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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BE895 it is the complementary color #E4176A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BE895. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BE895 shade: #20E890, #31FAA3, #42FFB6, #53FFC9 and #64FFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BE895. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BE895 shade: #1BE895, #0AD682, #00C46F, #00B25C and #00A049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BE895 shade: #1CE996, #1CE95E, #1CE927, #47E91C and #7FE91C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BE895 shade: #1CE996, #1CE9CD, #1CCDE9, #1C96E9 and #1C5EE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BE895 shade matches the following richer shades: #1CE996 and #07FD99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BE895 shade: #1CE996, #30D492, #44C08E, #58AC8A and #6C9886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BE895 shade: #1CE926, #1CE95C, #1CE993, #1CE9CA and #1CD1E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BE895 shade: #10A267, #14C77E, #1CE996, #41ECA7 and #67F0B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BE895 shade: #1BE895, #1C48E9 and #E9411C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BE895 shade: #1BE895, #931CE9 and #E9931C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BE895 shade: #1BE895, #1C48E9, #E91C71 and #E9BC1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BE895 shade: #1BE895, #2D1CE9, #E91C71 and #D7E91C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 36 / 9

HEX #1BE895

RGB 27 232 149

HSL 155.71, 0.82%, 0.51%

LAB 81.9, -64.52, 27.73

 

Complementary color

CMYK 0 / 90 / 54 / 11

HEX #E4176A

RGB 228 23 106

HSL 335.71, 0.82%, 0.49%

LAB 49.67, 74.97, 9.26

 

CMYK 86 / 0 / 38 / 9

HEX #20E890

RGB 32 232 144

HSL 153.6, 0.81%, 0.52%

LAB 81.86, -65.18, 30.22

 

CMYK 80 / 0 / 35 / 2

HEX #31FAA3

RGB 49 250 163

HSL 154.03, 0.95%, 0.59%

LAB 87.81, -66.42, 28.62

 

CMYK 74 / 0 / 29 / 0

HEX #42FFB6

RGB 66 255 182

HSL 156.83, 1%, 0.63%

LAB 89.89, -62.56, 21.86

 

CMYK 67 / 0 / 21 / 0

HEX #53FFC9

RGB 83 255 201

HSL 161.16, 1%, 0.66%

LAB 90.59, -56.15, 13.15

 

CMYK 61 / 0 / 14 / 0

HEX #64FFDC

RGB 100 255 220

HSL 166.45, 1%, 0.7%

LAB 91.41, -49.04, 4.58

 

CMYK 88 / 0 / 36 / 9

HEX #1BE895

RGB 27 232 149

HSL 155.71, 0.82%, 0.51%

LAB 81.9, -64.52, 27.73

 

CMYK 95 / 0 / 39 / 16

HEX #0AD682

RGB 10 214 130

HSL 155.29, 0.91%, 0.44%

LAB 75.93, -62.75, 29.46

 

CMYK 100 / 0 / 43 / 23

HEX #00C46F

RGB 0 196 111

HSL 153.98, 1%, 0.38%

LAB 69.91, -60.52, 31.32

 

CMYK 100 / 0 / 48 / 30

HEX #00B25C

RGB 0 178 92

HSL 151.01, 1%, 0.35%

LAB 63.85, -57.82, 33.28

 

CMYK 100 / 0 / 54 / 37

HEX #00A049

RGB 0 160 73

HSL 147.38, 1%, 0.31%

LAB 57.68, -54.95, 35.25

 

CMYK 88 / 0 / 36 / 9

HEX #1CE996

RGB 28 233 150

HSL 155.71, 0.82%, 0.51%

LAB 82.23, -64.61, 27.66

 

CMYK 88 / 0 / 60 / 9

HEX #1CE95E

RGB 28 233 94

HSL 139.32, 0.82%, 0.51%

LAB 81.47, -73.63, 53.66

 

