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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BB928 it is the complementary color #E446D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BB928. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BB928 shade: #20B923, #31CB36, #42DD49, #53EF5C and #64FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BB928. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BB928 shade: #1BB928, #0AA715, #009502, #008300 and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BB928 shade: #1BBB28, #39BB1B, #64BB1B, #90BB1B and #BBBB1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BB928 shade: #1BBB28, #1BBB53, #1BBB7F, #1BBBAA and #1BA2BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BB928 shade matches the following richer shades: #1BBB28 and #09CD1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BB928 shade: #1BBB28, #2CAA36, #3D9945, #4F8753 and #607662

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BB928 shade: #66BB1B, #3BBB1B, #1BBB25, #1BBB50 and #1BBB7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BB928 shade: #107319, #169720, #1BBB28, #20DF30 and #44E452

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BB928 shade: #1BB928, #1B91BB and #BB1B50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BB928 shade: #1BB928, #251BBB and #BB251B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BB928 shade: #1BB928, #1B91BB, #BB1BB1 and #BB461B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BB928 shade: #1BB928, #1B60BB, #BB1BB1 and #BB761B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 78 / 27

HEX #1BB928

RGB 27 185 40

HSL 124.94, 0.75%, 0.42%

LAB 65.81, -64.54, 57.92

 

Complementary color

CMYK 0 / 69 / 6 / 11

HEX #E446D7

RGB 228 70 215

HSL 304.94, 0.75%, 0.58%

LAB 57.83, 75.62, -42.67

 

CMYK 83 / 0 / 81 / 27

HEX #20B923

RGB 32 185 35

HSL 121.18, 0.71%, 0.43%

LAB 65.85, -64.34, 59.47

 

CMYK 76 / 0 / 73 / 20

HEX #31CB36

RGB 49 203 54

HSL 121.95, 0.61%, 0.49%

LAB 71.98, -66.35, 59.44

 

CMYK 70 / 0 / 67 / 13

HEX #42DD49

RGB 66 221 73

HSL 122.71, 0.7%, 0.56%

LAB 78.08, -67.74, 58.79

 

CMYK 65 / 0 / 62 / 6

HEX #53EF5C

RGB 83 239 92

HSL 123.46, 0.83%, 0.63%

LAB 84.14, -68.68, 57.8

 

CMYK 61 / 0 / 56 / 0

HEX #64FF6F

RGB 100 255 111

HSL 124.26, 1%, 0.7%

LAB 89.57, -68.59, 55.94

 

CMYK 85 / 0 / 78 / 27

HEX #1BB928

RGB 27 185 40

HSL 124.94, 0.75%, 0.42%

LAB 65.81, -64.54, 57.92

 

CMYK 94 / 0 / 87 / 35

HEX #0AA715

RGB 10 167 21

HSL 124.2, 0.89%, 0.35%

LAB 59.67, -61.6, 57.32

 

CMYK 100 / 0 / 99 / 42

HEX #009502

RGB 0 149 2

HSL 120.81, 1%, 0.29%

LAB 53.49, -57.67, 55.38

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 86 / 0 / 79 / 27

HEX #1BBB28

RGB 27 187 40

HSL 124.88, 0.75%, 0.42%

LAB 66.46, -65.13, 58.55

 

CMYK 70 / 0 / 86 / 27

HEX #39BB1B

RGB 57 187 27

HSL 108.75, 0.75%, 0.42%

LAB 66.89, -61.62, 62.63

 

CMYK 47 / 0 / 86 / 27

HEX #64BB1B

RGB 100 187 27

HSL 92.63, 0.75%, 0.42%

LAB 68.26, -50.62, 64.36

 

CMYK 23 / 0 / 86 / 27

HEX #90BB1B

RGB 144 187 27

HSL 76.13, 0.75%, 0.42%

LAB 70.56, -34.68, 67.24

 

CMYK 0 / 0 / 86 / 27

HEX #BBBB1B

RGB 187 187 27

HSL 60, 0.75%, 0.42%

LAB 73.67, -16.66, 71.09

 

CMYK 86 / 0 / 79 / 27

HEX #1BBB28

RGB 27 187 40

HSL 124.88, 0.75%, 0.42%

LAB 66.46, -65.13, 58.55

 

CMYK 86 / 0 / 56 / 27

HEX #1BBB53

RGB 27 187 83

HSL 141, 0.75%, 0.42%

LAB 66.82, -60.68, 41.45

 

CMYK 86 / 0 / 32 / 27

HEX #1BBB7F

RGB 27 187 127

HSL 157.5, 0.75%, 0.42%

LAB 67.51, -52.7, 19.71

 

CMYK 86 / 0 / 9 / 27

HEX #1BBBAA

RGB 27 187 170

HSL 173.63, 0.75%, 0.42%

LAB 68.52, -41.9, -2.32

 

CMYK 86 / 13 / 0 / 27

HEX #1BA2BB

RGB 27 162 187

HSL 189.38, 0.75%, 0.42%

LAB 61.36, -24.88, -22.51

 

CMYK 86 / 0 / 79 / 27

HEX #1BBB28

RGB 27 187 40

HSL 124.88, 0.75%, 0.42%

LAB 66.46, -65.13, 58.55

 

CMYK 96 / 0 / 87 / 20

HEX #09CD1A

RGB 9 205 26

HSL 125.2, 0.92%, 0.42%

LAB 72.09, -72.1, 67.2

 

CMYK 86 / 0 / 79 / 27

HEX #1BBB28

RGB 27 187 40

HSL 124.88, 0.75%, 0.42%

LAB 66.46, -65.13, 58.55

 

