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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BC2D9 it is the complementary color #E43D26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BC2D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BC2D9 shade: #20C2D4, #31D4E7, #42E6FA, #53F8FF and #64FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BC2D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BC2D9 shade: #1BC2D9, #0AB0C6, #009EB3, #008CA0 and #007A8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BC2D9 shade: #1BC3DA, #1B8FDA, #1B5CDA, #1B28DA and #411BDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BC2D9 shade: #1BC3DA, #1B8FDA, #1B5CDA, #1B28DA and #1B1BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BC2D9 shade matches the following richer shades: #1BC3DA and #07D2EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BC2D9 shade: #1BC3DA, #2FB4C6, #43A5B2, #56969E and #6A878B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BC2D9 shade: #1BDA8A, #1BDABD, #1BC4DA, #1B91DA and #1B5EDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BC2D9 shade: #128190, #16A2B5, #1BC3DA, #38D1E6 and #5CDAEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BC2D9 shade: #1BC2D9, #571BDA and #DAA41B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BC2D9 shade: #1BC2D9, #DA1BC4 and #C4DA1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BC2D9 shade: #1BC2D9, #571BDA, #DA311B and #9DDA1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BC2D9 shade: #1BC2D9, #911BDA, #DA311B and #64DA1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 11 / 0 / 15

HEX #1BC2D9

RGB 27 194 217

HSL 187.26, 0.78%, 0.48%

LAB 72.11, -30.99, -22.65

 

Complementary color

CMYK 0 / 73 / 83 / 11

HEX #E43D26

RGB 228 61 38

HSL 7.26, 0.78%, 0.52%

LAB 51.8, 62.72, 51

 

CMYK 85 / 8 / 0 / 17

HEX #20C2D4

RGB 32 194 212

HSL 186, 0.74%, 0.48%

LAB 71.99, -32.26, -20.11

 

CMYK 79 / 8 / 0 / 9

HEX #31D4E7

RGB 49 212 231

HSL 186.26, 0.79%, 0.55%

LAB 78.17, -33.64, -20.96

 

CMYK 74 / 8 / 0 / 2

HEX #42E6FA

RGB 66 230 250

HSL 186.52, 0.95%, 0.62%

LAB 84.31, -34.73, -21.73

 

CMYK 67 / 3 / 0 / 0

HEX #53F8FF

RGB 83 248 255

HSL 182.44, 1%, 0.66%

LAB 89.95, -39.56, -15.8

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 88 / 11 / 0 / 15

HEX #1BC2D9

RGB 27 194 217

HSL 187.26, 0.78%, 0.48%

LAB 72.11, -30.99, -22.65

 

CMYK 95 / 11 / 0 / 22

HEX #0AB0C6

RGB 10 176 198

HSL 187.02, 0.9%, 0.41%

LAB 65.9, -29.09, -21.72

 

CMYK 100 / 12 / 0 / 30

HEX #009EB3

RGB 0 158 179

HSL 187.04, 1%, 0.35%

LAB 59.62, -26.78, -20.68

 

CMYK 100 / 13 / 0 / 37

HEX #008CA0

RGB 0 140 160

HSL 187.5, 1%, 0.31%

LAB 53.27, -24.1, -19.55

 

CMYK 100 / 13 / 0 / 45

HEX #007A8D

RGB 0 122 141

HSL 188.09, 1%, 0.28%

LAB 46.77, -21.35, -18.41

 

CMYK 88 / 11 / 0 / 15

HEX #1BC3DA

RGB 27 195 218

HSL 187.23, 0.78%, 0.48%

LAB 72.45, -31.16, -22.69

 

CMYK 88 / 34 / 0 / 15

HEX #1B8FDA

RGB 27 143 218

HSL 203.56, 0.78%, 0.48%

LAB 57.02, -3.47, -46.67

 

