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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C321B it is the complementary color #E3CDE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C321B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C321B shade: #213216, #324429, #43563C, #54684F and #657A62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C321B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C321B shade: #1C321B, #0B2008, #000E00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C321B shade: #1C321B, #22321B, #28321B, #2E321B and #322F1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C321B shade: #1C321B, #1B3220, #1B3226, #1B322C and #1B3132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C321B shade matches the following richer shades: #1C321B, #163815, #103E0E, #0B4408 and #054A02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C321B shade: #1C321B, #212C21, #272527, #2D1F2D and #321934

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C321B shade: #28321B, #22321B, #1C321B, #1B3220 and #1B3226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C321B shade: #000000, #0D170C, #1C321B, #2B4D29 and #3A6738

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C321B shade: #1C321B, #1B2E32 and #321B25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C321B shade: #1C321B, #1B1C32 and #321B1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C321B shade: #1C321B, #1B2E32, #311B32 and #321E1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C321B shade: #1C321B, #1B2732, #311B32 and #32251B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 46 / 80

HEX #1C321B

RGB 28 50 27

HSL 117.39, 0.3%, 0.15%

LAB 18.4, -14.56, 11.96

 

Complementary color

CMYK 0 / 10 / 0 / 11

HEX #E3CDE4

RGB 227 205 228

HSL 297.39, 0.3%, 0.85%

LAB 84.79, 11.69, -8.56

 

CMYK 34 / 0 / 56 / 80

HEX #213216

RGB 33 50 22

HSL 96.43, 0.39%, 0.14%

LAB 18.64, -13.3, 15.56

 

CMYK 26 / 0 / 40 / 73

HEX #324429

RGB 50 68 41

HSL 100, 0.25%, 0.21%

LAB 26.66, -13.15, 14.11

 

CMYK 22 / 0 / 30 / 66

HEX #43563C

RGB 67 86 60

HSL 103.85, 0.18%, 0.29%

LAB 34.34, -12.97, 12.81

 

CMYK 19 / 0 / 24 / 59

HEX #54684F

RGB 84 104 79

HSL 108, 0.14%, 0.36%

LAB 41.77, -12.81, 11.67

 

CMYK 17 / 0 / 20 / 52

HEX #657A62

RGB 101 122 98

HSL 112.5, 0.11%, 0.43%

LAB 48.97, -12.68, 10.64

 

CMYK 44 / 0 / 46 / 80

HEX #1C321B

RGB 28 50 27

HSL 117.39, 0.3%, 0.15%

LAB 18.4, -14.56, 11.96

 

CMYK 66 / 0 / 75 / 87

HEX #0B2008

RGB 11 32 8

HSL 112.5, 0.6%, 0.08%

LAB 9.97, -14.35, 11.33

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 44 / 0 / 46 / 80

HEX #1C321B

RGB 28 50 27

HSL 117.39, 0.3%, 0.15%

LAB 18.4, -14.56, 11.96

 

CMYK 32 / 0 / 46 / 80

HEX #22321B

RGB 34 50 27

HSL 101.74, 0.3%, 0.15%

LAB 18.8, -12.01, 12.57

 

CMYK 20 / 0 / 46 / 80

HEX #28321B

RGB 40 50 27

HSL 86.09, 0.3%, 0.15%

LAB 19.27, -9.25, 13.27

 

CMYK 8 / 0 / 46 / 80

HEX #2E321B

RGB 46 50 27

HSL 70.43, 0.3%, 0.15%

LAB 19.81, -6.34, 14.06

 

CMYK 0 / 6 / 46 / 80

HEX #322F1B

RGB 50 47 27

HSL 52.17, 0.3%, 0.15%

LAB 19.18, -2.37, 13.34

 

CMYK 44 / 0 / 46 / 80

HEX #1C321B

RGB 28 50 27

HSL 117.39, 0.3%, 0.15%

LAB 18.4, -14.56, 11.96

 

CMYK 46 / 0 / 36 / 80

HEX #1B3220

RGB 27 50 32

HSL 133.04, 0.3%, 0.15%

LAB 18.45, -13.9, 8.69

 

CMYK 46 / 0 / 24 / 80

HEX #1B3226

RGB 27 50 38

HSL 148.7, 0.3%, 0.15%

LAB 18.6, -12.44, 4.83

 

CMYK 46 / 0 / 12 / 80

HEX #1B322C

RGB 27 50 44

HSL 164.35, 0.3%, 0.15%

LAB 18.78, -10.81, 0.97

 

CMYK 46 / 2 / 0 / 80

HEX #1B3132

RGB 27 49 50

HSL 182.61, 0.3%, 0.15%

LAB 18.63, -8.37, -3.4

 

CMYK 44 / 0 / 46 / 80

HEX #1C321B

RGB 28 50 27

HSL 117.39, 0.3%, 0.15%

LAB 18.4, -14.56, 11.96

 

CMYK 61 / 0 / 63 / 78

HEX #163815

RGB 22 56 21

HSL 118.29, 0.45%, 0.15%

LAB 20.26, -21.04, 18.01

 

CMYK 74 / 0 / 77 / 76

HEX #103E0E

RGB 16 62 14

HSL 117.5, 0.63%, 0.15%

LAB 22.26, -26.5, 24.05

 

CMYK 84 / 0 / 88 / 73

HEX #0B4408

RGB 11 68 8

HSL 117, 0.79%, 0.15%

LAB 24.4, -30.57, 28.81

 

CMYK 93 / 0 / 97 / 71

HEX #054A02

RGB 5 74 2

HSL 117.5, 0.95%, 0.15%

LAB 26.55, -34.25, 33.23

 

