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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BC283 it is the complementary color #E43D7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BC283. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BC283 shade: #20C27E, #31D491, #42E6A4, #53F8B7 and #64FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BC283. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BC283 shade: #1BC283, #0AB070, #009E5D, #008C4A and #007A37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BC283 shade: #1AC182, #1AC155, #1AC128, #39C11A and #66C11A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BC283 shade: #1AC182, #1AC1AF, #1AA6C1, #1A79C1 and #1A4CC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BC283 shade matches the following richer shades: #1AC182 and #09D386

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BC283 shade: #1AC182, #2CAF7E, #3E9E79, #508C75 and #617A71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BC283 shade: #1AC128, #1AC155, #1AC181, #1AC1AE and #1AA8C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BC283 shade: #107851, #159D6A, #1AC182, #23E19A and #48E6AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BC283 shade: #1BC283, #1A39C1 and #C13E1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BC283 shade: #1BC283, #811AC1 and #C1811A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BC283 shade: #1BC283, #1A39C1, #C11A5A and #C1A21A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BC283 shade: #1BC283, #2E1AC1, #C11A5A and #AEC11A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 32 / 24

HEX #1BC283

RGB 27 194 131

HSL 157.37, 0.76%, 0.43%

LAB 69.79, -54.47, 20.7

 

Complementary color

CMYK 0 / 73 / 46 / 11

HEX #E43D7C

RGB 228 61 124

HSL 337.37, 0.76%, 0.57%

LAB 53.26, 67.53, 3.48

 

CMYK 84 / 0 / 35 / 24

HEX #20C27E

RGB 32 194 126

HSL 154.81, 0.72%, 0.44%

LAB 69.75, -55.12, 23.31

 

CMYK 77 / 0 / 32 / 17

HEX #31D491

RGB 49 212 145

HSL 155.34, 0.65%, 0.51%

LAB 75.94, -56.15, 21.74

 

CMYK 71 / 0 / 29 / 10

HEX #42E6A4

RGB 66 230 164

HSL 155.85, 0.77%, 0.58%

LAB 82.07, -56.84, 20.31

 

CMYK 67 / 0 / 26 / 3

HEX #53F8B7

RGB 83 248 183

HSL 156.36, 0.92%, 0.65%

LAB 88.16, -57.3, 18.99

 

CMYK 61 / 0 / 21 / 0

HEX #64FFCA

RGB 100 255 202

HSL 159.48, 1%, 0.7%

LAB 91, -53.14, 13.28

 

CMYK 86 / 0 / 32 / 24

HEX #1BC283

RGB 27 194 131

HSL 157.37, 0.76%, 0.43%

LAB 69.79, -54.47, 20.7

 

CMYK 94 / 0 / 36 / 31

HEX #0AB070

RGB 10 176 112

HSL 156.87, 0.89%, 0.36%

LAB 63.58, -52.85, 22.42

 

CMYK 100 / 0 / 41 / 38

HEX #009E5D

RGB 0 158 93

HSL 155.32, 1%, 0.31%

LAB 57.31, -50.68, 24.31

 

CMYK 100 / 0 / 47 / 45

HEX #008C4A

RGB 0 140 74

HSL 151.71, 1%, 0.27%

LAB 50.98, -47.92, 26.36

 

CMYK 100 / 0 / 55 / 52

HEX #007A37

RGB 0 122 55

HSL 147.05, 1%, 0.24%

LAB 44.51, -44.95, 28.43

 

CMYK 87 / 0 / 33 / 24

HEX #1AC182

RGB 26 193 130

HSL 157.37, 0.76%, 0.43%

LAB 69.45, -54.38, 20.76

 

CMYK 87 / 0 / 56 / 24

HEX #1AC155

RGB 26 193 85

HSL 141.2, 0.76%, 0.43%

LAB 68.76, -62.43, 42.82

 

