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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CAB1F it is the complementary color #E354E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CAB1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CAB1F shade: #21AB1A, #32BD2D, #43CF40, #54E153 and #65F366

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CAB1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CAB1F shade: #1CAB1F, #0B990C, #008700, #007500 and #006300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CAB1F shade: #1CAB1F, #3FAB1C, #66AB1C, #8DAB1C and #ABA31C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CAB1F shade: #1CAB1F, #1CAB45, #1CAB6C, #1CAB93 and #1C9DAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CAB1F shade matches the following richer shades: #1CAB1F and #0CBB0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CAB1F shade: #1CAB1F, #2C9B2E, #3C8B3E, #4C7B4D and #5C6B5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CAB1F shade: #66AB1C, #40AB1C, #1CAB1E, #1CAB44 and #1CAB6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CAB1F shade: #106412, #168818, #1CAB1F, #22CF25 and #3ADF3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CAB1F shade: #1CAB1F, #1C8CAB and #AB1C53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CAB1F shade: #1CAB1F, #1E1CAB and #AB1E1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CAB1F shade: #1CAB1F, #1C8CAB, #AB1CA9 and #AB3B1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CAB1F shade: #1CAB1F, #1C61AB, #AB1CA9 and #AB661C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 82 / 33

HEX #1CAB1F

RGB 28 171 31

HSL 121.26, 0.72%, 0.39%

LAB 61.2, -60.81, 56.24

 

Complementary color

CMYK 0 / 63 / 1 / 11

HEX #E354E0

RGB 227 84 224

HSL 301.26, 0.72%, 0.61%

LAB 59.94, 71.7, -44.43

 

CMYK 81 / 0 / 85 / 33

HEX #21AB1A

RGB 33 171 26

HSL 117.1, 0.74%, 0.39%

LAB 61.24, -60.49, 57.64

 

CMYK 74 / 0 / 76 / 26

HEX #32BD2D

RGB 50 189 45

HSL 117.92, 0.62%, 0.46%

LAB 67.47, -62.47, 58.04

 

CMYK 68 / 0 / 69 / 19

HEX #43CF40

RGB 67 207 64

HSL 118.74, 0.6%, 0.53%

LAB 73.67, -63.8, 57.61

 

CMYK 63 / 0 / 63 / 12

HEX #54E153

RGB 84 225 83

HSL 119.58, 0.7%, 0.6%

LAB 79.82, -64.66, 56.74

 

CMYK 58 / 0 / 58 / 5

HEX #65F366

RGB 101 243 102

HSL 120.42, 0.86%, 0.67%

LAB 85.92, -65.19, 55.65

 

CMYK 84 / 0 / 82 / 33

HEX #1CAB1F

RGB 28 171 31

HSL 121.26, 0.72%, 0.39%

LAB 61.2, -60.81, 56.24

 

CMYK 93 / 0 / 92 / 40

HEX #0B990C

RGB 11 153 12

HSL 120.42, 0.87%, 0.32%

LAB 54.95, -57.83, 55

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 84 / 0 / 82 / 33

HEX #1CAB1F

RGB 28 171 31

HSL 121.26, 0.72%, 0.39%

LAB 61.2, -60.81, 56.24

 

CMYK 63 / 0 / 84 / 33

HEX #3FAB1C

RGB 63 171 28

HSL 105.31, 0.72%, 0.39%

LAB 61.88, -54.98, 57.95

 

CMYK 40 / 0 / 84 / 33

HEX #66AB1C

RGB 102 171 28

HSL 88.95, 0.72%, 0.39%

LAB 63.37, -43.48, 59.84

 

CMYK 18 / 0 / 84 / 33

HEX #8DAB1C

RGB 141 171 28

HSL 72.59, 0.72%, 0.39%

LAB 65.65, -28.38, 62.72

 

CMYK 0 / 5 / 84 / 33

HEX #ABA31C

RGB 171 163 28

HSL 56.64, 0.72%, 0.39%

LAB 65.7, -11.34, 63.69

 

CMYK 84 / 0 / 82 / 33

HEX #1CAB1F

RGB 28 171 31

HSL 121.26, 0.72%, 0.39%

LAB 61.2, -60.81, 56.24

 

CMYK 84 / 0 / 60 / 33

HEX #1CAB45

RGB 28 171 69

HSL 137.2, 0.72%, 0.39%

LAB 61.48, -57.24, 41.78

 

CMYK 84 / 0 / 37 / 33

HEX #1CAB6C

RGB 28 171 108

HSL 153.57, 0.72%, 0.39%

LAB 62.05, -50.61, 22.54

 

CMYK 84 / 0 / 14 / 33

HEX #1CAB93

RGB 28 171 147

HSL 169.93, 0.72%, 0.39%

LAB 62.91, -41.21, 2.24

 

CMYK 84 / 8 / 0 / 33

HEX #1C9DAB

RGB 28 157 171

HSL 185.87, 0.72%, 0.39%

LAB 59.25, -27.53, -16.7

 

CMYK 84 / 0 / 82 / 33

HEX #1CAB1F

RGB 28 171 31

HSL 121.26, 0.72%, 0.39%

LAB 61.2, -60.81, 56.24

 

CMYK 94 / 0 / 92 / 27

HEX #0CBB0F

RGB 12 187 15

HSL 121.03, 0.88%, 0.39%

LAB 66.25, -67.37, 64.12

 

CMYK 84 / 0 / 82 / 33

HEX #1CAB1F

RGB 28 171 31

HSL 121.26, 0.72%, 0.39%

LAB 61.2, -60.81, 56.24

 

