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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CAF41 it is the complementary color #E350BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CAF41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CAF41 shade: #21AF3C, #32C14F, #43D362, #54E575 and #65F788

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CAF41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CAF41 shade: #1CAF41, #0B9D2E, #008B1B, #007908 and #006700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CAF41 shade: #1DAF42, #1FAF1D, #47AF1D, #6EAF1D and #96AF1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CAF41 shade: #1DAF42, #1DAF69, #1DAF91, #1DA7AF and #1D7FAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CAF41 shade matches the following richer shades: #1DAF42 and #0CC039

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CAF41 shade: #1DAF42, #2D9F4A, #3E8E52, #4E7E5A and #5F6D62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CAF41 shade: #46AF1D, #1FAF1D, #1DAF41, #1DAF68 and #1DAF90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CAF41 shade: #116827, #178C34, #1DAF42, #22D34F and #3FE067

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CAF41 shade: #1CAF41, #1D6DAF and #AF1D33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CAF41 shade: #1CAF41, #411DAF and #AF411D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CAF41 shade: #1CAF41, #1D6DAF, #AF1D8B and #AF5F1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CAF41 shade: #1CAF41, #1D41AF, #AF1D8B and #AF8B1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 63 / 31

HEX #1CAF41

RGB 28 175 65

HSL 135.1, 0.72%, 0.4%

LAB 62.75, -59.04, 45.07

 

Complementary color

CMYK 0 / 65 / 16 / 11

HEX #E350BE

RGB 227 80 190

HSL 315.1, 0.72%, 0.6%

LAB 57.83, 68.08, -28.41

 

CMYK 81 / 0 / 66 / 31

HEX #21AF3C

RGB 33 175 60

HSL 131.41, 0.68%, 0.41%

LAB 62.77, -59.07, 47.31

 

CMYK 74 / 0 / 59 / 24

HEX #32C14F

RGB 50 193 79

HSL 132.17, 0.59%, 0.48%

LAB 69.03, -60.45, 46.02

 

CMYK 68 / 0 / 54 / 17

HEX #43D362

RGB 67 211 98

HSL 132.92, 0.62%, 0.55%

LAB 75.24, -61.33, 44.61

 

CMYK 63 / 0 / 49 / 10

HEX #54E575

RGB 84 229 117

HSL 133.66, 0.74%, 0.61%

LAB 81.41, -61.86, 43.2

 

CMYK 59 / 0 / 45 / 3

HEX #65F788

RGB 101 247 136

HSL 134.38, 0.9%, 0.68%

LAB 87.52, -62.14, 41.81

 

CMYK 84 / 0 / 63 / 31

HEX #1CAF41

RGB 28 175 65

HSL 135.1, 0.72%, 0.4%

LAB 62.75, -59.04, 45.07

 

CMYK 93 / 0 / 71 / 38

HEX #0B9D2E

RGB 11 157 46

HSL 134.38, 0.87%, 0.33%

LAB 56.47, -56.83, 46.29

 

CMYK 100 / 0 / 81 / 45

HEX #008B1B

RGB 0 139 27

HSL 131.65, 1%, 0.27%

LAB 50.15, -53.66, 46.91

 

CMYK 100 / 0 / 93 / 53

HEX #007908

RGB 0 121 8

HSL 123.97, 1%, 0.24%

LAB 43.79, -49.32, 46.16

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 83 / 0 / 62 / 31

HEX #1DAF42

RGB 29 175 66

HSL 135.21, 0.72%, 0.4%

LAB 62.77, -58.82, 44.65

 

CMYK 82 / 0 / 83 / 31

HEX #1FAF1D

RGB 31 175 29

HSL 119.18, 0.72%, 0.4%

LAB 62.54, -61.79, 58.04

 

CMYK 59 / 0 / 83 / 31

HEX #47AF1D

RGB 71 175 29

HSL 102.74, 0.72%, 0.4%

LAB 63.42, -54.38, 59.16

 

