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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BE265 it is the complementary color #E41D9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BE265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BE265 shade: #20E260, #31F473, #42FF86, #53FF99 and #64FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BE265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BE265 shade: #1BE265, #0AD052, #00BE3F, #00AC2C and #009A19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BE265 shade: #1BE466, #1BE42F, #3DE41B, #73E41B and #A9E41B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BE265 shade: #1BE466, #1BE49C, #1BE4D2, #1BC0E4 and #1B89E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BE265 shade matches the following richer shades: #1BE466 and #06F960

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BE265 shade: #1BE466, #2FD06B, #44BB70, #59A676 and #6D927B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BE265 shade: #3CE41B, #1BE42F, #1BE465, #1BE49A and #1BE4D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BE265 shade: #129A45, #16BF55, #1BE466, #40E97E and #65ED97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BE265 shade: #1BE265, #1B72E4 and #E41B21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BE265 shade: #1BE265, #651BE4 and #E4651B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BE265 shade: #1BE265, #1B72E4, #E41B9A and #E48D1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BE265 shade: #1BE265, #1B36E4, #E41B9A and #E4C91B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 55 / 11

HEX #1BE265

RGB 27 226 101

HSL 142.31, 0.79%, 0.5%

LAB 79.37, -70.64, 48.04

 

Complementary color

CMYK 0 / 87 / 32 / 11

HEX #E41D9A

RGB 228 29 154

HSL 322.31, 0.79%, 0.5%

LAB 51.5, 78.24, -17.08

 

CMYK 86 / 0 / 58 / 11

HEX #20E260

RGB 32 226 96

HSL 139.79, 0.77%, 0.51%

LAB 79.35, -70.94, 50.31

 

CMYK 80 / 0 / 53 / 4

HEX #31F473

RGB 49 244 115

HSL 140.31, 0.9%, 0.57%

LAB 85.3, -72.5, 48.79

 

CMYK 74 / 0 / 47 / 0

HEX #42FF86

RGB 66 255 134

HSL 141.59, 1%, 0.63%

LAB 89.11, -71.29, 44.63

 

CMYK 67 / 0 / 40 / 0

HEX #53FF99

RGB 83 255 153

HSL 144.42, 1%, 0.66%

LAB 89.7, -65.69, 36.23

 

CMYK 61 / 0 / 33 / 0

HEX #64FFAC

RGB 100 255 172

HSL 147.87, 1%, 0.7%

LAB 90.42, -59.25, 27.77

 

CMYK 88 / 0 / 55 / 11

HEX #1BE265

RGB 27 226 101

HSL 142.31, 0.79%, 0.5%

LAB 79.37, -70.64, 48.04

 

CMYK 95 / 0 / 61 / 18

HEX #0AD052

RGB 10 208 82

HSL 141.82, 0.91%, 0.43%

LAB 73.41, -68.45, 49.62

 

CMYK 100 / 0 / 67 / 25

HEX #00BE3F

RGB 0 190 63

HSL 139.89, 1%, 0.37%

LAB 67.42, -65.61, 51.06

 

CMYK 100 / 0 / 74 / 33

HEX #00AC2C

RGB 0 172 44

HSL 135.35, 1%, 0.34%

LAB 61.38, -62.11, 52.13

 

CMYK 100 / 0 / 84 / 40

HEX #009A19

RGB 0 154 25

HSL 129.74, 1%, 0.3%

LAB 55.26, -58.2, 52.33

 

CMYK 88 / 0 / 55 / 11

HEX #1BE466

RGB 27 228 102

HSL 142.39, 0.79%, 0.5%

LAB 80, -71.12, 48.34

 

CMYK 88 / 0 / 79 / 11

HEX #1BE42F

RGB 27 228 47

HSL 125.97, 0.79%, 0.5%

LAB 79.57, -76.47, 68.97

 

