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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BAB7E it is the complementary color #E45481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BAB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BAB7E shade: #20AB79, #31BD8C, #42CF9F, #53E1B2 and #64F3C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BAB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BAB7E shade: #1BAB7E, #0A996B, #008758, #007545 and #006332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BAB7E shade: #1BAC7F, #1BAC58, #1BAC30, #2CAC1B and #54AC1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BAB7E shade: #1BAC7F, #1BACA6, #1B8BAC, #1B64AC and #1B3DAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BAB7E shade matches the following richer shades: #1BAC7F and #0BBC85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BAB7E shade: #1BAC7F, #2B9C79, #3B8C73, #4B7C6D and #5B6C67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BAB7E shade: #1BAC31, #1BAC57, #1BAC7E, #1BACA5 and #1B8DAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BAB7E shade: #10654A, #158864, #1BAC7F, #20D099 and #39E0AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BAB7E shade: #1BAB7E, #1B2CAC and #AC441B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BAB7E shade: #1BAB7E, #7E1BAC and #AC7E1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BAB7E shade: #1BAB7E, #1B2CAC, #AC1B49 and #AC9B1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BAB7E shade: #1BAB7E, #351BAC, #AC1B49 and #91AC1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 26 / 33

HEX #1BAB7E

RGB 27 171 126

HSL 161.25, 0.73%, 0.39%

LAB 62.39, -46.68, 13.17

 

Complementary color

CMYK 0 / 63 / 43 / 11

HEX #E45481

RGB 228 84 129

HSL 341.25, 0.73%, 0.61%

LAB 56.51, 59.43, 5.18

 

CMYK 81 / 0 / 29 / 33

HEX #20AB79

RGB 32 171 121

HSL 158.42, 0.68%, 0.4%

LAB 62.35, -47.38, 15.88

 

CMYK 74 / 0 / 26 / 26

HEX #31BD8C

RGB 49 189 140

HSL 159, 0.59%, 0.47%

LAB 68.71, -48.23, 14.4

 

CMYK 68 / 0 / 23 / 19

HEX #42CF9F

RGB 66 207 159

HSL 159.57, 0.59%, 0.54%

LAB 75.01, -48.77, 13.08

 

CMYK 63 / 0 / 21 / 12

HEX #53E1B2

RGB 83 225 178

HSL 160.14, 0.7%, 0.6%

LAB 81.24, -49.09, 11.87

 

CMYK 59 / 0 / 19 / 5

HEX #64F3C5

RGB 100 243 197

HSL 160.7, 0.86%, 0.67%

LAB 87.41, -49.26, 10.76

 

CMYK 84 / 0 / 26 / 33

HEX #1BAB7E

RGB 27 171 126

HSL 161.25, 0.73%, 0.39%

LAB 62.39, -46.68, 13.17

 

CMYK 93 / 0 / 30 / 40

HEX #0A996B

RGB 10 153 107

HSL 160.7, 0.88%, 0.32%

LAB 56, -45.2, 14.82

 

CMYK 100 / 0 / 35 / 47

HEX #008758

RGB 0 135 88

HSL 159.11, 1%, 0.26%

LAB 49.54, -43.14, 16.67

 

CMYK 100 / 0 / 41 / 54

HEX #007545

RGB 0 117 69

HSL 155.38, 1%, 0.23%

LAB 42.99, -40.43, 18.73

 

CMYK 100 / 0 / 49 / 61

HEX #006332

RGB 0 99 50

HSL 150.3, 1%, 0.19%

LAB 36.28, -37.53, 20.89

 

CMYK 84 / 0 / 26 / 33

HEX #1BAC7F

RGB 27 172 127

HSL 161.38, 0.73%, 0.39%

LAB 62.74, -46.84, 13.1

 

CMYK 84 / 0 / 49 / 33

HEX #1BAC58

RGB 27 172 88

HSL 145.24, 0.73%, 0.39%

LAB 62.03, -54.83, 33.08

 

