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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B9A70 it is the complementary color #E4658F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B9A70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B9A70 shade: #209A6B, #31AC7E, #42BE91, #53D0A4 and #64E2B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B9A70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B9A70 shade: #1B9A70, #0A885D, #00764A, #006437 and #005224

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B9A70 shade: #1A976E, #1A974C, #1A972B, #2C971A and #4D971A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B9A70 shade: #1A976E, #1A9790, #1A7D97, #1A5B97 and #1A3A97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B9A70 shade matches the following richer shades: #1A976E and #0CA673

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B9A70 shade: #1A976E, #298969, #377A64, #466C5F and #545D5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B9A70 shade: #1A972B, #1A974C, #1A976E, #1A978F and #1A7E97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B9A70 shade: #0E513B, #147454, #1A976E, #20BA87 and #2BD9A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B9A70 shade: #1B9A70, #1A2B97 and #973C1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B9A70 shade: #1B9A70, #6E1A97 and #976E1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B9A70 shade: #1B9A70, #1A2B97, #971A44 and #97871A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B9A70 shade: #1B9A70, #2F1A97, #971A44 and #82971A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 27 / 40

HEX #1B9A70

RGB 27 154 112

HSL 160.16, 0.7%, 0.35%

LAB 56.6, -43.13, 12.87

 

Complementary color

CMYK 0 / 56 / 37 / 11

HEX #E4658F

RGB 228 101 143

HSL 340.16, 0.7%, 0.65%

LAB 59.69, 53.38, 1.6

 

CMYK 79 / 0 / 31 / 40

HEX #209A6B

RGB 32 154 107

HSL 156.89, 0.66%, 0.36%

LAB 56.57, -43.75, 15.64

 

CMYK 72 / 0 / 27 / 33

HEX #31AC7E

RGB 49 172 126

HSL 157.56, 0.56%, 0.43%

LAB 63.06, -44.47, 14.16

 

CMYK 65 / 0 / 24 / 25

HEX #42BE91

RGB 66 190 145

HSL 158.23, 0.49%, 0.5%

LAB 69.49, -44.87, 12.84

 

CMYK 60 / 0 / 21 / 18

HEX #53D0A4

RGB 83 208 164

HSL 158.88, 0.57%, 0.57%

LAB 75.84, -45.08, 11.65

 

CMYK 56 / 0 / 19 / 11

HEX #64E2B7

RGB 100 226 183

HSL 159.52, 0.68%, 0.64%

LAB 82.12, -45.14, 10.55

 

CMYK 82 / 0 / 27 / 40

HEX #1B9A70

RGB 27 154 112

HSL 160.16, 0.7%, 0.35%

LAB 56.6, -43.13, 12.87

 

CMYK 93 / 0 / 32 / 47

HEX #0A885D

RGB 10 136 93

HSL 159.52, 0.86%, 0.29%

LAB 50.05, -41.75, 14.54

 

CMYK 100 / 0 / 37 / 54

HEX #00764A

RGB 0 118 74

HSL 157.63, 1%, 0.23%

LAB 43.44, -39.7, 16.44

 

CMYK 100 / 0 / 45 / 61

HEX #006437

RGB 0 100 55

HSL 153, 1%, 0.2%

LAB 36.72, -36.88, 18.57

 

CMYK 100 / 0 / 56 / 68

HEX #005224

RGB 0 82 36

HSL 146.34, 1%, 0.16%

LAB 29.82, -33.79, 20.8

 

CMYK 83 / 0 / 27 / 41

HEX #1A976E

RGB 26 151 110

HSL 160.32, 0.71%, 0.35%

LAB 55.56, -42.48, 12.55

 

CMYK 83 / 0 / 50 / 41

HEX #1A974C

RGB 26 151 76

HSL 144, 0.71%, 0.35%

LAB 54.94, -49.52, 30.37

 