CMYK 87 / 0 / 79 / 24

HEX #1AC128

RGB 26 193 40

HSL 125.03, 0.76%, 0.43%

LAB 68.4, -66.99, 60.39

 

CMYK 70 / 0 / 87 / 24

HEX #39C11A

RGB 57 193 26

HSL 108.86, 0.76%, 0.43%

LAB 68.81, -63.57, 64.55

 

CMYK 47 / 0 / 87 / 24

HEX #66C11A

RGB 102 193 26

HSL 92.69, 0.76%, 0.43%

LAB 70.2, -52.34, 66.3

 

CMYK 87 / 0 / 33 / 24

HEX #1AC182

RGB 26 193 130

HSL 157.37, 0.76%, 0.43%

LAB 69.45, -54.38, 20.76

 

CMYK 87 / 0 / 9 / 24

HEX #1AC1AF

RGB 26 193 175

HSL 173.53, 0.76%, 0.43%

LAB 70.49, -43.19, -2.16

 

CMYK 87 / 14 / 0 / 24

HEX #1AA6C1

RGB 26 166 193

HSL 189.7, 0.76%, 0.43%

LAB 62.8, -24.98, -23.67

 

CMYK 87 / 37 / 0 / 24

HEX #1A79C1

RGB 26 121 193

HSL 205.87, 0.76%, 0.43%

LAB 49.18, 0.13, -44.93

 

CMYK 87 / 61 / 0 / 24

HEX #1A4CC1

RGB 26 76 193

HSL 222.04, 0.76%, 0.43%

LAB 36.44, 29.15, -65.48

 

CMYK 87 / 0 / 33 / 24

HEX #1AC182

RGB 26 193 130

HSL 157.37, 0.76%, 0.43%

LAB 69.45, -54.38, 20.76

 

CMYK 96 / 0 / 36 / 17

HEX #09D386

RGB 9 211 134

HSL 157.13, 0.92%, 0.43%

LAB 75.06, -60.94, 26.23

 

CMYK 87 / 0 / 33 / 24

HEX #1AC182

RGB 26 193 130

HSL 157.37, 0.76%, 0.43%

LAB 69.45, -54.38, 20.76

 

CMYK 75 / 0 / 28 / 31

HEX #2CAF7E

RGB 44 175 126

HSL 157.56, 0.6%, 0.43%

LAB 63.92, -46.42, 15.34

 

CMYK 61 / 0 / 23 / 38

HEX #3E9E79

RGB 62 158 121

HSL 156.88, 0.44%, 0.43%

LAB 58.84, -37.26, 11.07

 

CMYK 43 / 0 / 16 / 45

HEX #508C75

RGB 80 140 117

HSL 157, 0.27%, 0.43%

LAB 53.76, -25.19, 6.22

 

CMYK 20 / 0 / 7 / 52

HEX #617A71

RGB 97 122 113

HSL 158.4, 0.11%, 0.43%

LAB 49.07, -11.07, 1.93

 

CMYK 87 / 0 / 79 / 24

HEX #1AC128

RGB 26 193 40

HSL 125.03, 0.76%, 0.43%

LAB 68.4, -66.99, 60.39

 

CMYK 87 / 0 / 56 / 24

HEX #1AC155

RGB 26 193 85

HSL 141.2, 0.76%, 0.43%

LAB 68.76, -62.43, 42.82

 

CMYK 87 / 0 / 33 / 24

HEX #1AC181

RGB 26 193 129

HSL 157.01, 0.76%, 0.43%

LAB 69.43, -54.6, 21.27

 

CMYK 87 / 0 / 10 / 24

HEX #1AC1AE

RGB 26 193 174

HSL 173.17, 0.76%, 0.43%

LAB 70.47, -43.46, -1.65

 

CMYK 87 / 13 / 0 / 24

HEX #1AA8C1

RGB 26 168 193

HSL 188.98, 0.76%, 0.43%

LAB 63.4, -26, -22.74

 

