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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C7735 it is the complementary color #E388CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C7735. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C7735 shade: #217730, #328943, #439B56, #54AD69 and #65BF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C7735. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C7735 shade: #1C7735, #0B6522, #00530F, #004100 and #002F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C7735 shade: #1C7835, #1C781D, #34781C, #4D781C and #66781C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C7735 shade: #1C7835, #1C784E, #1C7867, #1C7078 and #1C5778

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C7735 shade matches the following richer shades: #1C7835, #108430 and #04902B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C7735 shade: #1C7835, #286C3B, #346040, #405445 and #4C484B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C7735 shade: #35781C, #1C781C, #1C7835, #1C784D and #1C7865

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C7735 shade: #0C3518, #145626, #1C7835, #249944 and #2CBB53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C7735 shade: #1C7735, #1C4D78 and #781C28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C7735 shade: #1C7735, #351C78 and #78351C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C7735 shade: #1C7735, #1C4D78, #781C5F and #78471C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C7735 shade: #1C7735, #1C3178, #781C5F and #78621C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 55 / 53

HEX #1C7735

RGB 28 119 53

HSL 136.48, 0.62%, 0.29%

LAB 43.8, -41.22, 28.7

 

Complementary color

CMYK 0 / 40 / 11 / 11

HEX #E388CA

RGB 227 136 202

HSL 316.48, 0.62%, 0.71%

LAB 68.17, 43.88, -19.35

 

CMYK 72 / 0 / 60 / 53

HEX #217730

RGB 33 119 48

HSL 130.47, 0.57%, 0.3%

LAB 43.84, -41.06, 31.38

 

CMYK 64 / 0 / 51 / 46

HEX #328943

RGB 50 137 67

HSL 131.72, 0.47%, 0.37%

LAB 50.66, -41.65, 29.86

 

CMYK 57 / 0 / 45 / 39

HEX #439B56

RGB 67 155 86

HSL 132.95, 0.4%, 0.44%

LAB 57.37, -41.84, 28.38

 

CMYK 51 / 0 / 39 / 32

HEX #54AD69

RGB 84 173 105

HSL 134.16, 0.35%, 0.5%

LAB 63.99, -41.81, 26.99

 

CMYK 47 / 0 / 35 / 25

HEX #65BF7C

RGB 101 191 124

HSL 135.33, 0.41%, 0.57%

LAB 70.51, -41.66, 25.69

 

CMYK 76 / 0 / 55 / 53

HEX #1C7735

RGB 28 119 53

HSL 136.48, 0.62%, 0.29%

LAB 43.8, -41.22, 28.7

 

CMYK 89 / 0 / 66 / 60

HEX #0B6522

RGB 11 101 34

HSL 135.33, 0.8%, 0.22%

LAB 36.92, -39.75, 30.31

 

CMYK 100 / 0 / 82 / 67

HEX #00530F

RGB 0 83 15

HSL 130.84, 1%, 0.16%

LAB 29.96, -37.01, 31.46

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 77 / 0 / 56 / 53

HEX #1C7835

RGB 28 120 53

HSL 136.3, 0.62%, 0.29%

LAB 44.14, -41.6, 29.12

 

CMYK 77 / 0 / 76 / 53

HEX #1C781D

RGB 28 120 29

HSL 120.65, 0.62%, 0.29%

LAB 43.9, -44.52, 40.12

 

CMYK 57 / 0 / 77 / 53

HEX #34781C

RGB 52 120 28

HSL 104.35, 0.62%, 0.29%

LAB 44.58, -38.94, 41.42

 

CMYK 36 / 0 / 77 / 53

HEX #4D781C

RGB 77 120 28

HSL 88.04, 0.62%, 0.29%

LAB 45.76, -30.28, 42.98

 

CMYK 15 / 0 / 77 / 53

HEX #66781C

RGB 102 120 28

HSL 71.74, 0.62%, 0.29%

LAB 47.42, -19.73, 45.16

 

CMYK 77 / 0 / 56 / 53

HEX #1C7835

RGB 28 120 53

HSL 136.3, 0.62%, 0.29%

LAB 44.14, -41.6, 29.12

 

CMYK 77 / 0 / 35 / 53

HEX #1C784E

RGB 28 120 78

HSL 152.61, 0.62%, 0.29%

LAB 44.56, -36.83, 15.7

 

CMYK 77 / 0 / 14 / 53

HEX #1C7867

RGB 28 120 103

HSL 168.91, 0.62%, 0.29%

LAB 45.16, -30.43, 1.81

 

CMYK 77 / 7 / 0 / 53

HEX #1C7078

RGB 28 112 120

HSL 185.22, 0.62%, 0.29%

LAB 43.05, -21.16, -11.51

 

CMYK 77 / 28 / 0 / 53

HEX #1C5778

RGB 28 87 120

HSL 201.52, 0.62%, 0.29%

LAB 34.84, -6.83, -24.13

 

CMYK 77 / 0 / 56 / 53

HEX #1C7835

RGB 28 120 53

HSL 136.3, 0.62%, 0.29%

LAB 44.14, -41.6, 29.12

 

CMYK 88 / 0 / 64 / 48

HEX #108430

RGB 16 132 48

HSL 136.55, 0.78%, 0.29%

LAB 48.04, -48.15, 36.17

 

CMYK 97 / 0 / 70 / 44

HEX #04902B

RGB 4 144 43

HSL 136.71, 0.95%, 0.29%

LAB 52, -53.51, 42.77

 

CMYK 77 / 0 / 56 / 53

HEX #1C7835

RGB 28 120 53

HSL 136.3, 0.62%, 0.29%

LAB 44.14, -41.6, 29.12

 

