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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C4D64 it is the complementary color #E3B29B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C4D64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C4D64 shade: #214D5F, #325F72, #437185, #548398 and #6595AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C4D64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C4D64 shade: #1C4D64, #0B3B51, #00293E, #00172B and #000518

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C4D64 shade: #1C4D63, #1C3963, #1C2663, #251C63 and #381C63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C4D64 shade: #1C4D63, #1C3963, #1C2663 and #1C1C63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C4D64 shade matches the following richer shades: #1C4D63, #12506E and #075478

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C4D64 shade: #1C4D63, #264959, #31454F, #3B4145 and #453E3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C4D64 shade: #1C6354, #1C6063, #1C4D63, #1C3A63 and #1C2763

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C4D64 shade: #0A1B23, #133443, #1C4D63, #256584 and #2E7EA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C4D64 shade: #1C4D64, #411C63 and #635E1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C4D64 shade: #1C4D64, #631C4D and #4D631C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C4D64 shade: #1C4D64, #411C63, #63331C and #3F631C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C4D64 shade: #1C4D64, #561C63, #63331C and #29631C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 23 / 0 / 61

HEX #1C4D64

RGB 28 77 100

HSL 199.17, 0.56%, 0.25%

LAB 30.58, -8.17, -18.22

 

Complementary color

CMYK 0 / 22 / 32 / 11

HEX #E3B29B

RGB 227 178 155

HSL 19.17, 0.56%, 0.75%

LAB 76.4, 14.6, 18.56

 

CMYK 65 / 19 / 0 / 63

HEX #214D5F

RGB 33 77 95

HSL 197.42, 0.48%, 0.25%

LAB 30.54, -9.01, -15.09

 

CMYK 56 / 17 / 0 / 55

HEX #325F72

RGB 50 95 114

HSL 197.81, 0.39%, 0.32%

LAB 37.98, -9.57, -15.5

 

CMYK 50 / 15 / 0 / 48

HEX #437185

RGB 67 113 133

HSL 198.18, 0.33%, 0.39%

LAB 45.22, -9.91, -15.89

 

CMYK 45 / 14 / 0 / 40

HEX #548398

RGB 84 131 152

HSL 198.53, 0.29%, 0.46%

LAB 52.27, -10.14, -16.26

 

CMYK 41 / 13 / 0 / 33

HEX #6595AB

RGB 101 149 171

HSL 198.86, 0.29%, 0.53%

LAB 59.16, -10.31, -16.62

 

CMYK 72 / 23 / 0 / 61

HEX #1C4D64

RGB 28 77 100

HSL 199.17, 0.56%, 0.25%

LAB 30.58, -8.17, -18.22

 

CMYK 86 / 27 / 0 / 68

HEX #0B3B51

RGB 11 59 81

HSL 198.86, 0.76%, 0.18%

LAB 22.98, -6.76, -17.77

 

CMYK 100 / 34 / 0 / 76

HEX #00293E

RGB 0 41 62

HSL 200.32, 1%, 0.12%

LAB 15.14, -4.41, -17.18

 

CMYK 100 / 47 / 0 / 83

HEX #00172B

RGB 0 23 43

HSL 207.91, 1%, 0.08%

LAB 7.11, -0.24, -16.22

 

CMYK 100 / 79 / 0 / 91

HEX #000518

RGB 0 5 24

HSL 227.5, 1%, 0.05%

LAB 1.58, 2.18, -9.96

 

CMYK 72 / 22 / 0 / 61

HEX #1C4D63

RGB 28 77 99

HSL 198.59, 0.56%, 0.25%

LAB 30.53, -8.54, -17.66

 

CMYK 72 / 42 / 0 / 61

HEX #1C3963

RGB 28 57 99

HSL 215.49, 0.56%, 0.25%

LAB 23.91, 4.64, -28.05

 

CMYK 72 / 62 / 0 / 61

HEX #1C2663

RGB 28 38 99

HSL 231.55, 0.56%, 0.25%

LAB 18.07, 18.28, -37.45

 

CMYK 63 / 72 / 0 / 61

HEX #251C63

RGB 37 28 99

HSL 247.61, 0.56%, 0.25%

LAB 16.13, 26.75, -40.59

 

CMYK 43 / 72 / 0 / 61

HEX #381C63

RGB 56 28 99

HSL 263.66, 0.56%, 0.25%

LAB 18.24, 30.54, -37.05

 

CMYK 72 / 22 / 0 / 61

HEX #1C4D63

RGB 28 77 99

HSL 198.59, 0.56%, 0.25%

LAB 30.53, -8.54, -17.66

 

CMYK 72 / 42 / 0 / 61

HEX #1C3963

RGB 28 57 99

HSL 215.49, 0.56%, 0.25%

LAB 23.91, 4.64, -28.05

 

CMYK 72 / 62 / 0 / 61

HEX #1C2663

RGB 28 38 99

HSL 231.55, 0.56%, 0.25%

LAB 18.07, 18.28, -37.45

 

CMYK 72 / 72 / 0 / 61

HEX #1C1C63

RGB 28 28 99

HSL 240, 0.56%, 0.25%

LAB 15.37, 25.32, -41.85

 

CMYK 72 / 22 / 0 / 61

HEX #1C4D63

RGB 28 77 99

HSL 198.59, 0.56%, 0.25%

LAB 30.53, -8.54, -17.66

 

CMYK 84 / 27 / 0 / 57

HEX #12506E

RGB 18 80 110

HSL 199.57, 0.72%, 0.25%

LAB 31.79, -7.65, -22.68

 

CMYK 94 / 30 / 0 / 53

HEX #075478

RGB 7 84 120

HSL 199.12, 0.89%, 0.25%

LAB 33.44, -7.09, -26.35

 