CMYK 74 / 0 / 68 / 33

HEX #2CAA36

RGB 44 170 54

HSL 124.76, 0.59%, 0.42%

LAB 61.27, -56.51, 48.26

 

CMYK 60 / 0 / 55 / 40

HEX #3D9945

RGB 61 153 69

HSL 125.22, 0.43%, 0.42%

LAB 56.29, -45.12, 35.8

 

CMYK 41 / 0 / 39 / 47

HEX #4F8753

RGB 79 135 83

HSL 124.29, 0.26%, 0.42%

LAB 51.4, -29.96, 22.33

 

CMYK 19 / 0 / 17 / 54

HEX #607662

RGB 96 118 98

HSL 125.45, 0.1%, 0.42%

LAB 47.4, -12.35, 8.38

 

CMYK 45 / 0 / 86 / 27

HEX #66BB1B

RGB 102 187 27

HSL 91.88, 0.75%, 0.42%

LAB 68.35, -49.98, 64.47

 

CMYK 68 / 0 / 86 / 27

HEX #3BBB1B

RGB 59 187 27

HSL 108, 0.75%, 0.42%

LAB 66.94, -61.23, 62.69

 

CMYK 86 / 0 / 80 / 27

HEX #1BBB25

RGB 27 187 37

HSL 123.75, 0.75%, 0.42%

LAB 66.45, -65.32, 59.44

 

CMYK 86 / 0 / 57 / 27

HEX #1BBB50

RGB 27 187 80

HSL 139.88, 0.75%, 0.42%

LAB 66.79, -61.1, 42.84

 

CMYK 86 / 0 / 34 / 27

HEX #1BBB7B

RGB 27 187 123

HSL 156, 0.75%, 0.42%

LAB 67.43, -53.56, 21.75

 

CMYK 86 / 0 / 78 / 55

HEX #107319

RGB 16 115 25

HSL 125.45, 0.76%, 0.26%

LAB 41.91, -44.93, 39.59

 

CMYK 85 / 0 / 79 / 41

HEX #169720

RGB 22 151 32

HSL 124.65, 0.75%, 0.34%

LAB 54.46, -55.27, 49.49

 

CMYK 86 / 0 / 79 / 27

HEX #1BBB28

RGB 27 187 40

HSL 124.88, 0.75%, 0.42%

LAB 66.46, -65.13, 58.55

 

CMYK 86 / 0 / 78 / 13

HEX #20DF30

RGB 32 223 48

HSL 125.03, 0.75%, 0.5%

LAB 78.05, -74.62, 67.25

 

CMYK 70 / 0 / 64 / 11

HEX #44E452

RGB 68 228 82

HSL 125.25, 0.75%, 0.58%

LAB 80.36, -68.79, 57.65

 

CMYK 85 / 0 / 78 / 27

HEX #1BB928

RGB 27 185 40

HSL 124.94, 0.75%, 0.42%

LAB 65.81, -64.54, 57.92

 

CMYK 86 / 22 / 0 / 27

HEX #1B91BB

RGB 27 145 187

HSL 195.75, 0.75%, 0.42%

LAB 56.16, -15.9, -30.53

 

CMYK 0 / 86 / 57 / 27

HEX #BB1B50

RGB 187 27 80

HSL 340.13, 0.75%, 0.42%

LAB 41.1, 62.41, 12.26

 

CMYK 85 / 0 / 78 / 27

HEX #1BB928

RGB 27 185 40

HSL 124.94, 0.75%, 0.42%

LAB 65.81, -64.54, 57.92

 

CMYK 80 / 86 / 0 / 27

HEX #251BBB

RGB 37 27 187

HSL 243.75, 0.75%, 0.42%

LAB 26.05, 55.75, -79.07

 

CMYK 0 / 80 / 86 / 27

HEX #BB251B

RGB 187 37 27

HSL 3.75, 0.75%, 0.42%

LAB 41.16, 57.56, 43.91

 

CMYK 85 / 0 / 78 / 27

HEX #1BB928

RGB 27 185 40

HSL 124.94, 0.75%, 0.42%

LAB 65.81, -64.54, 57.92

 

CMYK 86 / 22 / 0 / 27

HEX #1B91BB

RGB 27 145 187

HSL 195.75, 0.75%, 0.42%

LAB 56.16, -15.9, -30.53

 

CMYK 0 / 86 / 5 / 27

HEX #BB1BB1

RGB 187 27 177

HSL 303.75, 0.75%, 0.42%

LAB 44.97, 73.1, -41.47

 

CMYK 0 / 63 / 86 / 27

HEX #BB461B

RGB 187 70 27

HSL 16.13, 0.75%, 0.42%

LAB 45.67, 45.23, 47.78

 

CMYK 85 / 0 / 78 / 27

HEX #1BB928

RGB 27 185 40

HSL 124.94, 0.75%, 0.42%

LAB 65.81, -64.54, 57.92

 

CMYK 86 / 49 / 0 / 27

HEX #1B60BB

RGB 27 96 187

HSL 214.13, 0.75%, 0.42%

LAB 41.51, 13.66, -53.74

 

CMYK 0 / 86 / 5 / 27

HEX #BB1BB1

RGB 187 27 177

HSL 303.75, 0.75%, 0.42%

LAB 44.97, 73.1, -41.47

 

CMYK 0 / 37 / 86 / 27

HEX #BB761B

RGB 187 118 27

HSL 34.13, 0.75%, 0.42%

LAB 55.69, 20.38, 56.23

 

Description

Color code: HEX #1BB928 | qconv.com Color code: HEX #1BB928 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 185 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 185 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 78 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 78% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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