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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C0FFB it is the complementary color #E3F004. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C0FFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C0FFB shade: #210FF6, #3221FF, #4333FF, #5445FF and #6557FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C0FFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C0FFB shade: #1C0FFB, #0B00E8, #0000D5, #0000C2 and #0000AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C0FFB shade: #1B0EFB, #5B0EFB, #9B0EFB, #DB0EFB and #FB0EDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C0FFB shade: #1B0EFB and #0E0EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C0FFB shade matches the following richer shades: #1B0EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C0FFB shade: #1B0EFB, #2D22E8, #3E35D4, #5049C0 and #615DAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C0FFB shade: #0E81FB, #0E41FB, #1A0EFB, #590EFB and #980EFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C0FFB shade: #0D03B4, #0F03DD, #1B0EFB, #4137FC and #685FFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C0FFB shade: #1C0FFB, #FB0EC0 and #61FB0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C0FFB shade: #1C0FFB, #FB1A0E and #0EFB1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C0FFB shade: #1C0FFB, #FB0EC0, #EFFB0E and #0EFB49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C0FFB shade: #1C0FFB, #FB0E79, #EFFB0E and #0EFB90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 94 / 0 / 2

HEX #1C0FFB

RGB 28 15 251

HSL 243.31, 0.97%, 0.52%

LAB 33.04, 76.1, -104.38

 

Complementary color

CMYK 5 / 0 / 98 / 6

HEX #E3F004

RGB 227 240 4

HSL 63.31, 0.97%, 0.48%

LAB 91.08, -25.92, 88.77

 

CMYK 87 / 94 / 0 / 4

HEX #210FF6

RGB 33 15 246

HSL 244.68, 0.93%, 0.51%

LAB 32.52, 74.94, -102.41

 

CMYK 80 / 87 / 0 / 0

HEX #3221FF

RGB 50 33 255

HSL 244.59, 1%, 0.56%

LAB 35.96, 72.99, -101.73

 

CMYK 74 / 80 / 0 / 0

HEX #4333FF

RGB 67 51 255

HSL 244.71, 1%, 0.6%

LAB 39.21, 66.91, -96.29

 

CMYK 67 / 73 / 0 / 0

HEX #5445FF

RGB 84 69 255

HSL 244.84, 1%, 0.64%

LAB 43.3, 59.69, -89.49

 

CMYK 60 / 66 / 0 / 0

HEX #6557FF

RGB 101 87 255

HSL 245, 1%, 0.67%

LAB 48.01, 52.06, -81.71

 

CMYK 89 / 94 / 0 / 2

HEX #1C0FFB

RGB 28 15 251

HSL 243.31, 0.97%, 0.52%

LAB 33.04, 76.1, -104.38

 

CMYK 95 / 100 / 0 / 9

HEX #0B00E8

RGB 11 0 232

HSL 242.84, 1%, 0.45%

LAB 29.15, 73.79, -100.11

 

CMYK 100 / 100 / 0 / 16

HEX #0000D5

RGB 0 0 213

HSL 240, 1%, 0.42%

LAB 26.17, 69.14, -94.17

 

CMYK 100 / 100 / 0 / 24

HEX #0000C2

RGB 0 0 194

HSL 240, 1%, 0.38%

LAB 23.32, 64.47, -87.81

 

CMYK 100 / 100 / 0 / 31

HEX #0000AF

RGB 0 0 175

HSL 240, 1%, 0.34%

LAB 20.42, 59.72, -81.33

 

CMYK 89 / 94 / 0 / 2

HEX #1B0EFB

RGB 27 14 251

HSL 243.29, 0.97%, 0.52%

LAB 32.95, 76.28, -104.53

 

CMYK 64 / 94 / 0 / 2

HEX #5B0EFB

RGB 91 14 251

HSL 259.49, 0.97%, 0.52%

LAB 36.94, 78.28, -97.77

 

CMYK 38 / 94 / 0 / 2

HEX #9B0EFB

RGB 155 14 251

HSL 275.7, 0.97%, 0.52%

LAB 44.59, 83.35, -84.88

 

CMYK 13 / 94 / 0 / 2

HEX #DB0EFB

RGB 219 14 251

HSL 291.9, 0.97%, 0.52%

LAB 54.39, 91.39, -68.48

 

CMYK 0 / 94 / 12 / 2

HEX #FB0EDC

RGB 251 14 220

HSL 307.85, 0.97%, 0.52%

LAB 58.03, 92.09, -44.93

 

CMYK 89 / 94 / 0 / 2

HEX #1B0EFB

RGB 27 14 251

HSL 243.29, 0.97%, 0.52%

LAB 32.95, 76.28, -104.53

 

CMYK 94 / 94 / 0 / 2

HEX #0E0EFB

RGB 14 14 251

HSL 240, 0.97%, 0.52%

LAB 32.64, 76.14, -105.05

 

CMYK 89 / 94 / 0 / 2

HEX #1B0EFB

RGB 27 14 251

HSL 243.29, 0.97%, 0.52%

LAB 32.95, 76.28, -104.53

 

CMYK 89 / 94 / 0 / 2

HEX #1B0EFB

RGB 27 14 251

HSL 243.29, 0.97%, 0.52%

LAB 32.95, 76.28, -104.53

 

CMYK 81 / 85 / 0 / 9

HEX #2D22E8

RGB 45 34 232

HSL 243.33, 0.81%, 0.52%

LAB 32.98, 66.21, -93.69

 

