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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C976B it is the complementary color #E36894. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C976B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1C976B: #219766, #32A979, #43BB8C, #54CD9F and #65DFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C976B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1C976B: #1C976B, #0B8558, #007345, #006132 and #004F1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 29 / 41

HEX #1C976B

RGB 28 151 107

HSL 158.54, 0.69%, 0.35%

LAB 55.52, -42.99, 14.19

 

Complementary color

CMYK 0 / 54 / 35 / 11

HEX #E36894

RGB 227 104 148

HSL 338.54, 0.69%, 0.65%

LAB 60.22, 52.22, -0.55

 

CMYK 78 / 0 / 32 / 41

HEX #219766

RGB 33 151 102

HSL 155.08, 0.64%, 0.36%

LAB 55.5, -43.55, 16.97

 

CMYK 70 / 0 / 28 / 34

HEX #32A979

RGB 50 169 121

HSL 155.8, 0.54%, 0.43%

LAB 62.03, -44.2, 15.48

 

CMYK 64 / 0 / 25 / 27

HEX #43BB8C

RGB 67 187 140

HSL 156.5, 0.47%, 0.5%

LAB 68.48, -44.56, 14.14

 

CMYK 59 / 0 / 22 / 20

HEX #54CD9F

RGB 84 205 159

HSL 157.19, 0.55%, 0.57%

LAB 74.86, -44.71, 12.93

 

CMYK 55 / 0 / 20 / 13

HEX #65DFB2

RGB 101 223 178

HSL 157.87, 0.66%, 0.64%

LAB 81.16, -44.74, 11.82

 

CMYK 81 / 0 / 29 / 41

HEX #1C976B

RGB 28 151 107

HSL 158.54, 0.69%, 0.35%

LAB 55.52, -42.99, 14.19

 

CMYK 92 / 0 / 34 / 48

HEX #0B8558

RGB 11 133 88

HSL 157.87, 0.85%, 0.28%

LAB 48.95, -41.66, 15.88

 

CMYK 100 / 0 / 40 / 55

HEX #007345

RGB 0 115 69

HSL 156, 1%, 0.23%

LAB 42.29, -39.66, 17.8

 

CMYK 100 / 0 / 48 / 62

HEX #006132

RGB 0 97 50

HSL 150.93, 1%, 0.19%

LAB 35.56, -36.77, 19.97

 

CMYK 100 / 0 / 61 / 69

HEX #004F1F

RGB 0 79 31

HSL 143.54, 1%, 0.15%

LAB 28.62, -33.55, 22.17

 

CMYK 81 / 0 / 29 / 41

HEX #1C976B

RGB 28 151 107

HSL 158.54, 0.69%, 0.35%

LAB 55.52, -42.99, 14.19

 

CMYK 82 / 0 / 16 / 41

HEX #1B967E

RGB 27 150 126

HSL 168.29, 0.69%, 0.35%

LAB 55.64, -37.83, 3.56

 

CMYK 82 / 0 / 3 / 41

HEX #1B9692

RGB 27 150 146

HSL 178.05, 0.69%, 0.35%

LAB 56.21, -32.06, -7.04

 

CMYK 82 / 11 / 0 / 41

HEX #1B8696

RGB 27 134 150

HSL 187.8, 0.69%, 0.35%

LAB 51.25, -22.82, -16.82

 

CMYK 82 / 25 / 0 / 41

HEX #1B7196

RGB 27 113 150

HSL 198.05, 0.69%, 0.35%

LAB 44.58, -11.26, -27.09

 

CMYK 81 / 0 / 29 / 41

HEX #1C976B

RGB 28 151 107

HSL 158.54, 0.69%, 0.35%

LAB 55.52, -42.99, 14.19

 

CMYK 82 / 0 / 29 / 21

HEX #25CA8F

RGB 37 202 143

HSL 158.55, 0.69%, 0.47%

LAB 72.64, -54.03, 18.23

 

CMYK 81 / 0 / 29 / 1

HEX #2FFDB3

RGB 47 253 179

HSL 158.45, 0.98%, 0.59%

LAB 88.97, -64.42, 22.09

 

CMYK 82 / 0 / 29 / 81

HEX #093123

RGB 9 49 35

HSL 159, 0.69%, 0.11%

LAB 17.35, -17.93, 5

 

CMYK 81 / 0 / 29 / 61

HEX #136447

RGB 19 100 71

HSL 158.52, 0.68%, 0.23%

LAB 37.31, -31.12, 9.86

 

CMYK 81 / 0 / 29 / 41

HEX #1C976B

RGB 28 151 107

HSL 158.54, 0.69%, 0.35%

LAB 55.52, -42.99, 14.19

 

CMYK 82 / 68 / 0 / 41

HEX #1B3096

RGB 27 48 150

HSL 229.76, 0.69%, 0.35%

LAB 25.41, 31.24, -57.82

 

CMYK 0 / 63 / 82 / 41

HEX #96381B

RGB 150 56 27

HSL 14.15, 0.69%, 0.35%

LAB 36.73, 37.97, 37.26

 

CMYK 81 / 0 / 29 / 41

HEX #1C976B

RGB 28 151 107

HSL 158.54, 0.69%, 0.35%

LAB 55.52, -42.99, 14.19

 

CMYK 30 / 82 / 0 / 41

HEX #691B96

RGB 105 27 150

HSL 278.05, 0.69%, 0.35%

LAB 29.39, 53.26, -51.01

 

CMYK 0 / 30 / 82 / 41

HEX #96691B

RGB 150 105 27

HSL 38.05, 0.69%, 0.35%

LAB 47.84, 11.05, 47.62

 

CMYK 81 / 0 / 29 / 41

HEX #1C976B

RGB 28 151 107

HSL 158.54, 0.69%, 0.35%

LAB 55.52, -42.99, 14.19

 

CMYK 82 / 68 / 0 / 41

HEX #1B3096

RGB 27 48 150

HSL 229.76, 0.69%, 0.35%

LAB 25.41, 31.24, -57.82

 

CMYK 0 / 82 / 52 / 41

HEX #961B48

RGB 150 27 72

HSL 338.05, 0.69%, 0.35%

LAB 33.43, 51.89, 5.56

 

CMYK 0 / 13 / 82 / 41

HEX #96821B

RGB 150 130 27

HSL 50.24, 0.69%, 0.35%

LAB 54.58, -3.13, 53.63

 

CMYK 81 / 0 / 29 / 41

HEX #1C976B

RGB 28 151 107

HSL 158.54, 0.69%, 0.35%

LAB 55.52, -42.99, 14.19

 

CMYK 71 / 82 / 0 / 41

HEX #2C1B96

RGB 44 27 150

HSL 248.29, 0.69%, 0.35%

LAB 22.02, 45.05, -63.37

 

CMYK 0 / 82 / 52 / 41

HEX #961B48

RGB 150 27 72

HSL 338.05, 0.69%, 0.35%

LAB 33.43, 51.89, 5.56

 

CMYK 11 / 0 / 82 / 41

HEX #86961B

RGB 134 150 27

HSL 67.8, 0.69%, 0.35%

LAB 58.94, -21.04, 56.93

 

Description

Color code: HEX #1C976B | qconv.com Color code: HEX #1C976B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 151 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 151 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 29 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 29% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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