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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C1293 it is the complementary color #E3ED6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C1293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C1293 shade: #21128E, #3224A1, #4336B4, #5448C7 and #655ADA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C1293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C1293 shade: #1C1293, #0B0080, #00006D, #00005A and #000047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C1293 shade: #1C1291, #3E1291, #601291, #831291 and #91127D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C1293 shade: #1C1291 and #121291

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C1293 shade matches the following richer shades: #1C1291 and #11059E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C1293 shade: #1C1291, #271F84, #322C77, #3D3A6A and #48475C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C1293 shade: #124D91, #122B91, #1A1291, #3C1291 and #5E1291

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C1293 shade: #0E0948, #150D6D, #1C1291, #2316B6 and #2A1BDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C1293 shade: #1C1293, #91126F and #3C9112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C1293 shade: #1C1293, #911A12 and #12911A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C1293 shade: #1C1293, #91126F, #899112 and #129134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C1293 shade: #1C1293, #911249, #899112 and #12915A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 88 / 0 / 42

HEX #1C1293

RGB 28 18 147

HSL 244.65, 0.78%, 0.32%

LAB 19.17, 47.08, -66.29

 

Complementary color

CMYK 4 / 0 / 54 / 7

HEX #E3ED6C

RGB 227 237 108

HSL 64.65, 0.78%, 0.68%

LAB 90.77, -20.45, 60.28

 

CMYK 77 / 87 / 0 / 44

HEX #21128E

RGB 33 18 142

HSL 247.26, 0.78%, 0.31%

LAB 18.84, 45.84, -63.71

 

CMYK 69 / 78 / 0 / 37

HEX #3224A1

RGB 50 36 161

HSL 246.72, 0.63%, 0.39%

LAB 25.3, 44.52, -64.68

 

CMYK 63 / 70 / 0 / 29

HEX #4336B4

RGB 67 54 180

HSL 246.19, 0.54%, 0.46%

LAB 32.09, 42.64, -64.86

 

CMYK 58 / 64 / 0 / 22

HEX #5448C7

RGB 84 72 199

HSL 245.67, 0.53%, 0.53%

LAB 38.97, 40.74, -64.72

 

CMYK 54 / 59 / 0 / 15

HEX #655ADA

RGB 101 90 218

HSL 245.16, 0.63%, 0.6%

LAB 45.83, 39, -64.45

 

CMYK 81 / 88 / 0 / 42

HEX #1C1293

RGB 28 18 147

HSL 244.65, 0.78%, 0.32%

LAB 19.17, 47.08, -66.29

 

CMYK 91 / 100 / 0 / 50

HEX #0B0080

RGB 11 0 128

HSL 245.16, 1%, 0.25%

LAB 13.41, 47.65, -63.97

 

CMYK 100 / 100 / 0 / 57

HEX #00006D

RGB 0 0 109

HSL 240, 1%, 0.21%

LAB 9.83, 42.35, -57.68

 

CMYK 100 / 100 / 0 / 65

HEX #00005A

RGB 0 0 90

HSL 240, 1%, 0.18%

LAB 6.67, 36.68, -50.3

 

CMYK 100 / 100 / 0 / 72

HEX #000047

RGB 0 0 71

HSL 240, 1%, 0.14%

LAB 4.11, 27.68, -41.39

 

CMYK 81 / 88 / 0 / 43

HEX #1C1291

RGB 28 18 145

HSL 244.72, 0.78%, 0.32%

LAB 18.9, 46.48, -65.49

 

CMYK 57 / 88 / 0 / 43

HEX #3E1291

RGB 62 18 145

HSL 260.79, 0.78%, 0.32%

LAB 21.95, 49.1, -60.34

 

CMYK 34 / 88 / 0 / 43

HEX #601291

RGB 96 18 145

HSL 276.85, 0.78%, 0.32%

LAB 26.63, 53.47, -52.48

 

CMYK 10 / 88 / 0 / 43

HEX #831291

RGB 131 18 145

HSL 293.39, 0.78%, 0.32%

LAB 32.49, 59.32, -42.71

 

CMYK 0 / 88 / 14 / 43

HEX #91127D

RGB 145 18 125

HSL 309.45, 0.78%, 0.32%

LAB 33.84, 58.89, -27.96

 

CMYK 81 / 88 / 0 / 43

HEX #1C1291

RGB 28 18 145

HSL 244.72, 0.78%, 0.32%

LAB 18.9, 46.48, -65.49

 

CMYK 88 / 88 / 0 / 43

HEX #121291

RGB 18 18 145

HSL 240, 0.78%, 0.32%

LAB 18.39, 46.06, -66.35

 

CMYK 81 / 88 / 0 / 43

HEX #1C1291

RGB 28 18 145

HSL 244.72, 0.78%, 0.32%

LAB 18.9, 46.48, -65.49

 

CMYK 89 / 97 / 0 / 38

HEX #11059E

RGB 17 5 158

HSL 244.71, 0.94%, 0.32%

LAB 18.78, 54.09, -73.73

 

CMYK 81 / 88 / 0 / 43

HEX #1C1291

RGB 28 18 145

HSL 244.72, 0.78%, 0.32%

LAB 18.9, 46.48, -65.49

 

CMYK 70 / 77 / 0 / 48

HEX #271F84

RGB 39 31 132

HSL 244.75, 0.62%, 0.32%

LAB 20.35, 36.61, -54.92

 