CMYK 37 / 0 / 83 / 31

HEX #6EAF1D

RGB 110 175 29

HSL 86.71, 0.72%, 0.4%

LAB 65.01, -42.28, 61.2

 

CMYK 14 / 0 / 83 / 31

HEX #96AF1D

RGB 150 175 29

HSL 70.27, 0.72%, 0.4%

LAB 67.45, -26.5, 64.27

 

CMYK 83 / 0 / 62 / 31

HEX #1DAF42

RGB 29 175 66

HSL 135.21, 0.72%, 0.4%

LAB 62.77, -58.82, 44.65

 

CMYK 83 / 0 / 40 / 31

HEX #1DAF69

RGB 29 175 105

HSL 151.23, 0.72%, 0.4%

LAB 63.29, -52.61, 25.82

 

CMYK 83 / 0 / 17 / 31

HEX #1DAF91

RGB 29 175 145

HSL 167.67, 0.72%, 0.4%

LAB 64.13, -43.38, 5.12

 

CMYK 83 / 5 / 0 / 31

HEX #1DA7AF

RGB 29 167 175

HSL 183.29, 0.72%, 0.4%

LAB 62.5, -31.08, -14.04

 

CMYK 83 / 27 / 0 / 31

HEX #1D7FAF

RGB 29 127 175

HSL 199.73, 0.72%, 0.4%

LAB 50.14, -9.96, -33.04

 

CMYK 83 / 0 / 62 / 31

HEX #1DAF42

RGB 29 175 66

HSL 135.21, 0.72%, 0.4%

LAB 62.77, -58.82, 44.65

 

CMYK 94 / 0 / 70 / 25

HEX #0CC039

RGB 12 192 57

HSL 135, 0.88%, 0.4%

LAB 68.07, -66.29, 54.18

 

CMYK 83 / 0 / 62 / 31

HEX #1DAF42

RGB 29 175 66

HSL 135.21, 0.72%, 0.4%

LAB 62.77, -58.82, 44.65

 

CMYK 72 / 0 / 53 / 38

HEX #2D9F4A

RGB 45 159 74

HSL 135.26, 0.56%, 0.4%

LAB 57.89, -50.02, 35.13

 

CMYK 56 / 0 / 42 / 44

HEX #3E8E52

RGB 62 142 82

HSL 135, 0.39%, 0.4%

LAB 52.93, -38.28, 24.75

 

CMYK 38 / 0 / 29 / 51

HEX #4E7E5A

RGB 78 126 90

HSL 135, 0.24%, 0.4%

LAB 48.61, -24.58, 14.58

 

CMYK 13 / 0 / 10 / 57

HEX #5F6D62

RGB 95 109 98

HSL 132.86, 0.07%, 0.4%

LAB 44.59, -7.63, 4.36

 

CMYK 60 / 0 / 83 / 31

HEX #46AF1D

RGB 70 175 29

HSL 103.15, 0.72%, 0.4%

LAB 63.38, -54.63, 59.12

 

CMYK 82 / 0 / 83 / 31

HEX #1FAF1D

RGB 31 175 29

HSL 119.18, 0.72%, 0.4%

LAB 62.54, -61.79, 58.04

 

CMYK 83 / 0 / 63 / 31

HEX #1DAF41

RGB 29 175 65

HSL 134.79, 0.72%, 0.4%

LAB 62.76, -58.94, 45.09

 

CMYK 83 / 0 / 41 / 31

HEX #1DAF68

RGB 29 175 104

HSL 150.82, 0.72%, 0.4%

LAB 63.28, -52.81, 26.33

 

CMYK 83 / 0 / 18 / 31

HEX #1DAF90

RGB 29 175 144

HSL 167.26, 0.72%, 0.4%

LAB 64.11, -43.64, 5.64

 

