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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C88BE it is the complementary color #E37741. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C88BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C88BE shade: #2188B9, #329ACC, #43ACDF, #54BEF2 and #65D0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C88BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C88BE shade: #1C88BE, #0B76AB, #006498, #005285 and #004072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C88BE shade: #1C88BE, #1C5CBE, #1C31BE, #331CBE and #5F1CBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C88BE shade: #1C88BE, #1C5CBE, #1C31BE and #1C1CBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C88BE shade matches the following richer shades: #1C88BE and #0A8ED0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C88BE shade: #1C88BE, #2E82AD, #3F7C9B, #517689 and #637177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C88BE shade: #1CBE9E, #1CB3BE, #1C88BE, #1C5DBE and #1C32BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C88BE shade: #115577, #176E9A, #1C88BE, #25A1DE and #49B0E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C88BE shade: #1C88BE, #731CBE and #BEB31C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C88BE shade: #1C88BE, #BE1C88 and #88BE1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C88BE shade: #1C88BE, #731CBE, #BE521C and #68BE1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C88BE shade: #1C88BE, #A31CBE, #BE521C and #37BE1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 28 / 0 / 25

HEX #1C88BE

RGB 28 136 190

HSL 200, 0.74%, 0.43%

LAB 53.57, -9.71, -36.28

 

Complementary color

CMYK 0 / 48 / 71 / 11

HEX #E37741

RGB 227 119 65

HSL 20, 0.74%, 0.57%

LAB 61.57, 37.91, 47.59

 

CMYK 82 / 26 / 0 / 27

HEX #2188B9

RGB 33 136 185

HSL 199.34, 0.7%, 0.43%

LAB 53.42, -11.1, -33.65

 

CMYK 75 / 25 / 0 / 20

HEX #329ACC

RGB 50 154 204

HSL 199.48, 0.61%, 0.5%

LAB 60.02, -12.67, -34.08

 

CMYK 70 / 23 / 0 / 13

HEX #43ACDF

RGB 67 172 223

HSL 199.62, 0.71%, 0.57%

LAB 66.54, -13.89, -34.45

 

CMYK 65 / 21 / 0 / 5

HEX #54BEF2

RGB 84 190 242

HSL 199.75, 0.86%, 0.64%

LAB 72.97, -14.85, -34.79

 

CMYK 60 / 18 / 0 / 0

HEX #65D0FF

RGB 101 208 255

HSL 198.31, 1%, 0.7%

LAB 79.1, -17.42, -32.25

 

CMYK 85 / 28 / 0 / 25

HEX #1C88BE

RGB 28 136 190

HSL 200, 0.74%, 0.43%

LAB 53.57, -9.71, -36.28

 

CMYK 94 / 31 / 0 / 33

HEX #0B76AB

RGB 11 118 171

HSL 199.88, 0.88%, 0.36%

LAB 46.93, -7.41, -35.77

 

CMYK 100 / 34 / 0 / 40

HEX #006498

RGB 0 100 152

HSL 200.53, 1%, 0.3%

LAB 40.22, -4.51, -35.16

 

CMYK 100 / 38 / 0 / 48

HEX #005285

RGB 0 82 133

HSL 203.01, 1%, 0.26%

LAB 33.41, -0.92, -34.44

 

CMYK 100 / 44 / 0 / 55

HEX #004072

RGB 0 64 114

HSL 206.32, 1%, 0.22%

LAB 26.4, 2.98, -33.76

 

CMYK 85 / 28 / 0 / 25

HEX #1C88BE

RGB 28 136 190

HSL 200, 0.74%, 0.43%

LAB 53.57, -9.71, -36.28

 

CMYK 85 / 52 / 0 / 25

HEX #1C5CBE

RGB 28 92 190

HSL 216.3, 0.74%, 0.43%

LAB 40.6, 17.54, -56.95

 

CMYK 85 / 74 / 0 / 25

HEX #1C31BE

RGB 28 49 190

HSL 232.22, 0.74%, 0.43%

LAB 29.82, 45.23, -74.62

 

CMYK 73 / 85 / 0 / 25

HEX #331CBE

RGB 51 28 190

HSL 248.52, 0.74%, 0.43%

LAB 27.44, 56.97, -78.52

 

CMYK 50 / 85 / 0 / 25

HEX #5F1CBE

RGB 95 28 190

HSL 264.81, 0.74%, 0.43%

LAB 31.76, 60.85, -71.23

 

CMYK 85 / 28 / 0 / 25

HEX #1C88BE

RGB 28 136 190

HSL 200, 0.74%, 0.43%

LAB 53.57, -9.71, -36.28

 

CMYK 85 / 52 / 0 / 25

HEX #1C5CBE

RGB 28 92 190

HSL 216.3, 0.74%, 0.43%

LAB 40.6, 17.54, -56.95

 

CMYK 85 / 74 / 0 / 25

HEX #1C31BE

RGB 28 49 190

HSL 232.22, 0.74%, 0.43%

LAB 29.82, 45.23, -74.62

 

CMYK 85 / 85 / 0 / 25

HEX #1C1CBE

RGB 28 28 190

HSL 240, 0.74%, 0.43%

LAB 26.14, 55.87, -80.71

 

CMYK 85 / 28 / 0 / 25

HEX #1C88BE

RGB 28 136 190

HSL 200, 0.74%, 0.43%

LAB 53.57, -9.71, -36.28

 

CMYK 95 / 32 / 0 / 18

HEX #0A8ED0

RGB 10 142 208

HSL 200, 0.91%, 0.43%

LAB 56.05, -7.42, -42.59

 