CMYK 87 / 0 / 33 / 53

HEX #107851

RGB 16 120 81

HSL 157.5, 0.76%, 0.27%

LAB 44.43, -37.62, 13.74

 

CMYK 87 / 0 / 32 / 38

HEX #159D6A

RGB 21 157 106

HSL 157.5, 0.76%, 0.35%

LAB 57.38, -46.29, 17.3

 

CMYK 87 / 0 / 33 / 24

HEX #1AC182

RGB 26 193 130

HSL 157.37, 0.76%, 0.43%

LAB 69.45, -54.38, 20.76

 

CMYK 84 / 0 / 32 / 12

HEX #23E19A

RGB 35 225 154

HSL 157.58, 0.76%, 0.51%

LAB 79.92, -60.44, 22.47

 

CMYK 69 / 0 / 26 / 10

HEX #48E6AA

RGB 72 230 170

HSL 157.22, 0.76%, 0.59%

LAB 82.31, -54.69, 17.53

 

CMYK 86 / 0 / 32 / 24

HEX #1BC283

RGB 27 194 131

HSL 157.37, 0.76%, 0.43%

LAB 69.79, -54.47, 20.7

 

CMYK 87 / 70 / 0 / 24

HEX #1A39C1

RGB 26 57 193

HSL 228.86, 0.76%, 0.43%

LAB 31.8, 41.38, -73.11

 

CMYK 0 / 68 / 87 / 24

HEX #C13E1A

RGB 193 62 26

HSL 12.93, 0.76%, 0.43%

LAB 45.44, 50.78, 48.44

 

CMYK 86 / 0 / 32 / 24

HEX #1BC283

RGB 27 194 131

HSL 157.37, 0.76%, 0.43%

LAB 69.79, -54.47, 20.7

 

CMYK 33 / 87 / 0 / 24

HEX #811AC1

RGB 129 26 193

HSL 277.01, 0.76%, 0.43%

LAB 36.47, 66.42, -65.09

 

CMYK 0 / 33 / 87 / 24

HEX #C1811A

RGB 193 129 26

HSL 37.01, 0.76%, 0.43%

LAB 59.08, 16.93, 59.65

 

CMYK 86 / 0 / 32 / 24

HEX #1BC283

RGB 27 194 131

HSL 157.37, 0.76%, 0.43%

LAB 69.79, -54.47, 20.7

 

CMYK 87 / 70 / 0 / 24

HEX #1A39C1

RGB 26 57 193

HSL 228.86, 0.76%, 0.43%

LAB 31.8, 41.38, -73.11

 

CMYK 0 / 87 / 53 / 24

HEX #C11A5A

RGB 193 26 90

HSL 337.01, 0.76%, 0.43%

LAB 42.48, 64.86, 8.05

 

CMYK 0 / 16 / 87 / 24

HEX #C1A21A

RGB 193 162 26

HSL 48.86, 0.76%, 0.43%

LAB 67.47, -1.05, 66.48

 

CMYK 86 / 0 / 32 / 24

HEX #1BC283

RGB 27 194 131

HSL 157.37, 0.76%, 0.43%

LAB 69.79, -54.47, 20.7

 

CMYK 76 / 87 / 0 / 24

HEX #2E1AC1

RGB 46 26 193

HSL 247.19, 0.76%, 0.43%

LAB 27.21, 58.29, -80.68

 

CMYK 0 / 87 / 53 / 24

HEX #C11A5A

RGB 193 26 90

HSL 337.01, 0.76%, 0.43%

LAB 42.48, 64.86, 8.05

 

CMYK 10 / 0 / 87 / 24

HEX #AEC11A

RGB 174 193 26

HSL 66.83, 0.76%, 0.43%

LAB 74.33, -25.2, 71.43

 

Description

Color code: HEX #1BC283 | qconv.com Color code: HEX #1BC283 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 194 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 194 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 32 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 32% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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