CMYK 84 / 0 / 72 / 33

HEX #1BAC30

RGB 27 172 48

HSL 128.69, 0.73%, 0.39%

LAB 61.61, -59.97, 50.94

 

CMYK 74 / 0 / 84 / 33

HEX #2CAC1B

RGB 44 172 27

HSL 112.97, 0.73%, 0.39%

LAB 61.76, -59.15, 57.92

 

CMYK 51 / 0 / 84 / 33

HEX #54AC1B

RGB 84 172 27

HSL 96.41, 0.73%, 0.39%

LAB 62.9, -49.77, 59.38

 

CMYK 84 / 0 / 26 / 33

HEX #1BAC7F

RGB 27 172 127

HSL 161.38, 0.73%, 0.39%

LAB 62.74, -46.84, 13.1

 

CMYK 84 / 0 / 3 / 33

HEX #1BACA6

RGB 27 172 166

HSL 177.52, 0.73%, 0.39%

LAB 63.75, -36.33, -7.14

 

CMYK 84 / 19 / 0 / 33

HEX #1B8BAC

RGB 27 139 172

HSL 193.66, 0.73%, 0.39%

LAB 53.68, -17.92, -25.8

 

CMYK 84 / 42 / 0 / 33

HEX #1B64AC

RGB 27 100 172

HSL 209.79, 0.73%, 0.39%

LAB 41.73, 5.13, -44.6

 

CMYK 84 / 65 / 0 / 33

HEX #1B3DAC

RGB 27 61 172

HSL 225.93, 0.73%, 0.39%

LAB 30.76, 31.05, -62.37

 

CMYK 84 / 0 / 26 / 33

HEX #1BAC7F

RGB 27 172 127

HSL 161.38, 0.73%, 0.39%

LAB 62.74, -46.84, 13.1

 

CMYK 94 / 0 / 29 / 26

HEX #0BBC85

RGB 11 188 133

HSL 161.36, 0.89%, 0.39%

LAB 67.82, -52.66, 16.89

 

CMYK 84 / 0 / 26 / 33

HEX #1BAC7F

RGB 27 172 127

HSL 161.38, 0.73%, 0.39%

LAB 62.74, -46.84, 13.1

 

CMYK 72 / 0 / 22 / 39

HEX #2B9C79

RGB 43 156 121

HSL 161.42, 0.57%, 0.39%

LAB 57.72, -39.78, 9.43

 

CMYK 58 / 0 / 18 / 45

HEX #3B8C73

RGB 59 140 115

HSL 161.48, 0.41%, 0.39%

LAB 52.87, -31.05, 5.99

 

CMYK 40 / 0 / 12 / 51

HEX #4B7C6D

RGB 75 124 109

HSL 161.63, 0.25%, 0.39%

LAB 48.28, -20.31, 2.98

 

CMYK 16 / 0 / 5 / 58

HEX #5B6C67

RGB 91 108 103

HSL 162.35, 0.09%, 0.39%

LAB 44.13, -7.48, 0.65

 

CMYK 84 / 0 / 72 / 33

HEX #1BAC31

RGB 27 172 49

HSL 129.1, 0.73%, 0.39%

LAB 61.62, -59.88, 50.56

 

CMYK 84 / 0 / 49 / 33

HEX #1BAC57

RGB 27 172 87

HSL 144.83, 0.73%, 0.39%

LAB 62.02, -55, 33.58

 

CMYK 84 / 0 / 27 / 33

HEX #1BAC7E

RGB 27 172 126

HSL 160.97, 0.73%, 0.39%

LAB 62.71, -47.08, 13.62

 

CMYK 84 / 0 / 4 / 33

HEX #1BACA5

RGB 27 172 165

HSL 177.1, 0.73%, 0.39%

LAB 63.72, -36.63, -6.63

 

CMYK 84 / 18 / 0 / 33

HEX #1B8DAC

RGB 27 141 172

HSL 192.83, 0.73%, 0.39%

LAB 54.3, -19, -24.85

 

