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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C80DF it is the complementary color #E37F20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C80DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C80DF shade: #2180DA, #3292ED, #43A4FF, #54B6FF and #65C8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C80DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C80DF shade: #1C80DF, #0B6ECC, #005CB9, #004AA6 and #003893

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C80DF shade: #1B7FDE, #1B4BDE, #211BDE, #551BDE and #8A1BDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C80DF shade: #1B7FDE, #1B4BDE and #1B1BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C80DF shade matches the following richer shades: #1B7FDE and #0780F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C80DF shade: #1B7FDE, #307FCA, #447EB6, #587EA2 and #6C7D8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C80DF shade: #1BDED5, #1BB4DE, #1B80DE, #1B4CDE and #1F1BDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C80DF shade: #125595, #176ABA, #1B7FDE, #3C94E7 and #61A8EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C80DF shade: #1C80DF, #A11BDE and #CEDE1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C80DF shade: #1C80DF, #DE1B80 and #80DE1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C80DF shade: #1C80DF, #A11BDE, #DE7A1B and #59DE1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C80DF shade: #1C80DF, #DB1BDE, #DE7A1B and #1FDE1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 43 / 0 / 13

HEX #1C80DF

RGB 28 128 223

HSL 209.23, 0.78%, 0.49%

LAB 52.96, 7.48, -55.93

 

Complementary color

CMYK 0 / 44 / 86 / 11

HEX #E37F20

RGB 227 127 32

HSL 29.23, 0.78%, 0.51%

LAB 63.02, 32.6, 62.83

 

CMYK 85 / 41 / 0 / 15

HEX #2180DA

RGB 33 128 218

HSL 209.19, 0.74%, 0.49%

LAB 52.76, 5.92, -53.44

 

CMYK 79 / 38 / 0 / 7

HEX #3292ED

RGB 50 146 237

HSL 209.2, 0.84%, 0.56%

LAB 59.3, 3.64, -53.59

 

CMYK 74 / 36 / 0 / 0

HEX #43A4FF

RGB 67 164 255

HSL 209.04, 1%, 0.63%

LAB 65.72, 1.43, -53.24

 

CMYK 67 / 29 / 0 / 0

HEX #54B6FF

RGB 84 182 255

HSL 205.61, 1%, 0.66%

LAB 71.26, -6.36, -44.48

 

CMYK 60 / 22 / 0 / 0

HEX #65C8FF

RGB 101 200 255

HSL 201.43, 1%, 0.7%

LAB 76.86, -13.25, -35.71

 

CMYK 87 / 43 / 0 / 13

HEX #1C80DF

RGB 28 128 223

HSL 209.23, 0.78%, 0.49%

LAB 52.96, 7.48, -55.93

 

CMYK 95 / 46 / 0 / 20

HEX #0B6ECC

RGB 11 110 204

HSL 209.22, 0.9%, 0.42%

LAB 46.42, 10.5, -55.67

 

CMYK 100 / 50 / 0 / 27

HEX #005CB9

RGB 0 92 185

HSL 210.16, 1%, 0.36%

LAB 39.84, 14.13, -55.28

 

CMYK 100 / 55 / 0 / 35

HEX #004AA6

RGB 0 74 166

HSL 213.25, 1%, 0.33%

LAB 33.24, 18.4, -54.74

 

CMYK 100 / 62 / 0 / 42

HEX #003893

RGB 0 56 147

HSL 217.14, 1%, 0.29%

LAB 26.55, 22.95, -54.13

 

CMYK 88 / 43 / 0 / 13

HEX #1B7FDE

RGB 27 127 222

HSL 209.23, 0.78%, 0.49%

LAB 52.6, 7.65, -55.95

 

CMYK 88 / 66 / 0 / 13

HEX #1B4BDE

RGB 27 75 222

HSL 225.23, 0.78%, 0.49%

LAB 38.79, 40.78, -78.38

 

CMYK 85 / 88 / 0 / 13

HEX #211BDE

RGB 33 27 222

HSL 241.85, 0.78%, 0.49%

LAB 30.35, 65.53, -92.36

 

CMYK 62 / 88 / 0 / 13

HEX #551BDE

RGB 85 27 222

HSL 257.85, 0.78%, 0.49%

LAB 33.96, 68.14, -86.26

 

CMYK 38 / 88 / 0 / 13

HEX #8A1BDE

RGB 138 27 222

HSL 274.15, 0.78%, 0.49%

LAB 40.35, 73.41, -75.51

 

CMYK 88 / 43 / 0 / 13

HEX #1B7FDE

RGB 27 127 222

HSL 209.23, 0.78%, 0.49%

LAB 52.6, 7.65, -55.95

 

CMYK 88 / 66 / 0 / 13

HEX #1B4BDE

RGB 27 75 222

HSL 225.23, 0.78%, 0.49%

LAB 38.79, 40.78, -78.38

 

CMYK 88 / 88 / 0 / 13

HEX #1B1BDE

RGB 27 27 222

HSL 240, 0.78%, 0.49%

LAB 30.13, 65.38, -92.73

 

CMYK 88 / 43 / 0 / 13

HEX #1B7FDE

RGB 27 127 222

HSL 209.23, 0.78%, 0.49%

LAB 52.6, 7.65, -55.95

 

CMYK 97 / 47 / 0 / 5

HEX #0780F3

RGB 7 128 243

HSL 209.24, 0.94%, 0.49%

LAB 53.98, 14.33, -65.48

 

CMYK 88 / 43 / 0 / 13

HEX #1B7FDE

RGB 27 127 222

HSL 209.23, 0.78%, 0.49%

LAB 52.6, 7.65, -55.95

 

