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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BBCCE it is the complementary color #E44331. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BBCCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BBCCE shade: #20BCC9, #31CEDC, #42E0EF, #53F2FF and #64FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BBCCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BBCCE shade: #1BBCCE, #0AAABB, #0098A8, #008695 and #007482

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BBCCE shade: #1BBDD0, #1B8DD0, #1B5CD0, #1B2BD0 and #3B1BD0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BBCCE shade: #1BBDD0, #1B8DD0, #1B5CD0, #1B2BD0 and #1B1BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BBCCE shade matches the following richer shades: #1BBDD0 and #08CDE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BBCCE shade: #1BBDD0, #2EAEBD, #419FAA, #549097 and #678184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BBCCE shade: #1BD081, #1BD0B2, #1BBED0, #1B8DD0 and #1B5DD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BBCCE shade: #117B87, #169CAB, #1BBDD0, #30D2E4 and #54DAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BBCCE shade: #1BBCCE, #511BD0 and #D0991B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BBCCE shade: #1BBCCE, #D01BBE and #BED01B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BBCCE shade: #1BBCCE, #511BD0, #D02D1B and #99D01B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BBCCE shade: #1BBCCE, #871BD0, #D02D1B and #63D01B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 9 / 0 / 19

HEX #1BBCCE

RGB 27 188 206

HSL 186.03, 0.77%, 0.46%

LAB 69.93, -31.58, -19.96

 

Complementary color

CMYK 0 / 71 / 79 / 11

HEX #E44331

RGB 228 67 49

HSL 6.03, 0.77%, 0.54%

LAB 52.65, 60.94, 46.34

 

CMYK 84 / 6 / 0 / 21

HEX #20BCC9

RGB 32 188 201

HSL 184.62, 0.73%, 0.46%

LAB 69.82, -32.83, -17.4

 

CMYK 78 / 6 / 0 / 14

HEX #31CEDC

RGB 49 206 220

HSL 184.91, 0.71%, 0.53%

LAB 76.05, -34.13, -18.28

 

CMYK 72 / 6 / 0 / 6

HEX #42E0EF

RGB 66 224 239

HSL 185.2, 0.84%, 0.6%

LAB 82.22, -35.16, -19.07

 

CMYK 67 / 5 / 0 / 0

HEX #53F2FF

RGB 83 242 255

HSL 184.53, 1%, 0.66%

LAB 88.24, -36.81, -18.37

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 87 / 9 / 0 / 19

HEX #1BBCCE

RGB 27 188 206

HSL 186.03, 0.77%, 0.46%

LAB 69.93, -31.58, -19.96

 

CMYK 95 / 9 / 0 / 27

HEX #0AAABB

RGB 10 170 187

HSL 185.76, 0.9%, 0.39%

LAB 63.67, -29.74, -18.99

 

CMYK 100 / 10 / 0 / 34

HEX #0098A8

RGB 0 152 168

HSL 185.71, 1%, 0.33%

LAB 57.35, -27.47, -17.91

 

CMYK 100 / 10 / 0 / 42

HEX #008695

RGB 0 134 149

HSL 186.04, 1%, 0.29%

LAB 50.94, -24.81, -16.73

 

CMYK 100 / 11 / 0 / 49

HEX #007482

RGB 0 116 130

HSL 186.46, 1%, 0.25%

LAB 44.38, -22.07, -15.52

 

CMYK 87 / 9 / 0 / 18

HEX #1BBDD0

RGB 27 189 208

HSL 186.3, 0.77%, 0.46%

LAB 70.3, -31.43, -20.5

 

CMYK 87 / 32 / 0 / 18

HEX #1B8DD0

RGB 27 141 208

HSL 202.21, 0.77%, 0.46%

LAB 55.92, -6.02, -42.78

 

CMYK 87 / 56 / 0 / 18

HEX #1B5CD0

RGB 27 92 208

HSL 218.45, 0.77%, 0.46%

LAB 41.91, 24.52, -65.26

 

