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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CAB0F it is the complementary color #E354F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CAB0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CAB0F shade: #21AB0A, #32BD1D, #43CF30, #54E143 and #65F356

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CAB0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CAB0F shade: #1CAB0F, #0B9900, #008700, #007500 and #006300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CAB0F shade: #1CA90F, #45A90F, #6FA90F, #98A90F and #A9900F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CAB0F shade: #1CA90F, #0FA92B, #0FA955, #0FA97F and #0FA9A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CAB0F shade matches the following richer shades: #1CA90F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CAB0F shade: #1CA90F, #289A1E, #348B2C, #417C3B and #4D6D4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CAB0F shade: #6EA90F, #45A90F, #1CA90F, #0FA92B and #0FA954

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CAB0F shade: #0F5D08, #15830B, #1CA90F, #22CF12 and #30EB1F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CAB0F shade: #1CAB0F, #0F97A9 and #A90F59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CAB0F shade: #1CAB0F, #0F1CA9 and #A90F1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CAB0F shade: #1CAB0F, #0F97A9, #9C0FA9 and #A9210F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CAB0F shade: #1CAB0F, #0F69A9, #9C0FA9 and #A94F0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 91 / 33

HEX #1CAB0F

RGB 28 171 15

HSL 115, 0.84%, 0.36%

LAB 61.14, -61.53, 59.83

 

Complementary color

CMYK 5 / 65 / 0 / 6

HEX #E354F0

RGB 227 84 240

HSL 295, 0.84%, 0.64%

LAB 60.75, 74.36, -52.09

 

CMYK 81 / 0 / 94 / 33

HEX #21AB0A

RGB 33 171 10

HSL 111.43, 0.89%, 0.35%

LAB 61.2, -61.07, 60.66

 

CMYK 74 / 0 / 85 / 26

HEX #32BD1D

RGB 50 189 29

HSL 112.13, 0.73%, 0.43%

LAB 67.4, -63.4, 62.56

 

CMYK 68 / 0 / 77 / 19

HEX #43CF30

RGB 67 207 48

HSL 112.83, 0.62%, 0.5%

LAB 73.57, -65.02, 63.13

 

CMYK 63 / 0 / 70 / 12

HEX #54E143

RGB 84 225 67

HSL 113.54, 0.72%, 0.57%

LAB 79.69, -66.11, 62.9

 

CMYK 58 / 0 / 65 / 5

HEX #65F356

RGB 101 243 86

HSL 114.27, 0.87%, 0.65%

LAB 85.78, -66.84, 62.2

 

CMYK 84 / 0 / 91 / 33

HEX #1CAB0F

RGB 28 171 15

HSL 115, 0.84%, 0.36%

LAB 61.14, -61.53, 59.83

 

CMYK 93 / 0 / 100 / 40

HEX #0B9900

RGB 11 153 0

HSL 115.69, 1%, 0.3%

LAB 54.92, -58.19, 56.9

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 83 / 0 / 91 / 34

HEX #1CA90F

RGB 28 169 15

HSL 114.94, 0.84%, 0.36%

LAB 60.48, -60.94, 59.27

 

CMYK 59 / 0 / 91 / 34

HEX #45A90F

RGB 69 169 15

HSL 98.96, 0.84%, 0.36%

LAB 61.37, -53.3, 60.39

 

CMYK 34 / 0 / 91 / 34

HEX #6FA90F

RGB 111 169 15

HSL 82.6, 0.84%, 0.36%

LAB 63.17, -39.79, 62.61

 

CMYK 10 / 0 / 91 / 34

HEX #98A90F

RGB 152 169 15

HSL 66.62, 0.84%, 0.36%

LAB 65.82, -23.07, 65.85

 

CMYK 0 / 15 / 91 / 34

HEX #A9900F

RGB 169 144 15

HSL 50.26, 0.84%, 0.36%

LAB 60.26, -2.4, 62.11

 

CMYK 83 / 0 / 91 / 34

HEX #1CA90F

RGB 28 169 15

HSL 114.94, 0.84%, 0.36%

LAB 60.48, -60.94, 59.27

 

CMYK 91 / 0 / 75 / 34

HEX #0FA92B

RGB 15 169 43

HSL 130.91, 0.84%, 0.36%

LAB 60.47, -60.5, 51.6

 

CMYK 91 / 0 / 50 / 34

HEX #0FA955

RGB 15 169 85

HSL 147.27, 0.84%, 0.36%

LAB 60.9, -55.24, 33.17

 

CMYK 91 / 0 / 25 / 34

HEX #0FA97F

RGB 15 169 127

HSL 163.64, 0.84%, 0.36%

LAB 61.66, -46.48, 11.58

 

CMYK 91 / 0 / 1 / 34

HEX #0FA9A8

RGB 15 169 168

HSL 179.61, 0.84%, 0.36%

LAB 62.76, -35.07, -9.74

 

CMYK 83 / 0 / 91 / 34

HEX #1CA90F

RGB 28 169 15

HSL 114.94, 0.84%, 0.36%

LAB 60.48, -60.94, 59.27

 

CMYK 83 / 0 / 91 / 34

HEX #1CA90F

RGB 28 169 15

HSL 114.94, 0.84%, 0.36%

LAB 60.48, -60.94, 59.27

 

CMYK 74 / 0 / 81 / 40

HEX #289A1E

RGB 40 154 30

HSL 115.16, 0.67%, 0.36%

LAB 55.74, -53.85, 51.47

 