CMYK 44 / 0 / 46 / 80

HEX #1C321B

RGB 28 50 27

HSL 117.39, 0.3%, 0.15%

LAB 18.4, -14.56, 11.96

 

CMYK 25 / 0 / 25 / 83

HEX #212C21

RGB 33 44 33

HSL 120, 0.14%, 0.15%

LAB 16.67, -7.5, 5.62

 

CMYK 0 / 5 / 0 / 85

HEX #272527

RGB 39 37 39

HSL 300, 0.03%, 0.15%

LAB 14.96, 1.41, -1

 

CMYK 0 / 31 / 0 / 82

HEX #2D1F2D

RGB 45 31 45

HSL 300, 0.18%, 0.15%

LAB 13.99, 9.84, -6.68

 

CMYK 4 / 52 / 0 / 80

HEX #321934

RGB 50 25 52

HSL 295.56, 0.35%, 0.15%

LAB 13.36, 17.71, -12.62

 

CMYK 20 / 0 / 46 / 80

HEX #28321B

RGB 40 50 27

HSL 86.09, 0.3%, 0.15%

LAB 19.27, -9.25, 13.27

 

CMYK 32 / 0 / 46 / 80

HEX #22321B

RGB 34 50 27

HSL 101.74, 0.3%, 0.15%

LAB 18.8, -12.01, 12.57

 

CMYK 44 / 0 / 46 / 80

HEX #1C321B

RGB 28 50 27

HSL 117.39, 0.3%, 0.15%

LAB 18.4, -14.56, 11.96

 

CMYK 46 / 0 / 36 / 80

HEX #1B3220

RGB 27 50 32

HSL 133.04, 0.3%, 0.15%

LAB 18.45, -13.9, 8.69

 

CMYK 46 / 0 / 24 / 80

HEX #1B3226

RGB 27 50 38

HSL 148.7, 0.3%, 0.15%

LAB 18.6, -12.44, 4.83

 

CMYK 43 / 0 / 48 / 91

HEX #0D170C

RGB 13 23 12

HSL 114.55, 0.31%, 0.07%

LAB 6.55, -6.16, 4.72

 

CMYK 44 / 0 / 46 / 80

HEX #1C321B

RGB 28 50 27

HSL 117.39, 0.3%, 0.15%

LAB 18.4, -14.56, 11.96

 

CMYK 44 / 0 / 47 / 70

HEX #2B4D29

RGB 43 77 41

HSL 116.67, 0.31%, 0.23%

LAB 29.37, -20.9, 17.55

 

CMYK 44 / 0 / 46 / 60

HEX #3A6738

RGB 58 103 56

HSL 117.45, 0.3%, 0.31%

LAB 39.39, -26.11, 21.76

 

CMYK 44 / 0 / 46 / 80

HEX #1C321B

RGB 28 50 27

HSL 117.39, 0.3%, 0.15%

LAB 18.4, -14.56, 11.96

 

CMYK 46 / 8 / 0 / 80

HEX #1B2E32

RGB 27 46 50

HSL 190.43, 0.3%, 0.15%

LAB 17.54, -6.42, -5.02

 

CMYK 0 / 46 / 26 / 80

HEX #321B25

RGB 50 27 37

HSL 333.91, 0.3%, 0.15%

LAB 13.2, 13.11, -1.98

 

CMYK 44 / 0 / 46 / 80

HEX #1C321B

RGB 28 50 27

HSL 117.39, 0.3%, 0.15%

LAB 18.4, -14.56, 11.96

 

CMYK 46 / 44 / 0 / 80

HEX #1B1C32

RGB 27 28 50

HSL 237.39, 0.3%, 0.15%

LAB 11.23, 6.43, -14.71

 

CMYK 0 / 46 / 44 / 80

HEX #321B1C

RGB 50 27 28

HSL 357.39, 0.3%, 0.15%

LAB 12.9, 11.55, 4.16

 

CMYK 44 / 0 / 46 / 80

HEX #1C321B

RGB 28 50 27

HSL 117.39, 0.3%, 0.15%

LAB 18.4, -14.56, 11.96

 

CMYK 46 / 8 / 0 / 80

HEX #1B2E32

RGB 27 46 50

HSL 190.43, 0.3%, 0.15%

LAB 17.54, -6.42, -5.02

 

CMYK 2 / 46 / 0 / 80

HEX #311B32

RGB 49 27 50

HSL 297.39, 0.3%, 0.15%

LAB 13.63, 15.5, -10.77

 

CMYK 0 / 40 / 46 / 80

HEX #321E1B

RGB 50 30 27

HSL 7.83, 0.3%, 0.15%

LAB 13.74, 9.31, 6.07

 

CMYK 44 / 0 / 46 / 80

HEX #1C321B

RGB 28 50 27

HSL 117.39, 0.3%, 0.15%

LAB 18.4, -14.56, 11.96

 

CMYK 46 / 22 / 0 / 80

HEX #1B2732

RGB 27 39 50

HSL 208.7, 0.3%, 0.15%

LAB 15.03, -1.64, -8.82

 

CMYK 2 / 46 / 0 / 80

HEX #311B32

RGB 49 27 50

HSL 297.39, 0.3%, 0.15%

LAB 13.63, 15.5, -10.77

 

CMYK 0 / 26 / 46 / 80

HEX #32251B

RGB 50 37 27

HSL 26.09, 0.3%, 0.15%

LAB 15.9, 4.43, 9.02

 

Description

Color code: HEX #1C321B | qconv.com Color code: HEX #1C321B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 50 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 50 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 46 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 46% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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