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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B9A8B it is the complementary color #E46574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B9A8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B9A8B shade: #209A86, #31AC99, #42BEAC, #53D0BF and #64E2D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B9A8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B9A8B shade: #1B9A8B, #0A8878, #007665, #006452 and #00523F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B9A8B shade: #1B9889, #1B9867, #1B9846, #1B9824 and #33981B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B9A8B shade: #1B9889, #1B8598, #1B6398, #1B4198 and #1B2098

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B9A8B shade matches the following richer shades: #1B9889 and #0CA694

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B9A8B shade: #1B9889, #29897E, #387B73, #466C68 and #555E5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B9A8B shade: #1B9844, #1B9866, #1B9887, #1B8798 and #1B6698

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B9A8B shade: #0E524A, #157569, #1B9889, #21BBA9 and #2BDAC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B9A8B shade: #1B9A8B, #231B98 and #98551B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B9A8B shade: #1B9A8B, #871B98 and #98871B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B9A8B shade: #1B9A8B, #231B98, #981B2B and #8F981B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B9A8B shade: #1B9A8B, #491B98, #981B2B and #6A981B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 10 / 40

HEX #1B9A8B

RGB 27 154 139

HSL 172.91, 0.7%, 0.35%

LAB 57.28, -35.99, -1.46

 

Complementary color

CMYK 0 / 56 / 49 / 11

HEX #E46574

RGB 228 101 116

HSL 352.91, 0.7%, 0.65%

LAB 59.03, 50.66, 16.35

 

CMYK 79 / 0 / 13 / 40

HEX #209A86

RGB 32 154 134

HSL 170.16, 0.66%, 0.36%

LAB 57.21, -36.9, 1.29

 

CMYK 72 / 0 / 11 / 33

HEX #31AC99

RGB 49 172 153

HSL 170.73, 0.56%, 0.43%

LAB 63.72, -37.7, 0.11

 

CMYK 65 / 0 / 9 / 25

HEX #42BEAC

RGB 66 190 172

HSL 171.29, 0.49%, 0.5%

LAB 70.15, -38.22, -0.94

 

CMYK 60 / 0 / 8 / 18

HEX #53D0BF

RGB 83 208 191

HSL 171.84, 0.57%, 0.57%

LAB 76.5, -38.55, -1.89

 

CMYK 56 / 0 / 7 / 11

HEX #64E2D2

RGB 100 226 210

HSL 172.38, 0.68%, 0.64%

LAB 82.78, -38.75, -2.76

 

CMYK 82 / 0 / 10 / 40

HEX #1B9A8B

RGB 27 154 139

HSL 172.91, 0.7%, 0.35%

LAB 57.28, -35.99, -1.46

 

CMYK 93 / 0 / 12 / 47

HEX #0A8878

RGB 10 136 120

HSL 172.38, 0.86%, 0.29%

LAB 50.72, -34.55, -0.14

 

CMYK 100 / 0 / 14 / 54

HEX #007665

RGB 0 118 101

HSL 171.36, 1%, 0.23%

LAB 44.08, -32.55, 1.39

 

CMYK 100 / 0 / 18 / 61

HEX #006452

RGB 0 100 82

HSL 169.2, 1%, 0.2%

LAB 37.34, -29.95, 3.14

 

CMYK 100 / 0 / 23 / 68

HEX #00523F

RGB 0 82 63

HSL 166.1, 1%, 0.16%

LAB 30.38, -27.26, 5.02

 

CMYK 82 / 0 / 10 / 40

HEX #1B9889

RGB 27 152 137

HSL 172.8, 0.7%, 0.35%

LAB 56.58, -35.65, -1.35

 

CMYK 82 / 0 / 32 / 40

HEX #1B9867

RGB 27 152 103

HSL 156.48, 0.7%, 0.35%

LAB 55.75, -44.42, 16.75

 

