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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C5E11 it is the complementary color #E3A1EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C5E11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C5E11 shade: #215E0C, #32701F, #438232, #549445 and #65A658

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C5E11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C5E11 shade: #1C5E11, #0B4C00, #003A00, #002800 and #001600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C5E11 shade: #1C5E11, #315E11, #465E11, #5B5E11 and #5E4D11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C5E11 shade: #1C5E11, #115E1B, #115E30, #115E44 and #115E59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C5E11 shade matches the following richer shades: #1C5E11 and #156708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C5E11 shade: #1C5E11, #22551A, #294C23, #2F432C and #363A35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C5E11 shade: #465E11, #315E11, #1D5E11, #115E1A and #115E2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C5E11 shade: #071904, #113B0A, #1C5E11, #268117 and #31A41E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C5E11 shade: #1C5E11, #115A5E and #5E113B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C5E11 shade: #1C5E11, #111D5E and #5E111D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C5E11 shade: #1C5E11, #115A5E, #53115E and #5E1511

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C5E11 shade: #1C5E11, #11435E, #53115E and #5E2C11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

Complementary color

CMYK 5 / 32 / 0 / 7

HEX #E3A1EE

RGB 227 161 238

HSL 291.43, 0.69%, 0.78%

LAB 74.82, 37.11, -29

 

CMYK 65 / 0 / 87 / 63

HEX #215E0C

RGB 33 94 12

HSL 104.63, 0.77%, 0.21%

LAB 34.71, -35.11, 37.32

 

CMYK 55 / 0 / 72 / 56

HEX #32701F

RGB 50 112 31

HSL 105.93, 0.57%, 0.28%

LAB 41.79, -36.01, 37.31

 

CMYK 48 / 0 / 62 / 49

HEX #438232

RGB 67 130 50

HSL 107.25, 0.44%, 0.35%

LAB 48.75, -36.36, 36.38

 

CMYK 43 / 0 / 53 / 42

HEX #549445

RGB 84 148 69

HSL 108.61, 0.36%, 0.43%

LAB 55.58, -36.41, 35.15

 

CMYK 39 / 0 / 47 / 35

HEX #65A658

RGB 101 166 88

HSL 110, 0.31%, 0.5%

LAB 62.29, -36.32, 33.87

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 86 / 0 / 100 / 70

HEX #0B4C00

RGB 11 76 0

HSL 111.32, 1%, 0.15%

LAB 27.41, -34.12, 34.84

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 48 / 0 / 82 / 63

HEX #315E11

RGB 49 94 17

HSL 95.06, 0.69%, 0.22%

LAB 35.4, -29.68, 36.5

 

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

CMYK 3 / 0 / 82 / 63

HEX #5B5E11

RGB 91 94 17

HSL 62.34, 0.69%, 0.22%

LAB 38.32, -11.27, 40.29

 

CMYK 0 / 18 / 82 / 63

HEX #5E4D11

RGB 94 77 17

HSL 46.75, 0.69%, 0.22%

LAB 33.41, 0.25, 35.86

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 82 / 0 / 71 / 63

HEX #115E1B

RGB 17 94 27

HSL 127.79, 0.69%, 0.22%

LAB 34.4, -37.29, 30.93

 

CMYK 82 / 0 / 49 / 63

HEX #115E30

RGB 17 94 48

HSL 144.16, 0.69%, 0.22%

LAB 34.68, -34.04, 20.04

 

CMYK 82 / 0 / 28 / 63

HEX #115E44

RGB 17 94 68

HSL 159.74, 0.69%, 0.22%

LAB 35.09, -29.45, 8.58

 

CMYK 82 / 0 / 5 / 63

HEX #115E59

RGB 17 94 89

HSL 176.1, 0.69%, 0.22%

LAB 35.69, -23.29, -3.58

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 80 / 0 / 92 / 60

HEX #156708

RGB 21 103 8

HSL 111.79, 0.86%, 0.22%

LAB 37.62, -41.27, 40.92

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 60 / 0 / 69 / 67

HEX #22551A

RGB 34 85 26

HSL 111.86, 0.53%, 0.22%

LAB 31.6, -29.92, 28.48

 

