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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BA9D9 it is the complementary color #E45626. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BA9D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BA9D9 shade: #20A9D4, #31BBE7, #42CDFA, #53DFFF and #64F1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BA9D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BA9D9 shade: #1BA9D9, #0A97C6, #0085B3, #0073A0 and #00618D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BA9D9 shade: #1AA9D9, #1A76D9, #1A42D9, #261AD9 and #5A1AD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BA9D9 shade: #1AA9D9, #1A76D9, #1A42D9 and #1A1AD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BA9D9 shade matches the following richer shades: #1AA9D9 and #07B3ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BA9D9 shade: #1AA9D9, #2E9FC6, #4296B2, #568C9E and #6A828A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BA9D9 shade: #1AD9A3, #1AD9D6, #1AAAD9, #1A77D9 and #1A44D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BA9D9 shade: #117090, #168DB5, #1AA9D9, #37BAE6 and #5CC6EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BA9D9 shade: #1BA9D9, #701AD9 and #D9BD1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BA9D9 shade: #1BA9D9, #D91AAA and #AAD91A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BA9D9 shade: #1BA9D9, #701AD9, #D94A1A and #83D91A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BA9D9 shade: #1BA9D9, #AA1AD9, #D94A1A and #4AD91A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 22 / 0 / 15

HEX #1BA9D9

RGB 27 169 217

HSL 195.16, 0.78%, 0.48%

LAB 64.66, -18.32, -34.12

 

Complementary color

CMYK 0 / 62 / 83 / 11

HEX #E45626

RGB 228 86 38

HSL 15.16, 0.78%, 0.52%

LAB 55.37, 53.04, 54.17

 

CMYK 85 / 20 / 0 / 17

HEX #20A9D4

RGB 32 169 212

HSL 194.33, 0.74%, 0.48%

LAB 64.51, -19.71, -31.58

 

CMYK 79 / 19 / 0 / 9

HEX #31BBE7

RGB 49 187 231

HSL 194.51, 0.79%, 0.55%

LAB 70.85, -21.28, -32.18

 

CMYK 74 / 18 / 0 / 2

HEX #42CDFA

RGB 66 205 250

HSL 194.67, 0.95%, 0.62%

LAB 77.11, -22.54, -32.72

 

CMYK 67 / 13 / 0 / 0

HEX #53DFFF

RGB 83 223 255

HSL 191.16, 1%, 0.66%

LAB 82.83, -27.78, -26.58

 

CMYK 61 / 5 / 0 / 0

HEX #64F1FF

RGB 100 241 255

HSL 185.42, 1%, 0.7%

LAB 88.37, -33.82, -18.13

 

CMYK 88 / 22 / 0 / 15

HEX #1BA9D9

RGB 27 169 217

HSL 195.16, 0.78%, 0.48%

LAB 64.66, -18.32, -34.12

 

CMYK 95 / 24 / 0 / 22

HEX #0A97C6

RGB 10 151 198

HSL 195, 0.9%, 0.41%

LAB 58.3, -16.14, -33.44

 

CMYK 100 / 26 / 0 / 30

HEX #0085B3

RGB 0 133 179

HSL 195.42, 1%, 0.35%

LAB 51.87, -13.49, -32.66

 

CMYK 100 / 28 / 0 / 37

HEX #0073A0

RGB 0 115 160

HSL 196.88, 1%, 0.31%

LAB 45.36, -10.37, -31.81

 

CMYK 100 / 31 / 0 / 45

HEX #00618D

RGB 0 97 141

HSL 198.72, 1%, 0.28%

LAB 38.68, -7.09, -30.98

 

CMYK 88 / 22 / 0 / 15

HEX #1AA9D9

RGB 26 169 217

HSL 195.08, 0.79%, 0.48%

LAB 64.65, -18.38, -34.14

 