CMYK 88 / 58 / 0 / 15

HEX #1B5CDA

RGB 27 92 218

HSL 219.58, 0.78%, 0.48%

LAB 42.69, 28.39, -69.72

 

CMYK 88 / 82 / 0 / 15

HEX #1B28DA

RGB 27 40 218

HSL 235.92, 0.78%, 0.48%

LAB 31.38, 59, -88.36

 

CMYK 70 / 88 / 0 / 15

HEX #411BDA

RGB 65 27 218

HSL 251.94, 0.78%, 0.48%

LAB 31.74, 65.79, -87.7

 

CMYK 88 / 11 / 0 / 15

HEX #1BC3DA

RGB 27 195 218

HSL 187.23, 0.78%, 0.48%

LAB 72.45, -31.16, -22.69

 

CMYK 88 / 34 / 0 / 15

HEX #1B8FDA

RGB 27 143 218

HSL 203.56, 0.78%, 0.48%

LAB 57.02, -3.47, -46.67

 

CMYK 88 / 58 / 0 / 15

HEX #1B5CDA

RGB 27 92 218

HSL 219.58, 0.78%, 0.48%

LAB 42.69, 28.39, -69.72

 

CMYK 88 / 82 / 0 / 15

HEX #1B28DA

RGB 27 40 218

HSL 235.92, 0.78%, 0.48%

LAB 31.38, 59, -88.36

 

CMYK 88 / 88 / 0 / 15

HEX #1B1BDA

RGB 27 27 218

HSL 240, 0.78%, 0.48%

LAB 29.61, 64.27, -91.3

 

CMYK 88 / 11 / 0 / 15

HEX #1BC3DA

RGB 27 195 218

HSL 187.23, 0.78%, 0.48%

LAB 72.45, -31.16, -22.69

 

CMYK 97 / 12 / 0 / 7

HEX #07D2EE

RGB 7 210 238

HSL 187.27, 0.94%, 0.48%

LAB 77.47, -32.71, -25.82

 

CMYK 88 / 11 / 0 / 15

HEX #1BC3DA

RGB 27 195 218

HSL 187.23, 0.78%, 0.48%

LAB 72.45, -31.16, -22.69

 

CMYK 76 / 9 / 0 / 22

HEX #2FB4C6

RGB 47 180 198

HSL 187.15, 0.62%, 0.48%

LAB 67.52, -28.55, -19.21

 

CMYK 62 / 7 / 0 / 30

HEX #43A5B2

RGB 67 165 178

HSL 187.03, 0.45%, 0.48%

LAB 62.78, -24.37, -15.23

 

CMYK 46 / 5 / 0 / 38

HEX #56969E

RGB 86 150 158

HSL 186.67, 0.3%, 0.48%

LAB 58.28, -18.32, -10.62

 

CMYK 24 / 3 / 0 / 45

HEX #6A878B

RGB 106 135 139

HSL 187.27, 0.13%, 0.48%

LAB 54.3, -9.29, -5.53

 

CMYK 88 / 0 / 37 / 15

HEX #1BDA8A

RGB 27 218 138

HSL 154.87, 0.78%, 0.48%

LAB 77.41, -61.76, 27.34

 

CMYK 88 / 0 / 13 / 15

HEX #1BDABD

RGB 27 218 189

HSL 170.89, 0.78%, 0.48%

LAB 78.49, -49.9, 1.96

 

CMYK 88 / 10 / 0 / 15

HEX #1BC4DA

RGB 27 196 218

HSL 186.91, 0.78%, 0.48%

LAB 72.74, -31.64, -22.23

 

CMYK 88 / 33 / 0 / 15

HEX #1B91DA

RGB 27 145 218

HSL 202.93, 0.78%, 0.48%

LAB 57.6, -4.63, -45.74

 

CMYK 88 / 57 / 0 / 15

HEX #1B5EDA

RGB 27 94 218

HSL 218.95, 0.78%, 0.48%

LAB 43.21, 27.09, -68.86

 