CMYK 82 / 0 / 54 / 40

HEX #1B9846

RGB 27 152 70

HSL 140.64, 0.7%, 0.35%

LAB 55.21, -50.74, 33.8

 

CMYK 82 / 0 / 76 / 40

HEX #1B9824

RGB 27 152 36

HSL 124.32, 0.7%, 0.35%

LAB 54.88, -54.71, 48.55

 

CMYK 66 / 0 / 82 / 40

HEX #33981B

RGB 51 152 27

HSL 108.48, 0.7%, 0.35%

LAB 55.32, -51.18, 52.07

 

CMYK 82 / 0 / 10 / 40

HEX #1B9889

RGB 27 152 137

HSL 172.8, 0.7%, 0.35%

LAB 56.58, -35.65, -1.35

 

CMYK 82 / 13 / 0 / 40

HEX #1B8598

RGB 27 133 152

HSL 189.12, 0.7%, 0.35%

LAB 51.01, -21.62, -18.35

 

CMYK 82 / 35 / 0 / 40

HEX #1B6398

RGB 27 99 152

HSL 205.44, 0.7%, 0.35%

LAB 40.29, -2.08, -35.03

 

CMYK 82 / 57 / 0 / 40

HEX #1B4198

RGB 27 65 152

HSL 221.76, 0.7%, 0.35%

LAB 30.11, 20.46, -51.36

 

CMYK 82 / 79 / 0 / 40

HEX #1B2098

RGB 27 32 152

HSL 237.6, 0.7%, 0.35%

LAB 22.06, 41.82, -64.57

 

CMYK 82 / 0 / 10 / 40

HEX #1B9889

RGB 27 152 137

HSL 172.8, 0.7%, 0.35%

LAB 56.58, -35.65, -1.35

 

CMYK 93 / 0 / 11 / 35

HEX #0CA694

RGB 12 166 148

HSL 172.99, 0.87%, 0.35%

LAB 61.21, -39.77, -0.81

 

CMYK 82 / 0 / 10 / 40

HEX #1B9889

RGB 27 152 137

HSL 172.8, 0.7%, 0.35%

LAB 56.58, -35.65, -1.35

 

CMYK 70 / 0 / 8 / 46

HEX #29897E

RGB 41 137 126

HSL 173.13, 0.54%, 0.35%

LAB 51.69, -30.08, -2.16

 

CMYK 54 / 0 / 7 / 52

HEX #387B73

RGB 56 123 115

HSL 172.84, 0.37%, 0.35%

LAB 47.29, -23.33, -2.11

 

CMYK 35 / 0 / 4 / 58

HEX #466C68

RGB 70 108 104

HSL 173.68, 0.21%, 0.35%

LAB 42.8, -14.41, -2.05

 

CMYK 10 / 0 / 1 / 63

HEX #555E5D

RGB 85 94 93

HSL 173.33, 0.05%, 0.35%

LAB 39.12, -3.72, -0.63

 

CMYK 82 / 0 / 55 / 40

HEX #1B9844

RGB 27 152 68

HSL 139.68, 0.7%, 0.35%

LAB 55.18, -51.04, 34.78

 

CMYK 82 / 0 / 33 / 40

HEX #1B9866

RGB 27 152 102

HSL 156, 0.7%, 0.35%

LAB 55.73, -44.65, 17.28

 

CMYK 82 / 0 / 11 / 40

HEX #1B9887

RGB 27 152 135

HSL 171.84, 0.7%, 0.35%

LAB 56.52, -36.22, -0.29

 

CMYK 82 / 11 / 0 / 40

HEX #1B8798

RGB 27 135 152

HSL 188.16, 0.7%, 0.35%

LAB 51.64, -22.67, -17.38

 

CMYK 82 / 33 / 0 / 40

HEX #1B6698

RGB 27 102 152

HSL 204, 0.7%, 0.35%

LAB 41.22, -3.94, -33.55

 

