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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B963E it is the complementary color #E469C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B963E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B963E shade: #209639, #31A84C, #42BA5F, #53CC72 and #64DE85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B963E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B963E shade: #1B963E, #0A842B, #007218, #006005 and #004E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B963E shade: #1C973F, #1C971D, #3B971C, #5C971C and #7D971C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B963E shade: #1C973F, #1C9760, #1C9781, #1C8B97 and #1C6A97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B963E shade matches the following richer shades: #1C973F and #0DA538

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B963E shade: #1C973F, #2A8845, #397A4B, #476C51 and #555D58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B963E shade: #3A971C, #1C971E, #1C973F, #1C975F and #1C9780

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B963E shade: #0F5122, #157430, #1C973F, #22BA4D and #2DD85D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B963E shade: #1B963E, #1C5B97 and #971C2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B963E shade: #1B963E, #3F1C97 and #973F1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B963E shade: #1B963E, #1C5B97, #971C74 and #97571C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B963E shade: #1B963E, #1C3697, #971C74 and #977C1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 59 / 41

HEX #1B963E

RGB 27 150 62

HSL 137.07, 0.69%, 0.35%

LAB 54.44, -51.22, 36.87

 

Complementary color

CMYK 0 / 54 / 15 / 11

HEX #E469C1

RGB 228 105 193

HSL 317.07, 0.69%, 0.65%

LAB 62.04, 58.09, -23.63

 

CMYK 79 / 0 / 62 / 41

HEX #209639

RGB 32 150 57

HSL 132.71, 0.65%, 0.36%

LAB 54.46, -51.23, 39.32

 

CMYK 71 / 0 / 55 / 34

HEX #31A84C

RGB 49 168 76

HSL 133.61, 0.55%, 0.43%

LAB 60.94, -52.3, 37.85

 

CMYK 65 / 0 / 49 / 27

HEX #42BA5F

RGB 66 186 95

HSL 134.5, 0.48%, 0.49%

LAB 67.35, -52.89, 36.37

 

CMYK 59 / 0 / 44 / 20

HEX #53CC72

RGB 83 204 114

HSL 135.37, 0.54%, 0.56%

LAB 73.7, -53.17, 34.93

 

CMYK 55 / 0 / 40 / 13

HEX #64DE85

RGB 100 222 133

HSL 136.23, 0.65%, 0.63%

LAB 79.98, -53.25, 33.56

 

CMYK 82 / 0 / 59 / 41

HEX #1B963E

RGB 27 150 62

HSL 137.07, 0.69%, 0.35%

LAB 54.44, -51.22, 36.87

 

CMYK 92 / 0 / 67 / 48

HEX #0A842B

RGB 10 132 43

HSL 136.23, 0.86%, 0.28%

LAB 47.93, -49.27, 38.36

 

CMYK 100 / 0 / 79 / 55

HEX #007218

RGB 0 114 24

HSL 132.63, 1%, 0.22%

LAB 41.38, -46.23, 39.37

 

CMYK 100 / 0 / 95 / 62

HEX #006005

RGB 0 96 5

HSL 123.13, 1%, 0.19%

LAB 34.76, -41.86, 39.16

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 81 / 0 / 58 / 41

HEX #1C973F

RGB 28 151 63

HSL 137.07, 0.69%, 0.35%

LAB 54.8, -51.3, 36.81

 

CMYK 81 / 0 / 81 / 41

HEX #1C971D

RGB 28 151 29

HSL 120.49, 0.69%, 0.35%

LAB 54.52, -54.77, 50.55

 

CMYK 61 / 0 / 81 / 41

HEX #3B971C

RGB 59 151 28

HSL 104.88, 0.69%, 0.35%

LAB 55.22, -48.86, 51.77

 

CMYK 39 / 0 / 81 / 41

HEX #5C971C

RGB 92 151 28

HSL 88.78, 0.69%, 0.35%

LAB 56.58, -38.55, 53.52

 

CMYK 17 / 0 / 81 / 41

HEX #7D971C

RGB 125 151 28

HSL 72.68, 0.69%, 0.35%

LAB 58.58, -25.4, 56.08

 

CMYK 81 / 0 / 58 / 41

HEX #1C973F

RGB 28 151 63

HSL 137.07, 0.69%, 0.35%

LAB 54.8, -51.3, 36.81

 

CMYK 81 / 0 / 36 / 41

HEX #1C9760

RGB 28 151 96

HSL 153.17, 0.69%, 0.35%

LAB 55.3, -45.46, 20.04

 

CMYK 81 / 0 / 15 / 41

HEX #1C9781

RGB 28 151 129

HSL 169.27, 0.69%, 0.35%

LAB 56.05, -37.35, 2.46

 

CMYK 81 / 8 / 0 / 41

HEX #1C8B97

RGB 28 139 151

HSL 185.85, 0.69%, 0.35%

LAB 52.89, -24.97, -14.9

 

CMYK 81 / 30 / 0 / 41

HEX #1C6A97

RGB 28 106 151

HSL 201.95, 0.69%, 0.35%

LAB 42.44, -6.65, -31.03

 

CMYK 81 / 0 / 58 / 41

HEX #1C973F

RGB 28 151 63

HSL 137.07, 0.69%, 0.35%

LAB 54.8, -51.3, 36.81

 

CMYK 92 / 0 / 66 / 35

HEX #0DA538

RGB 13 165 56

HSL 136.97, 0.85%, 0.35%

LAB 59.23, -58.14, 45.08

 

CMYK 81 / 0 / 58 / 41

HEX #1C973F

RGB 28 151 63

HSL 137.07, 0.69%, 0.35%

LAB 54.8, -51.3, 36.81

 