CMYK 76 / 37 / 0 / 21

HEX #307FCA

RGB 48 127 202

HSL 209.22, 0.62%, 0.49%

LAB 51.92, 1.99, -45.7

 

CMYK 63 / 31 / 0 / 29

HEX #447EB6

RGB 68 126 182

HSL 209.47, 0.46%, 0.49%

LAB 51.3, -1.43, -35.18

 

CMYK 46 / 22 / 0 / 36

HEX #587EA2

RGB 88 126 162

HSL 209.19, 0.3%, 0.49%

LAB 51.39, -3.3, -23.4

 

CMYK 24 / 12 / 0 / 44

HEX #6C7D8E

RGB 108 125 142

HSL 210, 0.14%, 0.49%

LAB 51.62, -2.22, -11.27

 

CMYK 88 / 0 / 4 / 13

HEX #1BDED5

RGB 27 222 213

HSL 177.23, 0.78%, 0.49%

LAB 80.34, -45.03, -8.12

 

CMYK 88 / 19 / 0 / 13

HEX #1BB4DE

RGB 27 180 222

HSL 192.92, 0.78%, 0.49%

LAB 68.13, -22.36, -31.49

 

CMYK 88 / 42 / 0 / 13

HEX #1B80DE

RGB 27 128 222

HSL 208.92, 0.78%, 0.49%

LAB 52.89, 7.03, -55.49

 

CMYK 88 / 66 / 0 / 13

HEX #1B4CDE

RGB 27 76 222

HSL 224.92, 0.78%, 0.49%

LAB 39.03, 40.15, -77.99

 

CMYK 86 / 88 / 0 / 13

HEX #1F1BDE

RGB 31 27 222

HSL 241.23, 0.78%, 0.49%

LAB 30.28, 65.48, -92.49

 

CMYK 88 / 43 / 0 / 42

HEX #125595

RGB 18 85 149

HSL 209.31, 0.78%, 0.33%

LAB 35.59, 4.88, -40.71

 

CMYK 88 / 43 / 0 / 27

HEX #176ABA

RGB 23 106 186

HSL 209.45, 0.78%, 0.41%

LAB 44.28, 6.52, -48.71

 

CMYK 88 / 43 / 0 / 13

HEX #1B7FDE

RGB 27 127 222

HSL 209.23, 0.78%, 0.49%

LAB 52.6, 7.65, -55.95

 

CMYK 74 / 36 / 0 / 9

HEX #3C94E7

RGB 60 148 231

HSL 209.12, 0.78%, 0.57%

LAB 59.81, 1.43, -49.45

 

CMYK 59 / 29 / 0 / 8

HEX #61A8EB

RGB 97 168 235

HSL 209.13, 0.78%, 0.65%

LAB 66.93, -2.79, -40.34

 

CMYK 87 / 43 / 0 / 13

HEX #1C80DF

RGB 28 128 223

HSL 209.23, 0.78%, 0.49%

LAB 52.96, 7.48, -55.93

 

CMYK 27 / 88 / 0 / 13

HEX #A11BDE

RGB 161 27 222

HSL 281.23, 0.78%, 0.49%

LAB 43.7, 76.43, -69.88

 

CMYK 7 / 0 / 88 / 13

HEX #CEDE1B

RGB 206 222 27

HSL 64.92, 0.78%, 0.49%

LAB 84.71, -25.76, 80.66

 

CMYK 87 / 43 / 0 / 13

HEX #1C80DF

RGB 28 128 223

HSL 209.23, 0.78%, 0.49%

LAB 52.96, 7.48, -55.93

 

CMYK 0 / 88 / 42 / 13

HEX #DE1B80

RGB 222 27 128

HSL 328.92, 0.78%, 0.49%

LAB 49.34, 74.73, -4.81

 

CMYK 42 / 0 / 88 / 13

HEX #80DE1B

RGB 128 222 27

HSL 88.92, 0.78%, 0.49%

LAB 80.13, -55.22, 75.01

 

CMYK 87 / 43 / 0 / 13

HEX #1C80DF

RGB 28 128 223

HSL 209.23, 0.78%, 0.49%

LAB 52.96, 7.48, -55.93

 

CMYK 27 / 88 / 0 / 13

HEX #A11BDE

RGB 161 27 222

HSL 281.23, 0.78%, 0.49%

LAB 43.7, 76.43, -69.88

 

CMYK 0 / 45 / 88 / 13

HEX #DE7A1B

RGB 222 122 27

HSL 29.23, 0.78%, 0.49%

LAB 61.24, 33.06, 62.67

 

CMYK 60 / 0 / 88 / 13

HEX #59DE1B

RGB 89 222 27

HSL 100.92, 0.78%, 0.49%

LAB 78.72, -66.19, 73.25

 

CMYK 87 / 43 / 0 / 13

HEX #1C80DF

RGB 28 128 223

HSL 209.23, 0.78%, 0.49%

LAB 52.96, 7.48, -55.93

 

CMYK 1 / 88 / 0 / 13

HEX #DB1BDE

RGB 219 27 222

HSL 299.08, 0.78%, 0.49%

LAB 53.08, 85.46, -54.27

 

CMYK 0 / 45 / 88 / 13

HEX #DE7A1B

RGB 222 122 27

HSL 29.23, 0.78%, 0.49%

LAB 61.24, 33.06, 62.67

 

CMYK 86 / 0 / 88 / 13

HEX #1FDE1B

RGB 31 222 27

HSL 118.77, 0.78%, 0.49%

LAB 77.65, -75.43, 71.9

 

Description

Color code: HEX #1C80DF | qconv.com Color code: HEX #1C80DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 128 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 128 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 43 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 43% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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