CMYK 63 / 0 / 68 / 45

HEX #348B2C

RGB 52 139 44

HSL 114.95, 0.52%, 0.36%

LAB 51.13, -44.91, 41.63

 

CMYK 48 / 0 / 52 / 51

HEX #417C3B

RGB 65 124 59

HSL 114.46, 0.36%, 0.36%

LAB 46.78, -33.19, 29.44

 

CMYK 29 / 0 / 32 / 57

HEX #4D6D4A

RGB 77 109 74

HSL 114.86, 0.19%, 0.36%

LAB 42.78, -19.17, 15.95

 

CMYK 35 / 0 / 91 / 34

HEX #6EA90F

RGB 110 169 15

HSL 82.99, 0.84%, 0.36%

LAB 63.12, -40.17, 62.54

 

CMYK 59 / 0 / 91 / 34

HEX #45A90F

RGB 69 169 15

HSL 98.96, 0.84%, 0.36%

LAB 61.37, -53.3, 60.39

 

CMYK 83 / 0 / 91 / 34

HEX #1CA90F

RGB 28 169 15

HSL 114.94, 0.84%, 0.36%

LAB 60.48, -60.94, 59.27

 

CMYK 91 / 0 / 75 / 34

HEX #0FA92B

RGB 15 169 43

HSL 130.91, 0.84%, 0.36%

LAB 60.47, -60.5, 51.6

 

CMYK 91 / 0 / 50 / 34

HEX #0FA954

RGB 15 169 84

HSL 146.88, 0.84%, 0.36%

LAB 60.89, -55.41, 33.66

 

CMYK 84 / 0 / 91 / 64

HEX #0F5D08

RGB 15 93 8

HSL 115.06, 0.84%, 0.2%

LAB 33.87, -38.84, 37.57

 

CMYK 84 / 0 / 92 / 49

HEX #15830B

RGB 21 131 11

HSL 115, 0.85%, 0.28%

LAB 47.52, -50.3, 48.85

 

CMYK 83 / 0 / 91 / 34

HEX #1CA90F

RGB 28 169 15

HSL 114.94, 0.84%, 0.36%

LAB 60.48, -60.94, 59.27

 

CMYK 84 / 0 / 91 / 19

HEX #22CF12

RGB 34 207 18

HSL 114.92, 0.84%, 0.44%

LAB 72.9, -71.24, 69.35

 

CMYK 80 / 0 / 87 / 8

HEX #30EB1F

RGB 48 235 31

HSL 115, 0.84%, 0.52%

LAB 81.92, -77.23, 74.94

 

CMYK 84 / 0 / 91 / 33

HEX #1CAB0F

RGB 28 171 15

HSL 115, 0.84%, 0.36%

LAB 61.14, -61.53, 59.83

 

CMYK 91 / 11 / 0 / 34

HEX #0F97A9

RGB 15 151 169

HSL 187.01, 0.84%, 0.36%

LAB 57.17, -26.02, -18.74

 

CMYK 0 / 91 / 47 / 34

HEX #A90F59

RGB 169 15 89

HSL 331.17, 0.84%, 0.36%

LAB 36.93, 60.78, 0.07

 

CMYK 84 / 0 / 91 / 33

HEX #1CAB0F

RGB 28 171 15

HSL 115, 0.84%, 0.36%

LAB 61.14, -61.53, 59.83

 

CMYK 91 / 83 / 0 / 34

HEX #0F1CA9

RGB 15 28 169

HSL 234.94, 0.84%, 0.36%

LAB 22.99, 48.99, -73.42

 

CMYK 0 / 91 / 83 / 34

HEX #A90F1C

RGB 169 15 28

HSL 354.94, 0.84%, 0.36%

LAB 35.71, 57.38, 37.05

 

CMYK 84 / 0 / 91 / 33

HEX #1CAB0F

RGB 28 171 15

HSL 115, 0.84%, 0.36%

LAB 61.14, -61.53, 59.83

 

CMYK 91 / 11 / 0 / 34

HEX #0F97A9

RGB 15 151 169

HSL 187.01, 0.84%, 0.36%

LAB 57.17, -26.02, -18.74

 

CMYK 8 / 91 / 0 / 34

HEX #9C0FA9

RGB 156 15 169

HSL 294.94, 0.84%, 0.36%

LAB 38.33, 68.29, -47.64

 

CMYK 0 / 80 / 91 / 34

HEX #A9210F

RGB 169 33 15

HSL 7.01, 0.84%, 0.36%

LAB 37.04, 53.07, 44.57

 

CMYK 84 / 0 / 91 / 33

HEX #1CAB0F

RGB 28 171 15

HSL 115, 0.84%, 0.36%

LAB 61.14, -61.53, 59.83

 

CMYK 91 / 38 / 0 / 34

HEX #0F69A9

RGB 15 105 169

HSL 204.94, 0.84%, 0.36%

LAB 42.87, -0.08, -41.03

 

CMYK 8 / 91 / 0 / 34

HEX #9C0FA9

RGB 156 15 169

HSL 294.94, 0.84%, 0.36%

LAB 38.33, 68.29, -47.64

 

CMYK 0 / 53 / 91 / 34

HEX #A94F0F

RGB 169 79 15

HSL 24.94, 0.84%, 0.36%

LAB 44.32, 33.6, 49.93

 

Description

Color code: HEX #1CAB0F | qconv.com Color code: HEX #1CAB0F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 171 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 171 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 91 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 91% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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