CMYK 58 / 63 / 0 / 53

HEX #322C77

RGB 50 44 119

HSL 244.8, 0.46%, 0.32%

LAB 23.04, 25.66, -42.25

 

CMYK 42 / 45 / 0 / 58

HEX #3D3A6A

RGB 61 58 106

HSL 243.75, 0.29%, 0.32%

LAB 26.9, 14.6, -27.68

 

CMYK 22 / 23 / 0 / 64

HEX #48475C

RGB 72 71 92

HSL 242.86, 0.13%, 0.32%

LAB 31.01, 5.51, -12.23

 

CMYK 88 / 47 / 0 / 43

HEX #124D91

RGB 18 77 145

HSL 212.13, 0.78%, 0.32%

LAB 32.88, 8.57, -42.62

 

CMYK 88 / 70 / 0 / 43

HEX #122B91

RGB 18 43 145

HSL 228.19, 0.78%, 0.32%

LAB 23.34, 31.96, -58.15

 

CMYK 82 / 88 / 0 / 43

HEX #1A1291

RGB 26 18 145

HSL 243.78, 0.78%, 0.32%

LAB 18.79, 46.38, -65.68

 

CMYK 59 / 88 / 0 / 43

HEX #3C1291

RGB 60 18 145

HSL 259.84, 0.78%, 0.32%

LAB 21.72, 48.89, -60.73

 

CMYK 35 / 88 / 0 / 43

HEX #5E1291

RGB 94 18 145

HSL 275.91, 0.78%, 0.32%

LAB 26.32, 53.17, -52.99

 

CMYK 81 / 88 / 0 / 72

HEX #0E0948

RGB 14 9 72

HSL 244.76, 0.78%, 0.16%

LAB 6.83, 25.54, -37.58

 

CMYK 81 / 88 / 0 / 57

HEX #150D6D

RGB 21 13 109

HSL 245, 0.79%, 0.24%

LAB 12.93, 36.97, -52.48

 

CMYK 81 / 88 / 0 / 43

HEX #1C1291

RGB 28 18 145

HSL 244.72, 0.78%, 0.32%

LAB 18.9, 46.48, -65.49

 

CMYK 81 / 88 / 0 / 29

HEX #2316B6

RGB 35 22 182

HSL 244.88, 0.78%, 0.4%

LAB 24.67, 56.13, -78.41

 

CMYK 81 / 88 / 0 / 14

HEX #2A1BDB

RGB 42 27 219

HSL 244.69, 0.78%, 0.48%

LAB 30.38, 64.99, -90.58

 

CMYK 81 / 88 / 0 / 42

HEX #1C1293

RGB 28 18 147

HSL 244.65, 0.78%, 0.32%

LAB 19.17, 47.08, -66.29

 

CMYK 0 / 88 / 23 / 43

HEX #91126F

RGB 145 18 111

HSL 316.06, 0.78%, 0.32%

LAB 33.14, 56.98, -20.22

 

CMYK 59 / 0 / 88 / 43

HEX #3C9112

RGB 60 145 18

HSL 100.16, 0.78%, 0.32%

LAB 53.23, -46.88, 52.67

 

CMYK 81 / 88 / 0 / 42

HEX #1C1293

RGB 28 18 147

HSL 244.65, 0.78%, 0.32%

LAB 19.17, 47.08, -66.29

 

CMYK 0 / 82 / 88 / 43

HEX #911A12

RGB 145 26 18

HSL 3.78, 0.78%, 0.32%

LAB 31.35, 47.81, 36.59

 

CMYK 88 / 0 / 82 / 43

HEX #12911A

RGB 18 145 26

HSL 123.78, 0.78%, 0.32%

LAB 52.35, -54.22, 49.37

 

CMYK 81 / 88 / 0 / 42

HEX #1C1293

RGB 28 18 147

HSL 244.65, 0.78%, 0.32%

LAB 19.17, 47.08, -66.29

 

CMYK 0 / 88 / 23 / 43

HEX #91126F

RGB 145 18 111

HSL 316.06, 0.78%, 0.32%

LAB 33.14, 56.98, -20.22

 

CMYK 6 / 0 / 88 / 43

HEX #899112

RGB 137 145 18

HSL 63.78, 0.78%, 0.32%

LAB 57.67, -17.43, 58.21

 

CMYK 88 / 0 / 64 / 43

HEX #129134

RGB 18 145 52

HSL 136.06, 0.78%, 0.32%

LAB 52.54, -51.8, 39.41

 

CMYK 81 / 88 / 0 / 42

HEX #1C1293

RGB 28 18 147

HSL 244.65, 0.78%, 0.32%

LAB 19.17, 47.08, -66.29

 

CMYK 0 / 88 / 50 / 43

HEX #911249

RGB 145 18 73

HSL 334.02, 0.78%, 0.32%

LAB 31.65, 52.84, 2.23

 

CMYK 6 / 0 / 88 / 43

HEX #899112

RGB 137 145 18

HSL 63.78, 0.78%, 0.32%

LAB 57.67, -17.43, 58.21

 

CMYK 88 / 0 / 38 / 43

HEX #12915A

RGB 18 145 90

HSL 154.02, 0.78%, 0.32%

LAB 53.08, -45.39, 20.35

 

Description

Color code: HEX #1C1293 | qconv.com Color code: HEX #1C1293 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 18 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 18 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 88 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 88% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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