CMYK 72 / 22 / 0 / 61

HEX #1C4D63

RGB 28 77 99

HSL 198.59, 0.56%, 0.25%

LAB 30.53, -8.54, -17.66

 

CMYK 57 / 18 / 0 / 65

HEX #264959

RGB 38 73 89

HSL 198.82, 0.4%, 0.25%

LAB 29.15, -7.47, -13.36

 

CMYK 38 / 13 / 0 / 69

HEX #31454F

RGB 49 69 79

HSL 200, 0.23%, 0.25%

LAB 28.04, -4.95, -8.52

 

CMYK 14 / 6 / 0 / 73

HEX #3B4145

RGB 59 65 69

HSL 204, 0.08%, 0.25%

LAB 27.13, -1.5, -3.28

 

CMYK 0 / 10 / 16 / 73

HEX #453E3A

RGB 69 62 58

HSL 21.82, 0.09%, 0.25%

LAB 26.78, 2.21, 3.55

 

CMYK 72 / 0 / 15 / 61

HEX #1C6354

RGB 28 99 84

HSL 167.32, 0.56%, 0.25%

LAB 37.5, -25.71, 2.2

 

CMYK 72 / 3 / 0 / 61

HEX #1C6063

RGB 28 96 99

HSL 182.54, 0.56%, 0.25%

LAB 36.95, -19.53, -7.87

 

CMYK 72 / 22 / 0 / 61

HEX #1C4D63

RGB 28 77 99

HSL 198.59, 0.56%, 0.25%

LAB 30.53, -8.54, -17.66

 

CMYK 72 / 41 / 0 / 61

HEX #1C3A63

RGB 28 58 99

HSL 214.65, 0.56%, 0.25%

LAB 24.24, 3.95, -27.53

 

CMYK 72 / 61 / 0 / 61

HEX #1C2763

RGB 28 39 99

HSL 230.7, 0.56%, 0.25%

LAB 18.36, 17.55, -36.98

 

CMYK 71 / 23 / 0 / 86

HEX #0A1B23

RGB 10 27 35

HSL 199.2, 0.56%, 0.09%

LAB 8.74, -4.05, -7.67

 

CMYK 72 / 22 / 0 / 74

HEX #133443

RGB 19 52 67

HSL 198.75, 0.56%, 0.17%

LAB 20.04, -6.47, -12.92

 

CMYK 72 / 22 / 0 / 61

HEX #1C4D63

RGB 28 77 99

HSL 198.59, 0.56%, 0.25%

LAB 30.53, -8.54, -17.66

 

CMYK 72 / 23 / 0 / 48

HEX #256584

RGB 37 101 132

HSL 199.58, 0.56%, 0.33%

LAB 40.19, -9.5, -23.12

 

CMYK 72 / 23 / 0 / 36

HEX #2E7EA4

RGB 46 126 164

HSL 199.32, 0.56%, 0.41%

LAB 49.72, -11.34, -27.29

 

CMYK 72 / 23 / 0 / 61

HEX #1C4D64

RGB 28 77 100

HSL 199.17, 0.56%, 0.25%

LAB 30.58, -8.17, -18.22

 

CMYK 34 / 72 / 0 / 61

HEX #411C63

RGB 65 28 99

HSL 271.27, 0.56%, 0.25%

LAB 19.45, 32.6, -35.03

 

CMYK 0 / 5 / 72 / 61

HEX #635E1C

RGB 99 94 28

HSL 55.77, 0.56%, 0.25%

LAB 39.14, -6.8, 36.9

 

CMYK 72 / 23 / 0 / 61

HEX #1C4D64

RGB 28 77 100

HSL 199.17, 0.56%, 0.25%

LAB 30.58, -8.17, -18.22

 

CMYK 0 / 72 / 22 / 61

HEX #631C4D

RGB 99 28 77

HSL 318.59, 0.56%, 0.25%

LAB 23.73, 37.32, -13.23

 

CMYK 22 / 0 / 72 / 61

HEX #4D631C

RGB 77 99 28

HSL 78.59, 0.56%, 0.25%

LAB 38.87, -19.87, 36.04

 

CMYK 72 / 23 / 0 / 61

HEX #1C4D64

RGB 28 77 100

HSL 199.17, 0.56%, 0.25%

LAB 30.58, -8.17, -18.22

 

CMYK 34 / 72 / 0 / 61

HEX #411C63

RGB 65 28 99

HSL 271.27, 0.56%, 0.25%

LAB 19.45, 32.6, -35.03

 

CMYK 0 / 48 / 72 / 61

HEX #63331C

RGB 99 51 28

HSL 19.44, 0.56%, 0.25%

LAB 27.03, 19.41, 23.82

 

CMYK 36 / 0 / 72 / 61

HEX #3F631C

RGB 63 99 28

HSL 90.42, 0.56%, 0.25%

LAB 37.96, -25.81, 34.8

 

CMYK 72 / 23 / 0 / 61

HEX #1C4D64

RGB 28 77 100

HSL 199.17, 0.56%, 0.25%

LAB 30.58, -8.17, -18.22

 

CMYK 13 / 72 / 0 / 61

HEX #561C63

RGB 86 28 99

HSL 289.01, 0.56%, 0.25%

LAB 22.69, 37.77, -29.66

 

CMYK 0 / 48 / 72 / 61

HEX #63331C

RGB 99 51 28

HSL 19.44, 0.56%, 0.25%

LAB 27.03, 19.41, 23.82

 

CMYK 59 / 0 / 72 / 61

HEX #29631C

RGB 41 99 28

HSL 109.01, 0.56%, 0.25%

LAB 36.89, -33.58, 33.35

 

Description

Color code: HEX #1C4D64 | qconv.com Color code: HEX #1C4D64 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 77 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 77 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 23 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 23% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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