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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C5E11 it is the complementary color #E3A1EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C5E11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C5E11 shade: #215E0C, #32701F, #438232, #549445 and #65A658

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C5E11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C5E11 shade: #1C5E11, #0B4C00, #003A00, #002800 and #001600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C5E11 shade: #1C5F11, #315F11, #465F11, #5B5F11 and #5F4E11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C5E11 shade: #1C5F11, #115F1B, #115F30, #115F45 and #115F5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C5E11 shade matches the following richer shades: #1C5F11 and #166808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C5E11 shade: #1C5F11, #23561A, #294D24, #30442D and #363B36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C5E11 shade: #465F11, #325F11, #1D5F11, #115F1A and #115F2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C5E11 shade: #081905, #123C0B, #1C5F11, #278218 and #31A51E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C5E11 shade: #1C5E11, #115B5F and #5F113C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C5E11 shade: #1C5E11, #111D5F and #5F111D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C5E11 shade: #1C5E11, #115B5F, #53115F and #5F1511

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C5E11 shade: #1C5E11, #11445F, #53115F and #5F2C11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

Complementary color

CMYK 5 / 32 / 0 / 7

HEX #E3A1EE

RGB 227 161 238

HSL 291.43, 0.69%, 0.78%

LAB 74.82, 37.11, -29

 

CMYK 65 / 0 / 87 / 63

HEX #215E0C

RGB 33 94 12

HSL 104.63, 0.77%, 0.21%

LAB 34.71, -35.11, 37.32

 

CMYK 55 / 0 / 72 / 56

HEX #32701F

RGB 50 112 31

HSL 105.93, 0.57%, 0.28%

LAB 41.79, -36.01, 37.31

 

CMYK 48 / 0 / 62 / 49

HEX #438232

RGB 67 130 50

HSL 107.25, 0.44%, 0.35%

LAB 48.75, -36.36, 36.38

 

CMYK 43 / 0 / 53 / 42

HEX #549445

RGB 84 148 69

HSL 108.61, 0.36%, 0.43%

LAB 55.58, -36.41, 35.15

 

CMYK 39 / 0 / 47 / 35

HEX #65A658

RGB 101 166 88

HSL 110, 0.31%, 0.5%

LAB 62.29, -36.32, 33.87

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 86 / 0 / 100 / 70

HEX #0B4C00

RGB 11 76 0

HSL 111.32, 1%, 0.15%

LAB 27.41, -34.12, 34.84

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 71 / 0 / 82 / 63

HEX #1C5F11

RGB 28 95 17

HSL 111.54, 0.7%, 0.22%

LAB 34.95, -36.44, 35.79

 

CMYK 48 / 0 / 82 / 63

HEX #315F11

RGB 49 95 17

HSL 95.38, 0.7%, 0.22%

LAB 35.75, -30.13, 36.84

 

CMYK 26 / 0 / 82 / 63

HEX #465F11

RGB 70 95 17

HSL 79.23, 0.7%, 0.22%

LAB 36.98, -21.62, 38.44

 

CMYK 4 / 0 / 82 / 63

HEX #5B5F11

RGB 91 95 17

HSL 63.08, 0.7%, 0.22%

LAB 38.64, -11.84, 40.58

 

CMYK 0 / 18 / 82 / 63

HEX #5F4E11

RGB 95 78 17

HSL 46.92, 0.7%, 0.22%

LAB 33.82, 0.14, 36.29

 

CMYK 71 / 0 / 82 / 63

HEX #1C5F11

RGB 28 95 17

HSL 111.54, 0.7%, 0.22%

LAB 34.95, -36.44, 35.79

 

CMYK 82 / 0 / 72 / 63

HEX #115F1B

RGB 17 95 27

HSL 127.69, 0.7%, 0.22%

LAB 34.77, -37.66, 31.32

 

CMYK 82 / 0 / 49 / 63

HEX #115F30

RGB 17 95 48

HSL 143.85, 0.7%, 0.22%

LAB 35.04, -34.45, 20.5

 

CMYK 82 / 0 / 27 / 63

HEX #115F45

RGB 17 95 69

HSL 160, 0.7%, 0.22%

LAB 35.47, -29.65, 8.49

 

CMYK 82 / 0 / 5 / 63

HEX #115F5A

RGB 17 95 90

HSL 176.15, 0.7%, 0.22%

LAB 36.06, -23.48, -3.64

 

CMYK 71 / 0 / 82 / 63

HEX #1C5F11

RGB 28 95 17

HSL 111.54, 0.7%, 0.22%

LAB 34.95, -36.44, 35.79

 

CMYK 79 / 0 / 92 / 59

HEX #166808

RGB 22 104 8

HSL 111.25, 0.86%, 0.22%

LAB 38, -41.44, 41.26

 

