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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BD06F it is the complementary color #E42F90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BD06F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BD06F shade: #20D06A, #31E27D, #42F490, #53FFA3 and #64FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BD06F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BD06F shade: #1BD06F, #0ABE5C, #00AC49, #009A36 and #008823

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BD06F shade: #1BD06F, #1BD03E, #29D01B, #59D01B and #8AD01B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BD06F shade: #1BD06F, #1BD0A0, #1BCFD0, #1B9ED0 and #1B6ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BD06F shade matches the following richer shades: #1BD06F and #08E36D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BD06F shade: #1BD06F, #2EBD70, #41AA72, #549773 and #678474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BD06F shade: #2AD01B, #1BD03C, #1BD06C, #1BD09C and #1BD0CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BD06F shade: #118748, #16AB5B, #1BD06F, #30E483 and #54E999

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BD06F shade: #1BD06F, #1B5AD0 and #D0241B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BD06F shade: #1BD06F, #6C1BD0 and #D06C1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BD06F shade: #1BD06F, #1B5AD0, #D01B7E and #D0901B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BD06F shade: #1BD06F, #1B24D0, #D01B7E and #D0C71B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 47 / 18

HEX #1BD06F

RGB 27 208 111

HSL 147.85, 0.77%, 0.46%

LAB 73.86, -63.28, 36.44

 

Complementary color

CMYK 0 / 79 / 37 / 11

HEX #E42F90

RGB 228 47 144

HSL 327.85, 0.77%, 0.54%

LAB 52.44, 73.48, -9.7

 

CMYK 85 / 0 / 49 / 18

HEX #20D06A

RGB 32 208 106

HSL 145.23, 0.73%, 0.47%

LAB 73.84, -63.71, 38.9

 

CMYK 78 / 0 / 45 / 11

HEX #31E27D

RGB 49 226 125

HSL 145.76, 0.75%, 0.54%

LAB 79.91, -64.98, 37.26

 

CMYK 73 / 0 / 41 / 4

HEX #42F490

RGB 66 244 144

HSL 146.29, 0.89%, 0.61%

LAB 85.94, -65.87, 35.7

 

CMYK 67 / 0 / 36 / 0

HEX #53FFA3

RGB 83 255 163

HSL 147.91, 1%, 0.66%

LAB 89.86, -63.91, 31.48

 

CMYK 61 / 0 / 29 / 0

HEX #64FFB6

RGB 100 255 182

HSL 151.74, 1%, 0.7%

LAB 90.6, -57.32, 22.96

 

CMYK 87 / 0 / 47 / 18

HEX #1BD06F

RGB 27 208 111

HSL 147.85, 0.77%, 0.46%

LAB 73.86, -63.28, 36.44

 

CMYK 95 / 0 / 52 / 25

HEX #0ABE5C

RGB 10 190 92

HSL 147.33, 0.9%, 0.39%

LAB 67.77, -61.38, 38.2

 

CMYK 100 / 0 / 58 / 33

HEX #00AC49

RGB 0 172 73

HSL 145.47, 1%, 0.34%

LAB 61.64, -58.85, 40.02

 

CMYK 100 / 0 / 65 / 40

HEX #009A36

RGB 0 154 54

HSL 141.04, 1%, 0.3%

LAB 55.46, -55.65, 41.74

 

CMYK 100 / 0 / 74 / 47

HEX #008823

RGB 0 136 35

HSL 135.44, 1%, 0.27%

LAB 49.17, -52.09, 43.04

 

CMYK 87 / 0 / 47 / 18

HEX #1BD06F

RGB 27 208 111

HSL 147.85, 0.77%, 0.46%

LAB 73.86, -63.28, 36.44

 

CMYK 87 / 0 / 70 / 18

HEX #1BD03E

RGB 27 208 62

HSL 131.6, 0.77%, 0.46%

LAB 73.35, -69.62, 57.84

 

