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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CA727 it is the complementary color #E358D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CA727. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CA727 shade: #21A722, #32B935, #43CB48, #54DD5B and #65EF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CA727. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CA727 shade: #1CA727, #0B9514, #008301, #007100 and #005F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CA727 shade: #1CA627, #36A61C, #5BA61C, #81A61C and #A6A61C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CA727 shade: #1CA627, #1CA64C, #1CA671, #1CA696 and #1C90A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CA727 shade matches the following richer shades: #1CA627 and #0CB51A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CA727 shade: #1CA627, #2C9634, #3B8641, #4B774F and #5B675C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CA727 shade: #5CA61C, #38A61C, #1CA625, #1CA64A and #1CA66F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CA727 shade: #105F16, #16821F, #1CA627, #22C92F and #37DD44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CA727 shade: #1CA727, #1C81A6 and #A61C4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CA727 shade: #1CA727, #251CA6 and #A6251C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CA727 shade: #1CA727, #1C81A6, #A61C9D and #A6411C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CA727 shade: #1CA727, #1C58A6, #A61C9D and #A66A1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 77 / 35

HEX #1CA727

RGB 28 167 39

HSL 124.75, 0.71%, 0.38%

LAB 59.92, -59.06, 52.5

 

Complementary color

CMYK 0 / 61 / 5 / 11

HEX #E358D8

RGB 227 88 216

HSL 304.75, 0.71%, 0.62%

LAB 60.13, 68.81, -39.62

 

CMYK 80 / 0 / 80 / 35

HEX #21A722

RGB 33 167 34

HSL 120.45, 0.67%, 0.39%

LAB 59.96, -58.8, 54.2

 

CMYK 73 / 0 / 71 / 27

HEX #32B935

RGB 50 185 53

HSL 121.33, 0.57%, 0.46%

LAB 66.24, -60.56, 53.94

 

CMYK 67 / 0 / 65 / 20

HEX #43CB48

RGB 67 203 72

HSL 122.21, 0.57%, 0.53%

LAB 72.48, -61.69, 53.1

 

CMYK 62 / 0 / 59 / 13

HEX #54DD5B

RGB 84 221 91

HSL 123.07, 0.67%, 0.6%

LAB 78.67, -62.4, 51.98

 

CMYK 58 / 0 / 54 / 6

HEX #65EF6E

RGB 101 239 110

HSL 123.91, 0.81%, 0.67%

LAB 84.81, -62.81, 50.75

 

CMYK 83 / 0 / 77 / 35

HEX #1CA727

RGB 28 167 39

HSL 124.75, 0.71%, 0.38%

LAB 59.92, -59.06, 52.5

 

CMYK 93 / 0 / 87 / 42

HEX #0B9514

RGB 11 149 20

HSL 123.91, 0.86%, 0.31%

LAB 53.62, -56.33, 52.17

 

CMYK 100 / 0 / 99 / 49

HEX #008301

RGB 0 131 1

HSL 120.46, 1%, 0.26%

LAB 47.28, -52.53, 50.54

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 83 / 0 / 77 / 35

HEX #1CA627

RGB 28 166 39

HSL 124.78, 0.71%, 0.38%

LAB 59.59, -58.75, 52.17

 

CMYK 67 / 0 / 83 / 35

HEX #36A61C

RGB 54 166 28

HSL 108.7, 0.71%, 0.38%

LAB 60.02, -55.26, 56.16

 

CMYK 45 / 0 / 83 / 35

HEX #5BA61C

RGB 91 166 28

HSL 92.61, 0.71%, 0.38%

LAB 61.29, -45.17, 57.79

 

CMYK 22 / 0 / 83 / 35

HEX #81A61C

RGB 129 166 28

HSL 76.09, 0.71%, 0.38%

LAB 63.36, -30.96, 60.42

 

CMYK 0 / 0 / 83 / 35

HEX #A6A61C

RGB 166 166 28

HSL 60, 0.71%, 0.38%

LAB 66.11, -15.11, 63.86

 

CMYK 83 / 0 / 77 / 35

HEX #1CA627

RGB 28 166 39

HSL 124.78, 0.71%, 0.38%

LAB 59.59, -58.75, 52.17

 

CMYK 83 / 0 / 54 / 35

HEX #1CA64C

RGB 28 166 76

HSL 140.87, 0.71%, 0.38%

LAB 59.93, -54.57, 36.54

 

CMYK 83 / 0 / 32 / 35

HEX #1CA671

RGB 28 166 113

HSL 156.96, 0.71%, 0.38%

LAB 60.53, -47.61, 17.76

 

CMYK 83 / 0 / 10 / 35

HEX #1CA696

RGB 28 166 150

HSL 173.04, 0.71%, 0.38%

LAB 61.41, -38.18, -1.62

 

CMYK 83 / 13 / 0 / 35

HEX #1C90A6

RGB 28 144 166

HSL 189.57, 0.71%, 0.38%

LAB 55.02, -22.56, -20.31

 

CMYK 83 / 0 / 77 / 35

HEX #1CA627

RGB 28 166 39

HSL 124.78, 0.71%, 0.38%

LAB 59.59, -58.75, 52.17

 

CMYK 93 / 0 / 86 / 29

HEX #0CB51A

RGB 12 181 26

HSL 124.97, 0.88%, 0.38%

LAB 64.32, -65.27, 60.33

 

CMYK 83 / 0 / 77 / 35

HEX #1CA627

RGB 28 166 39

HSL 124.78, 0.71%, 0.38%

LAB 59.59, -58.75, 52.17

 