CMYK 71 / 0 / 82 / 63

HEX #1C5F11

RGB 28 95 17

HSL 111.54, 0.7%, 0.22%

LAB 34.95, -36.44, 35.79

 

CMYK 59 / 0 / 70 / 66

HEX #23561A

RGB 35 86 26

HSL 111, 0.54%, 0.22%

LAB 32.01, -30.05, 28.93

 

CMYK 47 / 0 / 53 / 70

HEX #294D24

RGB 41 77 36

HSL 112.68, 0.36%, 0.22%

LAB 29.18, -22.46, 20.26

 

CMYK 29 / 0 / 34 / 73

HEX #30442D

RGB 48 68 45

HSL 112.17, 0.2%, 0.22%

LAB 26.6, -13.25, 11.47

 

CMYK 8 / 0 / 8 / 77

HEX #363B36

RGB 54 59 54

HSL 120, 0.04%, 0.22%

LAB 24.25, -3.27, 2.37

 

CMYK 26 / 0 / 82 / 63

HEX #465F11

RGB 70 95 17

HSL 79.23, 0.7%, 0.22%

LAB 36.98, -21.62, 38.44

 

CMYK 47 / 0 / 82 / 63

HEX #325F11

RGB 50 95 17

HSL 94.62, 0.7%, 0.22%

LAB 35.8, -29.76, 36.9

 

CMYK 69 / 0 / 82 / 63

HEX #1D5F11

RGB 29 95 17

HSL 110.77, 0.7%, 0.22%

LAB 34.98, -36.2, 35.83

 

CMYK 82 / 0 / 73 / 63

HEX #115F1A

RGB 17 95 26

HSL 126.92, 0.7%, 0.22%

LAB 34.76, -37.77, 31.78

 

CMYK 82 / 0 / 51 / 63

HEX #115F2F

RGB 17 95 47

HSL 143.08, 0.7%, 0.22%

LAB 35.02, -34.64, 21.06

 

CMYK 68 / 0 / 80 / 90

HEX #081905

RGB 8 25 5

HSL 111, 0.67%, 0.06%

LAB 6.85, -10.04, 8.01

 

CMYK 70 / 0 / 82 / 76

HEX #123C0B

RGB 18 60 11

HSL 111.43, 0.69%, 0.14%

LAB 21.52, -25.43, 24.69

 

CMYK 71 / 0 / 82 / 63

HEX #1C5F11

RGB 28 95 17

HSL 111.54, 0.7%, 0.22%

LAB 34.95, -36.44, 35.79

 

CMYK 70 / 0 / 82 / 49

HEX #278218

RGB 39 130 24

HSL 111.51, 0.69%, 0.3%

LAB 47.58, -46.27, 45.61

 

CMYK 70 / 0 / 82 / 35

HEX #31A51E

RGB 49 165 30

HSL 111.56, 0.69%, 0.38%

LAB 59.58, -55.83, 55.15

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 82 / 4 / 0 / 63

HEX #115B5F

RGB 17 91 95

HSL 183.08, 0.7%, 0.22%

LAB 34.86, -19.71, -8.56

 

CMYK 0 / 82 / 37 / 63

HEX #5F113C

RGB 95 17 60

HSL 326.92, 0.7%, 0.22%

LAB 20.67, 38.04, -6.34

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 82 / 69 / 0 / 63

HEX #111D5F

RGB 17 29 95

HSL 230.77, 0.7%, 0.22%

LAB 14.54, 21.62, -40.6

 

CMYK 0 / 82 / 69 / 63

HEX #5F111D

RGB 95 17 29

HSL 350.77, 0.7%, 0.22%

LAB 19.73, 35.09, 14.14

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 82 / 4 / 0 / 63

HEX #115B5F

RGB 17 91 95

HSL 183.08, 0.7%, 0.22%

LAB 34.86, -19.71, -8.56

 

CMYK 13 / 82 / 0 / 63

HEX #53115F

RGB 83 17 95

HSL 290.77, 0.7%, 0.22%

LAB 20.31, 40.73, -30.86

 

CMYK 0 / 78 / 82 / 63

HEX #5F1511

RGB 95 21 17

HSL 3.08, 0.7%, 0.22%

LAB 20.08, 32.92, 22.57

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 82 / 28 / 0 / 63

HEX #11445F

RGB 17 68 95

HSL 200.77, 0.7%, 0.22%

LAB 26.96, -6.14, -20.68

 

CMYK 13 / 82 / 0 / 63

HEX #53115F

RGB 83 17 95

HSL 290.77, 0.7%, 0.22%

LAB 20.31, 40.73, -30.86

 

CMYK 0 / 54 / 82 / 63

HEX #5F2C11

RGB 95 44 17

HSL 20.77, 0.7%, 0.22%

LAB 24.56, 21.13, 27.31

 

Description

Color code: HEX #1C5E11 | qconv.com Color code: HEX #1C5E11 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 94 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 94 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 82 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 82% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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