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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BB047 it is the complementary color #E44FB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BB047. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BB047 shade: #20B042, #31C255, #42D468, #53E67B and #64F88E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BB047. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BB047 shade: #1BB047, #0A9E34, #008C21, #007A0E and #006800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BB047 shade: #1CB048, #1CB01F, #40B01C, #68B01C and #90B01C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BB047 shade: #1CB048, #1CB070, #1CB098, #1CA1B0 and #1C79B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BB047 shade matches the following richer shades: #1CB048 and #0BC141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BB047 shade: #1CB048, #2CA04E, #3D8F55, #4D7F5C and #5E6E63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BB047 shade: #41B01C, #1CB01E, #1CB046, #1CB06D and #1CB095

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BB047 shade: #10692B, #168D39, #1CB048, #21D456 and #3EE16E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BB047 shade: #1BB047, #1C68B0 and #B01C2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BB047 shade: #1BB047, #461CB0 and #B0461C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BB047 shade: #1BB047, #1C68B0, #B01C86 and #B0641C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BB047 shade: #1BB047, #1C3CB0, #B01C86 and #B0901C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 60 / 31

HEX #1BB047

RGB 27 176 71

HSL 137.72, 0.73%, 0.4%

LAB 63.13, -58.72, 42.76

 

Complementary color

CMYK 0 / 65 / 19 / 11

HEX #E44FB8

RGB 228 79 184

HSL 317.72, 0.73%, 0.6%

LAB 57.6, 67.89, -25.3

 

CMYK 82 / 0 / 63 / 31

HEX #20B042

RGB 32 176 66

HSL 134.17, 0.69%, 0.41%

LAB 63.14, -58.82, 45.07

 

CMYK 75 / 0 / 56 / 24

HEX #31C255

RGB 49 194 85

HSL 134.9, 0.6%, 0.48%

LAB 69.39, -60.16, 43.65

 

CMYK 69 / 0 / 51 / 17

HEX #42D468

RGB 66 212 104

HSL 135.62, 0.63%, 0.55%

LAB 75.6, -61.01, 42.18

 

CMYK 64 / 0 / 47 / 10

HEX #53E67B

RGB 83 230 123

HSL 136.33, 0.75%, 0.61%

LAB 81.76, -61.52, 40.73

 

CMYK 60 / 0 / 43 / 3

HEX #64F88E

RGB 100 248 142

HSL 137.03, 0.91%, 0.68%

LAB 87.87, -61.79, 39.34

 

CMYK 85 / 0 / 60 / 31

HEX #1BB047

RGB 27 176 71

HSL 137.72, 0.73%, 0.4%

LAB 63.13, -58.72, 42.76

 

CMYK 94 / 0 / 67 / 38

HEX #0A9E34

RGB 10 158 52

HSL 137.03, 0.88%, 0.33%

LAB 56.85, -56.57, 44.18

 

CMYK 100 / 0 / 76 / 45

HEX #008C21

RGB 0 140 33

HSL 134.14, 1%, 0.27%

LAB 50.53, -53.49, 45.19

 

CMYK 100 / 0 / 89 / 52

HEX #007A0E

RGB 0 122 14

HSL 126.89, 1%, 0.24%

LAB 44.16, -49.35, 45.14

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 84 / 0 / 59 / 31

HEX #1CB048

RGB 28 176 72

HSL 137.84, 0.73%, 0.4%

LAB 63.15, -58.49, 42.32

 

CMYK 84 / 0 / 82 / 31

HEX #1CB01F

RGB 28 176 31

HSL 121.22, 0.73%, 0.4%

LAB 62.84, -62.32, 57.77

 

CMYK 64 / 0 / 84 / 31

HEX #40B01C

RGB 64 176 28

HSL 105.41, 0.73%, 0.4%

LAB 63.53, -56.46, 59.44

 

CMYK 41 / 0 / 84 / 31

HEX #68B01C

RGB 104 176 28

HSL 89.19, 0.73%, 0.4%

LAB 65.02, -44.86, 61.35

 

CMYK 18 / 0 / 84 / 31

HEX #90B01C

RGB 144 176 28

HSL 72.97, 0.73%, 0.4%

LAB 67.32, -29.52, 64.25

 

CMYK 84 / 0 / 59 / 31

HEX #1CB048

RGB 28 176 72

HSL 137.84, 0.73%, 0.4%

LAB 63.15, -58.49, 42.32

 

CMYK 84 / 0 / 36 / 31

HEX #1CB070

RGB 28 176 112

HSL 154.05, 0.73%, 0.4%

LAB 63.73, -51.66, 22.65

 

CMYK 84 / 0 / 14 / 31

HEX #1CB098

RGB 28 176 152

HSL 170.27, 0.73%, 0.4%

LAB 64.62, -42.02, 1.93

 

CMYK 84 / 9 / 0 / 31

HEX #1CA1B0

RGB 28 161 176

HSL 186.08, 0.73%, 0.4%

LAB 60.67, -27.9, -17.38

 

CMYK 84 / 31 / 0 / 31

HEX #1C79B0

RGB 28 121 176

HSL 202.3, 0.73%, 0.4%

LAB 48.33, -6.17, -36.46

 

CMYK 84 / 0 / 59 / 31

HEX #1CB048

RGB 28 176 72

HSL 137.84, 0.73%, 0.4%

LAB 63.15, -58.49, 42.32

 

CMYK 94 / 0 / 66 / 24

HEX #0BC141

RGB 11 193 65

HSL 137.8, 0.89%, 0.4%

LAB 68.46, -65.83, 51.38

 

CMYK 84 / 0 / 59 / 31

HEX #1CB048

RGB 28 176 72

HSL 137.84, 0.73%, 0.4%

LAB 63.15, -58.49, 42.32

 

