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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BB605 it is the complementary color #E449FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BB605. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BB605 shade: #20B600, #31C813, #42DA26, #53EC39 and #64FE4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BB605. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BB605 shade: #1BB605, #0AA400, #009200, #008000 and #006E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BB605 shade: #1BB805, #4BB805, #7CB805, #ACB805 and #B89405

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BB605 shade: #1BB805, #05B81F, #05B84F, #05B87F and #05B8B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BB605 shade matches the following richer shades: #1BB805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BB605 shade: #1BB805, #26A914, #329923, #3D8A33 and #497B42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BB605 shade: #7CB805, #4CB805, #1DB805, #05B81D and #05B84C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BB605 shade: #0F6803, #159004, #1BB805, #21E006 and #32F916

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BB605 shade: #1BB605, #05ACB8 and #B80564

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BB605 shade: #1BB605, #051DB8 and #B8051D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BB605 shade: #1BB605, #05ACB8, #A005B8 and #B81105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BB605 shade: #1BB605, #0576B8, #A005B8 and #B84605

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 97 / 29

HEX #1BB605

RGB 27 182 5

HSL 112.54, 0.95%, 0.37%

LAB 64.72, -65.09, 64.18

 

Complementary color

CMYK 9 / 71 / 0 / 2

HEX #E449FA

RGB 228 73 250

HSL 292.54, 0.95%, 0.63%

LAB 60.03, 80.24, -58.77

 

CMYK 82 / 0 / 100 / 29

HEX #20B600

RGB 32 182 0

HSL 109.45, 1%, 0.36%

LAB 64.77, -64.67, 64.87

 

CMYK 76 / 0 / 91 / 22

HEX #31C813

RGB 49 200 19

HSL 110.06, 0.83%, 0.43%

LAB 70.88, -67.3, 67.57

 

CMYK 70 / 0 / 83 / 15

HEX #42DA26

RGB 66 218 38

HSL 110.67, 0.71%, 0.5%

LAB 76.95, -69.25, 69.11

 

CMYK 65 / 0 / 76 / 7

HEX #53EC39

RGB 83 236 57

HSL 111.28, 0.82%, 0.57%

LAB 82.98, -70.66, 69.58

 

CMYK 61 / 0 / 70 / 0

HEX #64FE4C

RGB 100 254 76

HSL 111.91, 0.99%, 0.65%

LAB 88.98, -71.64, 69.37

 

CMYK 85 / 0 / 97 / 29

HEX #1BB605

RGB 27 182 5

HSL 112.54, 0.95%, 0.37%

LAB 64.72, -65.09, 64.18

 

CMYK 94 / 0 / 100 / 36

HEX #0AA400

RGB 10 164 0

HSL 116.34, 1%, 0.32%

LAB 58.62, -61.39, 59.86

 

CMYK 100 / 0 / 100 / 43

HEX #009200

RGB 0 146 0

HSL 120, 1%, 0.29%

LAB 52.46, -56.88, 54.9

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 85 / 0 / 97 / 28

HEX #1BB805

RGB 27 184 5

HSL 112.63, 0.95%, 0.37%

LAB 65.38, -65.67, 64.71

 

CMYK 59 / 0 / 97 / 28

HEX #4BB805

RGB 75 184 5

HSL 96.54, 0.95%, 0.37%

LAB 66.36, -57.25, 65.92

 

CMYK 33 / 0 / 97 / 28

HEX #7CB805

RGB 124 184 5

HSL 80.11, 0.95%, 0.37%

LAB 68.44, -41.58, 68.46

 

CMYK 7 / 0 / 97 / 28

HEX #ACB805

RGB 172 184 5

HSL 64.02, 0.95%, 0.37%

LAB 71.6, -22.01, 72.25

 

CMYK 0 / 20 / 97 / 28

HEX #B89405

RGB 184 148 5

HSL 47.93, 0.95%, 0.37%

LAB 62.83, 2.1, 66.26

 

CMYK 85 / 0 / 97 / 28

HEX #1BB805

RGB 27 184 5

HSL 112.63, 0.95%, 0.37%

LAB 65.38, -65.67, 64.71

 

CMYK 97 / 0 / 83 / 28

HEX #05B81F

RGB 5 184 31

HSL 128.72, 0.95%, 0.37%

LAB 65.29, -66.2, 59.96

 

CMYK 97 / 0 / 57 / 28

HEX #05B84F

RGB 5 184 79

HSL 144.8, 0.95%, 0.37%

LAB 65.65, -61.59, 41.93

 

CMYK 97 / 0 / 31 / 28

HEX #05B87F

RGB 5 184 127

HSL 160.89, 0.95%, 0.37%

LAB 66.4, -52.75, 18.17

 

CMYK 97 / 0 / 4 / 28

HEX #05B8B0

RGB 5 184 176

HSL 177.32, 0.95%, 0.37%

LAB 67.61, -39.87, -6.97

 

CMYK 85 / 0 / 97 / 28

HEX #1BB805

RGB 27 184 5

HSL 112.63, 0.95%, 0.37%

LAB 65.38, -65.67, 64.71

 

CMYK 85 / 0 / 97 / 28

HEX #1BB805

RGB 27 184 5

HSL 112.63, 0.95%, 0.37%

LAB 65.38, -65.67, 64.71

 

CMYK 78 / 0 / 88 / 34

HEX #26A914

RGB 38 169 20

HSL 112.75, 0.79%, 0.37%

LAB 60.64, -59.46, 58.51

 

