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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B9931 it is the complementary color #E466CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B9931. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B9931 shade: #20992C, #31AB3F, #42BD52, #53CF65 and #64E178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B9931. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B9931 shade: #1B9931, #0A871E, #00750B, #006300 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B9931 shade: #1B9831, #27981B, #48981B, #6A981B and #8C981B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B9931 shade: #1B9831, #1B9852, #1B9874, #1B9896 and #1B7898

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B9931 shade matches the following richer shades: #1B9831 and #0CA627

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B9931 shade: #1B9831, #29893A, #387B43, #466C4D and #555E56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B9931 shade: #49981B, #27981B, #1B9830, #1B9851 and #1B9872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B9931 shade: #0E521A, #157525, #1B9831, #21BB3C and #2BDA4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B9931 shade: #1B9931, #1B6A98 and #981B38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B9931 shade: #1B9931, #301B98 and #98301B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B9931 shade: #1B9931, #1B6A98, #981B83 and #98491B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B9931 shade: #1B9931, #1B4498, #981B83 and #986E1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 68 / 40

HEX #1B9931

RGB 27 153 49

HSL 130.48, 0.7%, 0.35%

LAB 55.32, -53.82, 43.85

 

Complementary color

CMYK 0 / 55 / 10 / 11

HEX #E466CE

RGB 228 102 206

HSL 310.48, 0.7%, 0.65%

LAB 62.04, 61.47, -30.99

 

CMYK 79 / 0 / 71 / 40

HEX #20992C

RGB 32 153 44

HSL 125.95, 0.65%, 0.36%

LAB 55.35, -53.67, 46

 

CMYK 71 / 0 / 63 / 33

HEX #31AB3F

RGB 49 171 63

HSL 126.89, 0.55%, 0.43%

LAB 61.77, -55.03, 44.96

 

CMYK 65 / 0 / 57 / 26

HEX #42BD52

RGB 66 189 82

HSL 127.8, 0.48%, 0.5%

LAB 68.14, -55.83, 43.67

 

CMYK 60 / 0 / 51 / 19

HEX #53CF65

RGB 83 207 101

HSL 128.71, 0.56%, 0.57%

LAB 74.45, -56.26, 42.3

 

CMYK 56 / 0 / 47 / 12

HEX #64E178

RGB 100 225 120

HSL 129.6, 0.68%, 0.64%

LAB 80.69, -56.46, 40.95

 

CMYK 82 / 0 / 68 / 40

HEX #1B9931

RGB 27 153 49

HSL 130.48, 0.7%, 0.35%

LAB 55.32, -53.82, 43.85

 

CMYK 93 / 0 / 78 / 47

HEX #0A871E

RGB 10 135 30

HSL 129.6, 0.86%, 0.28%

LAB 48.87, -51.5, 44.65

 

CMYK 100 / 0 / 91 / 54

HEX #00750B

RGB 0 117 11

HSL 125.64, 1%, 0.23%

LAB 42.38, -47.99, 44.28

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 82 / 0 / 68 / 40

HEX #1B9831

RGB 27 152 49

HSL 130.56, 0.7%, 0.35%

LAB 54.98, -53.49, 43.49

 

CMYK 74 / 0 / 82 / 40

HEX #27981B

RGB 39 152 27

HSL 114.24, 0.7%, 0.35%

LAB 55.04, -53.55, 51.71

 

CMYK 53 / 0 / 82 / 40

HEX #48981B

RGB 72 152 27

HSL 98.4, 0.7%, 0.35%

LAB 56, -45.67, 52.95

 

CMYK 30 / 0 / 82 / 40

HEX #6A981B

RGB 106 152 27

HSL 82.08, 0.7%, 0.35%

LAB 57.66, -33.74, 55.07

 

CMYK 8 / 0 / 82 / 40

HEX #8C981B

RGB 140 152 27

HSL 65.76, 0.7%, 0.35%

LAB 59.99, -19.43, 58.03

 

CMYK 82 / 0 / 68 / 40

HEX #1B9831

RGB 27 152 49

HSL 130.56, 0.7%, 0.35%

LAB 54.98, -53.49, 43.49

 

CMYK 82 / 0 / 46 / 40

HEX #1B9852

RGB 27 152 82

HSL 146.4, 0.7%, 0.35%

LAB 55.38, -48.72, 27.76

 

CMYK 82 / 0 / 24 / 40

HEX #1B9874

RGB 27 152 116

HSL 162.72, 0.7%, 0.35%

LAB 56.04, -41.32, 9.83

 

CMYK 82 / 0 / 1 / 40

HEX #1B9896

RGB 27 152 150

HSL 179.04, 0.7%, 0.35%

LAB 56.97, -31.79, -8.2

 

CMYK 82 / 21 / 0 / 40

HEX #1B7898

RGB 27 120 152

HSL 195.36, 0.7%, 0.35%

LAB 46.89, -14.53, -24.69

 

CMYK 82 / 0 / 68 / 40

HEX #1B9831

RGB 27 152 49

HSL 130.56, 0.7%, 0.35%

LAB 54.98, -53.49, 43.49

 

CMYK 93 / 0 / 77 / 35

HEX #0CA627

RGB 12 166 39

HSL 130.52, 0.87%, 0.35%

LAB 59.43, -60.11, 51.97

 

CMYK 82 / 0 / 68 / 40

HEX #1B9831

RGB 27 152 49

HSL 130.56, 0.7%, 0.35%

LAB 54.98, -53.49, 43.49

 

