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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BB760 it is the complementary color #E4489F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BB760. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BB760 shade: #20B75B, #31C96E, #42DB81, #53ED94 and #64FFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BB760. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BB760 shade: #1BB760, #0AA54D, #00933A, #008127 and #006F14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BB760 shade: #1BB660, #1BB636, #2AB61B, #54B61B and #7EB61B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BB760 shade: #1BB660, #1BB689, #1BB6B3, #1B8FB6 and #1B65B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BB760 shade matches the following richer shades: #1BB660 and #0AC75E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BB760 shade: #1BB660, #2CA562, #3D9464, #4E8365 and #5F7267

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BB760 shade: #2BB61B, #1BB635, #1BB65E, #1BB687 and #1BB6B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BB760 shade: #106E3A, #16924D, #1BB660, #21DA72 and #41E388

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BB760 shade: #1BB760, #1B54B6 and #B6201B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BB760 shade: #1BB760, #5E1BB6 and #B65E1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BB760 shade: #1BB760, #1B54B6, #B61B73 and #B67D1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BB760 shade: #1BB760, #1B25B6, #B61B73 and #B6AC1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 48 / 28

HEX #1BB760

RGB 27 183 96

HSL 146.54, 0.74%, 0.41%

LAB 65.71, -57.3, 33.64

 

Complementary color

CMYK 0 / 68 / 30 / 11

HEX #E4489F

RGB 228 72 159

HSL 326.54, 0.74%, 0.59%

LAB 55.72, 67.34, -13.64

 

CMYK 83 / 0 / 50 / 28

HEX #20B75B

RGB 32 183 91

HSL 143.44, 0.7%, 0.42%

LAB 65.69, -57.65, 36.16

 

CMYK 76 / 0 / 45 / 21

HEX #31C96E

RGB 49 201 110

HSL 144.08, 0.61%, 0.49%

LAB 71.93, -58.78, 34.52

 

CMYK 70 / 0 / 41 / 14

HEX #42DB81

RGB 66 219 129

HSL 144.71, 0.68%, 0.56%

LAB 78.11, -59.5, 32.98

 

CMYK 65 / 0 / 38 / 7

HEX #53ED94

RGB 83 237 148

HSL 145.32, 0.81%, 0.63%

LAB 84.25, -59.94, 31.53

 

CMYK 61 / 0 / 35 / 0

HEX #64FFA7

RGB 100 255 167

HSL 145.94, 1%, 0.7%

LAB 90.33, -60.18, 30.17

 

CMYK 85 / 0 / 48 / 28

HEX #1BB760

RGB 27 183 96

HSL 146.54, 0.74%, 0.41%

LAB 65.71, -57.3, 33.64

 

CMYK 94 / 0 / 53 / 35

HEX #0AA54D

RGB 10 165 77

HSL 145.94, 0.89%, 0.34%

LAB 59.44, -55.47, 35.41

 

CMYK 100 / 0 / 61 / 42

HEX #00933A

RGB 0 147 58

HSL 143.67, 1%, 0.29%

LAB 53.14, -52.9, 37.22

 

CMYK 100 / 0 / 70 / 49

HEX #008127

RGB 0 129 39

HSL 138.14, 1%, 0.25%

LAB 46.77, -49.49, 38.85

 

CMYK 100 / 0 / 82 / 56

HEX #006F14

RGB 0 111 20

HSL 130.81, 1%, 0.22%

LAB 40.28, -45.61, 39.74

 

CMYK 85 / 0 / 47 / 29

HEX #1BB660

RGB 27 182 96

HSL 146.71, 0.74%, 0.41%

LAB 65.38, -56.95, 33.23

 

CMYK 85 / 0 / 70 / 29

HEX #1BB636

RGB 27 182 54

HSL 130.45, 0.74%, 0.41%

LAB 64.93, -62.51, 52.08

 