CMYK 88 / 46 / 0 / 15

HEX #1A76D9

RGB 26 118 217

HSL 211.1, 0.79%, 0.48%

LAB 49.72, 11.26, -57.75

 

CMYK 88 / 70 / 0 / 15

HEX #1A42D9

RGB 26 66 217

HSL 227.43, 0.79%, 0.48%

LAB 36.23, 44.48, -79.75

 

CMYK 82 / 88 / 0 / 15

HEX #261AD9

RGB 38 26 217

HSL 243.77, 0.79%, 0.48%

LAB 29.81, 64.64, -90.37

 

CMYK 59 / 88 / 0 / 15

HEX #5A1AD9

RGB 90 26 217

HSL 260.1, 0.79%, 0.48%

LAB 33.82, 67.58, -83.6

 

CMYK 88 / 22 / 0 / 15

HEX #1AA9D9

RGB 26 169 217

HSL 195.08, 0.79%, 0.48%

LAB 64.65, -18.38, -34.14

 

CMYK 88 / 46 / 0 / 15

HEX #1A76D9

RGB 26 118 217

HSL 211.1, 0.79%, 0.48%

LAB 49.72, 11.26, -57.75

 

CMYK 88 / 70 / 0 / 15

HEX #1A42D9

RGB 26 66 217

HSL 227.43, 0.79%, 0.48%

LAB 36.23, 44.48, -79.75

 

CMYK 88 / 88 / 0 / 15

HEX #1A1AD9

RGB 26 26 217

HSL 240, 0.79%, 0.48%

LAB 29.33, 64.31, -91.18

 

CMYK 88 / 22 / 0 / 15

HEX #1AA9D9

RGB 26 169 217

HSL 195.08, 0.79%, 0.48%

LAB 64.65, -18.38, -34.14

 

CMYK 97 / 24 / 0 / 7

HEX #07B3ED

RGB 7 179 237

HSL 195.13, 0.94%, 0.48%

LAB 68.31, -17.43, -39.41

 

CMYK 88 / 22 / 0 / 15

HEX #1AA9D9

RGB 26 169 217

HSL 195.08, 0.79%, 0.48%

LAB 64.65, -18.38, -34.14

 

CMYK 77 / 20 / 0 / 22

HEX #2E9FC6

RGB 46 159 198

HSL 195.39, 0.62%, 0.48%

LAB 61.18, -17.89, -28.93

 

CMYK 63 / 16 / 0 / 30

HEX #4296B2

RGB 66 150 178

HSL 195, 0.46%, 0.48%

LAB 58.21, -16.71, -22.18

 

CMYK 46 / 11 / 0 / 38

HEX #568C9E

RGB 86 140 158

HSL 195, 0.3%, 0.48%

LAB 55.28, -12.92, -15.15

 

CMYK 23 / 6 / 0 / 46

HEX #6A828A

RGB 106 130 138

HSL 195, 0.13%, 0.48%

LAB 52.8, -6.72, -7.18

 

CMYK 88 / 0 / 25 / 15

HEX #1AD9A3

RGB 26 217 163

HSL 163.04, 0.79%, 0.48%

LAB 77.57, -56.04, 14.48

 

CMYK 88 / 0 / 1 / 15

HEX #1AD9D6

RGB 26 217 214

HSL 179.06, 0.79%, 0.48%

LAB 78.87, -42.6, -10.84

 

CMYK 88 / 22 / 0 / 15

HEX #1AAAD9

RGB 26 170 217

HSL 194.76, 0.79%, 0.48%

LAB 64.95, -18.91, -33.68

 

CMYK 88 / 45 / 0 / 15

HEX #1A77D9

RGB 26 119 217

HSL 210.79, 0.79%, 0.48%

LAB 50.01, 10.63, -57.3

 

CMYK 88 / 69 / 0 / 15

HEX #1A44D9

RGB 26 68 217

HSL 226.81, 0.79%, 0.48%

LAB 36.68, 43.26, -79.01

 