CMYK 85 / 28 / 0 / 25

HEX #1C88BE

RGB 28 136 190

HSL 200, 0.74%, 0.43%

LAB 53.57, -9.71, -36.28

 

CMYK 73 / 25 / 0 / 32

HEX #2E82AD

RGB 46 130 173

HSL 200.31, 0.58%, 0.43%

LAB 51.34, -10.48, -29.98

 

CMYK 59 / 20 / 0 / 39

HEX #3F7C9B

RGB 63 124 155

HSL 200.22, 0.42%, 0.43%

LAB 49.3, -10.22, -22.64

 

CMYK 41 / 14 / 0 / 46

HEX #517689

RGB 81 118 137

HSL 200.36, 0.26%, 0.43%

LAB 47.64, -7.84, -14.51

 

CMYK 17 / 5 / 0 / 53

HEX #637177

RGB 99 113 119

HSL 198, 0.09%, 0.43%

LAB 46.7, -3.85, -5.09

 

CMYK 85 / 0 / 17 / 25

HEX #1CBE9E

RGB 28 190 158

HSL 168.15, 0.74%, 0.43%

LAB 69.14, -46.36, 5.18

 

CMYK 85 / 6 / 0 / 25

HEX #1CB3BE

RGB 28 179 190

HSL 184.07, 0.74%, 0.43%

LAB 66.68, -32.23, -16.1

 

CMYK 85 / 28 / 0 / 25

HEX #1C88BE

RGB 28 136 190

HSL 200, 0.74%, 0.43%

LAB 53.57, -9.71, -36.28

 

CMYK 85 / 51 / 0 / 25

HEX #1C5DBE

RGB 28 93 190

HSL 215.93, 0.74%, 0.43%

LAB 40.89, 16.88, -56.5

 

CMYK 85 / 74 / 0 / 25

HEX #1C32BE

RGB 28 50 190

HSL 231.85, 0.74%, 0.43%

LAB 30.02, 44.64, -74.27

 

CMYK 86 / 29 / 0 / 53

HEX #115577

RGB 17 85 119

HSL 200, 0.75%, 0.27%

LAB 33.87, -7.31, -25.04

 

CMYK 85 / 29 / 0 / 40

HEX #176E9A

RGB 23 110 154

HSL 200.15, 0.74%, 0.35%

LAB 43.75, -8.39, -30.76

 

CMYK 85 / 28 / 0 / 25

HEX #1C88BE

RGB 28 136 190

HSL 200, 0.74%, 0.43%

LAB 53.57, -9.71, -36.28

 

CMYK 83 / 27 / 0 / 13

HEX #25A1DE

RGB 37 161 222

HSL 199.78, 0.74%, 0.51%

LAB 62.64, -11.53, -40.03

 

CMYK 68 / 22 / 0 / 11

HEX #49B0E3

RGB 73 176 227

HSL 199.87, 0.73%, 0.59%

LAB 68.03, -13.86, -34.32

 

CMYK 85 / 28 / 0 / 25

HEX #1C88BE

RGB 28 136 190

HSL 200, 0.74%, 0.43%

LAB 53.57, -9.71, -36.28

 

CMYK 39 / 85 / 0 / 25

HEX #731CBE

RGB 115 28 190

HSL 272.22, 0.74%, 0.43%

LAB 34.38, 63.33, -66.83

 

CMYK 0 / 6 / 85 / 25

HEX #BEB31C

RGB 190 179 28

HSL 55.93, 0.74%, 0.43%

LAB 71.74, -11.25, 69.4

 

CMYK 85 / 28 / 0 / 25

HEX #1C88BE

RGB 28 136 190

HSL 200, 0.74%, 0.43%

LAB 53.57, -9.71, -36.28

 

CMYK 0 / 85 / 28 / 25

HEX #BE1C88

RGB 190 28 136

HSL 320, 0.74%, 0.43%

LAB 43.59, 68.12, -18.96

 

CMYK 28 / 0 / 85 / 25

HEX #88BE1C

RGB 136 190 28

HSL 80, 0.74%, 0.43%

LAB 70.97, -39.13, 67.18

 

CMYK 85 / 28 / 0 / 25

HEX #1C88BE

RGB 28 136 190

HSL 200, 0.74%, 0.43%

LAB 53.57, -9.71, -36.28

 

CMYK 39 / 85 / 0 / 25

HEX #731CBE

RGB 115 28 190

HSL 272.22, 0.74%, 0.43%

LAB 34.38, 63.33, -66.83

 

CMYK 0 / 57 / 85 / 25

HEX #BE521C

RGB 190 82 28

HSL 20, 0.74%, 0.43%

LAB 48.34, 40.71, 49.84

 

CMYK 45 / 0 / 85 / 25

HEX #68BE1C

RGB 104 190 28

HSL 91.85, 0.74%, 0.43%

LAB 69.37, -50.47, 65.17

 

CMYK 85 / 28 / 0 / 25

HEX #1C88BE

RGB 28 136 190

HSL 200, 0.74%, 0.43%

LAB 53.57, -9.71, -36.28

 

CMYK 14 / 85 / 0 / 25

HEX #A31CBE

RGB 163 28 190

HSL 290, 0.74%, 0.43%

LAB 41.74, 70.67, -54.52

 

CMYK 0 / 57 / 85 / 25

HEX #BE521C

RGB 190 82 28

HSL 20, 0.74%, 0.43%

LAB 48.34, 40.71, 49.84

 

CMYK 71 / 0 / 85 / 25

HEX #37BE1C

RGB 55 190 28

HSL 110, 0.74%, 0.43%

LAB 67.82, -62.9, 63.2

 

Description

Color code: HEX #1C88BE | qconv.com Color code: HEX #1C88BE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 136 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 136 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 28 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 28% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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