CMYK 46 / 0 / 54 / 70

HEX #294C23

RGB 41 76 35

HSL 111.22, 0.37%, 0.22%

LAB 28.8, -22.11, 20.39

 

CMYK 30 / 0 / 34 / 74

HEX #2F432C

RGB 47 67 44

HSL 112.17, 0.21%, 0.22%

LAB 26.16, -13.27, 11.5

 

CMYK 7 / 0 / 9 / 77

HEX #363A35

RGB 54 58 53

HSL 108, 0.05%, 0.22%

LAB 23.89, -2.85, 2.52

 

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

CMYK 48 / 0 / 82 / 63

HEX #315E11

RGB 49 94 17

HSL 95.06, 0.69%, 0.22%

LAB 35.4, -29.68, 36.5

 

CMYK 69 / 0 / 82 / 63

HEX #1D5E11

RGB 29 94 17

HSL 110.65, 0.69%, 0.22%

LAB 34.61, -35.81, 35.48

 

CMYK 82 / 0 / 72 / 63

HEX #115E1A

RGB 17 94 26

HSL 127.01, 0.69%, 0.22%

LAB 34.39, -37.41, 31.39

 

CMYK 82 / 0 / 50 / 63

HEX #115E2F

RGB 17 94 47

HSL 143.38, 0.69%, 0.22%

LAB 34.66, -34.23, 20.6

 

CMYK 72 / 0 / 84 / 90

HEX #071904

RGB 7 25 4

HSL 111.43, 0.72%, 0.06%

LAB 6.77, -10.44, 8.3

 

CMYK 71 / 0 / 83 / 77

HEX #113B0A

RGB 17 59 10

HSL 111.43, 0.71%, 0.14%

LAB 21.09, -25.38, 24.63

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 71 / 0 / 82 / 49

HEX #268117

RGB 38 129 23

HSL 111.51, 0.7%, 0.3%

LAB 47.2, -46.19, 45.57

 

CMYK 70 / 0 / 82 / 36

HEX #31A41E

RGB 49 164 30

HSL 111.49, 0.69%, 0.38%

LAB 59.25, -55.5, 54.84

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 82 / 4 / 0 / 63

HEX #115A5E

RGB 17 90 94

HSL 183.12, 0.69%, 0.22%

LAB 34.48, -19.51, -8.51

 

CMYK 0 / 82 / 37 / 63

HEX #5E113B

RGB 94 17 59

HSL 327.27, 0.69%, 0.22%

LAB 20.43, 37.62, -6.04

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 82 / 69 / 0 / 63

HEX #111D5E

RGB 17 29 94

HSL 230.65, 0.69%, 0.22%

LAB 14.43, 21.21, -40.1

 

CMYK 0 / 82 / 69 / 63

HEX #5E111D

RGB 94 17 29

HSL 350.65, 0.69%, 0.22%

LAB 19.51, 34.75, 13.82

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 82 / 4 / 0 / 63

HEX #115A5E

RGB 17 90 94

HSL 183.12, 0.69%, 0.22%

LAB 34.48, -19.51, -8.51

 

CMYK 12 / 82 / 0 / 63

HEX #53115E

RGB 83 17 94

HSL 291.43, 0.69%, 0.22%

LAB 20.24, 40.53, -30.31

 

CMYK 0 / 78 / 82 / 63

HEX #5E1511

RGB 94 21 17

HSL 3.12, 0.69%, 0.22%

LAB 19.87, 32.56, 22.27

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 82 / 29 / 0 / 63

HEX #11435E

RGB 17 67 94

HSL 201.04, 0.69%, 0.22%

LAB 26.57, -5.89, -20.65

 

CMYK 12 / 82 / 0 / 63

HEX #53115E

RGB 83 17 94

HSL 291.43, 0.69%, 0.22%

LAB 20.24, 40.53, -30.31

 

CMYK 0 / 53 / 82 / 63

HEX #5E2C11

RGB 94 44 17

HSL 21.04, 0.69%, 0.22%

LAB 24.39, 20.67, 27.08

 

Description

Color code: HEX #1C5E11 | qconv.com Color code: HEX #1C5E11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 94 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 94 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 82 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 82% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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