CMYK 87 / 79 / 0 / 18

HEX #1B2BD0

RGB 27 43 208

HSL 234.7, 0.77%, 0.46%

LAB 30.68, 54.44, -83.73

 

CMYK 72 / 87 / 0 / 18

HEX #3B1BD0

RGB 59 27 208

HSL 250.61, 0.77%, 0.46%

LAB 30.08, 62.78, -84.68

 

CMYK 87 / 9 / 0 / 18

HEX #1BBDD0

RGB 27 189 208

HSL 186.3, 0.77%, 0.46%

LAB 70.3, -31.43, -20.5

 

CMYK 87 / 32 / 0 / 18

HEX #1B8DD0

RGB 27 141 208

HSL 202.21, 0.77%, 0.46%

LAB 55.92, -6.02, -42.78

 

CMYK 87 / 56 / 0 / 18

HEX #1B5CD0

RGB 27 92 208

HSL 218.45, 0.77%, 0.46%

LAB 41.91, 24.52, -65.26

 

CMYK 87 / 79 / 0 / 18

HEX #1B2BD0

RGB 27 43 208

HSL 234.7, 0.77%, 0.46%

LAB 30.68, 54.44, -83.73

 

CMYK 87 / 87 / 0 / 18

HEX #1B1BD0

RGB 27 27 208

HSL 240, 0.77%, 0.46%

LAB 28.3, 61.46, -87.68

 

CMYK 87 / 9 / 0 / 18

HEX #1BBDD0

RGB 27 189 208

HSL 186.3, 0.77%, 0.46%

LAB 70.3, -31.43, -20.5

 

CMYK 96 / 10 / 0 / 11

HEX #08CDE3

RGB 8 205 227

HSL 186.03, 0.93%, 0.46%

LAB 75.61, -33.8, -22.74

 

CMYK 87 / 9 / 0 / 18

HEX #1BBDD0

RGB 27 189 208

HSL 186.3, 0.77%, 0.46%

LAB 70.3, -31.43, -20.5

 

CMYK 76 / 8 / 0 / 26

HEX #2EAEBD

RGB 46 174 189

HSL 186.29, 0.61%, 0.46%

LAB 65.38, -28.51, -17.48

 

CMYK 62 / 6 / 0 / 33

HEX #419FAA

RGB 65 159 170

HSL 186.29, 0.45%, 0.46%

LAB 60.62, -24.06, -13.99

 

CMYK 44 / 5 / 0 / 41

HEX #549097

RGB 84 144 151

HSL 186.27, 0.29%, 0.46%

LAB 56.15, -17.55, -9.82

 

CMYK 22 / 2 / 0 / 48

HEX #678184

RGB 103 129 132

HSL 186.21, 0.12%, 0.46%

LAB 52.12, -8.58, -4.71

 

CMYK 87 / 0 / 38 / 18

HEX #1BD081

RGB 27 208 129

HSL 153.81, 0.77%, 0.46%

LAB 74.14, -59.99, 27.63

 

CMYK 87 / 0 / 14 / 18

HEX #1BD0B2

RGB 27 208 178

HSL 170.06, 0.77%, 0.46%

LAB 75.18, -48.67, 3.05

 

CMYK 87 / 9 / 0 / 18

HEX #1BBED0

RGB 27 190 208

HSL 185.97, 0.77%, 0.46%

LAB 70.6, -31.92, -20.04

 

CMYK 87 / 32 / 0 / 18

HEX #1B8DD0

RGB 27 141 208

HSL 202.21, 0.77%, 0.46%

LAB 55.92, -6.02, -42.78

 

CMYK 87 / 55 / 0 / 18

HEX #1B5DD0

RGB 27 93 208

HSL 218.12, 0.77%, 0.46%

LAB 42.18, 23.87, -64.82

 

