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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C9F2B it is the complementary color #E360D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C9F2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C9F2B shade: #219F26, #32B139, #43C34C, #54D55F and #65E772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C9F2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C9F2B shade: #1C9F2B, #0B8D18, #007B05, #006900 and #005700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C9F2B shade: #1CA02B, #31A01C, #54A01C, #78A01C and #9CA01C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C9F2B shade: #1CA02B, #1CA04F, #1CA073, #1CA096 and #1C87A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C9F2B shade matches the following richer shades: #1CA02B and #0DB020

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C9F2B shade: #1CA02B, #2C9137, #3B8243, #4A734F and #59635B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C9F2B shade: #56A01C, #32A01C, #1CA02A, #1CA04D and #1CA070

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C9F2B shade: #105A18, #167D22, #1CA02B, #22C335 and #34DB47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C9F2B shade: #1C9F2B, #1C79A0 and #A01C44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C9F2B shade: #1C9F2B, #2A1CA0 and #A02A1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C9F2B shade: #1C9F2B, #1C79A0, #A01C93 and #A0441C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C9F2B shade: #1C9F2B, #1C51A0, #A01C93 and #A06C1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 73 / 38

HEX #1C9F2B

RGB 28 159 43

HSL 126.87, 0.7%, 0.37%

LAB 57.29, -56.22, 48.39

 

Complementary color

CMYK 0 / 58 / 7 / 11

HEX #E360D4

RGB 227 96 212

HSL 306.87, 0.7%, 0.63%

LAB 61.18, 64.81, -35.73

 

CMYK 79 / 0 / 76 / 38

HEX #219F26

RGB 33 159 38

HSL 122.38, 0.66%, 0.38%

LAB 57.33, -56, 50.3

 

CMYK 72 / 0 / 68 / 31

HEX #32B139

RGB 50 177 57

HSL 123.31, 0.56%, 0.45%

LAB 63.69, -57.54, 49.66

 

CMYK 66 / 0 / 61 / 24

HEX #43C34C

RGB 67 195 76

HSL 124.22, 0.52%, 0.51%

LAB 70, -58.49, 48.58

 

CMYK 61 / 0 / 55 / 16

HEX #54D55F

RGB 84 213 95

HSL 125.12, 0.61%, 0.58%

LAB 76.25, -59.05, 47.33

 

CMYK 56 / 0 / 51 / 9

HEX #65E772

RGB 101 231 114

HSL 126, 0.73%, 0.65%

LAB 82.45, -59.34, 46.03

 

CMYK 82 / 0 / 73 / 38

HEX #1C9F2B

RGB 28 159 43

HSL 126.87, 0.7%, 0.37%

LAB 57.29, -56.22, 48.39

 

CMYK 92 / 0 / 83 / 45

HEX #0B8D18

RGB 11 141 24

HSL 126, 0.86%, 0.3%

LAB 50.91, -53.7, 48.59

 

CMYK 100 / 0 / 96 / 52

HEX #007B05

RGB 0 123 5

HSL 122.44, 1%, 0.24%

LAB 44.49, -50.03, 47.4

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 83 / 0 / 73 / 37

HEX #1CA02B

RGB 28 160 43

HSL 126.82, 0.7%, 0.37%

LAB 57.62, -56.54, 48.73

 

CMYK 69 / 0 / 83 / 37

HEX #31A01C

RGB 49 160 28

HSL 110.45, 0.7%, 0.37%

LAB 57.92, -54.27, 54.18

 

CMYK 48 / 0 / 83 / 37

HEX #54A01C

RGB 84 160 28

HSL 94.55, 0.7%, 0.37%

LAB 59.08, -45.04, 55.67

 

CMYK 25 / 0 / 83 / 37

HEX #78A01C

RGB 120 160 28

HSL 78.18, 0.7%, 0.37%

LAB 60.97, -31.8, 58.09

 

CMYK 2 / 0 / 83 / 37

HEX #9CA01C

RGB 156 160 28

HSL 61.82, 0.7%, 0.37%

LAB 63.58, -16.43, 61.38

 

CMYK 83 / 0 / 73 / 37

HEX #1CA02B

RGB 28 160 43

HSL 126.82, 0.7%, 0.37%

LAB 57.62, -56.54, 48.73

 

CMYK 83 / 0 / 51 / 37

HEX #1CA04F

RGB 28 160 79

HSL 143.18, 0.7%, 0.37%

LAB 57.99, -52.01, 32.64

 

CMYK 83 / 0 / 28 / 37

HEX #1CA073

RGB 28 160 115

HSL 159.55, 0.7%, 0.37%

LAB 58.63, -44.76, 14.02

 

CMYK 83 / 0 / 6 / 37

HEX #1CA096

RGB 28 160 150

HSL 175.45, 0.7%, 0.37%

LAB 59.52, -35.45, -4.41

 

CMYK 83 / 16 / 0 / 37

HEX #1C87A0

RGB 28 135 160

HSL 191.36, 0.7%, 0.37%

LAB 51.96, -19.85, -21.53

 

CMYK 83 / 0 / 73 / 37

HEX #1CA02B

RGB 28 160 43

HSL 126.82, 0.7%, 0.37%

LAB 57.62, -56.54, 48.73

 

CMYK 93 / 0 / 82 / 31

HEX #0DB020

RGB 13 176 32

HSL 126.99, 0.86%, 0.37%

LAB 62.71, -63.47, 57.32

 

CMYK 83 / 0 / 73 / 37

HEX #1CA02B

RGB 28 160 43

HSL 126.82, 0.7%, 0.37%

LAB 57.62, -56.54, 48.73

 