CMYK 88 / 22 / 0 / 44

HEX #117090

RGB 17 112 144

HSL 195.12, 0.79%, 0.32%

LAB 43.83, -13.79, -24.71

 

CMYK 88 / 22 / 0 / 29

HEX #168DB5

RGB 22 141 181

HSL 195.09, 0.78%, 0.4%

LAB 54.61, -16.19, -29.52

 

CMYK 88 / 22 / 0 / 15

HEX #1AA9D9

RGB 26 169 217

HSL 195.08, 0.79%, 0.48%

LAB 64.65, -18.38, -34.14

 

CMYK 76 / 19 / 0 / 10

HEX #37BAE6

RGB 55 186 230

HSL 195.09, 0.78%, 0.56%

LAB 70.62, -20.48, -31.97

 

CMYK 61 / 15 / 0 / 8

HEX #5CC6EA

RGB 92 198 234

HSL 195.21, 0.77%, 0.64%

LAB 75.2, -20.12, -27.01

 

CMYK 88 / 22 / 0 / 15

HEX #1BA9D9

RGB 27 169 217

HSL 195.16, 0.78%, 0.48%

LAB 64.66, -18.32, -34.12

 

CMYK 48 / 88 / 0 / 15

HEX #701AD9

RGB 112 26 217

HSL 267.02, 0.79%, 0.48%

LAB 36.35, 69.61, -79.33

 

CMYK 0 / 13 / 88 / 15

HEX #D9BD1A

RGB 217 189 26

HSL 51.2, 0.79%, 0.48%

LAB 76.81, -4.67, 74.93

 

CMYK 88 / 22 / 0 / 15

HEX #1BA9D9

RGB 27 169 217

HSL 195.16, 0.78%, 0.48%

LAB 64.66, -18.32, -34.12

 

CMYK 0 / 88 / 22 / 15

HEX #D91AAA

RGB 217 26 170

HSL 314.76, 0.79%, 0.48%

LAB 49.97, 78.22, -29.11

 

CMYK 22 / 0 / 88 / 15

HEX #AAD91A

RGB 170 217 26

HSL 74.76, 0.79%, 0.48%

LAB 80.88, -38.01, 76.71

 

CMYK 88 / 22 / 0 / 15

HEX #1BA9D9

RGB 27 169 217

HSL 195.16, 0.78%, 0.48%

LAB 64.66, -18.32, -34.12

 

CMYK 48 / 88 / 0 / 15

HEX #701AD9

RGB 112 26 217

HSL 267.02, 0.79%, 0.48%

LAB 36.35, 69.61, -79.33

 

CMYK 0 / 66 / 88 / 15

HEX #D94A1A

RGB 217 74 26

HSL 15.08, 0.79%, 0.48%

LAB 51.52, 54.05, 55.11

 

CMYK 40 / 0 / 88 / 15

HEX #83D91A

RGB 131 217 26

HSL 87.02, 0.79%, 0.48%

LAB 78.77, -52.3, 74.1

 

CMYK 88 / 22 / 0 / 15

HEX #1BA9D9

RGB 27 169 217

HSL 195.16, 0.78%, 0.48%

LAB 64.66, -18.32, -34.12

 

CMYK 22 / 88 / 0 / 15

HEX #AA1AD9

RGB 170 26 217

HSL 285.24, 0.79%, 0.48%

LAB 44.65, 76.99, -65.41

 

CMYK 0 / 66 / 88 / 15

HEX #D94A1A

RGB 217 74 26

HSL 15.08, 0.79%, 0.48%

LAB 51.52, 54.05, 55.11

 

CMYK 66 / 0 / 88 / 15

HEX #4AD91A

RGB 74 217 26

HSL 104.92, 0.79%, 0.48%

LAB 76.77, -67.89, 71.61

 

Description

Color code: HEX #1BA9D9 | qconv.com Color code: HEX #1BA9D9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 169 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 169 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 22 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 22% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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