CMYK 88 / 10 / 0 / 44

HEX #128190

RGB 18 129 144

HSL 187.14, 0.78%, 0.32%

LAB 49.3, -22.99, -16.29

 

CMYK 88 / 10 / 0 / 29

HEX #16A2B5

RGB 22 162 181

HSL 187.17, 0.78%, 0.4%

LAB 61.09, -27.19, -19.56

 

CMYK 88 / 11 / 0 / 15

HEX #1BC3DA

RGB 27 195 218

HSL 187.23, 0.78%, 0.48%

LAB 72.45, -31.16, -22.69

 

CMYK 76 / 9 / 0 / 10

HEX #38D1E6

RGB 56 209 230

HSL 187.24, 0.78%, 0.56%

LAB 77.37, -31.84, -21.63

 

CMYK 61 / 7 / 0 / 8

HEX #5CDAEB

RGB 92 218 235

HSL 187.13, 0.78%, 0.64%

LAB 80.97, -29.78, -18.77

 

CMYK 88 / 11 / 0 / 15

HEX #1BC2D9

RGB 27 194 217

HSL 187.26, 0.78%, 0.48%

LAB 72.11, -30.99, -22.65

 

CMYK 60 / 88 / 0 / 15

HEX #571BDA

RGB 87 27 218

HSL 258.85, 0.78%, 0.48%

LAB 33.71, 67.3, -84.36

 

CMYK 0 / 25 / 88 / 15

HEX #DAA41B

RGB 218 164 27

HSL 43.04, 0.78%, 0.48%

LAB 70.55, 8.95, 69.8

 

CMYK 88 / 11 / 0 / 15

HEX #1BC2D9

RGB 27 194 217

HSL 187.26, 0.78%, 0.48%

LAB 72.11, -30.99, -22.65

 

CMYK 0 / 88 / 10 / 15

HEX #DA1BC4

RGB 218 27 196

HSL 306.91, 0.78%, 0.48%

LAB 51.47, 81.59, -41.94

 

CMYK 10 / 0 / 88 / 15

HEX #C4DA1B

RGB 196 218 27

HSL 66.91, 0.78%, 0.48%

LAB 82.89, -27.99, 78.89

 

CMYK 88 / 11 / 0 / 15

HEX #1BC2D9

RGB 27 194 217

HSL 187.26, 0.78%, 0.48%

LAB 72.11, -30.99, -22.65

 

CMYK 60 / 88 / 0 / 15

HEX #571BDA

RGB 87 27 218

HSL 258.85, 0.78%, 0.48%

LAB 33.71, 67.3, -84.36

 

CMYK 0 / 78 / 88 / 15

HEX #DA311B

RGB 218 49 27

HSL 6.91, 0.78%, 0.48%

LAB 48.49, 63.26, 52.43

 

CMYK 28 / 0 / 88 / 15

HEX #9DDA1B

RGB 157 218 27

HSL 79.16, 0.78%, 0.48%

LAB 80.4, -43.41, 75.82

 

CMYK 88 / 11 / 0 / 15

HEX #1BC2D9

RGB 27 194 217

HSL 187.26, 0.78%, 0.48%

LAB 72.11, -30.99, -22.65

 

CMYK 33 / 88 / 0 / 15

HEX #911BDA

RGB 145 27 218

HSL 277.07, 0.78%, 0.48%

LAB 41, 73.48, -72.1

 

CMYK 0 / 78 / 88 / 15

HEX #DA311B

RGB 218 49 27

HSL 6.91, 0.78%, 0.48%

LAB 48.49, 63.26, 52.43

 

CMYK 54 / 0 / 88 / 15

HEX #64DA1B

RGB 100 218 27

HSL 97.07, 0.78%, 0.48%

LAB 77.83, -62.05, 72.63

 

Description

Color code: HEX #1BC2D9 | qconv.com Color code: HEX #1BC2D9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 194 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 194 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 11 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 11% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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