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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B8965 it is the complementary color #E4769A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B8965. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B8965 shade: #208960, #319B73, #42AD86, #53BF99 and #64D1AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B8965. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B8965 shade: #1B8965, #0A7752, #00653F, #00532C and #004119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B8965 shade: #1B8864, #1B8847, #1B882A, #2A881B and #47881B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B8965 shade: #1B8864, #1B8882, #1B7188, #1B5488 and #1B3688

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B8965 shade matches the following richer shades: #1B8864, #0E9569 and #01A36E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B8965 shade: #1B8864, #287B60, #356E5B, #436157 and #505352

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B8965 shade: #1B882A, #1B8847, #1B8864, #1B8881 and #1B7288

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B8965 shade: #0D4332, #14664B, #1B8864, #22AB7E and #29CD97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B8965 shade: #1B8965, #1B2A88 and #88381B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B8965 shade: #1B8965, #641B88 and #88641B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B8965 shade: #1B8965, #1B2A88, #881B3F and #887A1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B8965 shade: #1B8965, #2D1B88, #881B3F and #76881B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 26 / 46

HEX #1B8965

RGB 27 137 101

HSL 160.36, 0.67%, 0.32%

LAB 50.76, -38.71, 10.96

 

Complementary color

CMYK 0 / 48 / 32 / 11

HEX #E4769A

RGB 228 118 154

HSL 340.36, 0.67%, 0.68%

LAB 63.16, 46.46, 0.31

 

CMYK 77 / 0 / 30 / 46

HEX #208960

RGB 32 137 96

HSL 156.57, 0.62%, 0.33%

LAB 50.74, -39.27, 13.81

 

CMYK 68 / 0 / 26 / 39

HEX #319B73

RGB 49 155 115

HSL 157.36, 0.52%, 0.4%

LAB 57.4, -39.82, 12.37

 

CMYK 62 / 0 / 23 / 32

HEX #42AD86

RGB 66 173 134

HSL 158.13, 0.45%, 0.47%

LAB 63.97, -40.08, 11.08

 

CMYK 57 / 0 / 20 / 25

HEX #53BF99

RGB 83 191 153

HSL 158.89, 0.46%, 0.54%

LAB 70.46, -40.17, 9.93

 

CMYK 52 / 0 / 18 / 18

HEX #64D1AC

RGB 100 209 172

HSL 159.63, 0.54%, 0.61%

LAB 76.85, -40.14, 8.88

 

CMYK 80 / 0 / 26 / 46

HEX #1B8965

RGB 27 137 101

HSL 160.36, 0.67%, 0.32%

LAB 50.76, -38.71, 10.96

 

CMYK 92 / 0 / 31 / 53

HEX #0A7752

RGB 10 119 82

HSL 159.63, 0.84%, 0.25%

LAB 44.04, -37.47, 12.61

 

CMYK 100 / 0 / 38 / 60

HEX #00653F

RGB 0 101 63

HSL 157.43, 1%, 0.2%

LAB 37.24, -35.48, 14.53

 

CMYK 100 / 0 / 47 / 67

HEX #00532C

RGB 0 83 44

HSL 151.81, 1%, 0.16%

LAB 30.32, -32.57, 16.73

 

CMYK 100 / 0 / 62 / 75

HEX #004119

RGB 0 65 25

HSL 143.08, 1%, 0.13%

LAB 23.17, -29.31, 19.02

 

CMYK 80 / 0 / 26 / 47

HEX #1B8864

RGB 27 136 100

HSL 160.18, 0.67%, 0.32%

LAB 50.41, -38.53, 11.04

 

CMYK 80 / 0 / 48 / 47

HEX #1B8847

RGB 27 136 71

HSL 144.22, 0.67%, 0.32%

LAB 49.85, -44.75, 26.6

 

CMYK 80 / 0 / 69 / 47

HEX #1B882A

RGB 27 136 42

HSL 128.26, 0.67%, 0.32%

LAB 49.51, -48.91, 40.58

 