CMYK 70 / 0 / 62 / 43

HEX #2C9137

RGB 44 145 55

HSL 126.53, 0.53%, 0.37%

LAB 53.02, -47.68, 38.67

 

CMYK 55 / 0 / 48 / 49

HEX #3B8243

RGB 59 130 67

HSL 126.76, 0.38%, 0.37%

LAB 48.64, -36.43, 27.4

 

CMYK 36 / 0 / 31 / 55

HEX #4A734F

RGB 74 115 79

HSL 127.32, 0.22%, 0.37%

LAB 44.63, -22.47, 15.5

 

CMYK 10 / 0 / 8 / 61

HEX #59635B

RGB 89 99 91

HSL 132, 0.05%, 0.37%

LAB 40.9, -5.58, 3.23

 

CMYK 46 / 0 / 83 / 37

HEX #56A01C

RGB 86 160 28

HSL 93.64, 0.7%, 0.37%

LAB 59.16, -44.39, 55.78

 

CMYK 69 / 0 / 83 / 37

HEX #32A01C

RGB 50 160 28

HSL 110, 0.7%, 0.37%

LAB 57.95, -54.07, 54.21

 

CMYK 83 / 0 / 74 / 37

HEX #1CA02A

RGB 28 160 42

HSL 126.36, 0.7%, 0.37%

LAB 57.61, -56.63, 49.1

 

CMYK 83 / 0 / 52 / 37

HEX #1CA04D

RGB 28 160 77

HSL 142.27, 0.7%, 0.37%

LAB 57.97, -52.33, 33.63

 

CMYK 83 / 0 / 30 / 37

HEX #1CA070

RGB 28 160 112

HSL 158.18, 0.7%, 0.37%

LAB 58.56, -45.46, 15.6

 

CMYK 82 / 0 / 73 / 65

HEX #105A18

RGB 16 90 24

HSL 126.49, 0.7%, 0.21%

LAB 32.89, -36.33, 30.69

 

CMYK 82 / 0 / 73 / 51

HEX #167D22

RGB 22 125 34

HSL 126.99, 0.7%, 0.29%

LAB 45.57, -46.69, 39.78

 

CMYK 83 / 0 / 73 / 37

HEX #1CA02B

RGB 28 160 43

HSL 126.82, 0.7%, 0.37%

LAB 57.62, -56.54, 48.73

 

CMYK 83 / 0 / 73 / 24

HEX #22C335

RGB 34 195 53

HSL 127.08, 0.7%, 0.45%

LAB 69.2, -65.86, 56.91

 

CMYK 76 / 0 / 68 / 14

HEX #34DB47

RGB 52 219 71

HSL 126.83, 0.7%, 0.53%

LAB 77.19, -69.44, 58.54

 

CMYK 82 / 0 / 73 / 38

HEX #1C9F2B

RGB 28 159 43

HSL 126.87, 0.7%, 0.37%

LAB 57.29, -56.22, 48.39

 

CMYK 83 / 24 / 0 / 37

HEX #1C79A0

RGB 28 121 160

HSL 197.73, 0.7%, 0.37%

LAB 47.57, -12.1, -28.32

 

CMYK 0 / 83 / 58 / 37

HEX #A01C44

RGB 160 28 68

HSL 341.82, 0.7%, 0.37%

LAB 35.44, 54.09, 11.29

 

CMYK 82 / 0 / 73 / 38

HEX #1C9F2B

RGB 28 159 43

HSL 126.87, 0.7%, 0.37%

LAB 57.29, -56.22, 48.39

 

CMYK 74 / 83 / 0 / 37

HEX #2A1CA0

RGB 42 28 160

HSL 246.36, 0.7%, 0.37%

LAB 23.21, 47.5, -67.55

 

CMYK 0 / 74 / 83 / 37

HEX #A02A1C

RGB 160 42 28

HSL 6.36, 0.7%, 0.37%

LAB 36.39, 47.55, 37.05

 

CMYK 82 / 0 / 73 / 38

HEX #1C9F2B

RGB 28 159 43

HSL 126.87, 0.7%, 0.37%

LAB 57.29, -56.22, 48.39

 

CMYK 83 / 24 / 0 / 37

HEX #1C79A0

RGB 28 121 160

HSL 197.73, 0.7%, 0.37%

LAB 47.57, -12.1, -28.32

 

CMYK 0 / 83 / 8 / 37

HEX #A01C93

RGB 160 28 147

HSL 305.91, 0.7%, 0.37%

LAB 38.57, 63.07, -33.92

 

CMYK 0 / 58 / 83 / 37

HEX #A0441C

RGB 160 68 28

HSL 18.18, 0.7%, 0.37%

LAB 40.72, 35.97, 41.17

 

CMYK 82 / 0 / 73 / 38

HEX #1C9F2B

RGB 28 159 43

HSL 126.87, 0.7%, 0.37%

LAB 57.29, -56.22, 48.39

 

CMYK 83 / 49 / 0 / 37

HEX #1C51A0

RGB 28 81 160

HSL 215.91, 0.7%, 0.37%

LAB 35.34, 12.9, -47.72

 

CMYK 0 / 83 / 8 / 37

HEX #A01C93

RGB 160 28 147

HSL 305.91, 0.7%, 0.37%

LAB 38.57, 63.07, -33.92

 

CMYK 0 / 33 / 83 / 37

HEX #A06C1C

RGB 160 108 28

HSL 36.36, 0.7%, 0.37%

LAB 49.84, 13.96, 49.5

 

Description

Color code: HEX #1C9F2B | qconv.com Color code: HEX #1C9F2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 159 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 159 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 73 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 73% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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