CMYK 71 / 75 / 0 / 17

HEX #3E35D4

RGB 62 53 212

HSL 243.4, 0.65%, 0.52%

LAB 34.65, 52.75, -79.42

 

CMYK 58 / 62 / 0 / 25

HEX #5049C0

RGB 80 73 192

HSL 243.53, 0.49%, 0.52%

LAB 38.33, 37.23, -61.7

 

CMYK 44 / 46 / 0 / 33

HEX #615DAC

RGB 97 93 172

HSL 243.04, 0.32%, 0.52%

LAB 43.28, 22.2, -41.91

 

CMYK 94 / 49 / 0 / 2

HEX #0E81FB

RGB 14 129 251

HSL 210.89, 0.97%, 0.52%

LAB 54.82, 16.97, -68.54

 

CMYK 94 / 74 / 0 / 2

HEX #0E41FB

RGB 14 65 251

HSL 227.09, 0.97%, 0.52%

LAB 39.31, 56.42, -93.95

 

CMYK 90 / 94 / 0 / 2

HEX #1A0EFB

RGB 26 14 251

HSL 243.04, 0.97%, 0.52%

LAB 32.92, 76.26, -104.58

 

CMYK 65 / 94 / 0 / 2

HEX #590EFB

RGB 89 14 251

HSL 258.99, 0.97%, 0.52%

LAB 36.75, 78.18, -98.09

 

CMYK 39 / 94 / 0 / 2

HEX #980EFB

RGB 152 14 251

HSL 274.94, 0.97%, 0.52%

LAB 44.17, 83.04, -85.58

 

CMYK 93 / 98 / 0 / 29

HEX #0D03B4

RGB 13 3 180

HSL 243.39, 0.97%, 0.36%

LAB 21.75, 60.33, -82.11

 

CMYK 93 / 99 / 0 / 13

HEX #0F03DD

RGB 15 3 221

HSL 243.3, 0.97%, 0.44%

LAB 27.81, 70.62, -96.04

 

CMYK 89 / 94 / 0 / 2

HEX #1B0EFB

RGB 27 14 251

HSL 243.29, 0.97%, 0.52%

LAB 32.95, 76.28, -104.53

 

CMYK 74 / 78 / 0 / 1

HEX #4137FC

RGB 65 55 252

HSL 243.05, 0.97%, 0.6%

LAB 39.39, 64.1, -94.32

 

CMYK 59 / 62 / 0 / 1

HEX #685FFD

RGB 104 95 253

HSL 243.42, 0.98%, 0.68%

LAB 49.76, 47.37, -77.73

 

CMYK 89 / 94 / 0 / 2

HEX #1C0FFB

RGB 28 15 251

HSL 243.31, 0.97%, 0.52%

LAB 33.04, 76.1, -104.38

 

CMYK 0 / 94 / 24 / 2

HEX #FB0EC0

RGB 251 14 192

HSL 314.94, 0.97%, 0.52%

LAB 56.71, 88.74, -30.98

 

CMYK 61 / 0 / 94 / 2

HEX #61FB0E

RGB 97 251 14

HSL 98.99, 0.97%, 0.52%

LAB 87.76, -74.1, 82.62

 

CMYK 89 / 94 / 0 / 2

HEX #1C0FFB

RGB 28 15 251

HSL 243.31, 0.97%, 0.52%

LAB 33.04, 76.1, -104.38

 

CMYK 0 / 90 / 94 / 2

HEX #FB1A0E

RGB 251 26 14

HSL 3.04, 0.97%, 0.52%

LAB 53.25, 76.91, 63.31

 

CMYK 94 / 0 / 90 / 2

HEX #0EFB1A

RGB 14 251 26

HSL 123.04, 0.97%, 0.52%

LAB 86.58, -84.25, 79.69

 

CMYK 89 / 94 / 0 / 2

HEX #1C0FFB

RGB 28 15 251

HSL 243.31, 0.97%, 0.52%

LAB 33.04, 76.1, -104.38

 

CMYK 0 / 94 / 24 / 2

HEX #FB0EC0

RGB 251 14 192

HSL 314.94, 0.97%, 0.52%

LAB 56.71, 88.74, -30.98

 

CMYK 5 / 0 / 94 / 2

HEX #EFFB0E

RGB 239 251 14

HSL 63.04, 0.97%, 0.52%

LAB 94.9, -26.1, 91.27

 

CMYK 94 / 0 / 71 / 2

HEX #0EFB49

RGB 14 251 73

HSL 134.94, 0.97%, 0.52%

LAB 86.78, -81.67, 67.78

 

CMYK 89 / 94 / 0 / 2

HEX #1C0FFB

RGB 28 15 251

HSL 243.31, 0.97%, 0.52%

LAB 33.04, 76.1, -104.38

 

CMYK 0 / 94 / 52 / 2

HEX #FB0E79

RGB 251 14 121

HSL 332.91, 0.97%, 0.52%

LAB 54.24, 82.23, 7.25

 

CMYK 5 / 0 / 94 / 2

HEX #EFFB0E

RGB 239 251 14

HSL 63.04, 0.97%, 0.52%

LAB 94.9, -26.1, 91.27

 

CMYK 94 / 0 / 43 / 2

HEX #0EFB90

RGB 14 251 144

HSL 152.91, 0.97%, 0.52%

LAB 87.53, -72.47, 37.68

 

Description

Color code: HEX #1C0FFB | qconv.com Color code: HEX #1C0FFB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 15 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 15 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 94 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 94% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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