CMYK 77 / 0 / 85 / 29

HEX #2AB61B

RGB 42 182 27

HSL 114.19, 0.74%, 0.41%

LAB 64.98, -62.57, 60.82

 

CMYK 54 / 0 / 85 / 29

HEX #54B61B

RGB 84 182 27

HSL 97.94, 0.74%, 0.41%

LAB 66.07, -53.52, 62.2

 

CMYK 31 / 0 / 85 / 29

HEX #7EB61B

RGB 126 182 27

HSL 81.68, 0.74%, 0.41%

LAB 68, -39.46, 64.63

 

CMYK 85 / 0 / 47 / 29

HEX #1BB660

RGB 27 182 96

HSL 146.71, 0.74%, 0.41%

LAB 65.38, -56.95, 33.23

 

CMYK 85 / 0 / 25 / 29

HEX #1BB689

RGB 27 182 137

HSL 162.58, 0.74%, 0.41%

LAB 66.13, -48.45, 12.38

 

CMYK 85 / 0 / 2 / 29

HEX #1BB6B3

RGB 27 182 179

HSL 178.84, 0.74%, 0.41%

LAB 67.23, -37.06, -9.18

 

CMYK 85 / 21 / 0 / 29

HEX #1B8FB6

RGB 27 143 182

HSL 195.1, 0.74%, 0.41%

LAB 55.33, -16.58, -28.97

 

CMYK 85 / 45 / 0 / 29

HEX #1B65B6

RGB 27 101 182

HSL 211.35, 0.74%, 0.41%

LAB 42.64, 8.44, -49.01

 

CMYK 85 / 0 / 47 / 29

HEX #1BB660

RGB 27 182 96

HSL 146.71, 0.74%, 0.41%

LAB 65.38, -56.95, 33.23

 

CMYK 95 / 0 / 53 / 22

HEX #0AC75E

RGB 10 199 94

HSL 146.67, 0.9%, 0.41%

LAB 70.68, -63.99, 40.8

 

CMYK 85 / 0 / 47 / 29

HEX #1BB660

RGB 27 182 96

HSL 146.71, 0.74%, 0.41%

LAB 65.38, -56.95, 33.23

 

CMYK 73 / 0 / 41 / 35

HEX #2CA562

RGB 44 165 98

HSL 146.78, 0.58%, 0.41%

LAB 60.18, -48.34, 25.5

 

CMYK 59 / 0 / 32 / 42

HEX #3D9464

RGB 61 148 100

HSL 146.9, 0.42%, 0.41%

LAB 55.17, -37.67, 17.75

 

CMYK 40 / 0 / 23 / 49

HEX #4E8365

RGB 78 131 101

HSL 146.04, 0.25%, 0.41%

LAB 50.44, -24.83, 10.76

 

CMYK 17 / 0 / 10 / 55

HEX #5F7267

RGB 95 114 103

HSL 145.26, 0.09%, 0.41%

LAB 46.24, -9.45, 3.75

 

CMYK 76 / 0 / 85 / 29

HEX #2BB61B

RGB 43 182 27

HSL 113.81, 0.74%, 0.41%

LAB 65, -62.43, 60.84

 

CMYK 85 / 0 / 71 / 29

HEX #1BB635

RGB 27 182 53

HSL 130.06, 0.74%, 0.41%

LAB 64.92, -62.61, 52.46

 

CMYK 85 / 0 / 48 / 29

HEX #1BB65E

RGB 27 182 94

HSL 145.94, 0.74%, 0.41%

LAB 65.36, -57.29, 34.21

 

CMYK 85 / 0 / 26 / 29

HEX #1BB687

RGB 27 182 135

HSL 161.81, 0.74%, 0.41%

LAB 66.09, -48.93, 13.41

 

CMYK 85 / 0 / 3 / 29

HEX #1BB6B1

RGB 27 182 177

HSL 178.06, 0.74%, 0.41%

LAB 67.17, -37.66, -8.16

 

