.23

 

CMYK 100 / 0 / 19 / 56

HEX #00715C

RGB 0 113 92

HSL 168.85, 1%, 0.22%

LAB 42.13, -32.93, 3.96

 

CMYK 85 / 0 / 9 / 27

HEX #1BBAA9

RGB 27 186 169

HSL 173.58, 0.75%, 0.42%

LAB 68.18, -41.75, -2.26

 

CMYK 85 / 0 / 32 / 27

HEX #1BBA7E

RGB 27 186 126

HSL 157.36, 0.75%, 0.42%

LAB 67.17, -52.54, 19.79

 

CMYK 85 / 0 / 55 / 27

HEX #1BBA53

RGB 27 186 83

HSL 141.13, 0.75%, 0.42%

LAB 66.5, -60.35, 41.07

 

CMYK 85 / 0 / 78 / 27

HEX #1BBA28

RGB 27 186 40

HSL 124.91, 0.75%, 0.42%

LAB 66.14, -64.84, 58.23

 

CMYK 69 / 0 / 85 / 27

HEX #39BA1B

RGB 57 186 27

HSL 108.68, 0.75%, 0.42%

LAB 66.57, -61.3, 62.34

 

CMYK 85 / 0 / 9 / 27

HEX #1BBAA9

RGB 27 186 169

HSL 173.58, 0.75%, 0.42%

LAB 68.18, -41.75, -2.26

 

CMYK 85 / 14 / 0 / 27

HEX #1BA0BA

RGB 27 160 186

HSL 189.81, 0.75%, 0.42%

LAB 60.71, -24.19, -22.94

 

CMYK 85 / 37 / 0 / 27

HEX #1B76BA

RGB 27 118 186

HSL 205.66, 0.75%, 0.42%

LAB 47.92, -0.65, -42.9

 

CMYK 85 / 60 / 0 / 27

HEX #1B4BBA

RGB 27 75 186

HSL 221.89, 0.75%, 0.42%

LAB 35.62, 27.16, -62.72

 

CMYK 85 / 83 / 0 / 27

HEX #1B20BA

RGB 27 32 186

HSL 238.11, 0.75%, 0.42%

LAB 26.19, 52.86, -78.26

 

CMYK 85 / 0 / 9 / 27

HEX #1BBAA9

RGB 27 186 169

HSL 173.58, 0.75%, 0.42%

LAB 68.18, -41.75, -2.26

 

CMYK 95 / 0 / 10 / 20

HEX #0ACBB6

RGB 10 203 182

HSL 173.47, 0.91%, 0.42%

LAB 73.65, -46.25, -1.36

 

CMYK 85 / 0 / 9 / 27

HEX #1BBAA9

RGB 27 186 169

HSL 173.58, 0.75%, 0.42%

LAB 68.18, -41.75, -2.26

 

CMYK 73 / 0 / 8 / 34

HEX #2DA99B

RGB 45 169 155

HSL 173.23, 0.58%, 0.42%

LAB 62.76, -36.32, -2.42

 

CMYK 59 / 0 / 6 / 41

HEX #3E978E

RGB 62 151 142

HSL 173.93, 0.42%, 0.42%

LAB 57.18, -28.65, -3.23

 

CMYK 41 / 0 / 4 / 47

HEX #4F8680

RGB 79 134 128

HSL 173.45, 0.26%, 0.42%

LAB 52.14, -19.69, -2.5

 

CMYK 17 / 0 / 3 / 54

HEX #617572

RGB 97 117 114

HSL 171, 0.09%, 0.42%

LAB 47.6, -8.02, -0.81

 

CMYK 85 / 0 / 55 / 27

HEX #1BBA53

RGB 27 186 83

HSL 141.13, 0.75%, 0.42%

LAB 66.5, -60.35, 41.07

 

CMYK 85 / 0 / 33 / 27

HEX #1BBA7D

RGB 27 186 125

HSL 156.98, 0.75%, 0.42%

LAB 67.15, -52.75, 20.3

 

CMYK 85 / 0 / 10 / 27

HEX #1BBAA7

RGB 27 186 167

HSL 172.83, 0.75%, 0.42%

LAB 68.12, -42.31, -1.24

 

