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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BB511 it is the complementary color #E44AEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BB511. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BB511 shade: #20B50C, #31C71F, #42D932, #53EB45 and #64FD58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BB511. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BB511 shade: #1BB511, #0AA300, #009100, #007F00 and #006D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BB511 shade: #1BB611, #47B611, #74B611, #A1B611 and #B69F11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BB511 shade: #1BB611, #11B633, #11B660, #11B68C and #11B3B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BB511 shade matches the following richer shades: #1BB611 and #0DC601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BB511 shade: #1BB611, #29A621, #379631, #458641 and #537651

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BB511 shade: #74B611, #48B611, #1CB611, #11B632 and #11B65E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BB511 shade: #106A0A, #15900D, #1BB611, #21DC14 and #39EC2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BB511 shade: #1BB511, #11A0B6 and #B6115E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BB511 shade: #1BB511, #111CB6 and #B6111C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BB511 shade: #1BB511, #11A0B6, #AB11B6 and #B62711

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BB511 shade: #1BB511, #116EB6, #AB11B6 and #B65811

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 91 / 29

HEX #1BB511

RGB 27 181 17

HSL 116.34, 0.83%, 0.39%

LAB 64.42, -64.5, 62.29

 

Complementary color

CMYK 4 / 69 / 0 / 7

HEX #E44AEE

RGB 228 74 238

HSL 296.34, 0.83%, 0.61%

LAB 59.49, 77.89, -52.96

 

CMYK 82 / 0 / 93 / 29

HEX #20B50C

RGB 32 181 12

HSL 112.9, 0.88%, 0.38%

LAB 64.47, -64.11, 63.12

 

CMYK 75 / 0 / 84 / 22

HEX #31C71F

RGB 49 199 31

HSL 113.57, 0.73%, 0.45%

LAB 70.59, -66.54, 64.94

 

CMYK 70 / 0 / 77 / 15

HEX #42D932

RGB 66 217 50

HSL 114.25, 0.69%, 0.52%

LAB 76.69, -68.27, 65.52

 

CMYK 65 / 0 / 71 / 8

HEX #53EB45

RGB 83 235 69

HSL 114.94, 0.81%, 0.6%

LAB 82.75, -69.48, 65.32

 

CMYK 60 / 0 / 65 / 1

HEX #64FD58

RGB 100 253 88

HSL 115.64, 0.98%, 0.67%

LAB 88.76, -70.3, 64.65

 

CMYK 85 / 0 / 91 / 29

HEX #1BB511

RGB 27 181 17

HSL 116.34, 0.83%, 0.39%

LAB 64.42, -64.5, 62.29

 

CMYK 94 / 0 / 100 / 36

HEX #0AA300

RGB 10 163 0

HSL 116.32, 1%, 0.32%

LAB 58.28, -61.11, 59.59

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 100 / 0 / 100 / 57

HEX #006D00

RGB 0 109 0

HSL 120, 1%, 0.21%

LAB 39.47, -46.09, 44.48

 

CMYK 85 / 0 / 91 / 29

HEX #1BB611

RGB 27 182 17

HSL 116.36, 0.83%, 0.39%

LAB 64.75, -64.79, 62.57

 

CMYK 61 / 0 / 91 / 29

HEX #47B611

RGB 71 182 17

HSL 100.36, 0.83%, 0.39%

LAB 65.62, -57.28, 63.66

 

CMYK 36 / 0 / 91 / 29

HEX #74B611

RGB 116 182 17

HSL 84, 0.83%, 0.39%

LAB 67.43, -43.46, 65.9

 

CMYK 12 / 0 / 91 / 29

HEX #A1B611

RGB 161 182 17

HSL 67.64, 0.83%, 0.39%

LAB 70.23, -25.56, 69.33

 

CMYK 0 / 13 / 91 / 29

HEX #B69F11

RGB 182 159 17

HSL 51.64, 0.83%, 0.39%

LAB 65.58, -4.56, 66.42

 

CMYK 85 / 0 / 91 / 29

HEX #1BB611

RGB 27 182 17

HSL 116.36, 0.83%, 0.39%

LAB 64.75, -64.79, 62.57

 

CMYK 91 / 0 / 72 / 29

HEX #11B633

RGB 17 182 51

HSL 132.36, 0.83%, 0.39%

LAB 64.81, -63.58, 53.08

 

CMYK 91 / 0 / 47 / 29

HEX #11B660

RGB 17 182 96

HSL 148.73, 0.83%, 0.39%

LAB 65.29, -57.69, 33.1

 

CMYK 91 / 0 / 23 / 29

HEX #11B68C

RGB 17 182 140

HSL 164.73, 0.83%, 0.39%

LAB 66.11, -48.37, 10.69

 

CMYK 91 / 2 / 0 / 29

HEX #11B3B6

RGB 17 179 182

HSL 181.09, 0.83%, 0.39%

LAB 66.32, -35.34, -12.21

 

CMYK 85 / 0 / 91 / 29

HEX #1BB611

RGB 27 182 17

HSL 116.36, 0.83%, 0.39%

LAB 64.75, -64.79, 62.57

 

CMYK 93 / 0 / 99 / 22

HEX #0DC601

RGB 13 198 1

HSL 116.35, 0.99%, 0.39%

LAB 69.81, -70.66, 68.72

 

CMYK 85 / 0 / 91 / 29

HEX #1BB611

RGB 27 182 17

HSL 116.36, 0.83%, 0.39%

LAB 64.75, -64.79, 62.57

 