CMYK 83 / 0 / 10 / 68

HEX #0E524A

RGB 14 82 74

HSL 172.94, 0.71%, 0.19%

LAB 30.93, -22.29, -1.15

 

CMYK 82 / 0 / 10 / 54

HEX #157569

RGB 21 117 105

HSL 172.5, 0.7%, 0.27%

LAB 44.09, -29.28, -0.96

 

CMYK 82 / 0 / 10 / 40

HEX #1B9889

RGB 27 152 137

HSL 172.8, 0.7%, 0.35%

LAB 56.58, -35.65, -1.35

 

CMYK 82 / 0 / 10 / 27

HEX #21BBA9

RGB 33 187 169

HSL 172.99, 0.7%, 0.43%

LAB 68.55, -41.73, -1.7

 

CMYK 80 / 0 / 10 / 15

HEX #2BDAC5

RGB 43 218 197

HSL 172.8, 0.7%, 0.51%

LAB 78.86, -46.63, -1.75

 

CMYK 82 / 0 / 10 / 40

HEX #1B9A8B

RGB 27 154 139

HSL 172.91, 0.7%, 0.35%

LAB 57.28, -35.99, -1.46

 

CMYK 77 / 82 / 0 / 40

HEX #231B98

RGB 35 27 152

HSL 243.84, 0.7%, 0.35%

LAB 21.61, 44.97, -65.31

 

CMYK 0 / 44 / 82 / 40

HEX #98551B

RGB 152 85 27

HSL 27.84, 0.7%, 0.35%

LAB 43.14, 23.42, 43.42

 

CMYK 82 / 0 / 10 / 40

HEX #1B9A8B

RGB 27 154 139

HSL 172.91, 0.7%, 0.35%

LAB 57.28, -35.99, -1.46

 

CMYK 11 / 82 / 0 / 40

HEX #871B98

RGB 135 27 152

HSL 291.84, 0.7%, 0.35%

LAB 34.4, 59.13, -43.88

 

CMYK 0 / 11 / 82 / 40

HEX #98871B

RGB 152 135 27

HSL 51.84, 0.7%, 0.35%

LAB 56.17, -4.97, 55.1

 

CMYK 82 / 0 / 10 / 40

HEX #1B9A8B

RGB 27 154 139

HSL 172.91, 0.7%, 0.35%

LAB 57.28, -35.99, -1.46

 

CMYK 77 / 82 / 0 / 40

HEX #231B98

RGB 35 27 152

HSL 243.84, 0.7%, 0.35%

LAB 21.61, 44.97, -65.31

 

CMYK 0 / 82 / 72 / 40

HEX #981B2B

RGB 152 27 43

HSL 352.32, 0.7%, 0.35%

LAB 33.21, 50.54, 24.22

 

CMYK 6 / 0 / 82 / 40

HEX #8F981B

RGB 143 152 27

HSL 64.32, 0.7%, 0.35%

LAB 60.23, -18.1, 58.33

 

CMYK 82 / 0 / 10 / 40

HEX #1B9A8B

RGB 27 154 139

HSL 172.91, 0.7%, 0.35%

LAB 57.28, -35.99, -1.46

 

CMYK 52 / 82 / 0 / 40

HEX #491B98

RGB 73 27 152

HSL 262.08, 0.7%, 0.35%

LAB 25.16, 48.84, -59.33

 

CMYK 0 / 82 / 72 / 40

HEX #981B2B

RGB 152 27 43

HSL 352.32, 0.7%, 0.35%

LAB 33.21, 50.54, 24.22

 

CMYK 30 / 0 / 82 / 40

HEX #6A981B

RGB 106 152 27

HSL 82.08, 0.7%, 0.35%

LAB 57.66, -33.74, 55.07

 

Description

Color code: HEX #1B9A8B | qconv.com Color code: HEX #1B9A8B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 154 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 154 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 10 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 10% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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