CMYK 80 / 0 / 87 / 18

HEX #29D01B

RGB 41 208 27

HSL 115.36, 0.77%, 0.46%

LAB 73.33, -70.46, 68.19

 

CMYK 57 / 0 / 87 / 18

HEX #59D01B

RGB 89 208 27

HSL 99.45, 0.77%, 0.46%

LAB 74.39, -61.44, 69.53

 

CMYK 34 / 0 / 87 / 18

HEX #8AD01B

RGB 138 208 27

HSL 83.2, 0.77%, 0.46%

LAB 76.43, -46.16, 72.08

 

CMYK 87 / 0 / 47 / 18

HEX #1BD06F

RGB 27 208 111

HSL 147.85, 0.77%, 0.46%

LAB 73.86, -63.28, 36.44

 

CMYK 87 / 0 / 23 / 18

HEX #1BD0A0

RGB 27 208 160

HSL 164.09, 0.77%, 0.46%

LAB 74.75, -53.2, 12.1

 

CMYK 87 / 0 / 0 / 18

HEX #1BCFD0

RGB 27 207 208

HSL 180.33, 0.77%, 0.46%

LAB 75.71, -39.83, -12.34

 

CMYK 87 / 24 / 0 / 18

HEX #1B9ED0

RGB 27 158 208

HSL 196.57, 0.77%, 0.46%

LAB 60.99, -15.56, -34.83

 

CMYK 87 / 47 / 0 / 18

HEX #1B6ED0

RGB 27 110 208

HSL 212.49, 0.77%, 0.46%

LAB 46.89, 12.88, -57.18

 

CMYK 87 / 0 / 47 / 18

HEX #1BD06F

RGB 27 208 111

HSL 147.85, 0.77%, 0.46%

LAB 73.86, -63.28, 36.44

 

CMYK 96 / 0 / 52 / 11

HEX #08E36D

RGB 8 227 109

HSL 147.67, 0.93%, 0.46%

LAB 79.67, -70.68, 44.64

 

CMYK 87 / 0 / 47 / 18

HEX #1BD06F

RGB 27 208 111

HSL 147.85, 0.77%, 0.46%

LAB 73.86, -63.28, 36.44

 

CMYK 76 / 0 / 41 / 26

HEX #2EBD70

RGB 46 189 112

HSL 147.69, 0.61%, 0.46%

LAB 68.13, -54.47, 28.55

 

CMYK 62 / 0 / 33 / 33

HEX #41AA72

RGB 65 170 114

HSL 148, 0.45%, 0.46%

LAB 62.58, -43.36, 20.14

 

CMYK 44 / 0 / 24 / 41

HEX #549773

RGB 84 151 115

HSL 147.76, 0.29%, 0.46%

LAB 57.32, -29.89, 12.44

 

CMYK 22 / 0 / 12 / 48

HEX #678474

RGB 103 132 116

HSL 146.9, 0.12%, 0.46%

LAB 52.56, -13.82, 5.26

 

CMYK 80 / 0 / 87 / 18

HEX #2AD01B

RGB 42 208 27

HSL 115.03, 0.77%, 0.46%

LAB 73.34, -70.34, 68.21

 

CMYK 87 / 0 / 71 / 18

HEX #1BD03C

RGB 27 208 60

HSL 130.94, 0.77%, 0.46%

LAB 73.33, -69.8, 58.57

 

CMYK 87 / 0 / 48 / 18

HEX #1BD06C

RGB 27 208 108

HSL 146.85, 0.77%, 0.46%

LAB 73.82, -63.78, 37.87

 

CMYK 87 / 0 / 25 / 18

HEX #1BD09C

RGB 27 208 156

HSL 162.76, 0.77%, 0.46%

LAB 74.66, -54.15, 14.11

 

CMYK 87 / 0 / 1 / 18

HEX #1BD0CD

RGB 27 208 205

HSL 179.01, 0.77%, 0.46%

LAB 75.92, -41.16, -10.41

 