CMYK 69 / 0 / 80 / 47

HEX #2A881B

RGB 42 136 27

HSL 111.74, 0.67%, 0.32%

LAB 49.71, -47.54, 46.7

 

CMYK 48 / 0 / 80 / 47

HEX #47881B

RGB 71 136 27

HSL 95.78, 0.67%, 0.32%

LAB 50.72, -39.56, 48.01

 

CMYK 80 / 0 / 26 / 47

HEX #1B8864

RGB 27 136 100

HSL 160.18, 0.67%, 0.32%

LAB 50.41, -38.53, 11.04

 

CMYK 80 / 0 / 4 / 47

HEX #1B8882

RGB 27 136 130

HSL 176.7, 0.67%, 0.32%

LAB 51.21, -30.22, -5.22

 

CMYK 80 / 17 / 0 / 47

HEX #1B7188

RGB 27 113 136

HSL 192.66, 0.67%, 0.32%

LAB 43.97, -16.33, -19.7

 

CMYK 80 / 38 / 0 / 47

HEX #1B5488

RGB 27 84 136

HSL 208.62, 0.67%, 0.32%

LAB 34.7, 1.17, -34.19

 

CMYK 80 / 60 / 0 / 47

HEX #1B3688

RGB 27 54 136

HSL 225.14, 0.67%, 0.32%

LAB 25.71, 21.65, -48.67

 

CMYK 80 / 0 / 26 / 47

HEX #1B8864

RGB 27 136 100

HSL 160.18, 0.67%, 0.32%

LAB 50.41, -38.53, 11.04

 

CMYK 91 / 0 / 30 / 42

HEX #0E9569

RGB 14 149 105

HSL 160.44, 0.83%, 0.32%

LAB 54.67, -43.86, 14.11

 

CMYK 99 / 0 / 33 / 36

HEX #01A36E

RGB 1 163 110

HSL 160.37, 0.99%, 0.32%

LAB 59.28, -48.82, 17.66

 

CMYK 80 / 0 / 26 / 47

HEX #1B8864

RGB 27 136 100

HSL 160.18, 0.67%, 0.32%

LAB 50.41, -38.53, 11.04

 

CMYK 67 / 0 / 22 / 52

HEX #287B60

RGB 40 123 96

HSL 160.48, 0.51%, 0.32%

LAB 46.26, -31.77, 7.57

 

CMYK 52 / 0 / 17 / 57

HEX #356E5B

RGB 53 110 91

HSL 160, 0.35%, 0.32%

LAB 42.25, -23.76, 4.89

 

CMYK 31 / 0 / 10 / 62

HEX #436157

RGB 67 97 87

HSL 160, 0.18%, 0.32%

LAB 38.6, -13.45, 2.16

 

CMYK 4 / 0 / 1 / 67

HEX #505352

RGB 80 83 82

HSL 160, 0.02%, 0.32%

LAB 35.01, -1.42, 0.16

 

CMYK 80 / 0 / 69 / 47

HEX #1B882A

RGB 27 136 42

HSL 128.26, 0.67%, 0.32%

LAB 49.51, -48.91, 40.58

 

CMYK 80 / 0 / 48 / 47

HEX #1B8847

RGB 27 136 71

HSL 144.22, 0.67%, 0.32%

LAB 49.85, -44.75, 26.6

 

CMYK 80 / 0 / 26 / 47

HEX #1B8864

RGB 27 136 100

HSL 160.18, 0.67%, 0.32%

LAB 50.41, -38.53, 11.04

 

CMYK 80 / 0 / 5 / 47

HEX #1B8881

RGB 27 136 129

HSL 176.15, 0.67%, 0.32%

LAB 51.18, -30.53, -4.68

 

CMYK 80 / 16 / 0 / 47

HEX #1B7288

RGB 27 114 136

HSL 192.11, 0.67%, 0.32%

LAB 44.3, -16.88, -19.2

 

