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Color name
HEX #1B8C79

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B8C79 it is the complementary color #E47386. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B8C79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B8C79 shade: #208C74, #319E87, #42B09A, #53C2AD and #64D4C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B8C79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B8C79 shade: #1B8C79, #0A7A66, #006853, #005640 and #00442D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B8C79 shade: #1A8D7A, #1A8D5B, #1A8D3C, #1A8D1D and #378D1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B8C79 shade: #1A8D7A, #1A818D, #1A628D, #1A448D and #1A258D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B8C79 shade matches the following richer shades: #1A8D7A and #0D9A83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B8C79 shade: #1A8D7A, #287F71, #367268, #43645F and #515655

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B8C79 shade: #1A8D3B, #1A8D59, #1A8D78, #1A838D and #1A658D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B8C79 shade: #0D483E, #146A5C, #1A8D7A, #21B098 and #28D2B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B8C79 shade: #1B8C79, #1C1A8D and #8D4A1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B8C79 shade: #1B8C79, #781A8D and #8D781A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B8C79 shade: #1B8C79, #1C1A8D, #8D1A2F and #8B8D1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B8C79 shade: #1B8C79, #3F1A8D, #8D1A2F and #698D1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 14 / 45

HEX #1B8C79

RGB 27 140 121

HSL 169.91, 0.68%, 0.33%

LAB 52.25, -34.73, 1.54

 

Complementary color

CMYK 0 / 50 / 41 / 11

HEX #E47386

RGB 228 115 134

HSL 349.91, 0.68%, 0.67%

LAB 62.06, 45.65, 10.19

 

CMYK 77 / 0 / 17 / 45

HEX #208C74

RGB 32 140 116

HSL 166.67, 0.63%, 0.34%

LAB 52.2, -35.53, 4.37

 

CMYK 69 / 0 / 15 / 38

HEX #319E87

RGB 49 158 135

HSL 167.34, 0.53%, 0.41%

LAB 58.84, -36.17, 3.13

 

CMYK 63 / 0 / 13 / 31

HEX #42B09A

RGB 66 176 154

HSL 168, 0.45%, 0.47%

LAB 65.39, -36.54, 2.04

 

CMYK 57 / 0 / 11 / 24

HEX #53C2AD

RGB 83 194 173

HSL 168.65, 0.48%, 0.54%

LAB 71.85, -36.73, 1.05

 

CMYK 53 / 0 / 9 / 17

HEX #64D4C0

RGB 100 212 192

HSL 169.29, 0.57%, 0.61%

LAB 78.23, -36.81, 0.16

 

CMYK 81 / 0 / 14 / 45

HEX #1B8C79

RGB 27 140 121

HSL 169.91, 0.68%, 0.33%

LAB 52.25, -34.73, 1.54

 

CMYK 92 / 0 / 16 / 52

HEX #0A7A66

RGB 10 122 102

HSL 169.29, 0.85%, 0.26%

LAB 45.56, -33.42, 2.94

 

CMYK 100 / 0 / 20 / 59

HEX #006853

RGB 0 104 83

HSL 167.88, 1%, 0.2%

LAB 38.77, -31.48, 4.58

 

CMYK 100 / 0 / 26 / 66

HEX #005640

RGB 0 86 64

HSL 164.65, 1%, 0.17%

LAB 31.87, -28.8, 6.49

 

CMYK 100 / 0 / 34 / 73

HEX #00442D

RGB 0 68 45

HSL 159.71, 1%, 0.13%

LAB 24.71, -25.99, 8.58

 

CMYK 82 / 0 / 13 / 45

HEX #1A8D7A

RGB 26 141 122

HSL 170.09, 0.69%, 0.33%

LAB 52.59, -35.01, 1.45

 

CMYK 82 / 0 / 35 / 45

HEX #1A8D5B

RGB 26 141 91

HSL 153.91, 0.69%, 0.33%

LAB 51.87, -42.81, 18.18

 

