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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BC45B it is the complementary color #E43BA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BC45B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BC45B shade: #20C456, #31D669, #42E87C, #53FA8F and #64FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BC45B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BC45B shade: #1BC45B, #0AB248, #00A035, #008E22 and #007C0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BC45B shade: #1BC55C, #1BC52E, #36C51B, #64C51B and #92C51B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BC45B shade: #1BC55C, #1BC589, #1BC5B7, #1BA5C5 and #1B77C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BC45B shade matches the following richer shades: #1BC55C and #09D857

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BC45B shade: #1BC55C, #2DB360, #3FA164, #518F69 and #647D6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BC45B shade: #37C51B, #1BC52C, #1BC559, #1BC587 and #1BC5B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BC45B shade: #117D3A, #16A14B, #1BC55C, #28E26E and #4CE787

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BC45B shade: #1BC45B, #1B65C5 and #C51B21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BC45B shade: #1BC45B, #591BC5 and #C5591B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BC45B shade: #1BC45B, #1B65C5, #C51B87 and #C57C1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BC45B shade: #1BC45B, #1B32C5, #C51B87 and #C5AF1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 54 / 23

HEX #1BC45B

RGB 27 196 91

HSL 142.72, 0.76%, 0.44%

LAB 69.8, -62.47, 41.21

 

Complementary color

CMYK 0 / 74 / 28 / 11

HEX #E43BA4

RGB 228 59 164

HSL 322.72, 0.76%, 0.56%

LAB 54.35, 72.29, -18.66

 

CMYK 84 / 0 / 56 / 23

HEX #20C456

RGB 32 196 86

HSL 139.76, 0.72%, 0.45%

LAB 69.8, -62.74, 43.6

 

CMYK 77 / 0 / 51 / 16

HEX #31D669

RGB 49 214 105

HSL 140.36, 0.67%, 0.52%

LAB 75.93, -64.08, 42.03

 

CMYK 72 / 0 / 47 / 9

HEX #42E87C

RGB 66 232 124

HSL 140.96, 0.78%, 0.58%

LAB 82.02, -64.98, 40.49

 

CMYK 67 / 0 / 43 / 2

HEX #53FA8F

RGB 83 250 143

HSL 141.56, 0.94%, 0.65%

LAB 88.06, -65.57, 39.01

 

CMYK 61 / 0 / 36 / 0

HEX #64FFA2

RGB 100 255 162

HSL 144, 1%, 0.7%

LAB 90.25, -61.07, 32.56

 

CMYK 86 / 0 / 54 / 23

HEX #1BC45B

RGB 27 196 91

HSL 142.72, 0.76%, 0.44%

LAB 69.8, -62.47, 41.21

 

CMYK 94 / 0 / 60 / 30

HEX #0AB248

RGB 10 178 72

HSL 142.14, 0.89%, 0.37%

LAB 63.65, -60.42, 42.87

 

CMYK 100 / 0 / 67 / 37

HEX #00A035

RGB 0 160 53

HSL 139.88, 1%, 0.31%

LAB 57.46, -57.63, 44.4

 

CMYK 100 / 0 / 76 / 44

HEX #008E22

RGB 0 142 34

HSL 134.37, 1%, 0.28%

LAB 51.22, -54.01, 45.52

 

CMYK 100 / 0 / 88 / 51

HEX #007C0F

RGB 0 124 15

HSL 127.26, 1%, 0.24%

LAB 44.87, -49.9, 45.52

 

CMYK 86 / 0 / 53 / 23

HEX #1BC55C

RGB 27 197 92

HSL 142.94, 0.76%, 0.44%

LAB 70.13, -62.65, 41.13

 

CMYK 86 / 0 / 77 / 23

HEX #1BC52E

RGB 27 197 46

HSL 126.71, 0.76%, 0.44%

LAB 69.73, -67.67, 59.81

 

