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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BB409 it is the complementary color #E44BF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BB409. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BB409 shade: #20B404, #31C617, #42D82A, #53EA3D and #64FC50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BB409. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BB409 shade: #1BB409, #0AA200, #009000, #007E00 and #006C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BB409 shade: #1BB309, #49B309, #77B309, #A5B309 and #B39409

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BB409 shade: #1BB309, #09B325, #09B353, #09B381 and #09B3AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BB409 shade matches the following richer shades: #1BB309

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BB409 shade: #1BB309, #27A419, #339528, #3F8537 and #4C7646

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BB409 shade: #78B309, #4BB309, #1DB309, #09B323 and #09B350

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BB409 shade: #0F6505, #158C07, #1BB309, #21DA0B and #33F31C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BB409 shade: #1BB409, #09A5B3 and #B30961

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BB409 shade: #1BB409, #091DB3 and #B3091D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BB409 shade: #1BB409, #09A5B3, #9F09B3 and #B31809

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BB409 shade: #1BB409, #0972B3, #9F09B3 and #B34B09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 95 / 29

HEX #1BB409

RGB 27 180 9

HSL 113.68, 0.9%, 0.37%

LAB 64.08, -64.43, 63.15

 

Complementary color

CMYK 7 / 70 / 0 / 4

HEX #E44BF6

RGB 228 75 246

HSL 293.68, 0.9%, 0.63%

LAB 60.05, 78.88, -56.53

 

CMYK 82 / 0 / 98 / 29

HEX #20B404

RGB 32 180 4

HSL 110.45, 0.96%, 0.36%

LAB 64.13, -64, 63.85

 

CMYK 75 / 0 / 88 / 22

HEX #31C617

RGB 49 198 23

HSL 111.09, 0.79%, 0.43%

LAB 70.25, -66.56, 66.34

 

CMYK 69 / 0 / 81 / 15

HEX #42D82A

RGB 66 216 42

HSL 111.72, 0.69%, 0.51%

LAB 76.34, -68.43, 67.51

 

CMYK 65 / 0 / 74 / 8

HEX #53EA3D

RGB 83 234 61

HSL 112.37, 0.8%, 0.58%

LAB 82.39, -69.74, 67.72

 

CMYK 60 / 0 / 68 / 1

HEX #64FC50

RGB 100 252 80

HSL 113.02, 0.97%, 0.65%

LAB 88.4, -70.66, 67.32

 

CMYK 85 / 0 / 95 / 29

HEX #1BB409

RGB 27 180 9

HSL 113.68, 0.9%, 0.37%

LAB 64.08, -64.43, 63.15

 

CMYK 94 / 0 / 100 / 36

HEX #0AA200

RGB 10 162 0

HSL 116.3, 1%, 0.32%

LAB 57.95, -60.82, 59.32

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 85 / 0 / 95 / 30

HEX #1BB309

RGB 27 179 9

HSL 113.65, 0.9%, 0.37%

LAB 63.75, -64.14, 62.88

 

CMYK 59 / 0 / 95 / 30

HEX #49B309

RGB 73 179 9

HSL 97.41, 0.9%, 0.37%

LAB 64.7, -55.94, 64.06

 

CMYK 34 / 0 / 95 / 30

HEX #77B309

RGB 119 179 9

HSL 81.18, 0.9%, 0.37%

LAB 66.66, -41.24, 66.45

 

CMYK 8 / 0 / 95 / 30

HEX #A5B309

RGB 165 179 9

HSL 64.94, 0.9%, 0.37%

LAB 69.65, -22.5, 70.08

 

CMYK 0 / 17 / 95 / 30

HEX #B39409

RGB 179 148 9

HSL 49.06, 0.9%, 0.37%

LAB 62.32, -0.11, 65.09

 

CMYK 85 / 0 / 95 / 30

HEX #1BB309

RGB 27 179 9

HSL 113.65, 0.9%, 0.37%

LAB 63.75, -64.14, 62.88

 

CMYK 95 / 0 / 79 / 30

HEX #09B325

RGB 9 179 37

HSL 129.88, 0.9%, 0.37%

LAB 63.7, -64.23, 56.77

 

CMYK 95 / 0 / 54 / 30

HEX #09B353

RGB 9 179 83

HSL 146.12, 0.9%, 0.37%

LAB 64.1, -59.22, 38.12

 

CMYK 95 / 0 / 28 / 30

HEX #09B381

RGB 9 179 129

HSL 162.35, 0.9%, 0.37%

LAB 64.87, -50.22, 14.96

 

CMYK 95 / 0 / 2 / 30

HEX #09B3AF

RGB 9 179 175

HSL 178.59, 0.9%, 0.37%

LAB 66.05, -37.78, -8.74

 

CMYK 85 / 0 / 95 / 30

HEX #1BB309

RGB 27 179 9

HSL 113.65, 0.9%, 0.37%

LAB 63.75, -64.14, 62.88

 

CMYK 85 / 0 / 95 / 30

HEX #1BB309

RGB 27 179 9

HSL 113.65, 0.9%, 0.37%

LAB 63.75, -64.14, 62.88

 

CMYK 76 / 0 / 85 / 36

HEX #27A419

RGB 39 164 25

HSL 113.96, 0.74%, 0.37%

LAB 59.02, -57.52, 55.92

 