CMYK 82 / 0 / 57 / 45

HEX #1A8D3C

RGB 26 141 60

HSL 137.74, 0.69%, 0.33%

LAB 51.38, -48.49, 34.22

 

CMYK 82 / 0 / 79 / 45

HEX #1A8D1D

RGB 26 141 29

HSL 121.57, 0.69%, 0.33%

LAB 51.1, -51.85, 47.26

 

CMYK 61 / 0 / 82 / 45

HEX #378D1A

RGB 55 141 26

HSL 104.87, 0.69%, 0.33%

LAB 51.77, -46.33, 49.1

 

CMYK 82 / 0 / 13 / 45

HEX #1A8D7A

RGB 26 141 122

HSL 170.09, 0.69%, 0.33%

LAB 52.59, -35.01, 1.45

 

CMYK 82 / 9 / 0 / 45

HEX #1A818D

RGB 26 129 141

HSL 186.26, 0.69%, 0.33%

LAB 49.31, -23.32, -14.52

 

CMYK 82 / 30 / 0 / 45

HEX #1A628D

RGB 26 98 141

HSL 202.43, 0.69%, 0.33%

LAB 39.37, -5.82, -29.86

 

CMYK 82 / 52 / 0 / 45

HEX #1A448D

RGB 26 68 141

HSL 218.09, 0.69%, 0.33%

LAB 30.1, 13.83, -44.64

 

CMYK 82 / 74 / 0 / 45

HEX #1A258D

RGB 26 37 141

HSL 234.26, 0.69%, 0.33%

LAB 21.82, 34.9, -58.16

 

CMYK 82 / 0 / 13 / 45

HEX #1A8D7A

RGB 26 141 122

HSL 170.09, 0.69%, 0.33%

LAB 52.59, -35.01, 1.45

 

CMYK 92 / 0 / 15 / 40

HEX #0D9A83

RGB 13 154 131

HSL 170.21, 0.84%, 0.33%

LAB 56.91, -39.26, 2.54

 

CMYK 82 / 0 / 13 / 45

HEX #1A8D7A

RGB 26 141 122

HSL 170.09, 0.69%, 0.33%

LAB 52.59, -35.01, 1.45

 

CMYK 69 / 0 / 11 / 50

HEX #287F71

RGB 40 127 113

HSL 170.34, 0.52%, 0.33%

LAB 48.04, -29.11, 0.1

 

CMYK 53 / 0 / 9 / 55

HEX #367268

RGB 54 114 104

HSL 170, 0.36%, 0.33%

LAB 43.97, -22.16, -0.43

 

CMYK 33 / 0 / 5 / 61

HEX #43645F

RGB 67 100 95

HSL 170.91, 0.2%, 0.33%

LAB 39.81, -13.17, -1

 

CMYK 6 / 0 / 1 / 66

HEX #515655

RGB 81 86 85

HSL 168, 0.03%, 0.33%

LAB 36.1, -2.2, -0.11

 

CMYK 82 / 0 / 58 / 45

HEX #1A8D3B

RGB 26 141 59

HSL 137.22, 0.69%, 0.33%

LAB 51.36, -48.64, 34.71

 

CMYK 82 / 0 / 37 / 45

HEX #1A8D59

RGB 26 141 89

HSL 152.87, 0.69%, 0.33%

LAB 51.83, -43.25, 19.25

 

CMYK 82 / 0 / 15 / 45

HEX #1A8D78

RGB 26 141 120

HSL 169.04, 0.69%, 0.33%

LAB 52.54, -35.57, 2.53

 

CMYK 82 / 7 / 0 / 45

HEX #1A838D

RGB 26 131 141

HSL 185.22, 0.69%, 0.33%

LAB 49.95, -24.35, -13.54

 

CMYK 82 / 28 / 0 / 45

HEX #1A658D

RGB 26 101 141

HSL 200.87, 0.69%, 0.33%

LAB 40.33, -7.64, -28.36

 