CMYK 69 / 0 / 49 / 47

HEX #2A8845

RGB 42 136 69

HSL 137.23, 0.53%, 0.35%

LAB 50.13, -42.63, 28.09

 

CMYK 53 / 0 / 39 / 52

HEX #397A4B

RGB 57 122 75

HSL 136.62, 0.36%, 0.35%

LAB 46.04, -32.02, 19.56

 

CMYK 34 / 0 / 25 / 58

HEX #476C51

RGB 71 108 81

HSL 136.22, 0.21%, 0.35%

LAB 42.24, -19.45, 11.01

 

CMYK 9 / 0 / 5 / 64

HEX #555D58

RGB 85 93 88

HSL 142.5, 0.04%, 0.35%

LAB 38.66, -4.21, 1.79

 

CMYK 62 / 0 / 81 / 41

HEX #3A971C

RGB 58 151 28

HSL 105.37, 0.69%, 0.35%

LAB 55.19, -49.11, 51.73

 

CMYK 81 / 0 / 80 / 41

HEX #1C971E

RGB 28 151 30

HSL 120.98, 0.69%, 0.35%

LAB 54.53, -54.7, 50.24

 

CMYK 81 / 0 / 58 / 41

HEX #1C973F

RGB 28 151 63

HSL 137.07, 0.69%, 0.35%

LAB 54.8, -51.3, 36.81

 

CMYK 81 / 0 / 37 / 41

HEX #1C975F

RGB 28 151 95

HSL 152.68, 0.69%, 0.35%

LAB 55.28, -45.67, 20.56

 

CMYK 81 / 0 / 15 / 41

HEX #1C9780

RGB 28 151 128

HSL 168.78, 0.69%, 0.35%

LAB 56.03, -37.63, 2.99

 

CMYK 81 / 0 / 58 / 68

HEX #0F5122

RGB 15 81 34

HSL 137.27, 0.69%, 0.19%

LAB 29.67, -31.65, 21.81

 

CMYK 82 / 0 / 59 / 55

HEX #157430

RGB 21 116 48

HSL 137.05, 0.69%, 0.27%

LAB 42.56, -41.94, 29.79

 

CMYK 81 / 0 / 58 / 41

HEX #1C973F

RGB 28 151 63

HSL 137.07, 0.69%, 0.35%

LAB 54.8, -51.3, 36.81

 

CMYK 82 / 0 / 59 / 27

HEX #22BA4D

RGB 34 186 77

HSL 136.97, 0.69%, 0.43%

LAB 66.52, -60.48, 43.94

 

CMYK 79 / 0 / 57 / 15

HEX #2DD85D

RGB 45 216 93

HSL 136.84, 0.69%, 0.51%

LAB 76.35, -66.91, 48.17

 

CMYK 82 / 0 / 59 / 41

HEX #1B963E

RGB 27 150 62

HSL 137.07, 0.69%, 0.35%

LAB 54.44, -51.22, 36.87

 

CMYK 81 / 40 / 0 / 41

HEX #1C5B97

RGB 28 91 151

HSL 209.27, 0.69%, 0.35%

LAB 37.78, 2.71, -38.41

 

CMYK 0 / 81 / 72 / 41

HEX #971C2A

RGB 151 28 42

HSL 353.17, 0.69%, 0.35%

LAB 33.09, 49.91, 24.65

 

CMYK 82 / 0 / 59 / 41

HEX #1B963E

RGB 27 150 62

HSL 137.07, 0.69%, 0.35%

LAB 54.44, -51.22, 36.87

 

CMYK 58 / 81 / 0 / 41

HEX #3F1C97

RGB 63 28 151

HSL 257.07, 0.69%, 0.35%

LAB 24.07, 46.87, -60.55

 

CMYK 0 / 58 / 81 / 41

HEX #973F1C

RGB 151 63 28

HSL 17.07, 0.69%, 0.35%

LAB 38.23, 34.93, 38.27

 

CMYK 82 / 0 / 59 / 41

HEX #1B963E

RGB 27 150 62

HSL 137.07, 0.69%, 0.35%

LAB 54.44, -51.22, 36.87

 

CMYK 81 / 40 / 0 / 41

HEX #1C5B97

RGB 28 91 151

HSL 209.27, 0.69%, 0.35%

LAB 37.78, 2.71, -38.41

 

CMYK 0 / 81 / 23 / 41

HEX #971C74

RGB 151 28 116

HSL 317.07, 0.69%, 0.35%

LAB 35.34, 56.66, -19.88

 

CMYK 0 / 42 / 81 / 41

HEX #97571C

RGB 151 87 28

HSL 28.78, 0.69%, 0.35%

LAB 43.48, 21.88, 43.25

 

CMYK 82 / 0 / 59 / 41

HEX #1B963E

RGB 27 150 62

HSL 137.07, 0.69%, 0.35%

LAB 54.44, -51.22, 36.87

 

CMYK 81 / 64 / 0 / 41

HEX #1C3697

RGB 28 54 151

HSL 227.32, 0.69%, 0.35%

LAB 27.07, 27.69, -55.7

 

CMYK 0 / 81 / 23 / 41

HEX #971C74

RGB 151 28 116

HSL 317.07, 0.69%, 0.35%

LAB 35.34, 56.66, -19.88

 

CMYK 0 / 18 / 81 / 41

HEX #977C1C

RGB 151 124 28

HSL 46.83, 0.69%, 0.35%

LAB 53.04, 0.72, 51.97

 

Description

Color code: HEX #1B963E | qconv.com Color code: HEX #1B963E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 150 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 150 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 59 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 59% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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