CMYK 88 / 0 / 83 / 9

HEX #1CE927

RGB 28 233 39

HSL 123.22, 0.82%, 0.51%

LAB 81.11, -78.21, 72.45

 

CMYK 70 / 0 / 88 / 9

HEX #47E91C

RGB 71 233 28

HSL 107.41, 0.82%, 0.51%

LAB 81.68, -73.37, 75.43

 

CMYK 45 / 0 / 88 / 9

HEX #7FE91C

RGB 127 233 28

HSL 91.02, 0.82%, 0.51%

LAB 83.38, -59.68, 77.56

 

CMYK 88 / 0 / 36 / 9

HEX #1CE996

RGB 28 233 150

HSL 155.71, 0.82%, 0.51%

LAB 82.23, -64.61, 27.66

 

CMYK 88 / 0 / 12 / 9

HEX #1CE9CD

RGB 28 233 205

HSL 171.8, 0.82%, 0.51%

LAB 83.41, -51.8, 0.64

 

CMYK 88 / 12 / 0 / 9

HEX #1CCDE9

RGB 28 205 233

HSL 188.2, 0.82%, 0.51%

LAB 75.94, -31.16, -25.45

 

CMYK 88 / 36 / 0 / 9

HEX #1C96E9

RGB 28 150 233

HSL 204.29, 0.82%, 0.51%

LAB 59.84, -1.92, -50.55

 

CMYK 88 / 60 / 0 / 9

HEX #1C5EE9

RGB 28 94 233

HSL 220.68, 0.82%, 0.51%

LAB 44.43, 32.86, -75.39

 

CMYK 88 / 0 / 36 / 9

HEX #1CE996

RGB 28 233 150

HSL 155.71, 0.82%, 0.51%

LAB 82.23, -64.61, 27.66

 

CMYK 97 / 0 / 40 / 1

HEX #07FD99

RGB 7 253 153

HSL 155.61, 0.98%, 0.51%

LAB 88.25, -71.7, 34.17

 

CMYK 88 / 0 / 36 / 9

HEX #1CE996

RGB 28 233 150

HSL 155.71, 0.82%, 0.51%

LAB 82.23, -64.61, 27.66

 

CMYK 77 / 0 / 31 / 17

HEX #30D492

RGB 48 212 146

HSL 155.85, 0.66%, 0.51%

LAB 75.94, -56.05, 21.22

 

CMYK 65 / 0 / 26 / 25

HEX #44C08E

RGB 68 192 142

HSL 155.81, 0.5%, 0.51%

LAB 70.09, -46.03, 15.32

 

CMYK 49 / 0 / 20 / 33

HEX #58AC8A

RGB 88 172 138

HSL 155.71, 0.34%, 0.51%

LAB 64.5, -33.75, 9.72

 

CMYK 29 / 0 / 12 / 40

HEX #6C9886

RGB 108 152 134

HSL 155.45, 0.18%, 0.51%

LAB 59.31, -18.95, 4.68

 

CMYK 88 / 0 / 84 / 9

HEX #1CE926

RGB 28 233 38

HSL 122.93, 0.82%, 0.51%

LAB 81.11, -78.25, 72.67

 

CMYK 88 / 0 / 61 / 9

HEX #1CE95C

RGB 28 233 92

HSL 138.73, 0.82%, 0.51%

LAB 81.45, -73.87, 54.51

 

CMYK 88 / 0 / 37 / 9

HEX #1CE993

RGB 28 233 147

HSL 154.83, 0.82%, 0.51%

LAB 82.18, -65.2, 29.12

 

CMYK 88 / 0 / 13 / 9

HEX #1CE9CA

RGB 28 233 202

HSL 170.93, 0.82%, 0.51%

LAB 83.33, -52.59, 2.11

 

CMYK 88 / 10 / 0 / 9

HEX #1CD1E9

RGB 28 209 233

HSL 187.02, 0.82%, 0.51%

LAB 77.12, -33.08, -23.66

 

