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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B8480 it is the complementary color #E47B7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B8480. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1B8480: #20847B, #31968E, #42A8A1, #53BAB4 and #64CCC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B8480. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1B8480: #1B8480, #0A726D, #00605A, #004E47 and #003C34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 3 / 48

HEX #1B8480

RGB 27 132 128

HSL 177.71, 0.66%, 0.31%

LAB 49.85, -28.9, -6.07

 

Complementary color

CMYK 0 / 46 / 44 / 11

HEX #E47B7F

RGB 228 123 127

HSL 357.71, 0.66%, 0.69%

LAB 63.5, 40.89, 16.21

 

CMYK 76 / 0 / 7 / 48

HEX #20847B

RGB 32 132 123

HSL 174.6, 0.61%, 0.32%

LAB 49.79, -29.82, -3.23

 

CMYK 67 / 0 / 5 / 41

HEX #31968E

RGB 49 150 142

HSL 175.25, 0.51%, 0.39%

LAB 56.5, -30.5, -4.27

 

CMYK 61 / 0 / 4 / 34

HEX #42A8A1

RGB 66 168 161

HSL 175.88, 0.44%, 0.46%

LAB 63.12, -30.92, -5.19

 

CMYK 55 / 0 / 3 / 27

HEX #53BAB4

RGB 83 186 180

HSL 176.5, 0.43%, 0.53%

LAB 69.65, -31.16, -6.01

 

CMYK 51 / 0 / 2 / 20

HEX #64CCC7

RGB 100 204 199

HSL 177.12, 0.5%, 0.6%

LAB 76.08, -31.3, -6.77

 

CMYK 80 / 0 / 3 / 48

HEX #1B8480

RGB 27 132 128

HSL 177.71, 0.66%, 0.31%

LAB 49.85, -28.9, -6.07

 

CMYK 91 / 0 / 4 / 55

HEX #0A726D

RGB 10 114 109

HSL 177.12, 0.84%, 0.24%

LAB 43.07, -27.53, -4.89

 

CMYK 100 / 0 / 6 / 62

HEX #00605A

RGB 0 96 90

HSL 176.25, 1%, 0.19%

LAB 36.18, -25.53, -3.49

 

CMYK 100 / 0 / 9 / 69

HEX #004E47

RGB 0 78 71

HSL 174.62, 1%, 0.15%

LAB 29.17, -22.8, -1.85

 

CMYK 100 / 0 / 13 / 76

HEX #003C34

RGB 0 60 52

HSL 172, 1%, 0.12%

LAB 21.87, -19.97, -0.08

 

CMYK 80 / 0 / 3 / 48

HEX #1B8480

RGB 27 132 128

HSL 177.71, 0.66%, 0.31%

LAB 49.85, -28.9, -6.07

 

CMYK 80 / 9 / 0 / 49

HEX #1A7783

RGB 26 119 131

HSL 186.86, 0.67%, 0.31%

LAB 45.71, -21.43, -14.07

 

CMYK 80 / 23 / 0 / 49

HEX #1A6583

RGB 26 101 131

HSL 197.14, 0.67%, 0.31%

LAB 39.86, -11.39, -23.05

 

CMYK 80 / 36 / 0 / 49

HEX #1A5483

RGB 26 84 131

HSL 206.86, 0.67%, 0.31%

LAB 34.39, -0.93, -31.62

 

CMYK 80 / 50 / 0 / 49

HEX #1A4283

RGB 26 66 131

HSL 217.14, 0.67%, 0.31%

LAB 28.79, 11.13, -40.57

 

CMYK 80 / 0 / 3 / 48

HEX #1B8480

RGB 27 132 128

HSL 177.71, 0.66%, 0.31%

LAB 49.85, -28.9, -6.07

 

CMYK 80 / 0 / 3 / 28

HEX #25B7B1

RGB 37 183 177

HSL 177.53, 0.66%, 0.43%

LAB 67.6, -37.32, -7.51

 

CMYK 79 / 0 / 3 / 8

HEX #30EAE3

RGB 48 234 227

HSL 177.74, 0.82%, 0.55%

LAB 84.49, -44.89, -9.34

 

CMYK 80 / 0 / 3 / 88

HEX #061E1D

RGB 6 30 29

HSL 177.5, 0.67%, 0.07%

LAB 9.45, -9.55, -2.14

 

CMYK 79 / 0 / 2 / 68

HEX #11514F

RGB 17 81 79

HSL 178.13, 0.65%, 0.19%

LAB 30.8, -19.73, -4.52

 

CMYK 80 / 0 / 3 / 48

HEX #1B8480

RGB 27 132 128

HSL 177.71, 0.66%, 0.31%

LAB 49.85, -28.9, -6.07

 

CMYK 68 / 80 / 0 / 49

HEX #2A1A83

RGB 42 26 131

HSL 249.14, 0.67%, 0.31%

LAB 19.51, 39.38, -55.67

 

CMYK 0 / 36 / 80 / 49

HEX #83541A

RGB 131 84 26

HSL 33.14, 0.67%, 0.31%

LAB 39.98, 14.43, 39.85

 

CMYK 80 / 0 / 3 / 48

HEX #1B8480

RGB 27 132 128

HSL 177.71, 0.66%, 0.31%

LAB 49.85, -28.9, -6.07

 

CMYK 4 / 80 / 0 / 49

HEX #7E1A83

RGB 126 26 131

HSL 297.14, 0.67%, 0.31%

LAB 31.38, 53.87, -35.85

 

CMYK 0 / 4 / 80 / 49

HEX #837E1A

RGB 131 126 26

HSL 57.14, 0.67%, 0.31%

LAB 51.63, -9.78, 50.65

 

CMYK 80 / 0 / 3 / 48

HEX #1B8480

RGB 27 132 128

HSL 177.71, 0.66%, 0.31%

LAB 49.85, -28.9, -6.07

 

CMYK 68 / 80 / 0 / 49

HEX #2A1A83

RGB 42 26 131

HSL 249.14, 0.67%, 0.31%

LAB 19.51, 39.38, -55.67

 

CMYK 0 / 80 / 76 / 49

HEX #831A20

RGB 131 26 32

HSL 356.57, 0.67%, 0.31%

LAB 28.56, 43.9, 24.64

 

CMYK 12 / 0 / 80 / 49

HEX #73831A

RGB 115 131 26

HSL 69.14, 0.67%, 0.31%

LAB 51.78, -19.75, 50.28

 

CMYK 80 / 0 / 3 / 48

HEX #1B8480

RGB 27 132 128

HSL 177.71, 0.66%, 0.31%

LAB 49.85, -28.9, -6.07

 

CMYK 44 / 80 / 0 / 49

HEX #491A83

RGB 73 26 131

HSL 266.86, 0.67%, 0.31%

LAB 22.98, 43.69, -49.84

 

CMYK 0 / 80 / 76 / 49

HEX #831A20

RGB 131 26 32

HSL 356.57, 0.67%, 0.31%

LAB 28.56, 43.9, 24.64

 

CMYK 36 / 0 / 80 / 49

HEX #54831A

RGB 84 131 26

HSL 86.86, 0.67%, 0.31%

LAB 49.73, -32.76, 47.63

 

Description

Color code: HEX #1B8480 | qconv.com Color code: HEX #1B8480 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 132 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 132 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 3 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 3% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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