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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BD197 it is the complementary color #E42E68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BD197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BD197 shade: #20D192, #31E3A5, #42F5B8, #53FFCB and #64FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BD197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BD197 shade: #1BD197, #0ABF84, #00AD71, #009B5E and #00894B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BD197 shade: #1BD096, #1BD065, #1BD035, #32D01B and #63D01B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BD197 shade: #1BD096, #1BD0C7, #1BA8D0, #1B77D0 and #1B46D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BD197 shade matches the following richer shades: #1BD096 and #08E39D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BD197 shade: #1BD096, #2EBD8F, #41AA88, #549781 and #67847B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BD197 shade: #1BD033, #1BD063, #1BD093, #1BD0C4 and #1BABD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BD197 shade: #118761, #16AB7C, #1BD096, #30E4AB and #54E9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BD197 shade: #1BD197, #1B33D0 and #D04B1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BD197 shade: #1BD197, #931BD0 and #D0931B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BD197 shade: #1BD197, #1B33D0, #D01B57 and #D0B81B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BD197 shade: #1BD197, #391BD0, #D01B57 and #B2D01B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 28 / 18

HEX #1BD197

RGB 27 209 151

HSL 160.88, 0.77%, 0.46%

LAB 74.87, -55.69, 17.06

 

Complementary color

CMYK 0 / 80 / 54 / 11

HEX #E42E68

RGB 228 46 104

HSL 340.88, 0.77%, 0.54%

LAB 51.21, 70.3, 12.62

 

CMYK 85 / 0 / 30 / 18

HEX #20D192

RGB 32 209 146

HSL 158.64, 0.73%, 0.47%

LAB 74.81, -56.45, 19.64

 

CMYK 78 / 0 / 27 / 11

HEX #31E3A5

RGB 49 227 165

HSL 159.1, 0.76%, 0.54%

LAB 80.91, -57.54, 18.13

 

CMYK 73 / 0 / 25 / 4

HEX #42F5B8

RGB 66 245 184

HSL 159.55, 0.9%, 0.61%

LAB 86.96, -58.32, 16.75

 

CMYK 67 / 0 / 20 / 0

HEX #53FFCB

RGB 83 255 203

HSL 161.86, 1%, 0.66%

LAB 90.63, -55.7, 12.18

 

CMYK 61 / 0 / 13 / 0

HEX #64FFDE

RGB 100 255 222

HSL 167.23, 1%, 0.7%

LAB 91.46, -48.57, 3.62

 

CMYK 87 / 0 / 28 / 18

HEX #1BD197

RGB 27 209 151

HSL 160.88, 0.77%, 0.46%

LAB 74.87, -55.69, 17.06

 

CMYK 95 / 0 / 31 / 25

HEX #0ABF84

RGB 10 191 132

HSL 160.44, 0.9%, 0.39%

LAB 68.75, -54.06, 18.71

 

CMYK 100 / 0 / 35 / 32

HEX #00AD71

RGB 0 173 113

HSL 159.19, 1%, 0.34%

LAB 62.57, -51.96, 20.52

 

CMYK 100 / 0 / 39 / 39

HEX #009B5E

RGB 0 155 94

HSL 156.39, 1%, 0.3%

LAB 56.34, -49.38, 22.48

 

CMYK 100 / 0 / 45 / 46

HEX #00894B

RGB 0 137 75

HSL 152.85, 1%, 0.27%

LAB 49.98, -46.66, 24.52

 

CMYK 87 / 0 / 28 / 18

HEX #1BD096

RGB 27 208 150

HSL 160.77, 0.77%, 0.46%

LAB 74.54, -55.54, 17.13

 

CMYK 87 / 0 / 51 / 18

HEX #1BD065

RGB 27 208 101

HSL 144.53, 0.77%, 0.46%

LAB 73.73, -64.89, 41.19

 