CMYK 84 / 0 / 63 / 59

HEX #116827

RGB 17 104 39

HSL 135.17, 0.72%, 0.24%

LAB 38.14, -39.41, 29.22

 

CMYK 84 / 0 / 63 / 45

HEX #178C34

RGB 23 140 52

HSL 134.87, 0.72%, 0.32%

LAB 50.9, -49.61, 37.56

 

CMYK 83 / 0 / 62 / 31

HEX #1DAF42

RGB 29 175 66

HSL 135.21, 0.72%, 0.4%

LAB 62.77, -58.82, 44.65

 

CMYK 84 / 0 / 63 / 17

HEX #22D34F

RGB 34 211 79

HSL 135.25, 0.72%, 0.48%

LAB 74.5, -68.19, 52.23

 

CMYK 72 / 0 / 54 / 12

HEX #3FE067

RGB 63 224 103

HSL 134.91, 0.72%, 0.56%

LAB 79.24, -65.78, 47.08

 

CMYK 84 / 0 / 63 / 31

HEX #1CAF41

RGB 28 175 65

HSL 135.1, 0.72%, 0.4%

LAB 62.75, -59.04, 45.07

 

CMYK 83 / 38 / 0 / 31

HEX #1D6DAF

RGB 29 109 175

HSL 207.12, 0.72%, 0.4%

LAB 44.65, 0.82, -41.7

 

CMYK 0 / 83 / 71 / 31

HEX #AF1D33

RGB 175 29 51

HSL 350.96, 0.72%, 0.4%

LAB 38.26, 57.03, 26.4

 

CMYK 84 / 0 / 63 / 31

HEX #1CAF41

RGB 28 175 65

HSL 135.1, 0.72%, 0.4%

LAB 62.75, -59.04, 45.07

 

CMYK 63 / 83 / 0 / 31

HEX #411DAF

RGB 65 29 175

HSL 254.79, 0.72%, 0.4%

LAB 27.01, 53.43, -70.26

 

CMYK 0 / 63 / 83 / 31

HEX #AF411D

RGB 175 65 29

HSL 14.79, 0.72%, 0.4%

LAB 42.74, 43.18, 43.49

 

CMYK 84 / 0 / 63 / 31

HEX #1CAF41

RGB 28 175 65

HSL 135.1, 0.72%, 0.4%

LAB 62.75, -59.04, 45.07

 

CMYK 83 / 38 / 0 / 31

HEX #1D6DAF

RGB 29 109 175

HSL 207.12, 0.72%, 0.4%

LAB 44.65, 0.82, -41.7

 

CMYK 0 / 83 / 21 / 31

HEX #AF1D8B

RGB 175 29 139

HSL 314.79, 0.72%, 0.4%

LAB 40.99, 64.94, -25.05

 

CMYK 0 / 46 / 83 / 31

HEX #AF5F1D

RGB 175 95 29

HSL 27.12, 0.72%, 0.4%

LAB 48.74, 27.89, 48.9

 

CMYK 84 / 0 / 63 / 31

HEX #1CAF41

RGB 28 175 65

HSL 135.1, 0.72%, 0.4%

LAB 62.75, -59.04, 45.07

 

CMYK 83 / 63 / 0 / 31

HEX #1D41AF

RGB 29 65 175

HSL 225.21, 0.72%, 0.4%

LAB 32.12, 29.7, -61.93

 

CMYK 0 / 83 / 21 / 31

HEX #AF1D8B

RGB 175 29 139

HSL 314.79, 0.72%, 0.4%

LAB 40.99, 64.94, -25.05

 

CMYK 0 / 21 / 83 / 31

HEX #AF8B1D

RGB 175 139 29

HSL 45.21, 0.72%, 0.4%

LAB 59.59, 3.42, 58.36

 

Description

Color code: HEX #1CAF41 | qconv.com Color code: HEX #1CAF41 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 175 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 175 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 63 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 63% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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