CMYK 85 / 13 / 0 / 27

HEX #1BA2BA

RGB 27 162 186

HSL 189.06, 0.75%, 0.42%

LAB 61.32, -25.21, -22

 

CMYK 85 / 35 / 0 / 27

HEX #1B78BA

RGB 27 120 186

HSL 204.91, 0.75%, 0.42%

LAB 48.52, -1.87, -41.94

 

CMYK 85 / 0 / 9 / 55

HEX #117268

RGB 17 114 104

HSL 173.81, 0.74%, 0.26%

LAB 42.99, -28.54, -1.98

 

CMYK 85 / 0 / 9 / 41

HEX #169688

RGB 22 150 136

HSL 173.44, 0.74%, 0.34%

LAB 55.85, -35.46, -1.86

 

CMYK 85 / 0 / 9 / 27

HEX #1BBAA9

RGB 27 186 169

HSL 173.58, 0.75%, 0.42%

LAB 68.18, -41.75, -2.26

 

CMYK 85 / 0 / 9 / 13

HEX #21DDC9

RGB 33 221 201

HSL 173.62, 0.74%, 0.5%

LAB 79.76, -47.58, -2.58

 

CMYK 70 / 0 / 7 / 11

HEX #45E3D2

RGB 69 227 210

HSL 173.54, 0.74%, 0.58%

LAB 82.3, -44.22, -3.56

 

CMYK 85 / 0 / 9 / 27

HEX #1CB9A8

RGB 28 185 168

HSL 173.5, 0.74%, 0.42%

LAB 67.85, -41.52, -2.19

 

CMYK 78 / 85 / 0 / 27

HEX #291BBA

RGB 41 27 186

HSL 245.28, 0.75%, 0.42%

LAB 26.16, 55.65, -78.3

 

CMYK 0 / 44 / 85 / 27

HEX #BA681B

RGB 186 104 27

HSL 29.06, 0.75%, 0.42%

LAB 52.31, 27.62, 53.35

 

CMYK 85 / 0 / 9 / 27

HEX #1CB9A8

RGB 28 185 168

HSL 173.5, 0.74%, 0.42%

LAB 67.85, -41.52, -2.19

 

CMYK 10 / 85 / 0 / 27

HEX #A71BBA

RGB 167 27 186

HSL 292.83, 0.75%, 0.42%

LAB 42.07, 70.88, -51.62

 

CMYK 0 / 10 / 85 / 27

HEX #BAA71B

RGB 186 167 27

HSL 52.83, 0.75%, 0.42%

LAB 68.14, -6.79, 66.51

 

CMYK 85 / 0 / 9 / 27

HEX #1CB9A8

RGB 28 185 168

HSL 173.5, 0.74%, 0.42%

LAB 67.85, -41.52, -2.19

 

CMYK 78 / 85 / 0 / 27

HEX #291BBA

RGB 41 27 186

HSL 245.28, 0.75%, 0.42%

LAB 26.16, 55.65, -78.3

 

CMYK 0 / 85 / 75 / 27

HEX #BA1B2E

RGB 186 27 46

HSL 352.83, 0.75%, 0.42%

LAB 40.28, 60.33, 32.4

 

CMYK 7 / 0 / 85 / 27

HEX #ADBA1B

RGB 173 186 27

HSL 64.91, 0.75%, 0.42%

LAB 72.28, -22.18, 69.5

 

CMYK 85 / 0 / 9 / 27

HEX #1CB9A8

RGB 28 185 168

HSL 173.5, 0.74%, 0.42%

LAB 67.85, -41.52, -2.19

 

CMYK 53 / 85 / 0 / 27

HEX #581BBA

RGB 88 27 186

HSL 263.02, 0.75%, 0.42%

LAB 30.41, 59.41, -71.12

 

CMYK 0 / 85 / 75 / 27

HEX #BA1B2E

RGB 186 27 46

HSL 352.83, 0.75%, 0.42%

LAB 40.28, 60.33, 32.4

 

CMYK 33 / 0 / 85 / 27

HEX #7DBA1B

RGB 125 186 27

HSL 83.02, 0.75%, 0.42%

LAB 69.15, -41.57, 65.6

 

Description

Color code: HEX #1CB9A8 | qconv.com Color code: HEX #1CB9A8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 185 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 185 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 9 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 9% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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