CMYK 87 / 0 / 75 / 18

HEX #1BD035

RGB 27 208 53

HSL 128.62, 0.77%, 0.46%

LAB 73.29, -70.37, 61.01

 

CMYK 76 / 0 / 87 / 18

HEX #32D01B

RGB 50 208 27

HSL 112.38, 0.77%, 0.46%

LAB 73.46, -69.27, 68.36

 

CMYK 52 / 0 / 87 / 18

HEX #63D01B

RGB 99 208 27

HSL 96.13, 0.77%, 0.46%

LAB 74.73, -58.77, 69.95

 

CMYK 87 / 0 / 28 / 18

HEX #1BD096

RGB 27 208 150

HSL 160.77, 0.77%, 0.46%

LAB 74.54, -55.54, 17.13

 

CMYK 87 / 0 / 4 / 18

HEX #1BD0C7

RGB 27 208 199

HSL 177.02, 0.77%, 0.46%

LAB 75.74, -42.9, -7.44

 

CMYK 87 / 19 / 0 / 18

HEX #1BA8D0

RGB 27 168 208

HSL 193.26, 0.77%, 0.46%

LAB 63.99, -20.89, -30.17

 

CMYK 87 / 43 / 0 / 18

HEX #1B77D0

RGB 27 119 208

HSL 209.5, 0.77%, 0.46%

LAB 49.47, 7.21, -53.04

 

CMYK 87 / 66 / 0 / 18

HEX #1B46D0

RGB 27 70 208

HSL 225.75, 0.77%, 0.46%

LAB 36.3, 38.78, -74.43

 

CMYK 87 / 0 / 28 / 18

HEX #1BD096

RGB 27 208 150

HSL 160.77, 0.77%, 0.46%

LAB 74.54, -55.54, 17.13

 

CMYK 96 / 0 / 31 / 11

HEX #08E39D

RGB 8 227 157

HSL 160.82, 0.93%, 0.46%

LAB 80.42, -61.86, 21.57

 

CMYK 87 / 0 / 28 / 18

HEX #1BD096

RGB 27 208 150

HSL 160.77, 0.77%, 0.46%

LAB 74.54, -55.54, 17.13

 

CMYK 76 / 0 / 24 / 26

HEX #2EBD8F

RGB 46 189 143

HSL 160.7, 0.61%, 0.46%

LAB 68.72, -47.92, 12.79

 

CMYK 62 / 0 / 20 / 33

HEX #41AA88

RGB 65 170 136

HSL 160.57, 0.45%, 0.46%

LAB 63.05, -38.48, 8.67

 

CMYK 44 / 0 / 15 / 41

HEX #549781

RGB 84 151 129

HSL 160.3, 0.29%, 0.46%

LAB 57.66, -26.76, 4.98

 

CMYK 22 / 0 / 7 / 48

HEX #67847B

RGB 103 132 123

HSL 161.38, 0.12%, 0.46%

LAB 52.75, -12.31, 1.46

 

CMYK 87 / 0 / 75 / 18

HEX #1BD033

RGB 27 208 51

HSL 127.96, 0.77%, 0.46%

LAB 73.27, -70.52, 61.67

 

CMYK 87 / 0 / 52 / 18

HEX #1BD063

RGB 27 208 99

HSL 143.87, 0.77%, 0.46%

LAB 73.7, -65.19, 42.12

 

CMYK 87 / 0 / 29 / 18

HEX #1BD093

RGB 27 208 147

HSL 159.78, 0.77%, 0.46%

LAB 74.48, -56.21, 18.64

 

CMYK 87 / 0 / 6 / 18

HEX #1BD0C4

RGB 27 208 196

HSL 176.02, 0.77%, 0.46%

LAB 75.66, -43.75, -5.95

 

CMYK 87 / 18 / 0 / 18

HEX #1BABD0

RGB 27 171 208

HSL 192.27, 0.77%, 0.46%

LAB 64.89, -22.45, -28.78

 