CMYK 71 / 0 / 65 / 41

HEX #2C9634

RGB 44 150 52

HSL 124.53, 0.55%, 0.38%

LAB 54.65, -49.83, 41.9

 

CMYK 56 / 0 / 51 / 47

HEX #3B8641

RGB 59 134 65

HSL 124.8, 0.39%, 0.38%

LAB 49.93, -38.46, 30.08

 

CMYK 37 / 0 / 34 / 53

HEX #4B774F

RGB 75 119 79

HSL 125.45, 0.23%, 0.38%

LAB 45.98, -24.16, 17.34

 

CMYK 12 / 0 / 11 / 60

HEX #5B675C

RGB 91 103 92

HSL 125, 0.06%, 0.38%

LAB 42.3, -6.94, 4.66

 

CMYK 45 / 0 / 83 / 35

HEX #5CA61C

RGB 92 166 28

HSL 92.17, 0.71%, 0.38%

LAB 61.34, -44.84, 57.84

 

CMYK 66 / 0 / 83 / 35

HEX #38A61C

RGB 56 166 28

HSL 107.83, 0.71%, 0.38%

LAB 60.07, -54.84, 56.22

 

CMYK 83 / 0 / 78 / 35

HEX #1CA625

RGB 28 166 37

HSL 123.91, 0.71%, 0.38%

LAB 59.57, -58.9, 52.84

 

CMYK 83 / 0 / 55 / 35

HEX #1CA64A

RGB 28 166 74

HSL 140, 0.71%, 0.38%

LAB 59.9, -54.87, 37.5

 

CMYK 83 / 0 / 33 / 35

HEX #1CA66F

RGB 28 166 111

HSL 156.09, 0.71%, 0.38%

LAB 60.49, -48.06, 18.8

 

CMYK 83 / 0 / 77 / 63

HEX #105F16

RGB 16 95 22

HSL 124.56, 0.71%, 0.22%

LAB 34.71, -38.34, 33.48

 

CMYK 83 / 0 / 76 / 49

HEX #16821F

RGB 22 130 31

HSL 125, 0.71%, 0.3%

LAB 47.28, -48.64, 42.74

 

CMYK 83 / 0 / 77 / 35

HEX #1CA627

RGB 28 166 39

HSL 124.78, 0.71%, 0.38%

LAB 59.59, -58.75, 52.17

 

CMYK 83 / 0 / 77 / 21

HEX #22C92F

RGB 34 201 47

HSL 124.67, 0.71%, 0.46%

LAB 71.09, -68.12, 60.85

 

CMYK 75 / 0 / 69 / 13

HEX #37DD44

RGB 55 221 68

HSL 124.7, 0.71%, 0.54%

LAB 77.84, -69.92, 60.4

 

CMYK 83 / 0 / 77 / 35

HEX #1CA727

RGB 28 167 39

HSL 124.75, 0.71%, 0.38%

LAB 59.92, -59.06, 52.5

 

CMYK 83 / 22 / 0 / 35

HEX #1C81A6

RGB 28 129 166

HSL 196.09, 0.71%, 0.38%

LAB 50.34, -14.46, -27.52

 

CMYK 0 / 83 / 55 / 35

HEX #A61C4A

RGB 166 28 74

HSL 340, 0.71%, 0.38%

LAB 36.8, 56.18, 9.48

 

CMYK 83 / 0 / 77 / 35

HEX #1CA727

RGB 28 167 39

HSL 124.75, 0.71%, 0.38%

LAB 59.92, -59.06, 52.5

 

CMYK 78 / 83 / 0 / 35

HEX #251CA6

RGB 37 28 166

HSL 243.91, 0.71%, 0.38%

LAB 23.6, 49.01, -70.56

 

CMYK 0 / 78 / 83 / 35

HEX #A6251C

RGB 166 37 28

HSL 3.91, 0.71%, 0.38%

LAB 36.96, 51.21, 38.01

 

CMYK 83 / 0 / 77 / 35

HEX #1CA727

RGB 28 167 39

HSL 124.75, 0.71%, 0.38%

LAB 59.92, -59.06, 52.5

 

CMYK 83 / 22 / 0 / 35

HEX #1C81A6

RGB 28 129 166

HSL 196.09, 0.71%, 0.38%

LAB 50.34, -14.46, -27.52

 

CMYK 0 / 83 / 5 / 35

HEX #A61C9D

RGB 166 28 157

HSL 303.91, 0.71%, 0.38%

LAB 40.2, 65.81, -37.34

 

CMYK 0 / 61 / 83 / 35

HEX #A6411C

RGB 166 65 28

HSL 16.09, 0.71%, 0.38%

LAB 41.17, 39.78, 41.96

 

CMYK 83 / 0 / 77 / 35

HEX #1CA727

RGB 28 167 39

HSL 124.75, 0.71%, 0.38%

LAB 59.92, -59.06, 52.5

 

CMYK 83 / 47 / 0 / 35

HEX #1C58A6

RGB 28 88 166

HSL 213.91, 0.71%, 0.38%

LAB 37.81, 10.64, -47.34

 

CMYK 0 / 83 / 5 / 35

HEX #A61C9D

RGB 166 28 157

HSL 303.91, 0.71%, 0.38%

LAB 40.2, 65.81, -37.34

 

CMYK 0 / 36 / 83 / 35

HEX #A66A1C

RGB 166 106 28

HSL 33.91, 0.71%, 0.38%

LAB 50.1, 17.8, 50.02

 

Description

Color code: HEX #1CA727 | qconv.com Color code: HEX #1CA727 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 167 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 167 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 77 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 77% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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