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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BBC35 it is the complementary color #E443CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BBC35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BBC35 shade: #20BC30, #31CE43, #42E056, #53F269 and #64FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BBC35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BBC35 shade: #1BBC35, #0AAA22, #00980F, #008600 and #007400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BBC35 shade: #1BBB35, #2CBB1B, #57BB1B, #83BB1B and #AEBB1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BBC35 shade: #1BBB35, #1BBB60, #1BBB8B, #1BBBB7 and #1B95BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BBC35 shade matches the following richer shades: #1BBB35 and #09CD29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BBC35 shade: #1BBB35, #2CAA40, #3D994C, #4F8758 and #607664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BBC35 shade: #58BB1B, #2EBB1B, #1BBB33, #1BBB5E and #1BBB89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BBC35 shade: #107320, #16972B, #1BBB35, #20DF3F and #44E45E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BBC35 shade: #1BBC35, #1B83BB and #BB1B43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BBC35 shade: #1BBC35, #331BBB and #BB331B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BBC35 shade: #1BBC35, #1B83BB, #BB1BA3 and #BB531B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BBC35 shade: #1BBC35, #1B53BB, #BB1BA3 and #BB831B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 72 / 26

HEX #1BBC35

RGB 27 188 53

HSL 129.69, 0.75%, 0.42%

LAB 66.87, -64.43, 54.48

 

Complementary color

CMYK 0 / 71 / 11 / 11

HEX #E443CA

RGB 228 67 202

HSL 309.69, 0.75%, 0.58%

LAB 56.85, 74.7, -36.8

 

CMYK 83 / 0 / 74 / 26

HEX #20BC30

RGB 32 188 48

HSL 126.15, 0.71%, 0.43%

LAB 66.89, -64.36, 56.34

 

CMYK 76 / 0 / 67 / 19

HEX #31CE43

RGB 49 206 67

HSL 126.88, 0.62%, 0.5%

LAB 73.02, -66.16, 55.64

 

CMYK 71 / 0 / 62 / 12

HEX #42E056

RGB 66 224 86

HSL 127.59, 0.72%, 0.57%

LAB 79.12, -67.39, 54.57

 

CMYK 66 / 0 / 57 / 5

HEX #53F269

RGB 83 242 105

HSL 128.3, 0.86%, 0.64%

LAB 85.18, -68.21, 53.34

 

CMYK 61 / 0 / 51 / 0

HEX #64FF7C

RGB 100 255 124

HSL 129.29, 1%, 0.7%

LAB 89.71, -66.96, 50.23

 

CMYK 86 / 0 / 72 / 26

HEX #1BBC35

RGB 27 188 53

HSL 129.69, 0.75%, 0.42%

LAB 66.87, -64.43, 54.48

 

CMYK 94 / 0 / 80 / 33

HEX #0AAA22

RGB 10 170 34

HSL 129, 0.89%, 0.35%

LAB 60.72, -61.76, 54.85

 

CMYK 100 / 0 / 90 / 40

HEX #00980F

RGB 0 152 15

HSL 125.92, 1%, 0.3%

LAB 54.54, -58.11, 54.07

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 86 / 0 / 72 / 27

HEX #1BBB35

RGB 27 187 53

HSL 129.75, 0.75%, 0.42%

LAB 66.54, -64.13, 54.15

 

CMYK 76 / 0 / 86 / 27

HEX #2CBB1B

RGB 44 187 27

HSL 113.63, 0.75%, 0.42%

LAB 66.64, -63.81, 62.31

 

CMYK 53 / 0 / 86 / 27

HEX #57BB1B

RGB 87 187 27

HSL 97.5, 0.75%, 0.42%

LAB 67.76, -54.51, 63.73

 

CMYK 30 / 0 / 86 / 27

HEX #83BB1B

RGB 131 187 27

HSL 81, 0.75%, 0.42%

LAB 69.79, -39.75, 66.28

 

CMYK 7 / 0 / 86 / 27

HEX #AEBB1B

RGB 174 187 27

HSL 64.88, 0.75%, 0.42%

LAB 72.64, -22.25, 69.83

 

CMYK 86 / 0 / 72 / 27

HEX #1BBB35

RGB 27 187 53

HSL 129.75, 0.75%, 0.42%

LAB 66.54, -64.13, 54.15

 

CMYK 86 / 0 / 49 / 27

HEX #1BBB60

RGB 27 187 96

HSL 145.88, 0.75%, 0.42%

LAB 66.99, -58.67, 35.26

 

CMYK 86 / 0 / 26 / 27

HEX #1BBB8B

RGB 27 187 139

HSL 162, 0.75%, 0.42%

LAB 67.75, -49.96, 13.56

 

CMYK 86 / 0 / 2 / 27

HEX #1BBBB7

RGB 27 187 183

HSL 178.5, 0.75%, 0.42%

LAB 68.89, -38.16, -8.91

 

CMYK 86 / 20 / 0 / 27

HEX #1B95BB

RGB 27 149 187

HSL 194.25, 0.75%, 0.42%

LAB 57.38, -18.07, -28.64

 

CMYK 86 / 0 / 72 / 27

HEX #1BBB35

RGB 27 187 53

HSL 129.75, 0.75%, 0.42%

LAB 66.54, -64.13, 54.15

 

CMYK 96 / 0 / 80 / 20

HEX #09CD29

RGB 9 205 41

HSL 129.8, 0.92%, 0.42%

LAB 72.15, -71.36, 63.62

 

CMYK 86 / 0 / 72 / 27

HEX #1BBB35

RGB 27 187 53

HSL 129.75, 0.75%, 0.42%

LAB 66.54, -64.13, 54.15

 