CMYK 67 / 0 / 77 / 40

HEX #329923

RGB 50 153 35

HSL 112.37, 0.63%, 0.37%

LAB 55.67, -51.23, 49.83

 

CMYK 56 / 0 / 63 / 46

HEX #3D8A33

RGB 61 138 51

HSL 113.1, 0.46%, 0.37%

LAB 51.16, -41.4, 38.58

 

CMYK 41 / 0 / 46 / 52

HEX #497B42

RGB 73 123 66

HSL 112.63, 0.3%, 0.37%

LAB 46.94, -29.02, 25.93

 

CMYK 33 / 0 / 97 / 28

HEX #7CB805

RGB 124 184 5

HSL 80.11, 0.95%, 0.37%

LAB 68.44, -41.58, 68.46

 

CMYK 59 / 0 / 97 / 28

HEX #4CB805

RGB 76 184 5

HSL 96.2, 0.95%, 0.37%

LAB 66.39, -56.99, 65.95

 

CMYK 84 / 0 / 97 / 28

HEX #1DB805

RGB 29 184 5

HSL 111.96, 0.95%, 0.37%

LAB 65.4, -65.47, 64.74

 

CMYK 97 / 0 / 84 / 28

HEX #05B81D

RGB 5 184 29

HSL 128.04, 0.95%, 0.37%

LAB 65.28, -66.31, 60.46

 

CMYK 97 / 0 / 59 / 28

HEX #05B84C

RGB 5 184 76

HSL 143.8, 0.95%, 0.37%

LAB 65.62, -62, 43.3

 

CMYK 86 / 0 / 97 / 59

HEX #0F6803

RGB 15 104 3

HSL 112.87, 0.94%, 0.21%

LAB 37.86, -42.78, 42.43

 

CMYK 85 / 0 / 97 / 44

HEX #159004

RGB 21 144 4

HSL 112.71, 0.95%, 0.29%

LAB 51.97, -54.55, 53.87

 

CMYK 85 / 0 / 97 / 28

HEX #1BB805

RGB 27 184 5

HSL 112.63, 0.95%, 0.37%

LAB 65.38, -65.67, 64.71

 

CMYK 85 / 0 / 97 / 12

HEX #21E006

RGB 33 224 6

HSL 112.57, 0.95%, 0.45%

LAB 78.26, -76.32, 75.11

 

CMYK 80 / 0 / 91 / 2

HEX #32F916

RGB 50 249 22

HSL 112.6, 0.95%, 0.53%

LAB 86.25, -81.21, 80.09

 

CMYK 85 / 0 / 97 / 29

HEX #1BB605

RGB 27 182 5

HSL 112.54, 0.95%, 0.37%

LAB 64.72, -65.09, 64.18

 

CMYK 97 / 7 / 0 / 28

HEX #05ACB8

RGB 5 172 184

HSL 184.02, 0.95%, 0.37%

LAB 64.16, -31.84, -16.59

 

CMYK 0 / 97 / 46 / 28

HEX #B80564

RGB 184 5 100

HSL 328.16, 0.95%, 0.37%

LAB 39.95, 66.41, -2.16

 

CMYK 85 / 0 / 97 / 29

HEX #1BB605

RGB 27 182 5

HSL 112.54, 0.95%, 0.37%

LAB 64.72, -65.09, 64.18

 

CMYK 97 / 84 / 0 / 28

HEX #051DB8

RGB 5 29 184

HSL 231.96, 0.95%, 0.37%

LAB 24.86, 53.05, -79.3

 

CMYK 0 / 97 / 84 / 28

HEX #B8051D

RGB 184 5 29

HSL 351.96, 0.95%, 0.37%

LAB 38.53, 62.57, 40.29

 

CMYK 85 / 0 / 97 / 29

HEX #1BB605

RGB 27 182 5

HSL 112.54, 0.95%, 0.37%

LAB 64.72, -65.09, 64.18

 

CMYK 97 / 7 / 0 / 28

HEX #05ACB8

RGB 5 172 184

HSL 184.02, 0.95%, 0.37%

LAB 64.16, -31.84, -16.59

 

CMYK 13 / 97 / 0 / 28

HEX #A005B8

RGB 160 5 184

HSL 291.96, 0.95%, 0.37%

LAB 39.65, 72.61, -54.4

 

CMYK 0 / 91 / 97 / 28

HEX #B81105

RGB 184 17 5

HSL 4.02, 0.95%, 0.37%

LAB 38.9, 60.72, 50.95

 

CMYK 85 / 0 / 97 / 29

HEX #1BB605

RGB 27 182 5

HSL 112.54, 0.95%, 0.37%

LAB 64.72, -65.09, 64.18

 

CMYK 97 / 36 / 0 / 28

HEX #0576B8

RGB 5 118 184

HSL 202.12, 0.95%, 0.37%

LAB 47.56, -2.61, -42.34

 

CMYK 13 / 97 / 0 / 28

HEX #A005B8

RGB 160 5 184

HSL 291.96, 0.95%, 0.37%

LAB 39.65, 72.61, -54.4

 

CMYK 0 / 62 / 97 / 28

HEX #B84605

RGB 184 70 5

HSL 21.79, 0.95%, 0.37%

LAB 45.06, 43.75, 54.33

 

Description

Color code: HEX #1BB605 | qconv.com Color code: HEX #1BB605 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 182 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 182 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 97 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 97% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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