CMYK 83 / 0 / 72 / 41

HEX #1A972B

RGB 26 151 43

HSL 128.16, 0.71%, 0.35%

LAB 54.58, -53.9, 45.56

 

CMYK 71 / 0 / 83 / 41

HEX #2C971A

RGB 44 151 26

HSL 111.36, 0.71%, 0.35%

LAB 54.81, -52.35, 51.83

 

CMYK 49 / 0 / 83 / 41

HEX #4D971A

RGB 77 151 26

HSL 95.52, 0.71%, 0.35%

LAB 55.87, -43.78, 53.2

 

CMYK 83 / 0 / 27 / 41

HEX #1A976E

RGB 26 151 110

HSL 160.32, 0.71%, 0.35%

LAB 55.56, -42.48, 12.55

 

CMYK 83 / 0 / 5 / 41

HEX #1A9790

RGB 26 151 144

HSL 176.64, 0.71%, 0.35%

LAB 56.45, -33.22, -5.54

 

CMYK 83 / 17 / 0 / 41

HEX #1A7D97

RGB 26 125 151

HSL 192.48, 0.71%, 0.35%

LAB 48.41, -17.76, -21.75

 

CMYK 83 / 40 / 0 / 41

HEX #1A5B97

RGB 26 91 151

HSL 208.8, 0.71%, 0.35%

LAB 37.73, 2.5, -38.49

 

CMYK 83 / 62 / 0 / 41

HEX #1A3A97

RGB 26 58 151

HSL 224.64, 0.71%, 0.35%

LAB 28.06, 24.78, -54.09

 

CMYK 83 / 0 / 27 / 41

HEX #1A976E

RGB 26 151 110

HSL 160.32, 0.71%, 0.35%

LAB 55.56, -42.48, 12.55

 

CMYK 93 / 0 / 31 / 35

HEX #0CA673

RGB 12 166 115

HSL 160.13, 0.87%, 0.35%

LAB 60.42, -48.32, 16.48

 

CMYK 83 / 0 / 27 / 41

HEX #1A976E

RGB 26 151 110

HSL 160.32, 0.71%, 0.35%

LAB 55.56, -42.48, 12.55

 

CMYK 70 / 0 / 23 / 46

HEX #298969

RGB 41 137 105

HSL 160, 0.54%, 0.35%

LAB 51.13, -35.7, 9.22

 

CMYK 55 / 0 / 18 / 52

HEX #377A64

RGB 55 122 100

HSL 160.3, 0.38%, 0.35%

LAB 46.51, -27.02, 5.63

 

CMYK 35 / 0 / 12 / 58

HEX #466C5F

RGB 70 108 95

HSL 159.47, 0.21%, 0.35%

LAB 42.54, -16.65, 3

 

CMYK 10 / 0 / 3 / 64

HEX #545D5A

RGB 84 93 90

HSL 160, 0.05%, 0.35%

LAB 38.64, -4.17, 0.52

 

CMYK 83 / 0 / 72 / 41

HEX #1A972B

RGB 26 151 43

HSL 128.16, 0.71%, 0.35%

LAB 54.58, -53.9, 45.56

 

CMYK 83 / 0 / 50 / 41

HEX #1A974C

RGB 26 151 76

HSL 144, 0.71%, 0.35%

LAB 54.94, -49.52, 30.37

 

CMYK 83 / 0 / 27 / 41

HEX #1A976E

RGB 26 151 110

HSL 160.32, 0.71%, 0.35%

LAB 55.56, -42.48, 12.55

 

CMYK 83 / 0 / 5 / 41

HEX #1A978F

RGB 26 151 143

HSL 176.16, 0.71%, 0.35%

LAB 56.42, -33.52, -5.01

 

CMYK 83 / 17 / 0 / 41

HEX #1A7E97

RGB 26 126 151

HSL 192, 0.71%, 0.35%

LAB 48.73, -18.31, -21.26

 