CMYK 74 / 0 / 62 / 33

HEX #2CAA40

RGB 44 170 64

HSL 129.52, 0.59%, 0.42%

LAB 61.36, -55.42, 44.01

 

CMYK 60 / 0 / 50 / 40

HEX #3D994C

RGB 61 153 76

HSL 129.78, 0.43%, 0.42%

LAB 56.38, -44.1, 32.34

 

CMYK 41 / 0 / 35 / 47

HEX #4F8758

RGB 79 135 88

HSL 129.64, 0.26%, 0.42%

LAB 51.49, -29.07, 19.64

 

CMYK 19 / 0 / 15 / 54

HEX #607664

RGB 96 118 100

HSL 130.91, 0.1%, 0.42%

LAB 47.45, -11.95, 7.26

 

CMYK 53 / 0 / 86 / 27

HEX #58BB1B

RGB 88 187 27

HSL 97.13, 0.75%, 0.42%

LAB 67.79, -54.22, 63.77

 

CMYK 75 / 0 / 86 / 27

HEX #2EBB1B

RGB 46 187 27

HSL 112.88, 0.75%, 0.42%

LAB 66.67, -63.51, 62.35

 

CMYK 86 / 0 / 73 / 27

HEX #1BBB33

RGB 27 187 51

HSL 129, 0.75%, 0.42%

LAB 66.53, -64.3, 54.88

 

CMYK 86 / 0 / 50 / 27

HEX #1BBB5E

RGB 27 187 94

HSL 145.13, 0.75%, 0.42%

LAB 66.96, -59, 36.23

 

CMYK 86 / 0 / 27 / 27

HEX #1BBB89

RGB 27 187 137

HSL 161.25, 0.75%, 0.42%

LAB 67.71, -50.43, 14.59

 

CMYK 86 / 0 / 72 / 55

HEX #107320

RGB 16 115 32

HSL 129.7, 0.76%, 0.26%

LAB 41.96, -44.27, 36.79

 

CMYK 85 / 0 / 72 / 41

HEX #16972B

RGB 22 151 43

HSL 129.77, 0.75%, 0.34%

LAB 54.53, -54.34, 45.5

 

CMYK 86 / 0 / 72 / 27

HEX #1BBB35

RGB 27 187 53

HSL 129.75, 0.75%, 0.42%

LAB 66.54, -64.13, 54.15

 

CMYK 86 / 0 / 72 / 13

HEX #20DF3F

RGB 32 223 63

HSL 129.74, 0.75%, 0.5%

LAB 78.13, -73.53, 62.45

 

CMYK 70 / 0 / 59 / 11

HEX #44E45E

RGB 68 228 94

HSL 129.75, 0.75%, 0.58%

LAB 80.47, -67.46, 52.65

 

CMYK 86 / 0 / 72 / 26

HEX #1BBC35

RGB 27 188 53

HSL 129.69, 0.75%, 0.42%

LAB 66.87, -64.43, 54.48

 

CMYK 86 / 30 / 0 / 27

HEX #1B83BB

RGB 27 131 187

HSL 201, 0.75%, 0.42%

LAB 51.9, -8.01, -37.19

 

CMYK 0 / 86 / 64 / 27

HEX #BB1B43

RGB 187 27 67

HSL 345, 0.75%, 0.42%

LAB 40.82, 61.6, 20.11

 

CMYK 86 / 0 / 72 / 26

HEX #1BBC35

RGB 27 188 53

HSL 129.69, 0.75%, 0.42%

LAB 66.87, -64.43, 54.48

 

CMYK 73 / 86 / 0 / 27

HEX #331BBB

RGB 51 27 187

HSL 249, 0.75%, 0.42%

LAB 26.95, 56.5, -77.56

 

CMYK 0 / 73 / 86 / 27

HEX #BB331B

RGB 187 51 27

HSL 9, 0.75%, 0.42%

LAB 42.78, 53.05, 45.31

 

CMYK 86 / 0 / 72 / 26

HEX #1BBC35

RGB 27 188 53

HSL 129.69, 0.75%, 0.42%

LAB 66.87, -64.43, 54.48

 

CMYK 86 / 30 / 0 / 27

HEX #1B83BB

RGB 27 131 187

HSL 201, 0.75%, 0.42%

LAB 51.9, -8.01, -37.19

 

CMYK 0 / 86 / 13 / 27

HEX #BB1BA3

RGB 187 27 163

HSL 309, 0.75%, 0.42%

LAB 44.22, 71.1, -34.34

 

CMYK 0 / 56 / 86 / 27

HEX #BB531B

RGB 187 83 27

HSL 21, 0.75%, 0.42%

LAB 48.05, 39.02, 49.8

 

CMYK 86 / 0 / 72 / 26

HEX #1BBC35

RGB 27 188 53

HSL 129.69, 0.75%, 0.42%

LAB 66.87, -64.43, 54.48

 

CMYK 86 / 56 / 0 / 27

HEX #1B53BB

RGB 27 83 187

HSL 219, 0.75%, 0.42%

LAB 37.86, 22.23, -59.66

 

CMYK 0 / 86 / 13 / 27

HEX #BB1BA3

RGB 187 27 163

HSL 309, 0.75%, 0.42%

LAB 44.22, 71.1, -34.34

 

CMYK 0 / 30 / 86 / 27

HEX #BB831B

RGB 187 131 27

HSL 39, 0.75%, 0.42%

LAB 58.86, 13.19, 58.88

 

Description

Color code: HEX #1BBC35 | qconv.com Color code: HEX #1BBC35 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 188 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 188 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 72 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 72% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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