CMYK 87 / 0 / 47 / 47

HEX #118748

RGB 17 135 72

HSL 147.97, 0.78%, 0.3%

LAB 49.39, -45.31, 25.44

 

CMYK 87 / 0 / 47 / 33

HEX #16AB5B

RGB 22 171 91

HSL 147.79, 0.77%, 0.38%

LAB 61.7, -54.4, 31.1

 

CMYK 87 / 0 / 47 / 18

HEX #1BD06F

RGB 27 208 111

HSL 147.85, 0.77%, 0.46%

LAB 73.86, -63.28, 36.44

 

CMYK 79 / 0 / 43 / 11

HEX #30E483

RGB 48 228 131

HSL 147.67, 0.77%, 0.54%

LAB 80.6, -64.76, 35.16

 

CMYK 64 / 0 / 34 / 9

HEX #54E999

RGB 84 233 153

HSL 147.79, 0.77%, 0.62%

LAB 83.16, -57.31, 27.53

 

CMYK 87 / 0 / 47 / 18

HEX #1BD06F

RGB 27 208 111

HSL 147.85, 0.77%, 0.46%

LAB 73.86, -63.28, 36.44

 

CMYK 87 / 57 / 0 / 18

HEX #1B5AD0

RGB 27 90 208

HSL 219.12, 0.77%, 0.46%

LAB 41.37, 25.83, -66.13

 

CMYK 0 / 83 / 87 / 18

HEX #D0241B

RGB 208 36 27

HSL 2.98, 0.77%, 0.46%

LAB 45.29, 63.85, 49.06

 

CMYK 87 / 0 / 47 / 18

HEX #1BD06F

RGB 27 208 111

HSL 147.85, 0.77%, 0.46%

LAB 73.86, -63.28, 36.44

 

CMYK 48 / 87 / 0 / 18

HEX #6C1BD0

RGB 108 27 208

HSL 266.85, 0.77%, 0.46%

LAB 35.06, 66.86, -76.28

 

CMYK 0 / 48 / 87 / 18

HEX #D06C1B

RGB 208 108 27

HSL 26.85, 0.77%, 0.46%

LAB 56.3, 34.64, 57.91

 

CMYK 87 / 0 / 47 / 18

HEX #1BD06F

RGB 27 208 111

HSL 147.85, 0.77%, 0.46%

LAB 73.86, -63.28, 36.44

 

CMYK 87 / 57 / 0 / 18

HEX #1B5AD0

RGB 27 90 208

HSL 219.12, 0.77%, 0.46%

LAB 41.37, 25.83, -66.13

 

CMYK 0 / 87 / 39 / 18

HEX #D01B7E

RGB 208 27 126

HSL 327.18, 0.77%, 0.46%

LAB 46.58, 71.34, -7.99

 

CMYK 0 / 31 / 87 / 18

HEX #D0901B

RGB 208 144 27

HSL 38.78, 0.77%, 0.46%

LAB 64.51, 15.34, 64.51

 

CMYK 87 / 0 / 47 / 18

HEX #1BD06F

RGB 27 208 111

HSL 147.85, 0.77%, 0.46%

LAB 73.86, -63.28, 36.44

 

CMYK 87 / 83 / 0 / 18

HEX #1B24D0

RGB 27 36 208

HSL 237.02, 0.77%, 0.46%

LAB 29.54, 57.78, -85.63

 

CMYK 0 / 87 / 39 / 18

HEX #D01B7E

RGB 208 27 126

HSL 327.18, 0.77%, 0.46%

LAB 46.58, 71.34, -7.99

 

CMYK 0 / 4 / 87 / 18

HEX #D0C71B

RGB 208 199 27

HSL 57.02, 0.77%, 0.46%

LAB 78.66, -13.65, 75.87

 

Description

Color code: HEX #1BD06F | qconv.com Color code: HEX #1BD06F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 208 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 208 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 47 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 47% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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