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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C2264 it is the complementary color #E3DD9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C2264. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C2264 shade: #21225F, #323472, #434685, #545898 and #656AAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C2264. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C2264 shade: #1C2264, #0B1051, #00003E, #00002B and #000018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C2264 shade: #1C2263, #291C63, #3D1C63, #501C63 and #631C63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C2264 shade: #1C2263 and #1C1C63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C2264 shade matches the following richer shades: #1C2263, #12196E and #071178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C2264 shade: #1C2263, #262B59, #31334F, #3B3C45 and #45443A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C2264 shade: #1C4863, #1C3563, #1C2263, #291C63 and #3C1C63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C2264 shade: #0A0C23, #131743, #1C2263, #252D84 and #2E38A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C2264 shade: #1C2264, #631C5B and #3F631C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C2264 shade: #1C2264, #631C22 and #22631C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C2264 shade: #1C2264, #631C5B, #635E1C and #1C6324

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C2264 shade: #1C2264, #631C46, #635E1C and #1C633A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 66 / 0 / 61

HEX #1C2264

RGB 28 34 100

HSL 235, 0.56%, 0.25%

LAB 17.04, 21.53, -39.78

 

Complementary color

CMYK 0 / 3 / 32 / 11

HEX #E3DD9B

RGB 227 221 155

HSL 55, 0.56%, 0.75%

LAB 87.2, -7.83, 33.2

 

CMYK 65 / 64 / 0 / 63

HEX #21225F

RGB 33 34 95

HSL 239.03, 0.48%, 0.25%

LAB 16.96, 20.47, -36.6

 

CMYK 56 / 54 / 0 / 55

HEX #323472

RGB 50 52 114

HSL 238.13, 0.39%, 0.32%

LAB 24.79, 18.5, -36.22

 

CMYK 50 / 47 / 0 / 48

HEX #434685

RGB 67 70 133

HSL 237.27, 0.33%, 0.39%

LAB 32.41, 17.02, -35.88

 

CMYK 45 / 42 / 0 / 40

HEX #545898

RGB 84 88 152

HSL 236.47, 0.29%, 0.46%

LAB 39.8, 15.86, -35.62

 

CMYK 41 / 38 / 0 / 33

HEX #656AAB

RGB 101 106 171

HSL 235.71, 0.29%, 0.53%

LAB 46.99, 14.92, -35.43

 

CMYK 72 / 66 / 0 / 61

HEX #1C2264

RGB 28 34 100

HSL 235, 0.56%, 0.25%

LAB 17.04, 21.53, -39.78

 

CMYK 86 / 80 / 0 / 68

HEX #0B1051

RGB 11 16 81

HSL 235.71, 0.76%, 0.18%

LAB 9.29, 24.49, -39.78

 

CMYK 100 / 100 / 0 / 76

HEX #00003E

RGB 0 0 62

HSL 240, 1%, 0.12%

LAB 3.14, 22.06, -36.55

 

CMYK 100 / 100 / 0 / 83

HEX #00002B

RGB 0 0 43

HSL 240, 1%, 0.08%

LAB 1.58, 11.07, -24.95

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 72 / 66 / 0 / 61

HEX #1C2263

RGB 28 34 99

HSL 234.93, 0.56%, 0.25%

LAB 16.95, 21.14, -39.27

 

CMYK 59 / 72 / 0 / 61

HEX #291C63

RGB 41 28 99

HSL 250.99, 0.56%, 0.25%

LAB 16.52, 27.47, -39.93

 

CMYK 38 / 72 / 0 / 61

HEX #3D1C63

RGB 61 28 99

HSL 267.89, 0.56%, 0.25%

LAB 18.9, 31.67, -35.95

 

CMYK 19 / 72 / 0 / 61

HEX #501C63

RGB 80 28 99

HSL 283.94, 0.56%, 0.25%

LAB 21.71, 36.25, -31.27

 

CMYK 0 / 72 / 0 / 61

HEX #631C63

RGB 99 28 99

HSL 300, 0.56%, 0.25%

LAB 24.9, 41.1, -26

 

CMYK 72 / 66 / 0 / 61

HEX #1C2263

RGB 28 34 99

HSL 234.93, 0.56%, 0.25%

LAB 16.95, 21.14, -39.27

 

CMYK 72 / 72 / 0 / 61

HEX #1C1C63

RGB 28 28 99

HSL 240, 0.56%, 0.25%

LAB 15.37, 25.32, -41.85

 

CMYK 72 / 66 / 0 / 61

HEX #1C2263

RGB 28 34 99

HSL 234.93, 0.56%, 0.25%

LAB 16.95, 21.14, -39.27

 

CMYK 84 / 77 / 0 / 57

HEX #12196E

RGB 18 25 110

HSL 235.43, 0.72%, 0.25%

LAB 15.22, 30.36, -49.35

 

CMYK 94 / 86 / 0 / 53

HEX #071178

RGB 7 17 120

HSL 234.69, 0.89%, 0.25%

LAB 14.41, 38.03, -57.17

 

CMYK 72 / 66 / 0 / 61

HEX #1C2263

RGB 28 34 99

HSL 234.93, 0.56%, 0.25%

LAB 16.95, 21.14, -39.27

 

CMYK 57 / 52 / 0 / 65

HEX #262B59

RGB 38 43 89

HSL 234.12, 0.4%, 0.25%

LAB 19.48, 12.89, -28.52

 