CMYK 81 / 0 / 25 / 74

HEX #0D4332

RGB 13 67 50

HSL 161.11, 0.68%, 0.16%

LAB 24.73, -22.1, 5.4

 

CMYK 80 / 0 / 26 / 60

HEX #14664B

RGB 20 102 75

HSL 160.24, 0.67%, 0.24%

LAB 38.13, -30.85, 8.57

 

CMYK 80 / 0 / 26 / 47

HEX #1B8864

RGB 27 136 100

HSL 160.18, 0.67%, 0.32%

LAB 50.41, -38.53, 11.04

 

CMYK 80 / 0 / 26 / 33

HEX #22AB7E

RGB 34 171 126

HSL 160.29, 0.67%, 0.4%

LAB 62.48, -46, 13.31

 

CMYK 80 / 0 / 26 / 20

HEX #29CD97

RGB 41 205 151

HSL 160.24, 0.67%, 0.48%

LAB 73.78, -53, 15.57

 

CMYK 80 / 0 / 26 / 46

HEX #1B8965

RGB 27 137 101

HSL 160.36, 0.67%, 0.32%

LAB 50.76, -38.71, 10.96

 

CMYK 80 / 69 / 0 / 47

HEX #1B2A88

RGB 27 42 136

HSL 231.74, 0.67%, 0.32%

LAB 22.54, 29.88, -53.86

 

CMYK 0 / 59 / 80 / 47

HEX #88381B

RGB 136 56 27

HSL 15.96, 0.67%, 0.32%

LAB 34.28, 32.48, 34.02

 

CMYK 80 / 0 / 26 / 46

HEX #1B8965

RGB 27 137 101

HSL 160.36, 0.67%, 0.32%

LAB 50.76, -38.71, 10.96

 

CMYK 26 / 80 / 0 / 47

HEX #641B88

RGB 100 27 136

HSL 280.18, 0.67%, 0.32%

LAB 27.49, 49.29, -45.45

 

CMYK 0 / 26 / 80 / 47

HEX #88641B

RGB 136 100 27

HSL 40.18, 0.67%, 0.32%

LAB 44.84, 7.41, 44.25

 

CMYK 80 / 0 / 26 / 46

HEX #1B8965

RGB 27 137 101

HSL 160.36, 0.67%, 0.32%

LAB 50.76, -38.71, 10.96

 

CMYK 80 / 69 / 0 / 47

HEX #1B2A88

RGB 27 42 136

HSL 231.74, 0.67%, 0.32%

LAB 22.54, 29.88, -53.86

 

CMYK 0 / 80 / 54 / 47

HEX #881B3F

RGB 136 27 63

HSL 340.18, 0.67%, 0.32%

LAB 30.34, 47.13, 6.74

 

CMYK 0 / 10 / 80 / 47

HEX #887A1B

RGB 136 122 27

HSL 52.29, 0.67%, 0.32%

LAB 50.96, -5.19, 49.88

 

CMYK 80 / 0 / 26 / 46

HEX #1B8965

RGB 27 137 101

HSL 160.36, 0.67%, 0.32%

LAB 50.76, -38.71, 10.96

 

CMYK 67 / 80 / 0 / 47

HEX #2D1B88

RGB 45 27 136

HSL 249.91, 0.67%, 0.32%

LAB 20.52, 40.78, -57.15

 

CMYK 0 / 80 / 54 / 47

HEX #881B3F

RGB 136 27 63

HSL 340.18, 0.67%, 0.32%

LAB 30.34, 47.13, 6.74

 

CMYK 13 / 0 / 80 / 47

HEX #76881B

RGB 118 136 27

HSL 69.91, 0.67%, 0.32%

LAB 53.53, -20.94, 51.64

 

Description

Color code: HEX #1B8965 | qconv.com Color code: HEX #1B8965 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 137 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 137 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 26 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 26% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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