CMYK 84 / 0 / 27 / 60

HEX #10654A

RGB 16 101 74

HSL 160.94, 0.73%, 0.23%

LAB 37.68, -31.17, 8.55

 

CMYK 85 / 0 / 26 / 47

HEX #158864

RGB 21 136 100

HSL 161.22, 0.73%, 0.31%

LAB 50.32, -39.18, 10.91

 

CMYK 84 / 0 / 26 / 33

HEX #1BAC7F

RGB 27 172 127

HSL 161.38, 0.73%, 0.39%

LAB 62.74, -46.84, 13.1

 

CMYK 85 / 0 / 26 / 18

HEX #20D099

RGB 32 208 153

HSL 161.25, 0.73%, 0.47%

LAB 74.65, -54.5, 15.69

 

CMYK 75 / 0 / 23 / 12

HEX #39E0AC

RGB 57 224 172

HSL 161.32, 0.73%, 0.55%

LAB 80.27, -53.9, 13.58

 

CMYK 84 / 0 / 26 / 33

HEX #1BAB7E

RGB 27 171 126

HSL 161.25, 0.73%, 0.39%

LAB 62.39, -46.68, 13.17

 

CMYK 84 / 74 / 0 / 33

HEX #1B2CAC

RGB 27 44 172

HSL 232.97, 0.73%, 0.39%

LAB 26.77, 41.83, -68.94

 

CMYK 0 / 60 / 84 / 33

HEX #AC441B

RGB 172 68 27

HSL 16.97, 0.73%, 0.39%

LAB 42.74, 40.59, 44.23

 

CMYK 84 / 0 / 26 / 33

HEX #1BAB7E

RGB 27 171 126

HSL 161.25, 0.73%, 0.39%

LAB 62.39, -46.68, 13.17

 

CMYK 27 / 84 / 0 / 33

HEX #7E1BAC

RGB 126 27 172

HSL 280.97, 0.73%, 0.39%

LAB 34.39, 61.39, -56.05

 

CMYK 0 / 27 / 84 / 33

HEX #AC7E1B

RGB 172 126 27

HSL 40.97, 0.73%, 0.39%

LAB 55.86, 9.22, 55.65

 

CMYK 84 / 0 / 26 / 33

HEX #1BAB7E

RGB 27 171 126

HSL 161.25, 0.73%, 0.39%

LAB 62.39, -46.68, 13.17

 

CMYK 84 / 74 / 0 / 33

HEX #1B2CAC

RGB 27 44 172

HSL 232.97, 0.73%, 0.39%

LAB 26.77, 41.83, -68.94

 

CMYK 0 / 84 / 58 / 33

HEX #AC1B49

RGB 172 27 73

HSL 340.97, 0.73%, 0.39%

LAB 37.91, 57.97, 11.84

 

CMYK 0 / 10 / 84 / 33

HEX #AC9B1B

RGB 172 155 27

HSL 52.97, 0.73%, 0.39%

LAB 63.58, -6.69, 62.2

 

CMYK 84 / 0 / 26 / 33

HEX #1BAB7E

RGB 27 171 126

HSL 161.25, 0.73%, 0.39%

LAB 62.39, -46.68, 13.17

 

CMYK 69 / 84 / 0 / 33

HEX #351BAC

RGB 53 27 172

HSL 250.76, 0.73%, 0.39%

LAB 25.32, 52.36, -71.29

 

CMYK 0 / 84 / 58 / 33

HEX #AC1B49

RGB 172 27 73

HSL 340.97, 0.73%, 0.39%

LAB 37.91, 57.97, 11.84

 

CMYK 16 / 0 / 84 / 33

HEX #91AC1B

RGB 145 172 27

HSL 71.17, 0.73%, 0.39%

LAB 66.22, -27.22, 63.56

 

Description

Color code: HEX #1BAB7E | qconv.com Color code: HEX #1BAB7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 171 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 171 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 26 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 26% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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