CMYK 38 / 35 / 0 / 69

HEX #31334F

RGB 49 51 79

HSL 236, 0.23%, 0.25%

LAB 22.25, 7.02, -17.42

 

CMYK 14 / 13 / 0 / 73

HEX #3B3C45

RGB 59 60 69

HSL 234, 0.08%, 0.25%

LAB 25.54, 1.76, -5.66

 

CMYK 0 / 1 / 16 / 73

HEX #45443A

RGB 69 68 58

HSL 54.55, 0.09%, 0.25%

LAB 28.66, -1.64, 6.22

 

CMYK 72 / 27 / 0 / 61

HEX #1C4863

RGB 28 72 99

HSL 202.82, 0.56%, 0.25%

LAB 28.86, -5.4, -20.26

 

CMYK 72 / 46 / 0 / 61

HEX #1C3563

RGB 28 53 99

HSL 218.87, 0.56%, 0.25%

LAB 22.63, 7.46, -30.09

 

CMYK 72 / 66 / 0 / 61

HEX #1C2263

RGB 28 34 99

HSL 234.93, 0.56%, 0.25%

LAB 16.95, 21.14, -39.27

 

CMYK 59 / 72 / 0 / 61

HEX #291C63

RGB 41 28 99

HSL 250.99, 0.56%, 0.25%

LAB 16.52, 27.47, -39.93

 

CMYK 39 / 72 / 0 / 61

HEX #3C1C63

RGB 60 28 99

HSL 267.04, 0.56%, 0.25%

LAB 18.77, 31.44, -36.17

 

CMYK 71 / 66 / 0 / 86

HEX #0A0C23

RGB 10 12 35

HSL 235.2, 0.56%, 0.09%

LAB 4.05, 5.47, -14.89

 

CMYK 72 / 66 / 0 / 74

HEX #131743

RGB 19 23 67

HSL 235, 0.56%, 0.17%

LAB 10.23, 14.75, -28.48

 

CMYK 72 / 66 / 0 / 61

HEX #1C2263

RGB 28 34 99

HSL 234.93, 0.56%, 0.25%

LAB 16.95, 21.14, -39.27

 

CMYK 72 / 66 / 0 / 48

HEX #252D84

RGB 37 45 132

HSL 234.95, 0.56%, 0.33%

LAB 23.46, 27.51, -49.82

 

CMYK 72 / 66 / 0 / 36

HEX #2E38A4

RGB 46 56 164

HSL 234.92, 0.56%, 0.41%

LAB 29.64, 33.21, -59.37

 

CMYK 72 / 66 / 0 / 61

HEX #1C2264

RGB 28 34 100

HSL 235, 0.56%, 0.25%

LAB 17.04, 21.53, -39.78

 

CMYK 0 / 72 / 8 / 61

HEX #631C5B

RGB 99 28 91

HSL 306.76, 0.56%, 0.25%

LAB 24.44, 39.64, -21.46

 

CMYK 36 / 0 / 72 / 61

HEX #3F631C

RGB 63 99 28

HSL 90.42, 0.56%, 0.25%

LAB 37.96, -25.81, 34.8

 

CMYK 72 / 66 / 0 / 61

HEX #1C2264

RGB 28 34 100

HSL 235, 0.56%, 0.25%

LAB 17.04, 21.53, -39.78

 

CMYK 0 / 72 / 66 / 61

HEX #631C22

RGB 99 28 34

HSL 354.93, 0.56%, 0.25%

LAB 22.3, 32.33, 14.16

 

CMYK 66 / 0 / 72 / 61

HEX #22631C

RGB 34 99 28

HSL 114.93, 0.56%, 0.25%

LAB 36.65, -35.52, 33.01

 

CMYK 72 / 66 / 0 / 61

HEX #1C2264

RGB 28 34 100

HSL 235, 0.56%, 0.25%

LAB 17.04, 21.53, -39.78

 

CMYK 0 / 72 / 8 / 61

HEX #631C5B

RGB 99 28 91

HSL 306.76, 0.56%, 0.25%

LAB 24.44, 39.64, -21.46

 

CMYK 0 / 5 / 72 / 61

HEX #635E1C

RGB 99 94 28

HSL 55.77, 0.56%, 0.25%

LAB 39.14, -6.8, 36.9

 

CMYK 72 / 0 / 64 / 61

HEX #1C6324

RGB 28 99 36

HSL 126.76, 0.56%, 0.25%

LAB 36.55, -35.99, 28.97

 

CMYK 72 / 66 / 0 / 61

HEX #1C2264

RGB 28 34 100

HSL 235, 0.56%, 0.25%

LAB 17.04, 21.53, -39.78

 

CMYK 0 / 72 / 29 / 61

HEX #631C46

RGB 99 28 70

HSL 324.51, 0.56%, 0.25%

LAB 23.42, 36.27, -8.98

 

CMYK 0 / 5 / 72 / 61

HEX #635E1C

RGB 99 94 28

HSL 55.77, 0.56%, 0.25%

LAB 39.14, -6.8, 36.9

 

CMYK 72 / 0 / 41 / 61

HEX #1C633A

RGB 28 99 58

HSL 145.35, 0.56%, 0.25%

LAB 36.89, -32.19, 17.11

 

Description

Color code: HEX #1C2264 | qconv.com Color code: HEX #1C2264 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 34 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 34 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 66 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 66% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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