CMYK 73 / 0 / 86 / 23

HEX #36C51B

RGB 54 197 27

HSL 110.47, 0.76%, 0.44%

LAB 70.03, -65.31, 65.38

 

CMYK 49 / 0 / 86 / 23

HEX #64C51B

RGB 100 197 27

HSL 94.24, 0.76%, 0.44%

LAB 71.37, -54.43, 67.06

 

CMYK 26 / 0 / 86 / 23

HEX #92C51B

RGB 146 197 27

HSL 78, 0.76%, 0.44%

LAB 73.63, -38.41, 69.89

 

CMYK 86 / 0 / 53 / 23

HEX #1BC55C

RGB 27 197 92

HSL 142.94, 0.76%, 0.44%

LAB 70.13, -62.65, 41.13

 

CMYK 86 / 0 / 30 / 23

HEX #1BC589

RGB 27 197 137

HSL 158.82, 0.76%, 0.44%

LAB 70.85, -54.28, 18.95

 

CMYK 86 / 0 / 7 / 23

HEX #1BC5B7

RGB 27 197 183

HSL 175.06, 0.76%, 0.44%

LAB 71.95, -42.62, -4.38

 

CMYK 86 / 16 / 0 / 23

HEX #1BA5C5

RGB 27 165 197

HSL 191.29, 0.76%, 0.44%

LAB 62.65, -23.06, -26.12

 

CMYK 86 / 40 / 0 / 23

HEX #1B77C5

RGB 27 119 197

HSL 207.53, 0.76%, 0.44%

LAB 48.83, 2.96, -47.78

 

CMYK 86 / 0 / 53 / 23

HEX #1BC55C

RGB 27 197 92

HSL 142.94, 0.76%, 0.44%

LAB 70.13, -62.65, 41.13

 

CMYK 96 / 0 / 60 / 15

HEX #09D857

RGB 9 216 87

HSL 142.61, 0.92%, 0.44%

LAB 75.98, -70.29, 50.37

 

CMYK 86 / 0 / 53 / 23

HEX #1BC55C

RGB 27 197 92

HSL 142.94, 0.76%, 0.44%

LAB 70.13, -62.65, 41.13

 

CMYK 75 / 0 / 46 / 30

HEX #2DB360

RGB 45 179 96

HSL 142.84, 0.6%, 0.44%

LAB 64.68, -53.8, 32.38

 

CMYK 61 / 0 / 38 / 37

HEX #3FA164

RGB 63 161 100

HSL 142.65, 0.44%, 0.44%

LAB 59.4, -42.78, 23.47

 

CMYK 43 / 0 / 27 / 44

HEX #518F69

RGB 81 143 105

HSL 143.23, 0.28%, 0.44%

LAB 54.46, -29, 14.09

 

CMYK 20 / 0 / 13 / 51

HEX #647D6D

RGB 100 125 109

HSL 141.6, 0.11%, 0.44%

LAB 50.07, -12.52, 5.75

 

CMYK 72 / 0 / 86 / 23

HEX #37C51B

RGB 55 197 27

HSL 110.12, 0.76%, 0.44%

LAB 70.05, -65.14, 65.41

 

CMYK 86 / 0 / 78 / 23

HEX #1BC52C

RGB 27 197 44

HSL 126, 0.76%, 0.44%

LAB 69.72, -67.81, 60.44

 

CMYK 86 / 0 / 55 / 23

HEX #1BC559

RGB 27 197 89

HSL 141.88, 0.76%, 0.44%

LAB 70.1, -63.08, 42.53

 

CMYK 86 / 0 / 31 / 23

HEX #1BC587

RGB 27 197 135

HSL 158.12, 0.76%, 0.44%

LAB 70.81, -54.72, 19.96

 

CMYK 86 / 0 / 9 / 23

HEX #1BC5B4

RGB 27 197 180

HSL 174, 0.76%, 0.44%

LAB 71.87, -43.46, -2.87

 