CMYK 85 / 0 / 47 / 57

HEX #106E3A

RGB 16 110 58

HSL 146.81, 0.75%, 0.25%

LAB 40.52, -38.59, 21.81

 

CMYK 85 / 0 / 47 / 43

HEX #16924D

RGB 22 146 77

HSL 146.61, 0.74%, 0.33%

LAB 53.24, -47.96, 27.67

 

CMYK 85 / 0 / 47 / 29

HEX #1BB660

RGB 27 182 96

HSL 146.71, 0.74%, 0.41%

LAB 65.38, -56.95, 33.23

 

CMYK 85 / 0 / 48 / 15

HEX #21DA72

RGB 33 218 114

HSL 146.27, 0.74%, 0.49%

LAB 77.09, -65.67, 39.05

 

CMYK 71 / 0 / 40 / 11

HEX #41E388

RGB 65 227 136

HSL 146.3, 0.74%, 0.57%

LAB 80.65, -61.33, 32.76

 

CMYK 85 / 0 / 48 / 28

HEX #1BB760

RGB 27 183 96

HSL 146.54, 0.74%, 0.41%

LAB 65.71, -57.3, 33.64

 

CMYK 85 / 54 / 0 / 29

HEX #1B54B6

RGB 27 84 182

HSL 217.94, 0.74%, 0.41%

LAB 37.75, 19.59, -56.89

 

CMYK 0 / 82 / 85 / 29

HEX #B6201B

RGB 182 32 27

HSL 1.94, 0.74%, 0.41%

LAB 39.68, 57.44, 42.22

 

CMYK 85 / 0 / 48 / 28

HEX #1BB760

RGB 27 183 96

HSL 146.54, 0.74%, 0.41%

LAB 65.71, -57.3, 33.64

 

CMYK 48 / 85 / 0 / 29

HEX #5E1BB6

RGB 94 27 182

HSL 265.94, 0.74%, 0.41%

LAB 30.74, 59.11, -68.18

 

CMYK 0 / 48 / 85 / 29

HEX #B65E1B

RGB 182 94 27

HSL 25.94, 0.74%, 0.41%

LAB 49.53, 31.32, 50.76

 

CMYK 85 / 0 / 48 / 28

HEX #1BB760

RGB 27 183 96

HSL 146.54, 0.74%, 0.41%

LAB 65.71, -57.3, 33.64

 

CMYK 85 / 54 / 0 / 29

HEX #1B54B6

RGB 27 84 182

HSL 217.94, 0.74%, 0.41%

LAB 37.75, 19.59, -56.89

 

CMYK 0 / 85 / 37 / 29

HEX #B61B73

RGB 182 27 115

HSL 325.94, 0.74%, 0.41%

LAB 41.16, 64.18, -9.83

 

CMYK 0 / 31 / 85 / 29

HEX #B67D1B

RGB 182 125 27

HSL 37.94, 0.74%, 0.41%

LAB 56.77, 14.28, 56.9

 

CMYK 85 / 0 / 48 / 28

HEX #1BB760

RGB 27 183 96

HSL 146.54, 0.74%, 0.41%

LAB 65.71, -57.3, 33.64

 

CMYK 85 / 80 / 0 / 29

HEX #1B25B6

RGB 27 37 182

HSL 236.13, 0.74%, 0.41%

LAB 26.54, 49.12, -75.3

 

CMYK 0 / 85 / 37 / 29

HEX #B61B73

RGB 182 27 115

HSL 325.94, 0.74%, 0.41%

LAB 41.16, 64.18, -9.83

 

CMYK 0 / 5 / 85 / 29

HEX #B6AC1B

RGB 182 172 27

HSL 56.13, 0.74%, 0.41%

LAB 69.13, -11.18, 67.19

 

Description

Color code: HEX #1BB760 | qconv.com Color code: HEX #1BB760 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 183 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 183 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 48 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 48% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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