CMYK 66 / 0 / 73 / 42

HEX #339528

RGB 51 149 40

HSL 113.94, 0.58%, 0.37%

LAB 54.4, -49.2, 46.72

 

CMYK 53 / 0 / 59 / 48

HEX #3F8537

RGB 63 133 55

HSL 113.85, 0.41%, 0.37%

LAB 49.63, -38.28, 34.89

 

CMYK 36 / 0 / 41 / 54

HEX #4C7646

RGB 76 118 70

HSL 112.5, 0.26%, 0.37%

LAB 45.55, -24.88, 21.93

 

CMYK 33 / 0 / 95 / 30

HEX #78B309

RGB 120 179 9

HSL 80.82, 0.9%, 0.37%

LAB 66.71, -40.86, 66.52

 

CMYK 58 / 0 / 95 / 30

HEX #4BB309

RGB 75 179 9

HSL 96.71, 0.9%, 0.37%

LAB 64.77, -55.42, 64.14

 

CMYK 84 / 0 / 95 / 30

HEX #1DB309

RGB 29 179 9

HSL 112.94, 0.9%, 0.37%

LAB 63.77, -63.93, 62.91

 

CMYK 95 / 0 / 80 / 30

HEX #09B323

RGB 9 179 35

HSL 129.18, 0.9%, 0.37%

LAB 63.69, -64.36, 57.36

 

CMYK 95 / 0 / 55 / 30

HEX #09B350

RGB 9 179 80

HSL 145.06, 0.9%, 0.37%

LAB 64.06, -59.67, 39.55

 

CMYK 85 / 0 / 95 / 60

HEX #0F6505

RGB 15 101 5

HSL 113.75, 0.91%, 0.21%

LAB 36.78, -41.69, 40.97

 

CMYK 85 / 0 / 95 / 45

HEX #158C07

RGB 21 140 7

HSL 113.68, 0.9%, 0.29%

LAB 50.61, -53.23, 52.22

 

CMYK 85 / 0 / 95 / 30

HEX #1BB309

RGB 27 179 9

HSL 113.65, 0.9%, 0.37%

LAB 63.75, -64.14, 62.88

 

CMYK 85 / 0 / 95 / 15

HEX #21DA0B

RGB 33 218 11

HSL 113.62, 0.9%, 0.45%

LAB 76.37, -74.57, 73.1

 

CMYK 79 / 0 / 88 / 5

HEX #33F31C

RGB 51 243 28

HSL 113.58, 0.9%, 0.53%

LAB 84.43, -79.24, 77.66

 

CMYK 85 / 0 / 95 / 29

HEX #1BB409

RGB 27 180 9

HSL 113.68, 0.9%, 0.37%

LAB 64.08, -64.43, 63.15

 

CMYK 95 / 8 / 0 / 30

HEX #09A5B3

RGB 9 165 179

HSL 184.94, 0.9%, 0.37%

LAB 61.85, -29.93, -17.29

 

CMYK 0 / 95 / 46 / 30

HEX #B30961

RGB 179 9 97

HSL 328.94, 0.9%, 0.37%

LAB 38.97, 64.59, -1.81

 

CMYK 85 / 0 / 95 / 29

HEX #1BB409

RGB 27 180 9

HSL 113.68, 0.9%, 0.37%

LAB 64.08, -64.43, 63.15

 

CMYK 95 / 84 / 0 / 30

HEX #091DB3

RGB 9 29 179

HSL 232.94, 0.9%, 0.37%

LAB 24.29, 51.55, -77.26

 

CMYK 0 / 95 / 84 / 30

HEX #B3091D

RGB 179 9 29

HSL 352.94, 0.9%, 0.37%

LAB 37.6, 60.84, 39.04

 

CMYK 85 / 0 / 95 / 29

HEX #1BB409

RGB 27 180 9

HSL 113.68, 0.9%, 0.37%

LAB 64.08, -64.43, 63.15

 

CMYK 95 / 8 / 0 / 30

HEX #09A5B3

RGB 9 165 179

HSL 184.94, 0.9%, 0.37%

LAB 61.85, -29.93, -17.29

 

CMYK 11 / 95 / 0 / 30

HEX #9F09B3

RGB 159 9 179

HSL 292.94, 0.9%, 0.37%

LAB 39.28, 71.19, -52.05

 

CMYK 0 / 87 / 95 / 30

HEX #B31809

RGB 179 24 9

HSL 5.29, 0.9%, 0.37%

LAB 38.3, 58.13, 48.64

 

CMYK 85 / 0 / 95 / 29

HEX #1BB409

RGB 27 180 9

HSL 113.68, 0.9%, 0.37%

LAB 64.08, -64.43, 63.15

 

CMYK 95 / 36 / 0 / 30

HEX #0972B3

RGB 9 114 179

HSL 202.94, 0.9%, 0.37%

LAB 46.11, -1.98, -41.74

 

CMYK 11 / 95 / 0 / 30

HEX #9F09B3

RGB 159 9 179

HSL 292.94, 0.9%, 0.37%

LAB 39.28, 71.19, -52.05

 

CMYK 0 / 58 / 95 / 30

HEX #B34B09

RGB 179 75 9

HSL 23.29, 0.9%, 0.37%

LAB 45.13, 39.52, 52.91

 

Description

Color code: HEX #1BB409 | qconv.com Color code: HEX #1BB409 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 180 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 180 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 95 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 95% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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