CMYK 83 / 0 / 27 / 68

HEX #0E513B

RGB 14 81 59

HSL 160.3, 0.71%, 0.19%

LAB 30.14, -26.24, 7.24

 

CMYK 83 / 0 / 28 / 55

HEX #147454

RGB 20 116 84

HSL 160, 0.71%, 0.27%

LAB 43.18, -34.75, 10.26

 

CMYK 83 / 0 / 27 / 41

HEX #1A976E

RGB 26 151 110

HSL 160.32, 0.71%, 0.35%

LAB 55.56, -42.48, 12.55

 

CMYK 83 / 0 / 27 / 27

HEX #20BA87

RGB 32 186 135

HSL 160.13, 0.71%, 0.43%

LAB 67.41, -50.08, 15.26

 

CMYK 80 / 0 / 26 / 15

HEX #2BD9A0

RGB 43 217 160

HSL 160.34, 0.7%, 0.51%

LAB 77.68, -55.42, 16.25

 

CMYK 82 / 0 / 27 / 40

HEX #1B9A70

RGB 27 154 112

HSL 160.16, 0.7%, 0.35%

LAB 56.6, -43.13, 12.87

 

CMYK 83 / 72 / 0 / 41

HEX #1A2B97

RGB 26 43 151

HSL 231.84, 0.71%, 0.35%

LAB 24.26, 34.79, -60.32

 

CMYK 0 / 60 / 83 / 41

HEX #973C1A

RGB 151 60 26

HSL 16.32, 0.71%, 0.35%

LAB 37.64, 36.37, 38.69

 

CMYK 82 / 0 / 27 / 40

HEX #1B9A70

RGB 27 154 112

HSL 160.16, 0.7%, 0.35%

LAB 56.6, -43.13, 12.87

 

CMYK 27 / 83 / 0 / 41

HEX #6E1A97

RGB 110 26 151

HSL 280.32, 0.71%, 0.35%

LAB 30.13, 54.66, -50.38

 

CMYK 0 / 27 / 83 / 41

HEX #976E1A

RGB 151 110 26

HSL 40.32, 0.71%, 0.35%

LAB 49.26, 8.6, 49.3

 

CMYK 82 / 0 / 27 / 40

HEX #1B9A70

RGB 27 154 112

HSL 160.16, 0.7%, 0.35%

LAB 56.6, -43.13, 12.87

 

CMYK 83 / 72 / 0 / 41

HEX #1A2B97

RGB 26 43 151

HSL 231.84, 0.71%, 0.35%

LAB 24.26, 34.79, -60.32

 

CMYK 0 / 83 / 55 / 41

HEX #971A44

RGB 151 26 68

HSL 339.84, 0.71%, 0.35%

LAB 33.43, 52.11, 8.21

 

CMYK 0 / 11 / 83 / 41

HEX #97871A

RGB 151 135 26

HSL 52.32, 0.71%, 0.35%

LAB 56.07, -5.46, 55.28

 

CMYK 82 / 0 / 27 / 40

HEX #1B9A70

RGB 27 154 112

HSL 160.16, 0.7%, 0.35%

LAB 56.6, -43.13, 12.87

 

CMYK 69 / 83 / 0 / 41

HEX #2F1A97

RGB 47 26 151

HSL 250.08, 0.71%, 0.35%

LAB 22.22, 46.1, -63.65

 

CMYK 0 / 83 / 55 / 41

HEX #971A44

RGB 151 26 68

HSL 339.84, 0.71%, 0.35%

LAB 33.43, 52.11, 8.21

 

CMYK 14 / 0 / 83 / 41

HEX #82971A

RGB 130 151 26

HSL 70.08, 0.71%, 0.35%

LAB 58.93, -23.33, 57.09

 

Description

Color code: HEX #1B9A70 | qconv.com Color code: HEX #1B9A70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 154 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 154 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 27 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 27% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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