CMYK 63 / 0 / 45 / 58

HEX #286C3B

RGB 40 108 59

HSL 136.76, 0.46%, 0.29%

LAB 40.4, -33.24, 21.19

 

CMYK 46 / 0 / 33 / 62

HEX #346040

RGB 52 96 64

HSL 136.36, 0.3%, 0.29%

LAB 36.87, -23.15, 13.66

 

CMYK 24 / 0 / 18 / 67

HEX #405445

RGB 64 84 69

HSL 135, 0.14%, 0.29%

LAB 33.69, -11.2, 6.28

 

CMYK 0 / 5 / 1 / 70

HEX #4C484B

RGB 76 72 75

HSL 315, 0.03%, 0.29%

LAB 31.07, 2.31, -1.2

 

CMYK 56 / 0 / 77 / 53

HEX #35781C

RGB 53 120 28

HSL 103.7, 0.62%, 0.29%

LAB 44.62, -38.64, 41.47

 

CMYK 77 / 0 / 77 / 53

HEX #1C781C

RGB 28 120 28

HSL 120, 0.62%, 0.29%

LAB 43.89, -44.61, 40.5

 

CMYK 77 / 0 / 56 / 53

HEX #1C7835

RGB 28 120 53

HSL 136.3, 0.62%, 0.29%

LAB 44.14, -41.6, 29.12

 

CMYK 77 / 0 / 36 / 53

HEX #1C784D

RGB 28 120 77

HSL 151.96, 0.62%, 0.29%

LAB 44.54, -37.05, 16.25

 

CMYK 77 / 0 / 16 / 53

HEX #1C7865

RGB 28 120 101

HSL 167.61, 0.62%, 0.29%

LAB 45.11, -31, 2.92

 

CMYK 77 / 0 / 55 / 79

HEX #0C3518

RGB 12 53 24

HSL 137.56, 0.63%, 0.13%

LAB 18.76, -21.96, 14.22

 

CMYK 77 / 0 / 56 / 66

HEX #145626

RGB 20 86 38

HSL 136.36, 0.62%, 0.21%

LAB 31.68, -32.09, 22.04

 

CMYK 77 / 0 / 56 / 53

HEX #1C7835

RGB 28 120 53

HSL 136.3, 0.62%, 0.29%

LAB 44.14, -41.6, 29.12

 

CMYK 76 / 0 / 56 / 40

HEX #249944

RGB 36 153 68

HSL 136.41, 0.62%, 0.37%

LAB 55.66, -50.2, 35.39

 

CMYK 76 / 0 / 56 / 27

HEX #2CBB53

RGB 44 187 83

HSL 136.36, 0.62%, 0.45%

LAB 67.05, -58.76, 41.78

 

CMYK 76 / 0 / 55 / 53

HEX #1C7735

RGB 28 119 53

HSL 136.48, 0.62%, 0.29%

LAB 43.8, -41.22, 28.7

 

CMYK 77 / 36 / 0 / 53

HEX #1C4D78

RGB 28 77 120

HSL 208.04, 0.62%, 0.29%

LAB 31.6, -0.47, -29.21

 

CMYK 0 / 77 / 67 / 53

HEX #781C28

RGB 120 28 40

HSL 352.17, 0.62%, 0.29%

LAB 26.67, 40.06, 16.59

 

CMYK 76 / 0 / 55 / 53

HEX #1C7735

RGB 28 119 53

HSL 136.48, 0.62%, 0.29%

LAB 43.8, -41.22, 28.7

 

CMYK 56 / 77 / 0 / 53

HEX #351C78

RGB 53 28 120

HSL 256.3, 0.62%, 0.29%

LAB 19.82, 36.32, -48.13

 

CMYK 0 / 56 / 77 / 53

HEX #78351C

RGB 120 53 28

HSL 16.3, 0.62%, 0.29%

LAB 30.93, 27.51, 29.13

 

CMYK 76 / 0 / 55 / 53

HEX #1C7735

RGB 28 119 53

HSL 136.48, 0.62%, 0.29%

LAB 43.8, -41.22, 28.7

 

CMYK 77 / 36 / 0 / 53

HEX #1C4D78

RGB 28 77 120

HSL 208.04, 0.62%, 0.29%

LAB 31.6, -0.47, -29.21

 

CMYK 0 / 77 / 21 / 53

HEX #781C5F

RGB 120 28 95

HSL 316.3, 0.62%, 0.29%

LAB 28.51, 45.95, -17.46

 

CMYK 0 / 41 / 77 / 53

HEX #78471C

RGB 120 71 28

HSL 28.04, 0.62%, 0.29%

LAB 35.17, 17.11, 33.61

 

CMYK 76 / 0 / 55 / 53

HEX #1C7735

RGB 28 119 53

HSL 136.48, 0.62%, 0.29%

LAB 43.8, -41.22, 28.7

 

CMYK 77 / 59 / 0 / 53

HEX #1C3178

RGB 28 49 120

HSL 226.3, 0.62%, 0.29%

LAB 23, 18.85, -43.02

 

CMYK 0 / 77 / 21 / 53

HEX #781C5F

RGB 120 28 95

HSL 316.3, 0.62%, 0.29%

LAB 28.51, 45.95, -17.46

 

CMYK 0 / 18 / 77 / 53

HEX #78621C

RGB 120 98 28

HSL 45.65, 0.62%, 0.29%

LAB 42.48, 1, 40.95

 

Description

Color code: HEX #1C7735 | qconv.com Color code: HEX #1C7735 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 119 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 119 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 55 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 55% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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