CMYK 72 / 0 / 70 / 39

HEX #2C9B2E

RGB 44 155 46

HSL 121.08, 0.56%, 0.39%

LAB 56.26, -52.2, 46.22

 

CMYK 57 / 0 / 55 / 45

HEX #3C8B3E

RGB 60 139 62

HSL 121.52, 0.4%, 0.39%

LAB 51.58, -40.7, 33.66

 

CMYK 38 / 0 / 37 / 52

HEX #4C7B4D

RGB 76 123 77

HSL 121.28, 0.24%, 0.39%

LAB 47.29, -26.18, 20.24

 

CMYK 14 / 0 / 13 / 58

HEX #5C6B5D

RGB 92 107 93

HSL 124, 0.08%, 0.39%

LAB 43.63, -8.66, 5.96

 

CMYK 40 / 0 / 84 / 33

HEX #66AB1C

RGB 102 171 28

HSL 88.95, 0.72%, 0.39%

LAB 63.37, -43.48, 59.84

 

CMYK 63 / 0 / 84 / 33

HEX #40AB1C

RGB 64 171 28

HSL 104.9, 0.72%, 0.39%

LAB 61.91, -54.74, 57.98

 

CMYK 84 / 0 / 82 / 33

HEX #1CAB1E

RGB 28 171 30

HSL 120.84, 0.72%, 0.39%

LAB 61.19, -60.87, 56.52

 

CMYK 84 / 0 / 60 / 33

HEX #1CAB44

RGB 28 171 68

HSL 136.78, 0.72%, 0.39%

LAB 61.47, -57.37, 42.24

 

CMYK 84 / 0 / 37 / 33

HEX #1CAB6B

RGB 28 171 107

HSL 153.15, 0.72%, 0.39%

LAB 62.03, -50.82, 23.06

 

CMYK 84 / 0 / 82 / 61

HEX #106412

RGB 16 100 18

HSL 121.43, 0.72%, 0.23%

LAB 36.5, -40.44, 36.84

 

CMYK 84 / 0 / 82 / 47

HEX #168818

RGB 22 136 24

HSL 121.05, 0.72%, 0.31%

LAB 49.31, -51.1, 47.13

 

CMYK 84 / 0 / 82 / 33

HEX #1CAB1F

RGB 28 171 31

HSL 121.26, 0.72%, 0.39%

LAB 61.2, -60.81, 56.24

 

CMYK 84 / 0 / 82 / 19

HEX #22CF25

RGB 34 207 37

HSL 121.04, 0.72%, 0.47%

LAB 72.96, -70.48, 65.53

 

CMYK 74 / 0 / 72 / 13

HEX #3ADF3E

RGB 58 223 62

HSL 121.45, 0.72%, 0.55%

LAB 78.47, -70.6, 63.27

 

CMYK 84 / 0 / 82 / 33

HEX #1CAB1F

RGB 28 171 31

HSL 121.26, 0.72%, 0.39%

LAB 61.2, -60.81, 56.24

 

CMYK 84 / 18 / 0 / 33

HEX #1C8CAB

RGB 28 140 171

HSL 193.01, 0.72%, 0.39%

LAB 53.97, -18.73, -24.79

 

CMYK 0 / 84 / 51 / 33

HEX #AB1C53

RGB 171 28 83

HSL 336.92, 0.72%, 0.39%

LAB 38.04, 58.23, 5.59

 

CMYK 84 / 0 / 82 / 33

HEX #1CAB1F

RGB 28 171 31

HSL 121.26, 0.72%, 0.39%

LAB 61.2, -60.81, 56.24

 

CMYK 82 / 84 / 0 / 33

HEX #1E1CAB

RGB 30 28 171

HSL 240.84, 0.72%, 0.39%

LAB 23.83, 50.18, -73.22

 

CMYK 0 / 82 / 84 / 33

HEX #AB1E1C

RGB 171 30 28

HSL 0.84, 0.72%, 0.39%

LAB 37.24, 54.78, 38.64

 

CMYK 84 / 0 / 82 / 33

HEX #1CAB1F

RGB 28 171 31

HSL 121.26, 0.72%, 0.39%

LAB 61.2, -60.81, 56.24

 

CMYK 84 / 18 / 0 / 33

HEX #1C8CAB

RGB 28 140 171

HSL 193.01, 0.72%, 0.39%

LAB 53.97, -18.73, -24.79

 

CMYK 0 / 84 / 1 / 33

HEX #AB1CA9

RGB 171 28 169

HSL 300.84, 0.72%, 0.39%

LAB 41.77, 68.63, -41.99

 

CMYK 0 / 65 / 84 / 33

HEX #AB3B1C

RGB 171 59 28

HSL 13.01, 0.72%, 0.39%

LAB 41.01, 44.4, 42.13

 

CMYK 84 / 0 / 82 / 33

HEX #1CAB1F

RGB 28 171 31

HSL 121.26, 0.72%, 0.39%

LAB 61.2, -60.81, 56.24

 

CMYK 84 / 43 / 0 / 33

HEX #1C61AB

RGB 28 97 171

HSL 211.05, 0.72%, 0.39%

LAB 40.79, 6.75, -45.5

 

CMYK 0 / 84 / 1 / 33

HEX #AB1CA9

RGB 171 28 169

HSL 300.84, 0.72%, 0.39%

LAB 41.77, 68.63, -41.99

 

CMYK 0 / 40 / 84 / 33

HEX #AB661C

RGB 171 102 28

HSL 31.05, 0.72%, 0.39%

LAB 49.79, 22.27, 50

 

Description

Color code: HEX #1CAB1F | qconv.com Color code: HEX #1CAB1F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 171 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 171 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 82 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 82% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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