CMYK 75 / 0 / 80 / 35

HEX #29A621

RGB 41 166 33

HSL 116.39, 0.67%, 0.39%

LAB 59.76, -57.39, 54.36

 

CMYK 63 / 0 / 67 / 41

HEX #379631

RGB 55 150 49

HSL 116.44, 0.51%, 0.39%

LAB 54.91, -47.81, 43.59

 

CMYK 49 / 0 / 51 / 47

HEX #458641

RGB 69 134 65

HSL 116.52, 0.35%, 0.39%

LAB 50.33, -35.54, 30.66

 

CMYK 30 / 0 / 31 / 54

HEX #537651

RGB 83 118 81

HSL 116.76, 0.19%, 0.39%

LAB 46.16, -20.43, 16.5

 

CMYK 36 / 0 / 91 / 29

HEX #74B611

RGB 116 182 17

HSL 84, 0.83%, 0.39%

LAB 67.43, -43.46, 65.9

 

CMYK 60 / 0 / 91 / 29

HEX #48B611

RGB 72 182 17

HSL 100, 0.83%, 0.39%

LAB 65.65, -57.04, 63.69

 

CMYK 85 / 0 / 91 / 29

HEX #1CB611

RGB 28 182 17

HSL 116, 0.83%, 0.39%

LAB 64.76, -64.69, 62.58

 

CMYK 91 / 0 / 73 / 29

HEX #11B632

RGB 17 182 50

HSL 132, 0.83%, 0.39%

LAB 64.81, -63.67, 53.45

 

CMYK 91 / 0 / 48 / 29

HEX #11B65E

RGB 17 182 94

HSL 148, 0.83%, 0.39%

LAB 65.27, -58.03, 34.08

 

CMYK 85 / 0 / 91 / 58

HEX #106A0A

RGB 16 106 10

HSL 116.25, 0.83%, 0.23%

LAB 38.62, -42.95, 41.26

 

CMYK 85 / 0 / 91 / 44

HEX #15900D

RGB 21 144 13

HSL 116.34, 0.83%, 0.31%

LAB 51.99, -54.25, 52.32

 

CMYK 85 / 0 / 91 / 29

HEX #1BB611

RGB 27 182 17

HSL 116.36, 0.83%, 0.39%

LAB 64.75, -64.79, 62.57

 

CMYK 85 / 0 / 91 / 14

HEX #21DC14

RGB 33 220 20

HSL 116.1, 0.83%, 0.47%

LAB 77.02, -74.92, 72.53

 

CMYK 76 / 0 / 81 / 7

HEX #39EC2E

RGB 57 236 46

HSL 116.53, 0.83%, 0.55%

LAB 82.41, -75.71, 72.02

 

CMYK 85 / 0 / 91 / 29

HEX #1BB511

RGB 27 181 17

HSL 116.34, 0.83%, 0.39%

LAB 64.42, -64.5, 62.29

 

CMYK 91 / 12 / 0 / 29

HEX #11A0B6

RGB 17 160 182

HSL 188, 0.83%, 0.39%

LAB 60.46, -26.13, -21.08

 

CMYK 0 / 91 / 48 / 29

HEX #B6115E

RGB 182 17 94

HSL 332, 0.83%, 0.39%

LAB 39.84, 64.02, 1.44

 

CMYK 85 / 0 / 91 / 29

HEX #1BB511

RGB 27 181 17

HSL 116.34, 0.83%, 0.39%

LAB 64.42, -64.5, 62.29

 

CMYK 91 / 85 / 0 / 29

HEX #111CB6

RGB 17 28 182

HSL 236, 0.83%, 0.39%

LAB 24.72, 53.12, -78.33

 

CMYK 0 / 91 / 85 / 29

HEX #B6111C

RGB 182 17 28

HSL 356, 0.83%, 0.39%

LAB 38.6, 60.55, 40.74

 

CMYK 85 / 0 / 91 / 29

HEX #1BB511

RGB 27 181 17

HSL 116.34, 0.83%, 0.39%

LAB 64.42, -64.5, 62.29

 

CMYK 91 / 12 / 0 / 29

HEX #11A0B6

RGB 17 160 182

HSL 188, 0.83%, 0.39%

LAB 60.46, -26.13, -21.08

 

CMYK 6 / 91 / 0 / 29

HEX #AB11B6

RGB 171 17 182

HSL 296, 0.83%, 0.39%

LAB 41.9, 72.65, -49.49

 

CMYK 0 / 79 / 91 / 29

HEX #B62711

RGB 182 39 17

HSL 8, 0.83%, 0.39%

LAB 40.31, 55.28, 47.31

 

CMYK 85 / 0 / 91 / 29

HEX #1BB511

RGB 27 181 17

HSL 116.34, 0.83%, 0.39%

LAB 64.42, -64.5, 62.29

 

CMYK 91 / 40 / 0 / 29

HEX #116EB6

RGB 17 110 182

HSL 206.18, 0.83%, 0.39%

LAB 45.15, 2.05, -45

 

CMYK 6 / 91 / 0 / 29

HEX #AB11B6

RGB 171 17 182

HSL 296, 0.83%, 0.39%

LAB 41.9, 72.65, -49.49

 

CMYK 0 / 52 / 91 / 29

HEX #B65811

RGB 182 88 17

HSL 25.82, 0.83%, 0.39%

LAB 48.22, 34.25, 53.13

 

Description

Color code: HEX #1BB511 | qconv.com Color code: HEX #1BB511 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 181 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 181 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 91 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 91% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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