CMYK 87 / 0 / 28 / 47

HEX #118761

RGB 17 135 97

HSL 160.68, 0.78%, 0.3%

LAB 49.87, -39.87, 12

 

CMYK 87 / 0 / 27 / 33

HEX #16AB7C

RGB 22 171 124

HSL 161.07, 0.77%, 0.38%

LAB 62.3, -47.56, 14.14

 

CMYK 87 / 0 / 28 / 18

HEX #1BD096

RGB 27 208 150

HSL 160.77, 0.77%, 0.46%

LAB 74.54, -55.54, 17.13

 

CMYK 79 / 0 / 25 / 11

HEX #30E4AB

RGB 48 228 171

HSL 161, 0.77%, 0.54%

LAB 81.32, -56.68, 15.57

 

CMYK 64 / 0 / 21 / 9

HEX #54E9B9

RGB 84 233 185

HSL 160.67, 0.77%, 0.62%

LAB 83.79, -50.66, 11.82

 

CMYK 87 / 0 / 28 / 18

HEX #1BD197

RGB 27 209 151

HSL 160.88, 0.77%, 0.46%

LAB 74.87, -55.69, 17.06

 

CMYK 87 / 75 / 0 / 18

HEX #1B33D0

RGB 27 51 208

HSL 232.04, 0.77%, 0.46%

LAB 32.16, 50.18, -81.28

 

CMYK 0 / 64 / 87 / 18

HEX #D04B1B

RGB 208 75 27

HSL 15.91, 0.77%, 0.46%

LAB 50.12, 50.54, 52.95

 

CMYK 87 / 0 / 28 / 18

HEX #1BD197

RGB 27 209 151

HSL 160.88, 0.77%, 0.46%

LAB 74.87, -55.69, 17.06

 

CMYK 29 / 87 / 0 / 18

HEX #931BD0

RGB 147 27 208

HSL 279.78, 0.77%, 0.46%

LAB 40.48, 71.76, -67.18

 

CMYK 0 / 29 / 87 / 18

HEX #D0931B

RGB 208 147 27

HSL 39.78, 0.77%, 0.46%

LAB 65.24, 13.72, 65.1

 

CMYK 87 / 0 / 28 / 18

HEX #1BD197

RGB 27 209 151

HSL 160.88, 0.77%, 0.46%

LAB 74.87, -55.69, 17.06

 

CMYK 87 / 75 / 0 / 18

HEX #1B33D0

RGB 27 51 208

HSL 232.04, 0.77%, 0.46%

LAB 32.16, 50.18, -81.28

 

CMYK 0 / 87 / 58 / 18

HEX #D01B57

RGB 208 27 87

HSL 340.11, 0.77%, 0.46%

LAB 45.47, 68.22, 14.54

 

CMYK 0 / 12 / 87 / 18

HEX #D0B81B

RGB 208 184 27

HSL 52.04, 0.77%, 0.46%

LAB 74.68, -5.98, 72.67

 

CMYK 87 / 0 / 28 / 18

HEX #1BD197

RGB 27 209 151

HSL 160.88, 0.77%, 0.46%

LAB 74.87, -55.69, 17.06

 

CMYK 73 / 87 / 0 / 18

HEX #391BD0

RGB 57 27 208

HSL 249.94, 0.77%, 0.46%

LAB 29.93, 62.67, -84.93

 

CMYK 0 / 87 / 58 / 18

HEX #D01B57

RGB 208 27 87

HSL 340.11, 0.77%, 0.46%

LAB 45.47, 68.22, 14.54

 

CMYK 14 / 0 / 87 / 18

HEX #B2D01B

RGB 178 208 27

HSL 69.94, 0.77%, 0.46%

LAB 78.84, -30.66, 75.07

 

Description

Color code: HEX #1BD197 | qconv.com Color code: HEX #1BD197 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 209 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 209 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 28 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 28% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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