CMYK 87 / 9 / 0 / 47

HEX #117B87

RGB 17 123 135

HSL 186.1, 0.78%, 0.3%

LAB 47.02, -23, -14.46

 

CMYK 87 / 9 / 0 / 33

HEX #169CAB

RGB 22 156 171

HSL 186.04, 0.77%, 0.38%

LAB 58.87, -27.47, -17.29

 

CMYK 87 / 9 / 0 / 18

HEX #1BBDD0

RGB 27 189 208

HSL 186.3, 0.77%, 0.46%

LAB 70.3, -31.43, -20.5

 

CMYK 79 / 8 / 0 / 11

HEX #30D2E4

RGB 48 210 228

HSL 186, 0.77%, 0.54%

LAB 77.47, -33.69, -20.42

 

CMYK 64 / 6 / 0 / 9

HEX #54DAE9

RGB 84 218 233

HSL 186.04, 0.77%, 0.62%

LAB 80.69, -31.64, -18.15

 

CMYK 87 / 9 / 0 / 19

HEX #1BBCCE

RGB 27 188 206

HSL 186.03, 0.77%, 0.46%

LAB 69.93, -31.58, -19.96

 

CMYK 61 / 87 / 0 / 18

HEX #511BD0

RGB 81 27 208

HSL 257.9, 0.77%, 0.46%

LAB 32, 64.3, -81.42

 

CMYK 0 / 26 / 87 / 18

HEX #D0991B

RGB 208 153 27

HSL 41.77, 0.77%, 0.46%

LAB 66.73, 10.47, 66.29

 

CMYK 87 / 9 / 0 / 19

HEX #1BBCCE

RGB 27 188 206

HSL 186.03, 0.77%, 0.46%

LAB 69.93, -31.58, -19.96

 

CMYK 0 / 87 / 9 / 18

HEX #D01BBE

RGB 208 27 190

HSL 305.97, 0.77%, 0.46%

LAB 49.39, 78.9, -41.86

 

CMYK 9 / 0 / 87 / 18

HEX #BED01B

RGB 190 208 27

HSL 65.97, 0.77%, 0.46%

LAB 79.69, -25.71, 76.11

 

CMYK 87 / 9 / 0 / 19

HEX #1BBCCE

RGB 27 188 206

HSL 186.03, 0.77%, 0.46%

LAB 69.93, -31.58, -19.96

 

CMYK 61 / 87 / 0 / 18

HEX #511BD0

RGB 81 27 208

HSL 257.9, 0.77%, 0.46%

LAB 32, 64.3, -81.42

 

CMYK 0 / 78 / 87 / 18

HEX #D02D1B

RGB 208 45 27

HSL 5.97, 0.77%, 0.46%

LAB 46.13, 61.48, 49.74

 

CMYK 26 / 0 / 87 / 18

HEX #99D01B

RGB 153 208 27

HSL 78.23, 0.77%, 0.46%

LAB 77.26, -40.58, 73.11

 

CMYK 87 / 9 / 0 / 19

HEX #1BBCCE

RGB 27 188 206

HSL 186.03, 0.77%, 0.46%

LAB 69.93, -31.58, -19.96

 

CMYK 35 / 87 / 0 / 18

HEX #871BD0

RGB 135 27 208

HSL 275.8, 0.77%, 0.46%

LAB 38.71, 70.11, -70.15

 

CMYK 0 / 78 / 87 / 18

HEX #D02D1B

RGB 208 45 27

HSL 5.97, 0.77%, 0.46%

LAB 46.13, 61.48, 49.74

 

CMYK 52 / 0 / 87 / 18

HEX #63D01B

RGB 99 208 27

HSL 96.13, 0.77%, 0.46%

LAB 74.73, -58.77, 69.95

 

Description

Color code: HEX #1BBCCE | qconv.com Color code: HEX #1BBCCE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 188 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 188 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 9 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 9% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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