CMYK 86 / 0 / 54 / 51

HEX #117D3A

RGB 17 125 58

HSL 142.78, 0.76%, 0.28%

LAB 45.76, -44.12, 28.41

 

CMYK 86 / 0 / 53 / 37

HEX #16A14B

RGB 22 161 75

HSL 142.88, 0.76%, 0.36%

LAB 58.2, -53.6, 34.91

 

CMYK 86 / 0 / 53 / 23

HEX #1BC55C

RGB 27 197 92

HSL 142.94, 0.76%, 0.44%

LAB 70.13, -62.65, 41.13

 

CMYK 82 / 0 / 51 / 11

HEX #28E26E

RGB 40 226 110

HSL 142.58, 0.76%, 0.52%

LAB 79.6, -68.3, 44.13

 

CMYK 67 / 0 / 42 / 9

HEX #4CE787

RGB 76 231 135

HSL 142.84, 0.76%, 0.6%

LAB 82.08, -61.21, 35.17

 

CMYK 86 / 0 / 54 / 23

HEX #1BC45B

RGB 27 196 91

HSL 142.72, 0.76%, 0.44%

LAB 69.8, -62.47, 41.21

 

CMYK 86 / 49 / 0 / 23

HEX #1B65C5

RGB 27 101 197

HSL 213.88, 0.76%, 0.44%

LAB 43.61, 14.35, -56.16

 

CMYK 0 / 86 / 83 / 23

HEX #C51B21

RGB 197 27 33

HSL 357.88, 0.76%, 0.44%

LAB 42.41, 62.93, 42.71

 

CMYK 86 / 0 / 54 / 23

HEX #1BC45B

RGB 27 196 91

HSL 142.72, 0.76%, 0.44%

LAB 69.8, -62.47, 41.21

 

CMYK 55 / 86 / 0 / 23

HEX #591BC5

RGB 89 27 197

HSL 261.88, 0.76%, 0.44%

LAB 31.67, 62.25, -75.53

 

CMYK 0 / 55 / 86 / 23

HEX #C5591B

RGB 197 89 27

HSL 21.88, 0.76%, 0.44%

LAB 50.8, 39.94, 52.75

 

CMYK 86 / 0 / 54 / 23

HEX #1BC45B

RGB 27 196 91

HSL 142.72, 0.76%, 0.44%

LAB 69.8, -62.47, 41.21

 

CMYK 86 / 49 / 0 / 23

HEX #1B65C5

RGB 27 101 197

HSL 213.88, 0.76%, 0.44%

LAB 43.61, 14.35, -56.16

 

CMYK 0 / 86 / 31 / 23

HEX #C51B87

RGB 197 27 135

HSL 321.88, 0.76%, 0.44%

LAB 44.81, 69.77, -16.37

 

CMYK 0 / 37 / 86 / 23

HEX #C57C1B

RGB 197 124 27

HSL 34.24, 0.76%, 0.44%

LAB 58.38, 21.45, 58.98

 

CMYK 86 / 0 / 54 / 23

HEX #1BC45B

RGB 27 196 91

HSL 142.72, 0.76%, 0.44%

LAB 69.8, -62.47, 41.21

 

CMYK 86 / 75 / 0 / 23

HEX #1B32C5

RGB 27 50 197

HSL 231.88, 0.76%, 0.44%

LAB 30.75, 47.01, -77.19

 

CMYK 0 / 86 / 31 / 23

HEX #C51B87

RGB 197 27 135

HSL 321.88, 0.76%, 0.44%

LAB 44.81, 69.77, -16.37

 

CMYK 0 / 11 / 86 / 23

HEX #C5AF1B

RGB 197 175 27

HSL 52.24, 0.76%, 0.44%

LAB 71.29, -6.12, 69.51

 

Description

Color code: HEX #1BC45B | qconv.com Color code: HEX #1BC45B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 196 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 196 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 54 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 54% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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