CMYK 73 / 0 / 88 / 11

HEX #3DE41B

RGB 61 228 27

HSL 109.85, 0.79%, 0.5%

LAB 79.93, -73.57, 74.03

 

CMYK 50 / 0 / 88 / 11

HEX #73E41B

RGB 115 228 27

HSL 93.73, 0.79%, 0.5%

LAB 81.41, -61.44, 75.88

 

CMYK 26 / 0 / 88 / 11

HEX #A9E41B

RGB 169 228 27

HSL 77.61, 0.79%, 0.5%

LAB 83.97, -43.21, 79.05

 

CMYK 88 / 0 / 55 / 11

HEX #1BE466

RGB 27 228 102

HSL 142.39, 0.79%, 0.5%

LAB 80, -71.12, 48.34

 

CMYK 88 / 0 / 32 / 11

HEX #1BE49C

RGB 27 228 156

HSL 158.51, 0.79%, 0.5%

LAB 80.81, -61.65, 22.64

 

CMYK 88 / 0 / 8 / 11

HEX #1BE4D2

RGB 27 228 210

HSL 174.63, 0.79%, 0.5%

LAB 82.04, -48.43, -4.01

 

CMYK 88 / 16 / 0 / 11

HEX #1BC0E4

RGB 27 192 228

HSL 190.75, 0.79%, 0.5%

LAB 71.92, -26.45, -28.93

 

CMYK 88 / 40 / 0 / 11

HEX #1B89E4

RGB 27 137 228

HSL 207.16, 0.79%, 0.5%

LAB 55.81, 3.84, -54.17

 

CMYK 88 / 0 / 55 / 11

HEX #1BE466

RGB 27 228 102

HSL 142.39, 0.79%, 0.5%

LAB 80, -71.12, 48.34

 

CMYK 98 / 0 / 61 / 2

HEX #06F960

RGB 6 249 96

HSL 142.22, 0.95%, 0.5%

LAB 86.32, -79.08, 58.33

 

CMYK 88 / 0 / 55 / 11

HEX #1BE466

RGB 27 228 102

HSL 142.39, 0.79%, 0.5%

LAB 80, -71.12, 48.34

 

CMYK 77 / 0 / 49 / 18

HEX #2FD06B

RGB 47 208 107

HSL 142.36, 0.63%, 0.5%

LAB 74.05, -61.98, 38.7

 

CMYK 64 / 0 / 40 / 27

HEX #44BB70

RGB 68 187 112

HSL 142.18, 0.47%, 0.5%

LAB 67.98, -50.03, 28.44

 

CMYK 46 / 0 / 29 / 35

HEX #59A676

RGB 89 166 118

HSL 142.6, 0.3%, 0.5%

LAB 62.26, -34.92, 17.64

 

CMYK 25 / 0 / 16 / 43

HEX #6D927B

RGB 109 146 123

HSL 142.7, 0.15%, 0.5%

LAB 57.31, -17.79, 8.07

 

CMYK 74 / 0 / 88 / 11

HEX #3CE41B

RGB 60 228 27

HSL 110.15, 0.79%, 0.5%

LAB 79.91, -73.72, 74.01

 

CMYK 88 / 0 / 79 / 11

HEX #1BE42F

RGB 27 228 47

HSL 125.97, 0.79%, 0.5%

LAB 79.57, -76.47, 68.97

 

CMYK 88 / 0 / 56 / 11

HEX #1BE465

RGB 27 228 101

HSL 142.09, 0.79%, 0.5%

LAB 79.99, -71.26, 48.78

 

CMYK 88 / 0 / 32 / 11

HEX #1BE49A

RGB 27 228 154

HSL 157.91, 0.79%, 0.5%

LAB 80.77, -62.07, 23.62

 

CMYK 88 / 0 / 9 / 11

HEX #1BE4D0

RGB 27 228 208

HSL 174.03, 0.79%, 0.5%

LAB 81.99, -48.98, -3.03

 