CMYK 90 / 0 / 36 / 36

HEX #10A267

RGB 16 162 103

HSL 155.75, 0.82%, 0.35%

LAB 58.91, -49.23, 21.02

 

CMYK 90 / 0 / 37 / 22

HEX #14C77E

RGB 20 199 126

HSL 155.53, 0.82%, 0.43%

LAB 71.22, -57.82, 25.26

 

CMYK 88 / 0 / 36 / 9

HEX #1CE996

RGB 28 233 150

HSL 155.71, 0.82%, 0.51%

LAB 82.23, -64.61, 27.66

 

CMYK 72 / 0 / 29 / 7

HEX #41ECA7

RGB 65 236 167

HSL 155.79, 0.82%, 0.59%

LAB 83.92, -58.65, 21.3

 

CMYK 57 / 0 / 23 / 6

HEX #67F0B8

RGB 103 240 184

HSL 155.47, 0.82%, 0.67%

LAB 86.34, -50.25, 16.01

 

CMYK 88 / 0 / 36 / 9

HEX #1BE895

RGB 27 232 149

HSL 155.71, 0.82%, 0.51%

LAB 81.9, -64.52, 27.73

 

CMYK 88 / 69 / 0 / 9

HEX #1C48E9

RGB 28 72 233

HSL 227.12, 0.82%, 0.51%

LAB 39.18, 46.62, -84

 

CMYK 0 / 72 / 88 / 9

HEX #E9411C

RGB 233 65 28

HSL 10.83, 0.82%, 0.51%

LAB 53.15, 62.69, 56.83

 

CMYK 88 / 0 / 36 / 9

HEX #1BE895

RGB 27 232 149

HSL 155.71, 0.82%, 0.51%

LAB 81.9, -64.52, 27.73

 

CMYK 37 / 88 / 0 / 9

HEX #931CE9

RGB 147 28 233

HSL 274.83, 0.82%, 0.51%

LAB 42.64, 76.57, -77.97

 

CMYK 0 / 37 / 88 / 9

HEX #E9931C

RGB 233 147 28

HSL 34.83, 0.82%, 0.51%

LAB 68.22, 24.48, 68.46

 

CMYK 88 / 0 / 36 / 9

HEX #1BE895

RGB 27 232 149

HSL 155.71, 0.82%, 0.51%

LAB 81.9, -64.52, 27.73

 

CMYK 88 / 69 / 0 / 9

HEX #1C48E9

RGB 28 72 233

HSL 227.12, 0.82%, 0.51%

LAB 39.18, 46.62, -84

 

CMYK 0 / 88 / 52 / 9

HEX #E91C71

RGB 233 28 113

HSL 335.12, 0.82%, 0.51%

LAB 51.09, 75.9, 7.13

 

CMYK 0 / 19 / 88 / 9

HEX #E9BC1C

RGB 233 188 28

HSL 46.83, 0.82%, 0.51%

LAB 78.1, 2.82, 76.19

 

CMYK 88 / 0 / 36 / 9

HEX #1BE895

RGB 27 232 149

HSL 155.71, 0.82%, 0.51%

LAB 81.9, -64.52, 27.73

 

CMYK 81 / 88 / 0 / 9

HEX #2D1CE9

RGB 45 28 233

HSL 244.98, 0.82%, 0.51%

LAB 32.42, 68.56, -95.2

 

CMYK 0 / 88 / 52 / 9

HEX #E91C71

RGB 233 28 113

HSL 335.12, 0.82%, 0.51%

LAB 51.09, 75.9, 7.13

 

CMYK 8 / 0 / 88 / 9

HEX #D7E91C

RGB 215 233 28

HSL 65.27, 0.82%, 0.51%

LAB 88.36, -27.25, 83.7

 

Description

Color code: HEX #1BE895 | qconv.com Color code: HEX #1BE895 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 232 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 232 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 36% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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