CMYK 73 / 0 / 51 / 37

HEX #2CA04E

RGB 44 160 78

HSL 137.59, 0.57%, 0.4%

LAB 58.25, -49.94, 33.54

 

CMYK 57 / 0 / 41 / 44

HEX #3D8F55

RGB 61 143 85

HSL 137.56, 0.4%, 0.4%

LAB 53.27, -38.43, 23.54

 

CMYK 39 / 0 / 28 / 50

HEX #4D7F5C

RGB 77 127 92

HSL 138, 0.25%, 0.4%

LAB 48.92, -25.01, 13.84

 

CMYK 15 / 0 / 10 / 57

HEX #5E6E63

RGB 94 110 99

HSL 138.75, 0.08%, 0.4%

LAB 44.85, -8.38, 4.12

 

CMYK 63 / 0 / 84 / 31

HEX #41B01C

RGB 65 176 28

HSL 105, 0.73%, 0.4%

LAB 63.56, -56.23, 59.48

 

CMYK 84 / 0 / 83 / 31

HEX #1CB01E

RGB 28 176 30

HSL 120.81, 0.73%, 0.4%

LAB 62.84, -62.37, 58.04

 

CMYK 84 / 0 / 60 / 31

HEX #1CB046

RGB 28 176 70

HSL 137.03, 0.73%, 0.4%

LAB 63.13, -58.75, 43.22

 

CMYK 84 / 0 / 38 / 31

HEX #1CB06D

RGB 28 176 109

HSL 152.84, 0.73%, 0.4%

LAB 63.67, -52.28, 24.19

 

CMYK 84 / 0 / 15 / 31

HEX #1CB095

RGB 28 176 149

HSL 169.05, 0.73%, 0.4%

LAB 64.54, -42.83, 3.49

 

CMYK 85 / 0 / 59 / 59

HEX #10692B

RGB 16 105 43

HSL 138.2, 0.74%, 0.24%

LAB 38.53, -39.31, 27.59

 

CMYK 84 / 0 / 60 / 45

HEX #168D39

RGB 22 141 57

HSL 137.65, 0.73%, 0.32%

LAB 51.29, -49.39, 35.59

 

CMYK 84 / 0 / 59 / 31

HEX #1CB048

RGB 28 176 72

HSL 137.84, 0.73%, 0.4%

LAB 63.15, -58.49, 42.32

 

CMYK 84 / 0 / 59 / 17

HEX #21D456

RGB 33 212 86

HSL 137.77, 0.73%, 0.48%

LAB 74.88, -67.76, 49.58

 

CMYK 72 / 0 / 51 / 12

HEX #3EE16E

RGB 62 225 110

HSL 137.67, 0.73%, 0.56%

LAB 79.61, -65.29, 44.23

 

CMYK 85 / 0 / 60 / 31

HEX #1BB047

RGB 27 176 71

HSL 137.72, 0.73%, 0.4%

LAB 63.13, -58.72, 42.76

 

CMYK 84 / 41 / 0 / 31

HEX #1C68B0

RGB 28 104 176

HSL 209.19, 0.73%, 0.4%

LAB 43.19, 4.25, -44.62

 

CMYK 0 / 84 / 74 / 31

HEX #B01C2D

RGB 176 28 45

HSL 353.11, 0.73%, 0.4%

LAB 38.29, 57.29, 30.19

 

CMYK 85 / 0 / 60 / 31

HEX #1BB047

RGB 27 176 71

HSL 137.72, 0.73%, 0.4%

LAB 63.13, -58.72, 42.76

 

CMYK 60 / 84 / 0 / 31

HEX #461CB0

RGB 70 28 176

HSL 257.03, 0.73%, 0.4%

LAB 27.48, 54.58, -70.06

 

CMYK 0 / 60 / 84 / 31

HEX #B0461C

RGB 176 70 28

HSL 17.03, 0.73%, 0.4%

LAB 43.79, 41.17, 44.97

 

CMYK 85 / 0 / 60 / 31

HEX #1BB047

RGB 27 176 71

HSL 137.72, 0.73%, 0.4%

LAB 63.13, -58.72, 42.76

 

CMYK 84 / 41 / 0 / 31

HEX #1C68B0

RGB 28 104 176

HSL 209.19, 0.73%, 0.4%

LAB 43.19, 4.25, -44.62

 

CMYK 0 / 84 / 24 / 31

HEX #B01C86

RGB 176 28 134

HSL 317.03, 0.73%, 0.4%

LAB 40.87, 64.75, -22.15

 

CMYK 0 / 43 / 84 / 31

HEX #B0641C

RGB 176 100 28

HSL 29.19, 0.73%, 0.4%

LAB 50.01, 25.55, 50.46

 

CMYK 85 / 0 / 60 / 31

HEX #1BB047

RGB 27 176 71

HSL 137.72, 0.73%, 0.4%

LAB 63.13, -58.72, 42.76

 

CMYK 84 / 66 / 0 / 31

HEX #1C3CB0

RGB 28 60 176

HSL 227.03, 0.73%, 0.4%

LAB 30.91, 33.3, -64.51

 

CMYK 0 / 84 / 24 / 31

HEX #B01C86

RGB 176 28 134

HSL 317.03, 0.73%, 0.4%

LAB 40.87, 64.75, -22.15

 

CMYK 0 / 18 / 84 / 31

HEX #B0901C

RGB 176 144 28

HSL 47.03, 0.73%, 0.4%

LAB 61.01, 1.1, 59.91

 

Description

Color code: HEX #1BB047 | qconv.com Color code: HEX #1BB047 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 176 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 176 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 60 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 60% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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