CMYK 88 / 0 / 55 / 40

HEX #129A45

RGB 18 154 69

HSL 142.5, 0.79%, 0.34%

LAB 55.76, -52.48, 34.95

 

CMYK 88 / 0 / 55 / 25

HEX #16BF55

RGB 22 191 85

HSL 142.37, 0.79%, 0.42%

LAB 68.09, -62.09, 42

 

CMYK 88 / 0 / 55 / 11

HEX #1BE466

RGB 27 228 102

HSL 142.39, 0.79%, 0.5%

LAB 80, -71.12, 48.34

 

CMYK 73 / 0 / 46 / 9

HEX #40E97E

RGB 64 233 126

HSL 142.01, 0.79%, 0.58%

LAB 82.31, -65.31, 39.88

 

CMYK 57 / 0 / 36 / 7

HEX #65ED97

RGB 101 237 151

HSL 142.06, 0.79%, 0.66%

LAB 84.78, -55.86, 30.8

 

CMYK 88 / 0 / 55 / 11

HEX #1BE265

RGB 27 226 101

HSL 142.31, 0.79%, 0.5%

LAB 79.37, -70.64, 48.04

 

CMYK 88 / 50 / 0 / 11

HEX #1B72E4

RGB 27 114 228

HSL 214.03, 0.79%, 0.5%

LAB 49.34, 18.1, -64.58

 

CMYK 0 / 88 / 86 / 11

HEX #E41B21

RGB 228 27 33

HSL 358.21, 0.79%, 0.5%

LAB 48.74, 71.14, 50.73

 

CMYK 88 / 0 / 55 / 11

HEX #1BE265

RGB 27 226 101

HSL 142.31, 0.79%, 0.5%

LAB 79.37, -70.64, 48.04

 

CMYK 56 / 88 / 0 / 11

HEX #651BE4

RGB 101 27 228

HSL 262.09, 0.79%, 0.5%

LAB 36.28, 70.89, -85.81

 

CMYK 0 / 56 / 88 / 11

HEX #E4651B

RGB 228 101 27

HSL 22.09, 0.79%, 0.5%

LAB 57.92, 45.94, 60.47

 

CMYK 88 / 0 / 55 / 11

HEX #1BE265

RGB 27 226 101

HSL 142.31, 0.79%, 0.5%

LAB 79.37, -70.64, 48.04

 

CMYK 88 / 50 / 0 / 11

HEX #1B72E4

RGB 27 114 228

HSL 214.03, 0.79%, 0.5%

LAB 49.34, 18.1, -64.58

 

CMYK 0 / 88 / 32 / 11

HEX #E41B9A

RGB 228 27 154

HSL 322.09, 0.79%, 0.5%

LAB 51.39, 78.56, -17.25

 

CMYK 0 / 38 / 88 / 11

HEX #E48D1B

RGB 228 141 27

HSL 34.03, 0.79%, 0.5%

LAB 66.23, 25.54, 66.9

 

CMYK 88 / 0 / 55 / 11

HEX #1BE265

RGB 27 226 101

HSL 142.31, 0.79%, 0.5%

LAB 79.37, -70.64, 48.04

 

CMYK 88 / 76 / 0 / 11

HEX #1B36E4

RGB 27 54 228

HSL 231.94, 0.79%, 0.5%

LAB 34.95, 55.17, -88.16

 

CMYK 0 / 88 / 32 / 11

HEX #E41B9A

RGB 228 27 154

HSL 322.09, 0.79%, 0.5%

LAB 51.39, 78.56, -17.25

 

CMYK 0 / 12 / 88 / 11

HEX #E4C91B

RGB 228 201 27

HSL 51.94, 0.79%, 0.5%

LAB 80.93, -6.06, 78.41

 

Description

Color code: HEX #1BE265 | qconv.com Color code: HEX #1BE265 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 226 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 226 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 55 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 55% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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