CMYK 70 / 0 / 58 / 46

HEX #29893A

RGB 41 137 58

HSL 130.63, 0.54%, 0.35%

LAB 50.3, -44.91, 34.01

 

CMYK 54 / 0 / 46 / 52

HEX #387B43

RGB 56 123 67

HSL 129.85, 0.37%, 0.35%

LAB 46.19, -34.2, 24.27

 

CMYK 35 / 0 / 29 / 58

HEX #466C4D

RGB 70 108 77

HSL 131.05, 0.21%, 0.35%

LAB 42.1, -20.62, 13.18

 

CMYK 10 / 0 / 9 / 63

HEX #555E56

RGB 85 94 86

HSL 126.67, 0.05%, 0.35%

LAB 38.91, -5.24, 3.39

 

CMYK 52 / 0 / 82 / 40

HEX #49981B

RGB 73 152 27

HSL 97.92, 0.7%, 0.35%

LAB 56.04, -45.37, 53

 

CMYK 74 / 0 / 82 / 40

HEX #27981B

RGB 39 152 27

HSL 114.24, 0.7%, 0.35%

LAB 55.04, -53.55, 51.71

 

CMYK 82 / 0 / 68 / 40

HEX #1B9830

RGB 27 152 48

HSL 130.08, 0.7%, 0.35%

LAB 54.97, -53.6, 43.91

 

CMYK 82 / 0 / 47 / 40

HEX #1B9851

RGB 27 152 81

HSL 145.92, 0.7%, 0.35%

LAB 55.36, -48.9, 28.27

 

CMYK 82 / 0 / 25 / 40

HEX #1B9872

RGB 27 152 114

HSL 161.76, 0.7%, 0.35%

LAB 55.99, -41.82, 10.9

 

CMYK 83 / 0 / 68 / 68

HEX #0E521A

RGB 14 82 26

HSL 130.59, 0.71%, 0.19%

LAB 29.92, -33.42, 26.43

 

CMYK 82 / 0 / 68 / 54

HEX #157525

RGB 21 117 37

HSL 130, 0.7%, 0.27%

LAB 42.79, -43.76, 35.47

 

CMYK 82 / 0 / 68 / 40

HEX #1B9831

RGB 27 152 49

HSL 130.56, 0.7%, 0.35%

LAB 54.98, -53.49, 43.49

 

CMYK 82 / 0 / 68 / 27

HEX #21BB3C

RGB 33 187 60

HSL 130.52, 0.7%, 0.43%

LAB 66.67, -62.87, 51.55

 

CMYK 80 / 0 / 66 / 15

HEX #2BDA4A

RGB 43 218 74

HSL 130.63, 0.7%, 0.51%

LAB 76.77, -69.96, 56.86

 

CMYK 82 / 0 / 68 / 40

HEX #1B9931

RGB 27 153 49

HSL 130.48, 0.7%, 0.35%

LAB 55.32, -53.82, 43.85

 

CMYK 82 / 30 / 0 / 40

HEX #1B6A98

RGB 27 106 152

HSL 202.08, 0.7%, 0.35%

LAB 42.47, -6.37, -31.58

 

CMYK 0 / 82 / 63 / 40

HEX #981B38

RGB 152 27 56

HSL 346.08, 0.7%, 0.35%

LAB 33.45, 51.27, 16.13

 

CMYK 82 / 0 / 68 / 40

HEX #1B9931

RGB 27 153 49

HSL 130.48, 0.7%, 0.35%

LAB 55.32, -53.82, 43.85

 

CMYK 68 / 82 / 0 / 40

HEX #301B98

RGB 48 27 152

HSL 250.08, 0.7%, 0.35%

LAB 22.58, 46.03, -63.67

 

CMYK 0 / 68 / 82 / 40

HEX #98301B

RGB 152 48 27

HSL 10.08, 0.7%, 0.35%

LAB 35.73, 42.36, 36.42

 

CMYK 82 / 0 / 68 / 40

HEX #1B9931

RGB 27 153 49

HSL 130.48, 0.7%, 0.35%

LAB 55.32, -53.82, 43.85

 

CMYK 82 / 30 / 0 / 40

HEX #1B6A98

RGB 27 106 152

HSL 202.08, 0.7%, 0.35%

LAB 42.47, -6.37, -31.58

 

CMYK 0 / 82 / 14 / 40

HEX #981B83

RGB 152 27 131

HSL 310.08, 0.7%, 0.35%

LAB 36.17, 59.23, -27.96

 

CMYK 0 / 52 / 82 / 40

HEX #98491B

RGB 152 73 27

HSL 22.08, 0.7%, 0.35%

LAB 40.44, 30.06, 40.91

 

CMYK 82 / 0 / 68 / 40

HEX #1B9931

RGB 27 153 49

HSL 130.48, 0.7%, 0.35%

LAB 55.32, -53.82, 43.85

 

CMYK 82 / 55 / 0 / 40

HEX #1B4498

RGB 27 68 152

HSL 220.32, 0.7%, 0.35%

LAB 30.96, 18.4, -49.97

 

CMYK 0 / 82 / 14 / 40

HEX #981B83

RGB 152 27 131

HSL 310.08, 0.7%, 0.35%

LAB 36.17, 59.23, -27.96

 

CMYK 0 / 28 / 82 / 40

HEX #986E1B

RGB 152 110 27

HSL 39.84, 0.7%, 0.35%

LAB 49.38, 9.1, 49.1

 

Description

Color code: HEX #1B9931 | qconv.com Color code: HEX #1B9931 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 153 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 153 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 68 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 68% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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