CMYK 82 / 0 / 14 / 72

HEX #0D483E

RGB 13 72 62

HSL 169.83, 0.69%, 0.17%

LAB 26.93, -21.05, 0.72

 

CMYK 81 / 0 / 13 / 58

HEX #146A5C

RGB 20 106 92

HSL 170.23, 0.68%, 0.25%

LAB 39.96, -27.97, 0.86

 

CMYK 82 / 0 / 13 / 45

HEX #1A8D7A

RGB 26 141 122

HSL 170.09, 0.69%, 0.33%

LAB 52.59, -35.01, 1.45

 

CMYK 81 / 0 / 14 / 31

HEX #21B098

RGB 33 176 152

HSL 169.93, 0.68%, 0.41%

LAB 64.68, -41.59, 2.03

 

CMYK 81 / 0 / 13 / 18

HEX #28D2B6

RGB 40 210 182

HSL 170.12, 0.68%, 0.49%

LAB 76.02, -47.49, 2.14

 

CMYK 81 / 0 / 14 / 45

HEX #1B8C79

RGB 27 140 121

HSL 169.91, 0.68%, 0.33%

LAB 52.25, -34.73, 1.54

 

CMYK 80 / 82 / 0 / 45

HEX #1C1A8D

RGB 28 26 141

HSL 241.04, 0.69%, 0.33%

LAB 19.67, 41.44, -61.71

 

CMYK 0 / 48 / 82 / 45

HEX #8D4A1A

RGB 141 74 26

HSL 25.04, 0.69%, 0.33%

LAB 38.96, 24.76, 39.37

 

CMYK 81 / 0 / 14 / 45

HEX #1B8C79

RGB 27 140 121

HSL 169.91, 0.68%, 0.33%

LAB 52.25, -34.73, 1.54

 

CMYK 15 / 82 / 0 / 45

HEX #781A8D

RGB 120 26 141

HSL 289.04, 0.69%, 0.33%

LAB 31.01, 54.48, -42.72

 

CMYK 0 / 15 / 82 / 45

HEX #8D781A

RGB 141 120 26

HSL 49.04, 0.69%, 0.33%

LAB 50.89, -1.77, 50.34

 

CMYK 81 / 0 / 14 / 45

HEX #1B8C79

RGB 27 140 121

HSL 169.91, 0.68%, 0.33%

LAB 52.25, -34.73, 1.54

 

CMYK 80 / 82 / 0 / 45

HEX #1C1A8D

RGB 28 26 141

HSL 241.04, 0.69%, 0.33%

LAB 19.67, 41.44, -61.71

 

CMYK 0 / 82 / 67 / 45

HEX #8D1A2F

RGB 141 26 47

HSL 349.04, 0.69%, 0.33%

LAB 30.89, 47.77, 18.25

 

CMYK 1 / 0 / 82 / 45

HEX #8B8D1A

RGB 139 141 26

HSL 61.04, 0.69%, 0.33%

LAB 56.7, -14.18, 55.41

 

CMYK 81 / 0 / 14 / 45

HEX #1B8C79

RGB 27 140 121

HSL 169.91, 0.68%, 0.33%

LAB 52.25, -34.73, 1.54

 

CMYK 55 / 82 / 0 / 45

HEX #3F1A8D

RGB 63 26 141

HSL 259.3, 0.69%, 0.33%

LAB 22.72, 44.93, -56.58

 

CMYK 0 / 82 / 67 / 45

HEX #8D1A2F

RGB 141 26 47

HSL 349.04, 0.69%, 0.33%

LAB 30.89, 47.77, 18.25

 

CMYK 26 / 0 / 82 / 45

HEX #698D1A

RGB 105 141 26

HSL 78.78, 0.69%, 0.33%

LAB 54.16, -29.03, 52.18

 

Description

Color code: HEX #1B8C79 | qconv.com Color code: HEX #1B8C79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 140 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 140 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 14 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 14% 45% C M Y K

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Provide designers and agencies with accurate color values.

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